Read Ebook: The Cross of Berny; Or Irene's Lovers by Gautier Th Ophile Girardin Emile De Mme M Ry Joseph Sandeau Jules Fendall Florence Translator Holcomb Florence Translator
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Ebook has 1254 lines and 98681 words, and 26 pages
You remember, Valentine, when we were very young girls how we were wont to ask each other, in reading the annals of the past, what situations would have pleased us, what parts we would have liked to play, what great emotions we would have wished to experience; and how you pityingly laughed at my odd taste.
I also admired Semele, dying of fear and admiration at the frowns of a wrathful Jove, but her least of all, because I am terrified in a thunderstorm.
Well, I am still the same--to love tremblingly is my fondest dream; I do not say, like pretty Madame de S., that I can only be captivated by a man with the passions of a tiger and the manners of a diplomate, I only declare that I cannot understand love without fear.
And yet my lover does not inspire me with the least fear, and against all reasoning, I mistrust a love that so little resembles the love I imagined.
The strangest doubts trouble me. When Roger speaks to me tenderly; when he lovingly calls me his dear Irene, I am troubled, alarmed--I feel as if I were deceiving some one, that I am not free, that I belong to another. Oh! what foolish scruples! How little do I deserve sympathy! You who have known me from my childhood and are interested in my happiness, will understand and commiserate my folly, for folly I know it to be, and judge myself as severely as you would.
I have resolved to treat these wretched misgivings and childish fears as the creations of a diseased mind, and have arranged a plan for their cure.
I will go into the country for a short time; good Madame Taverneau offers me the hospitality of her house at Pont-de-l'Arche; she knows nothing of what has happened during the last six months, and still believes me to be a poor young widow, forced to paint fans and screens for her daily bread.
I am very much amused at hearing her relate my own story without imagining she is talking to the heroine of that singular romance.
Where could she have learned about my sad situation, the minute details that I supposed no one knew?
"A young orphan girl of noble birth, at the age of twenty compelled by misfortune to change her name and work for her livelihood, is suddenly restored to affluence by an accident that carried off all her relatives, an immensely rich uncle, his wife and son."
She also said my uncle detested me, which proved that she was well informed--only she adds that the young heiress is horribly ugly, which I hope is not true!
I will go to Mme. Taverneau and again become the interesting widow of Monsieur Albert Gu?rin, of the Navy.
Perilous widowhood which invited from my dear Mme. Taverneau confidences prematurely enlightening, and which Mlle. Irene de Chateaudun had some difficulty in forgetting.
Ah! misery is a cruel emancipation! Angelic ignorance, spotless innocence of mind is a luxury that poor young girls, even the most circumspect, cannot enjoy.
What presence of mind I had to exercise for three long years in order to sustain my part!
How often have I felt myself blush, when Mme. Taverneau would say: "Poor Albert! he must have adored you."
How often have I had to restrain my laughter, when, in enumerating the perfections of her own husband, she would add, with a look of pity: "It must distress you to see Charles and me together, our love must recall your sad loss."
To these remarks I listened with marvellous self-possession; if comedy or acting of any kind were not distasteful to me, I would make a good actress.
But now I must finish telling you of my plan. To-morrow I will set out ostensibly with my cousin, accompanying her as far as Fontainbleau, where she is going to join her daughter, then I will return and hide myself in my modest lodging, for a day or two, before going to Pont-de-l'Arche.
With regard to my cousin, I must say, people abuse her unjustly; she is not very tiresome, this fat cousin of mine; I heard of nothing but her absurdities, and was warned against taking up my abode with her and choosing her for my chaperone, as her persecutions would drive me frantic and our life would be one continuous quarrel. I am happy to say that none of these horrors have been realized. We understand each other perfectly, and, if I am not married next winter, the Hotel de Langeac will still be my home.
Roger, uninformed of my departure, will be furious, which is exactly what I want, for from his anger I expect enlightenment, and this is the test I will apply. Like all inexperienced people, I have a theory, and this theory I will proceed to explain.
If in your analysis of love you seek sincerity, you must apply a little judicious discouragement, for the man who loves hopefully, confidently, is an enigma.
Follow carefully my line of reasoning; it maybe complicated, laborious, but--it is convincing.
All violent love is involuntary hypocrisy.
The more ardent the lover the more artful the man.
The more one loves, the more one lies.
The reason of all this is very simple.
