Read Ebook: Salomy Jane by Harte Bret Fisher Harrison Illustrator Keller Arthur Ignatius Illustrator
Font size:
Background color:
Text color:
Add to tbrJar First Page Next Page
Ebook has 96 lines and 10615 words, and 2 pages
I A KISS AND AN ESCAPE 1
II THE LADY'S REFLECTIONS 19
A KISS AND AN ESCAPE
Only one shot had been fired. It had gone wide of its mark,--the ringleader of the Vigilantes,--and had left Red Pete, who had fired it, covered by their rifles and at their mercy. For his hand had been cramped by hard riding, and his eye distracted by their sudden onset, and so the inevitable end had come. He submitted sullenly to his captors; his companion fugitive and horse-thief gave up the protracted struggle with a feeling not unlike relief. Even the hot and revengeful victors were content. They had taken their men alive. At any time during the long chase they could have brought them down by a rifle-shot, but it would have been unsportsmanlike, and have ended in a free fight, instead of an example. And, for the matter of that, their doom was already sealed. Their end, by a rope and a tree, although not sanctified by law, would have at least the deliberation of justice. It was the tribute paid by the Vigilantes to that order which they had themselves disregarded in the pursuit and capture. Yet this strange logic of the frontier sufficed them, and gave a certain dignity to the climax.
Red Pete glanced around him. He had been run to earth at his own cabin in the clearing, whence a few relations and friends, mostly women and children, non-combatants, had outflowed, gazing vacantly at the twenty Vigilantes who surrounded them. All were accustomed to scenes of violence, blood-feud, chase, and hardship; it was only the suddenness of the onset and its quick result that had surprised them. They looked on with dazed curiosity and some disappointment; there had been no fight to speak of--no spectacle! A boy, nephew of Red Pete, got upon the rain-barrel to view the proceedings more comfortably; a tall, handsome, lazy Kentucky girl, a visiting neighbor, leaned against the doorpost, chewing gum. Only a yellow hound was actively perplexed. He could not make out if a hunt were just over or beginning, and ran eagerly backwards and forwards, leaping alternately upon the captives and the captors.
The ringleader repeated his challenge. Red Pete gave a reckless laugh and looked at his wife.
The man looked up. Nobody stirred or spoke. He was a stranger there, being a chance confederate picked up by Red Pete, and known to no one. Still young, but an outlaw from his abandoned boyhood, of which father and mother were only a forgotten dream, he loved horses and stole them, fully accepting the frontier penalty of life for the interference with that animal on which a man's life so often depended. But he understood the good points of a horse, as was shown by the one he bestrode--until a few days before the property of Judge Boompointer. This was his sole distinction.
A grotesque idea struck him.
"Salomy Jane, ye might do worse than come yere and say 'good-by' to a dying man, and him a stranger," he said.
There seemed to be a subtle stroke of poetry and irony in this that equally struck the apathetic crowd. It was well known that Salomy Jane Clay thought no small potatoes of herself, and always held off the local swain with a lazy nymph-like scorn. Nevertheless, she slowly disengaged herself from the doorpost, and, to everybody's astonishment, lounged with languid grace and outstretched hand towards the prisoner. The color came into the gray reckless mask which the doomed man wore as her right hand grasped his left, just loosed by his captors. Then she paused; her shy, fawn-like eyes grew bold, and fixed themselves upon him. She took the chewing-gum from her mouth, wiped her red lips with the back of her hand, by a sudden lithe spring placed her foot on his stirrup, and, bounding to the saddle, threw her arms about his neck and pressed a kiss upon his lips.
It was the work of a moment; a trained horse and an experienced hand. The cavalcade had covered nearly fifty yards before they could pull up; the freed captive had covered half that distance uphill. The road was so narrow that only two shots could be fired, and these broke dust two yards ahead of the fugitive. They had not dared to fire low; the horse was the more valuable animal. The fugitive knew this in his extremity also, and would have gladly taken a shot in his own leg to spare that of his horse. Five men were detached to recapture or kill him. The latter seemed inevitable. But he had calculated his chances; before they could reload he had reached the woods again; winding in and out between the pillared tree trunks, he offered no mark. They knew his horse was superior to their own; at the end of two hours they returned, for he had disappeared without track or trail. The end was briefly told in the "Sierra Record:"--
"Red Pete, the notorious horse-thief, who had so long eluded justice, was captured and hung by the Sawyer's Crossing Vigilantes last week; his confederate, unfortunately, escaped on a valuable horse belonging to Judge Boompointer. The judge had refused one thousand dollars for the horse only a week before. As the thief, who is still at large, would find it difficult to dispose of so valuable an animal without detection, the chances are against either of them turning up again."
