Read Ebook: An English Girl's First Impressions of Burmah by Ellis Beth
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The compactness of the house was delightful. All the rooms led out of one another, and there were no inside doors, consequently one could easily carry on a conversation with those in other parts of the house without leaving one's chair or raising one's voice.
The only occasion on which we found this arrangement of the rooms inconvenient was when we stained the dining room floor. The stain did not dry for three days, and during that time all communication between the drawing room and bedrooms was entirely cut off, for the only way from one to the other was through the dining room, and that was impossible, unless we wished our beautiful floor to be covered with permanent foot marks.
Our architect was evidently a dweller in the plains, and the uses of a fireplace were unknown to him. In each of the small bedrooms he had built large open fireplaces, worthy of a baronial hall, while in neither of the sitting rooms was there the slightest vestige of a fireplace of any sort or kind whatever.
This was a little inconvenient. Naturally an affectionate and gregarious family party, we did not like to spend our evenings, each sitting alone before our own palatial bedroom fireplace; being properly brought up, and proud of our drawing room, we preferred to occupy it, and often, as I sat shivering while the wind tore through the rooms, whistling and shrieking round the furniture, and the rain poured through the roof, I wondered what was supposed to be the use of a house at all; we should have done quite as well without one, except, of course, for the look of the thing.
Modern inventions such as bells appear unknown in Remyo. If you want anything you must shout for it until you get it.
When calling on a neighbour you stand outside the front door, and shout for five minutes, if no one appears in that time, you assume they are not at home, put your cards on the doorstep or through a chink in the wall, and depart. It is a primitive arrangement, but still, not without advantages. If you don't wish to find people at home, you shout softly.
We were superior to all our neighbours in the possession of a bell. We hung it up in the compound near the servants' "go downs," and passed the bell rope through various holes in the walls, etc., to the dining room. I don't know where the bell originally came from, but I think it must have come from a pagoda, for it was undoubtedly bewitched. It rang at all hours of the day and night without provocation. Once it pealed out suddenly at midnight and rang steadily for half-an-hour, when it as suddenly stopped. This was probably caused by some birds swinging on the rope, but it was most uncanny.
The servants used to answer the bell at first when it rang in the day time, until the joke palled on them, and they became suddenly deaf to its call. They never answered it at night: I fancy they thought when they heard it then, that the house was attacked by dacoits or tigers and we were ringing for help, and they deemed it more prudent to remain shut up in their "go downs." When we attempted to ring the bell with a purpose, it invariably stuck somewhere and would not sound. We never ceased to feel proud of the possession of our bell, but ceased at last to expect it to be of any practical use.
When my sister first showed me over her house, my heart sank in spite of my ostensible admiration, for where was the kitchen? Did dwellers in Remyo eat no cooked food; must I be satisfied with rice and fruits? However, my doubts were soon set at rest when we visited the compound, for there stood a tiny tin shed, inside which was a broad brick wall, with three holes for fires, and what looked like a dog kennel, but which I learned was the oven. A fire was lighted inside the oven, and when the walls were red hot the burning logs were pulled out, the bread placed in, and walled up.
How anyone managed to cook anything successfully thus was a marvel to me. I had gone out to Remyo, fresh from a course of scientific cooking lectures, intending to rejoice the palates of the poor exiles with the dainty dishes I would cook for their edification. When I saw that kitchen, and when I learned that such a thing as a pair of scales did not exist in the station, all measuring being done by guess work, I gave up all hope of fulfilling my intention, and looked upon the native cook as the most talented gentleman of my acquaintance.
The furniture in Remyo is of the "let-us-pack-up-quickly-and-remove" type. It is of the lightest and most unsubstantial kind, and has the air of having seen many sales and many owners.
The most prominent article in nearly every house is the deck chair, faithful and much travelled chair, which has accompanied its master over the sea from England, and wandered with him into many a dreary little out-of-the-way village, where perchance he sees for months no fellow white man, and where his chair and pipe alone receive his confidences, and solace his soul in the utter loneliness of the jungle. No wonder then that the deck chair wears an important air, and regards other pieces of furniture, which probably change owners every six months, with contemptuous scorn.