The first symptom of a profound passion is an all-absorbing self-abnegation. The fondest dream of a heart really touched, is to make for the loved one the most extraordinary and difficult sacrifice.
How hard it is to subdue the temper, or to change one's nature! yet from the moment a man loves he is metamorphosed. If a miser, to please he will become a spendthrift, and he who feared a shadow, learns to despise death. The corrupt Don Juan emulates the virtuous Grandison, and, earnest in his efforts, he believes himself to be really reformed, converted, purified regenerated.
This happy transformation will last through the hopeful period. But as soon as the remodelled pretender shall have a presentiment that his metamorphosis is unprofitable; as soon as the implacable voice of discouragement shall have pronounced those two magic words, by which flights are stayed, thoughts paralyzed, and hopeful hearts deadened, "Never! Impossible!" the probation is over and the candidate returns to the old idols of graceless, dissolute nature.
The miser is shocked as he reckons the glittering gold he has wasted. The quondam hero thinks with alarm of his borrowed valor, and turns pale at the sight of his scars.
The rou?, to conceal the chagrin of discomfiture, laughs at the promises of a virtuous love, calls himself a gay deceiver, great monster, and is once more self-complacent.
Freed from restraint, their ruling passions rush to the surface, as when the floodgates are opened the fierce torrent sweeps over the field.
These hypocrites will feel for their beloved vices, lost and found again, the thirst, the yearning we feel for happiness long denied us. And they will return to their old habit, with a voracious eagerness, as the convalescent turns to food, the traveller to the spring, the exile to his native land, the prisoner to freedom.
Then will reckless despair develop their genuine natures; then, and then only, can you judge them.
Ah! I breathe freely now that I have explained my feelings What do you think of my views on this profound subject--discouragement in love?
I am confident that this test must sometimes meet with the most favorable results. I believe, for example, that with Roger it will be eminently successful, for his own character is a thousand times more attractive than the one he has assumed to attract me. He would please me better if he were less fascinating--his only fault, if it be a fault, is his lack of seriousness.
He has travelled too much, and studied different manners and subjects too closely, to have that power of judging character, that stock of ideas and principles without which we cannot make for ourselves what is called a philosophy, that is, a truth of our own.
In the savage and civilized lands he traversed, he saw religions so ridiculous, morals so wanton, points of honor so ludicrous, that he returned home with an indifference, a carelessness about everything, which adds brilliancy to his wit, but lessens the dignity of his love.
Roger attaches importance to nothing--a bitter sorrow must teach him the seriousness of life, that everything must not be treated jestingly. Grief and trouble are needed to restore his faith.
My beloved garret remains unrented, and I will there take sly pleasure in seeing for myself how much respect is paid to my memory--I very much enjoy the novel idea of assisting at my own absence.
But I perceive that my letter is unpardonably long; also that in confiding my troubles to you, I have almost forgotten them; and here I recognise your noble influence, my dear Valentine; the thought of you consoles and encourages me. Write soon, and your advice will not be thrown away. I confess to being foolish, but am sincerely desirous of being cured of my folly. My philosophy does not prevent my being open to conviction, and willing to sacrifice my logic to those I love.
Kiss my godchild for me, and give her the pretty embroidered dress I send with this. I have trimmed it with Valenciennes to my heart's content. Oh! my friend, how overjoyed I am to once more indulge in these treasured laces, the only real charm of grandeur, the only unalloyed gift of fortune. Fine country seats are a bore, diamonds a weight and a care, fast horses a danger; but lace! without whose adornment no woman is properly dressed--every other privation is supportable; but what is life without lace?
Adieu, adieu, my Valentine, write to me, a line from you is happiness.
IRENE DE CHATEAUDUN.
My address is, Madame Albert Gu?rin, Care Mme. Taverneau, Pont de l'Arche, Department of the Eure.
Paris, May 19th, 18--.
Dear Edgar,--It cannot be denied that friendship is the refuge of adversity--the roof that shelters from the storm.
In my prosperous days I never wrote you. Happiness is selfish. We fear to distress a friend who may be in sorrow, by sending him a picture of our own bliss.
I am oppressed with a double burden; your absence, and my misfortunes.
This introduction will, doubtless, impress you with the idea that I wander about Paris with dejected visage and neglected dress. Undeceive yourself. It is one of my principles never to expose my sacred griefs to the gaze of an unsympathetic world, that only looks to laugh.
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