Read Ebook: Marcella by Ward Humphry Mrs

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Ebook has 4049 lines and 245010 words, and 81 pages

"You mean to say that I am a mean hypocrite!" she cried. "Do you think that because I delight in--in pretty things and old associations, I must give up all my convictions? Shall I find no poor at Mellor--no work to do? It is unkind--unfair. It is the way all reform breaks down--through mutual distrust!"

He looked at her with a cold smile in his dark, sunken eyes, and she turned from him indignantly.

When they bade her good-bye at the station, she begged them to write to her.

"No, no!" said Louis, the handsome younger brother. "If ever you want us, we are there. If you write, we will answer. But you won't need to think about us yet awhile. Good-bye!"

And he pressed her hand with a smile.

The good fellow had put all his own dreams and hopes out of sight with a firm hand since the arrival of her great news. Indeed, Marcella realised in them all that she was renounced. Louis and Edith spoke with affection and regret. As to Anthony, from the moment that he set eyes upon the maid sent to escort her to Mellor, and the first-class ticket that had been purchased for her, Marcella perfectly understood that she had become to him as an enemy.

"They shall see--I will show them!" she said to herself with angry energy, as the train whirled her away. And her sense of their unwarrantable injustice kept her tense and silent till she was roused to a childish and passionate pleasure by a first sight of the wide lawns and time-stained front of Mellor.

But let us go downstairs also.

Breakfast was laid in the "Chinese room," a room which formed part of the stately "garden front," added to the original structure of the house in the eighteenth century by a Boyce whose wife had money. The decorations, especially of the domed and vaulted roof, were supposed by their eighteenth century designer to be "Oriental"; they were, at any rate, intricate and overladen; and the figures of mandarins on the worn and discoloured wall-paper had, at least, top-knots, pigtails, and petticoats to distinguish them from the ordinary Englishmen of 1760, besides a charming mellowness of colour and general effect bestowed on them by time and dilapidation. The marble mantelpiece was elaborately carved in Chinamen and pagodas. There were Chinese curiosities of a miscellaneous kind on the tables, and the beautiful remains of an Indian carpet underfoot. Unluckily, some later Boyce had thrust a crudely Gothic sideboard, with an arched and pillared front, adapted to the purposes of a warming apparatus, into the midst of the mandarins, which disturbed the general effect. But with all its original absurdities, and its modern defacements, the room was a beautiful and stately one. Marcella stepped into it with a slight unconscious straightening of her tall form. It seemed to her that she had never breathed easily till now, in the ample space of these rooms and gardens.

Her father and mother were already at table, together with Mrs. Boyce's brown spaniel Lynn.

Mr. Boyce was employed in ordering about the tall boy in a worn and greasy livery coat, who represented the men-service of the establishment; his wife was talking to her dog, but from the lift of her eyebrows, and the twitching of her thin lips, it was plain to Marcella that her mother was as usual of opinion that her father was behaving foolishly.

The pale, harassed lad flew at the bread, cut it with a vast scattering of crumbs, handed it clumsily round, and then took glad advantage of a short supply of coffee to bolt from the room to order more.

"Idiot!" said Mr. Boyce, with an angry frown, as he disappeared.

"If you would allow Ann to do her proper parlour work again," said his wife blandly, "you would, I think, be less annoyed. And as I believe William was boot boy at the Jutes', it is not surprising that he did not learn waiting."

"Oh, I am no judge of course of what a Boyce may do!" said his wife carelessly. "I leave that to you and the neighbourhood."

Mr. Boyce looked uncomfortable, cooled down, and presently when the coffee came back asked his wife for a fresh supply in tones from which all bellicosity had for the time departed. He was a small and singularly thin man, with blue wandering eyes under the blackest possible eyebrows and hair. The cheeks were hollow, the complexion as yellow as that of the typical Anglo-Indian. The special character of the mouth was hidden by a fine black moustache, but his prevailing expression varied between irritability and a kind of plaintiveness. The conspicuous blue eyes were as a rule melancholy; but they could be childishly bright and self-assertive. There was a general air of breeding about Richard Boyce, of that air at any rate which our common generalisations connect with the pride of old family; his dress was careful and correct to the last detail; and his hands with their long fingers were of an excessive delicacy, though marred as to beauty by a thinness which nearly amounted to emaciation.

"What do they say in the village?" asked Marcella eagerly.

"It won't do," said Marcella, shaking her head. "I know the Boyce they mean. He was a ruffian, but he shot himself in London; and, any way, he was dead long before that staircase was built."

"Dear me, how well up you are!" said her mother. "Suppose you give a little lecture on the family in the servants' hall. Though I never knew a ghost yet that was undone by dates."

Marcella pondered.

"I shall ask Mr. Harden about the stories," she said presently. "He will have heard them in the village. I am going to the church this morning."

Her mother looked at her--a look of quiet examination--and smiled. The Lady Bountiful airs that Marcella had already assumed during the six weeks she had been in the house entertained Mrs. Boyce exceedingly.

"Harden!" said Mr. Boyce, catching the name. "I wish that man would leave me alone. What have I got to do with a water-supply for the village? It will be as much as ever I can manage to keep a water-tight roof over our heads during the winter after the way in which Robert has behaved."

Marcella's cheek flushed.

She looked at him defiantly.