The impossibility of having a settled home in Burmah is very pathetic. In Rangoon, the interior of the houses occasionally wear a settled and homelike appearance, but in the jungle, never. Everything is selected with a view to quick packing; pictures, ornaments, and useless decorations are reduced to a minimum, and only articles of furniture which are indispensable are seen. When one is liable to be moved elsewhere at four days' notice, there is no encouragement to take deep root, the frequent uprooting would be too painful.
This spirit of constant change seems to enter into the blood of the Anglo-Indian, for the housewife is perpetually moving her furniture, "turning her rooms round" so to speak, and she never seems to keep anything in the same place for more than a week!
After all, not Burmah, but England is looked upon as "Home." Even the man of twenty-five years service whose family, friends, and interests may be all centred in Burmah, who loves the life he leads there, and is proud of the position he holds, even he talks of what he will do when he "goes home," and in imagination crowns with a halo "this little precious stone set in the silver sea, this blessed plot, this earth, this realm, this England," which no amount of fog, cold, monotony, and dreary oblivion in his after life here, ever dispels. However happy and prosperous the Anglo-Indian may be in his exile, going to England, is "going home."
Our most unique piece of furniture was the piano.
I do not remember who was the maker of this renowned instrument, but its delicate constitution was most unhappily disorganised by the climate. When first it came to us it was quite a nice piano, rather jingling, and not always in tune, but "fit to pass in a crowd with a shove." Alas! the Remyo climate was fatal; the degeneration commenced at once, and proceeded so rapidly, that in three months all was over.
The first indication of trouble was a serious feud between several of the notes, which would persist in making use of one another's tones, and would not work in harmony. For example, when one struck C sharp, it promptly sang out high F's tone, and high F, being deprived of its lawful voice, was forced to adopt a sound like nothing we had ever heard before. Then E flat became officious and conceited, and persisted in sounding its shrill note through the whole of the piece in performance, while G on the contrary was sulky, and wouldn't sound at all.
Now all this was, of course, most disconcerting to other notes which had hitherto behaved in an exemplary manner. Some became flurried and nervous, and sang totally wrong tones, or sounded their own in such a doubtful, apologetic manner that it was of very little effect. Others grew annoyed, sided with various leaders in the quarrels, jangling together noisily, and persisting in sounding discords and interrupting each other. Others again were seized with a mischievous spirit; they mocked and mimicked their companions, and vied with one another in producing the most extraordinary and unpleasant noises.
Chaos and anarchy reigned in the piano case, all laws of sound and harmony were o'erthrown, the bass clef could no longer be trusted to produce a low note, nor the treble a high one, and a chromatic scale produced such an extraordinary conglomeration of sounds, as would certainly have caused a German band to die of envy.
This could not continue for ever, and at last came reaction. Whether caused by the quarterly visit of the Mandalay chaplain, or by the shocked and pained expression on the face of a musical friend who called one day when I was sounding the piano, I know not, but certain it is, the piano was suddenly seized with remorse. Notes conquered their thieving propensities, differences were patched up, discord and jangling ceased, and the whole community, as a sign of real repentance, took upon itself the vow of silence.
Not a sound could we extract from the once noisy keys, save occasionally a sad whisper from the treble, or a low murmur from the bass. After a time, even these ceased, and the once harmonious and soul-stirring tones of the piano, passed entirely into the Land of Silence.
THE EUROPEAN INHABITANTS.
"In spite of all temptations To belong to other nations He remains an Englishman"-- "H.M.S. Pinafore."
The European population of Remyo is small, consisting in fact of but four resident ladies, and some dozen resident males; but despite their limited number they form a very friendly and independent little community. Among them are to be found the usual types of Anglo Indian society, but they display characteristics not met with among the dwellers in larger stations.
Remyo is so entirely cut off from civilisation, that the inhabitants must of necessity depend solely upon themselves for amusement, and as entertainments, at which one would invariably meet the same half-dozen guests are apt to become a trifle monotonous, the ladies, deprived of this usual mode of killing time, are compelled to devote themselves to domestic pursuits rather more than is the custom of most Anglo Indians.