THE LADY'S REFLECTIONS
Salomy Jane watched the cavalcade until it had disappeared. Then she became aware that her brief popularity had passed. Mrs. Red Pete, in stormy hysterics, had included her in a sweeping denunciation of the whole universe, possibly for simulating an emotion in which she herself was deficient. The other women hated her for her momentary exaltation above them; only the children still admired her as one who had undoubtedly "canoodled" with a man "a-going to be hung"--a daring flight beyond their wildest ambition. Salomy Jane accepted the change with charming unconcern. She put on her yellow nankeen sunbonnet,--a hideous affair that would have ruined any other woman, but which only enhanced the piquancy of her fresh brunette skin,--tied the strings, letting the blue-black braids escape below its frilled curtain behind, jumped on her mustang with a casual display of agile ankles in shapely white stockings, whistled to the hound, and waving her hand with a "So long, sonny!" to the lately bereft but admiring nephew, flapped and fluttered away in her short brown holland gown.
Her father's house was four miles distant. Contrasted with the cabin she had just quitted, it was a superior dwelling, with a long "lean-to" at the rear, which brought the eaves almost to the ground and made it look like a low triangle. It had a long barn and cattle sheds, for Madison Clay was a "great" stockraiser and the owner of a "quarter section." It had a sitting-room and a parlor organ, whose transportation thither had been a marvel of "packing." These things were supposed to give Salomy Jane an undue importance, but the girl's reserve and inaccessibility to local advances were rather the result of a cool, lazy temperament and the preoccupation of a large, protecting admiration for her father, for some years a widower. For Mr. Madison Clay's life had been threatened in one or two feuds,--it was said, not without cause,--and it is possible that the pathetic spectacle of her father doing his visiting with a shotgun may have touched her closely and somewhat prejudiced her against the neighboring masculinity. The thought that cattle, horses, and "quarter section" would one day be hers did not disturb her calm. As for Mr. Clay, he accepted her as housewifely, though somewhat "interfering," and, being one of "his own womankind," therefore not without some degree of merit.
"Wot's this yer I'm hearin' of your doin's over at Red Pete's? Honey-foglin' with a horse-thief, eh?" said Mr. Clay two days later at breakfast.
"I reckon you heard about the straight thing, then," said Salomy Jane unconcernedly, without looking round.
"Rube," or Reuben Waters, was a swain supposed to be favored particularly by Mr. Clay. Salomy Jane looked up.
This delightful witticism suited the paternal humor, and Mr. Clay smiled; but, nevertheless, he frowned a moment afterwards.
"But this yer hoss-thief got away arter all, and that's a hoss of a different color," he said grimly.
Salomy Jane put down her knife and fork. This was certainly a new and different phase of the situation. She had never thought of it before, and, strangely enough, for the first time she became interested in the man. "Got away?" she repeated. "Did they let him off?"
"He did, and unless he's fool enough to sell the hoss he kin keep away, too. So ye see, ye can't ladle out purp stuff about a 'dyin' stranger' to Rube. He won't swaller it."
Left to herself, Salomy Jane stared a long while at the coffee-pot, and then called the two squaws who assisted her in her household duties, to clear away the things while she went up to her own room to make her bed. Here she was confronted with a possible prospect of that proverbial bed she might be making in her willfulness, and on which she must lie, in the photograph of a somewhat serious young man of refined features--Reuben Waters--stuck in her window-frame. Salomy Jane smiled over her last witticism regarding him and enjoyed it, like your true humorist, and then, catching sight of her own handsome face in the little mirror, smiled again. But wasn't it funny about that horse-thief getting off after all? Good Lordy! Fancy Reuben hearing he was alive and going round with that kiss of hers set on his lips! She laughed again, a little more abstractedly. And he had returned it like a man, holding her tight and almost breathless, and he going to be hung the next minute! Salomy Jane had been kissed at other times, by force, chance, or stratagem. In a certain ingenuous forfeit game of the locality known as "I'm a-pinin'," many had "pined" for a "sweet kiss" from Salomy Jane, which she had yielded in a sense of honor and fair play. She had never been kissed like this before--she would never again; and yet the man was alive! And behold, she could see in the mirror that she was blushing!
