Read Ebook: Fenwick's Career by Ward Humphry Mrs

Font size: 10 px 15 px 20 px 25 px 30 px 35 px

Background color: BlackWhiteGrayLight GrayDark GrayDim Gray

Text color: BlackWhiteGrayLight GrayDark GrayDim Gray

Apply/Save settings

Ebook has 2138 lines and 95261 words, and 43 pages

He turned towards his wife, pushing up his spectacles to look at her. He was a tall man, a little bent at the shoulders from long years of desk-work; and those who saw him for the first time were apt to be struck by a certain eager volatility of aspect--expressed by the small head on its thin neck, by the wavering blue eyes, and smiling mouth--not perhaps common in the chief cashiers of country banks.

As his wife met his appeal to her, the slight habitual furrow on her own brow deepened. She saw that her husband held a newspaper crushed in his right hand, and that his whole air was excited and restless. A miserable, familiar pang passed through her. As the chief and trusted official of an old-established bank in one of the smaller cotton-towns, Mr. Morrison had a large command of money. His wife had suspected him for years of using bank funds for the purposes of his own speculations. She had never dared to say a word to him on the subject, but she lived in terror--being a Calvinist by nature and training--of ruin here, and Hell hereafter.

Of late, some instinct told her that he had been forcing the pace; and as she turned to him, she felt certain that he had just received some news which had given him great pleasure, and she felt certain also that it was news of which he ought rather to have been ashamed.

She drew herself together in a dumb recoil. Her hands trembled as she put down her knitting.

'I'd be sorry if a son of mine did nothing but paint portraits.'

John Fenwick looked up, startled.

'Why?' laughed her husband.

'Because it often seems to me,' she said, in a thin, measured voice, 'that a Christian might find a better use for his time than ministering to the vanity of silly girls, and wasting hours and hours on making a likeness of this poor body, that's of no real matter to anybody.'

'You'd make short work of art and artists, my dear!' said Morrison, throwing up his hands. 'You forget, perhaps, that St. Luke was a painter?'

'And where do you get that from, Mr. Morrison, I'd like to ask?' said his wife, slowly; 'it's not in the Bible--though I believe you think it is. Well, good-night to you, Mr. Fenwick. I'm sorry you haven't enjoyed yourself, and I'm not going to deny that Bella was very rude and trying. Good-night.'

And with a frigid touch of the hand, Mrs. Morrison departed. She looked again at her husband as she closed the door--a sombre, shrinking look.

Morrison avoided it. He was pacing up and down in high spirits. When he and Fenwick were left alone, he went up to the painter and laid an arm across his shoulders.

'Well!--how's the money holding out?'

'I've got scarcely any left,' said the painter, instinctively moving away. It might have been seen that he felt himself dependent, and hated to feel it.

'Any more commissions?'

'I've painted a child up in Grasmere, and a farmer's wife just married. And Satterthwaite, the butcher, says he'll give me a commission soon. And there's a clergyman, up Easedale way, wants me to paint his son.'

'Well; and what do you get for these things?'

'Three pounds--sometimes five,' said the young man, reluctantly.

'A little more than a photograph.'

'Yes. They say if I won't be reasonable there's plenty as'll take their pictures, and they can't throw away money.'

'H'm! Well, at this rate, Fenwick, you're not exactly galloping into a fortune. And your father?'

'H'm!--Well, now, Fenwick, what are your plans? Can you live on what you make?'

'No,' said the other, abruptly. 'I'm getting into debt.'

'That's bad. But what's your own idea? You must have some notion of a way out.'

'If I could get to London,' said the other, in a low, dragging voice, 'I'd soon find a way out.'

'And what prevents you?'

'Well, it's simple enough. You don't really, sir, need to ask. I've no money--and I've a wife and child.'

Fenwick's tone was marked by an evident ill-humour. He had thrown back his handsome head, and his eyes sparkled. It was plain that Mr. Morrison's catechising manner had jarred upon a pride that was all on edge--wounded by poverty and ill-success.

'Yes--that was an imprudent match of yours, my young man! However--however--'

Mr. Morrison walked up and down ruminating. His long, thin hands were clasped before him. His head hung in meditation. And every now and then he looked towards the newspaper he had thrown down. At last he again approached the artist.

He paused, his eyes on the artist, his attitude grasping, as it were, at the other's approval--hungry for it. Fenwick said nothing. He stood in the shadow of a curtain, and the sarcasm his lip could not restrain escaped the notice of his companion. 'And so, you see, I'm only following out an old custom when I say, I believe in you, Fenwick!--I believe in your abilities--I'm sorry for your necessities--and I'll come to your assistance. Now, how much would take you to London and keep you there for six months, till you've made a few friends and done some work?'

'A hundred pounds,' said the painter, breathing hard.

'A hundred pounds. And what about the wife?'

'Her father very likely would give her shelter, and the child. And of course I should leave her provided.'

'Well, and what about my security? How, John, in plain words, do you propose to repay me?'

Mr. Morrison spoke with extreme mildness. His blue eyes, whereof the whites were visible all round the pupils, shone benevolently on the artist--his mouth was all sensibility. Whereas, for a moment, there had been something of the hawk in his attitude and expression, he was now the dove--painfully obliged to pay a passing attention to business.

Fenwick hesitated.

'You mentioned six guineas, I think, for this portrait?' He nodded towards the canvas, on which he had been at work.

'I did. It is unfortunate, of course, that Bella dislikes it so. I shan't be able to hang it. Never mind. A bargain's a bargain.'

The young man drew himself up proudly.

'It is so, Mr. Morrison. And you wished me to paint your portrait, I think, and Mrs. Morrison's.' The elder man made a sign of assent. 'Well, I could run up to your place--to Bartonbury--and paint those in the winter, when I come to see my wife. As to the rest--I'll repay you within the year--unless--well, unless I go utterly to grief, which of course I may.'

'Wait here a moment. I'll fetch you the money. Better not promise to repay me in cash. It'll be a millstone round your neck. I'll take it in pictures.'

'Very well; then I'll either paint you an original finished picture--historical or romantic subject--medium size, by the end of the year, or make you copies--you said you wanted two or three--one large or two small, from anything you like in the National Gallery.'

Fenwick's colour rose suddenly. Morrison was not looking at him, or he would have seen a pair of angry eyes.

'Prices have gone up,' said the painter, dryly. 'And I guess living in London's dearer now than living in Italy was when Lenbach was young!'

'Oh! so you know all about Lenbach?'

'You lent me the article. However'--Fenwick rose--'is that our bargain?'

The note in the voice was trenchant, even aggressive. Nothing of the suppliant, in tone or attitude. Morrison surveyed him, amused.

'If you like to call it so,' he said, lifting his delicate eyebrows a moment. 'Well, I'll take the risk.'

He left the room. Fenwick thrust his hands into his pockets, with a muttered exclamation, and walked to the window. He looked out upon a Westmoreland valley in the first flush of spring; but he saw nothing. His blood beat in heart and brain with a suffocating rapidity. So his chance was come! What would Phoebe say?

As he stood by the large window, face and form in strong relief against the crude green without, the energy of the May landscape was, as it were, repeated and expressed in the man beholding it. He was tall, a little round-shouldered, with a large, broad-browed head, covered with brown, straggling hair; eyes, glancing and darkish, full of force, of excitement even, curiously veiled, often, by suspicion; nose, a little crooked owing to an injury at football; and mouth, not coarse, but large and freely cut, and falling readily into lines of sarcasm.

Share on: WhatsApp @Hash Facebook Tweet