"Nonsense," said Mr. Boyce testily. "They got along in your Uncle Robert's days, and they can get along now. Charity, indeed! Why, the state of this house and the pinch for money altogether is enough, I should think, to take a man's mind. Don't you go talking to Mr. Harden in the way you do, Marcella. I don't like it, and I won't have it. You have the interests of your family and your home to think of first."

And she swept her white hand round, as though calling to witness the room in which they sat.

Mrs. Boyce gave a slight cough--she had pushed back her chair, and was alternately studying her husband and daughter. They might have been actors performing for her amusement. And yet, amusement is not precisely the word. For that hazel eye, with its frequent smile, had not a spark of geniality. After a time those about her found something scathing in its dry light.

Now, as soon as her husband became aware that she was watching him, his look wavered, and his mood collapsed. He threw her a curious furtive glance, and fell silent.

"I suppose Mr. Harden and his sister remind you of your London Socialist friends, Marcella?" asked Mrs. Boyce lightly, in the pause that followed. "You have, I see, taken a great liking for them."

"Oh! well--I don't know," said Marcella, with a shrug, and something of a proud reticence. "Mr. Harden is very kind--but--he doesn't seem to have thought much about things."

She never talked about her London friends to her mother, if she could help it. The sentiments of life generally avoided Mrs. Boyce when they could. Marcella being all sentiment and impulse, was constantly her mother's victim, do what she would. But in her quiet moments she stood on the defensive.

"So the Socialists are the only people who think?" said Mrs. Boyce, who was now standing by the window, pressing her dog's head against her dress as he pushed up against her. "Well, I am sorry for the Hardens. They tell me they give all their substance away--already--and every one says it is going to be a particularly bad winter. The living, I hear, is worth nothing. All the same, I should wish them to look more cheerful. It is the first duty of martyrs."

Marcella looked at her mother indignantly. It seemed to her often that she said the most heartless things imaginable.

He had hardly said the words when the door opened to admit William the footman, in his usual tremor of nervousness, carrying a salver and a note.

"The man says, please sir, is there any answer, sir?"

His wife turned sharply and watched him take it; her lips parted, a strange expectancy in her whole attitude. He tore it open, read it, and then threw it angrily under the grate.

"No answer. Shut the door." The lad retreated. Mr. Boyce sat down and began carefully to put the fire together. His thin left hand shook upon his knee.

There was a moment's pause of complete silence. Mrs. Boyce's face might have been seen by a close observer to quiver and then stiffen as she stood in the light of the window, a tall and queenly figure in her sweeping black. But she said not a word, and presently left the room.

Marcella watched her father.

Mr. Boyce looked round with a start, as though surprised that any one was still there. It struck Marcella that he looked yellow and shrunken--years older than her mother. An impulse of tenderness, joined with anger and a sudden sick depression--she was conscious of them all as she got up and went across to him, determined to speak out. Her parents were not her friends, and did not possess her confidence; but her constant separation from them since her childhood had now sometimes the result of giving her the boldness with them that a stranger might have had. She had no habitual deference to break through, and the hindering restraints of memory, though strong, were still less strong than they would have been if she had lived with them day by day and year by year, and had known their lives in close detail instead of guessing at them, as was now so often the case with her.

"Papa, is Lord Maxwell's note an uncivil one?"

Mr. Boyce stooped forward and began to rub his chilly hand over the blaze.

"Why, that man's only son and I used to loaf and shoot and play cricket together from morning till night when we were boys. Henry Raeburn was a bit older than I, and he lent me the gun with which I shot my first rabbit. It was in one of the fields over by Soleyhurst, just where the two estates join. After that we were always companions--we used to go out at night with the keepers after poachers; we spent hours in the snow watching for wood-pigeons; we shot that pair of kestrels over the inner hall door, in the Windmill Hill fields--at least I did--I was a better shot than he by that time. He didn't like Robert--he always wanted me."

"Well, papa, but what does he say?" asked Marcella, impatiently. She laid her hand, however, as she spoke, on her father's shoulder.

Mr. Boyce winced and looked up at her. He and her mother had originally sent their daughter away from home that they might avoid the daily worry of her awakening curiosities, and one of his resolutions in coming to Mellor Park had been to keep up his dignity with her. But the sight of her dark face bent upon him, softened by a quick and womanly compassion, seemed to set free a new impulse in him.

In the last words, however, there was not a fraction of that sympathetic pride which the ear expected, but rather fresh bitterness and grievance.

Marcella stood thinking, her mind travelling hither and thither with lightning speed, now over the social events of the last six weeks--now over incidents of those long-past holidays. Was this, indeed, the second volume beginning--the natural sequel to those old mysterious histories of shrinking, disillusion, and repulse?

"What was it you wanted about those coverts, papa?" she asked presently, with a quick decision.

"What the deuce does it matter? If you want to know, I proposed to him to exchange my coverts over by the Scrubs, which work in with his shooting, for the wood down by the Home Farm. It was an exchange made year after year in my father's time. When I spoke to the keeper, I found it had been allowed to lapse. Your uncle let the shooting go to rack and ruin after Harold's death. It gave me something to write about, and I was determined to know where I stood--Well! the old Pharisee can go his way: I'll go mine."

And with a spasmodic attempt to play the squire of Mellor on his native heath, Richard Boyce rose, drew his emaciated frame to its full height, and stood looking out drearily to his ancestral lawns--a picturesque and elegant figure, for all its weakness and pitiableness.

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