The comparative coolness of the climate is conducive to such occupations, and whereas in Rangoon, or Mandalay, housekeeping duties are reduced to a minimum, in Remyo, the ladies, having nothing else to do, engage themselves thus with a zeal and energy worthy of a Dutch housewife.
But, poor souls, they are terribly handicapped!
In the first place, they are mostly unaccustomed to housekeeping themselves; secondly, the servants and household are quite unaccustomed to being "kept"; and thirdly, it is practically impossible for a mistress to do her own marketing unless she possess an unusual knowledge of the language.
She may resolutely keep accounts, lock up stores, walk about all morning in an apron, with a large bunch of keys, and have long confidential conversations with the cook; but in spite of all these possibilities she can only play at housekeeping; the Cook and Head Boy are the real managers of the establishment, and they regard the well meant efforts of their mistress with the kindly amusement one would extend to a child "keeping house." A Remyo lady's morning interview with her cook, usually a Madrassee, is an amusing interlude.
Neither fish nor joints can be procured in the native bazaar, so the poor housekeeper is often at her wits' end to introduce variety into her evening menu.
She begins cheerfully: "Well cook, what have we for dinner to-night?"
Cook replies laconically, "Chicken."
"Chicken," repeats the mistress doubtfully, "yes, perhaps that will do. Did you kill it yesterday?"
"No! missis, not killed yet."
"Oh cook!" in a tone of stern reproach, "missis told you always to kill it the day before, why have you not done so?"
Cook shelters himself behind an unintelligible answer in a mixture of Hindustani and "Pigeon English," and after an unsuccessful attempt to understand him, his mistress is forced to pass from the subject, with a rebuke which he receives with a reproachful look. "Now," she continues, "what have you for soup?"
"Chicken" is again the prompt reply.
"Is there really nothing else?" demands the mistress uneasily.
"No, there is nothing else."
"Well," hopefully, "you must make a very nice little side dish , what can we have?"
"Nice bit of grilled chicken," suggests cook cheerfully.
"Oh no cook," she cries in despair, "we can't have more chicken."
"What would missis like then?"
Missis has not the vaguest idea of any possible suggestion, so diffidently agrees that perhaps chicken will be nice. She asks about the savoury, but seeing the word "chicken" again hovering on cook's lips, decides to make the savoury herself, and turns to receive the daily accounts.
Then cook rattles off a long account of his expenditure, which his mistress duly enters in her book, fondly hoping that he isn't charging her more than double the cost of each article, but having no means of discovering the truth.
Once or twice, on visits to the bazaar, we asked the price of various things, and triumphantly confronted the cook with the result of our researches, but he was never in the least disconcerted, and at once entered into a long, unintelligible, and quite irrefutable explanation as to why the article was cheaper on that particular day than on any other. It is quite impossible to upset the cheerful sang froid of a Madrassee.
Native servants have the reputation of being most faithful to their master, and perhaps they deserve the character, for they allow no one else to cheat him , but they consider it their special prerogative to cheat him themselves at every opportunity.
A scolding from a mistress makes little impression on a Madrassee servant,--he receives it with an air of gentle reproach, while he most persistently denies the offence, whatever it may be, from a bad dinner, to a broken plate or an undelivered message. It is only the master, who, by a wealth of strong language, and judiciously directed remarks, concerning the origin, parents, and relations of the guilty one, can hope to make the slightest impression upon the impervious native mind.
A further difficulty for the young and ardent housekeeper is the number of servants in her establishment. One man is engaged to sweep the floor, another to dust the furniture, one to fetch the water, a second to pour it into the bath, one to lay the knives and forks, and a companion to hand the plates, and so on through every department of the household work.
This divided duty is exceedingly convenient to the servants, for if anything be wrong the fault can always be laid on the absent one, or a scolding delivered to one can be passed on almost unlimitedly until everyone has enjoyed an opportunity of relieving his feelings. But it is inconvenient for a mistress; such a delay is caused in carrying out an order. For example, if a jug of water be spilled, a first servant picks up the jug, a second dries the table cloth, a third dries the table, a fourth mops up the water from the floor, a fifth rearranges the furniture, a sixth carries out the empty jug, and a seventh fetches the water to refill it.
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