She should hardly know him again. A young man with very bright eyes, a flushed and sunburnt cheek, a kind of fixed look in the face, and no beard; no, none that she could feel. Yet he was not at all like Reuben, not a bit. She took Reuben's picture from the window, and laid it on her work-box. And to think she did not even know this young man's name! That was queer. To be kissed by a man whom she might never know! Of course he knew hers. She wondered if he remembered it and her. But of course he was so glad to get off with his life that he never thought of anything else. Yet she did not give more than four or five minutes to these speculations, and, like a sensible girl, thought of something else. Once again, however, in opening the closet, she found the brown holland gown she had worn on the day before; thought it very unbecoming, and regretted that she had not worn her best gown on her visit to Red Pete's cottage. On such an occasion she really might have been more impressive.
THE KISS REPEATED
"Ye ain't harkenin' to me, Salomy."
Salomy Jane started.
"Here I'm askin' ye if ye've see that hound Phil Larrabee sneaking by yer to-day?"
Salomy Jane had not. But she became interested and self-reproachful for she knew that Phil Larrabee was one of her father's enemies. "He wouldn't dare to go by here unless he knew you were out," she said quickly.
"That's what gets me," he said, scratching his grizzled head. "I've been kind o' thinkin' o' him all day, and one of them Chinamen said he saw him at Sawyer's Crossing. He was a kind of friend o' Pete's wife. That's why I thought yer might find out ef he'd been there." Salomy Jane grew more self-reproachful at her father's self-interest in her "neighborliness." "But that ain't all," continued Mr. Clay. "Thar was tracks over the far pasture that warn't mine. I followed them, and they went round and round the house two or three times, ez ef they mout hev bin prowlin', and then I lost 'em in the woods again. It's just like that sneakin' hound Larrabee to hev bin lyin' in wait for me and afraid to meet a man fair and square in the open."
"You just lie low, dad, for a day or two more, and let me do a little prowlin'," said the girl, with sympathetic indignation in her dark eyes. "Ef it's that skunk, I'll spot him soon enough and let you know whar he's hiding."
"You'll just stay where ye are, Salomy," said her father decisively. "This ain't no woman's work--though I ain't sayin' you haven't got more head for it than some men I know." Nevertheless, that night, after her father had gone to bed, Salomy Jane sat by the open window of the sitting-room in an apparent attitude of languid contemplation, but alert and intent of eye and ear. It was a fine moonlit night. Two pines near the door, solitary pickets of the serried ranks of distant forest, cast long shadows like paths to the cottage, and sighed their spiced breath in the windows. For there was no frivolity of vine or flower round Salomy Jane's bower. The clearing was too recent, the life too practical for vanities like these. But the moon added a vague elusiveness to everything, softened the rigid outlines of the sheds, gave shadows to the lidless windows, and touched with merciful indirectness the hideous d?bris of refuse gravel and the gaunt scars of burnt vegetation before the door. Even Salomy Jane was affected by it, and exhaled something between a sigh and a yawn with the breath of the pines. Then she suddenly sat upright.
She rose, threw her shawl over her head, more for disguise than shelter, and passed out of the door. A sudden impulse made her seize her father's shotgun from the corner where it stood,--not that she feared any danger to herself, but that it was an excuse. She made directly for the wood, keeping in the shadow of the pines as long as she could. At the fringe she halted; whoever was there must pass her before reaching the house.
Then there seemed to be a suspense of all nature. Everything was deadly still--even the moonbeams appeared no longer tremulous; soon there was a rustle as of some stealthy animal among the ferns, and then a dismounted man stepped into the moonlight. It was the horse-thief--the man she had kissed!
"I reckoned you were a ghost."
"I mout have been," he said, looking at her fixedly; "but I reckon I'd have come back here all the same."
"Yes; I came straight here when I got away."
"You helped me!"
"I?"
"Yes. That kiss you gave me put life into me--gave me strength to get away. I swore to myself I'd come back and thank you, alive or dead."
Every word he said she could have anticipated, so plain the situation seemed to her now. And every word he said she knew was the truth. Yet her cool common sense struggled against it.
"What's the use of your escaping, ef you're comin' back here to be ketched again?" she said pertly.
He drew a little nearer to her, but seemed to her the more awkward as she resumed her self-possession. His voice, too, was broken, as if by exhaustion, as he said, catching his breath at intervals:--
"I'll tell you. You did more for me than you think. You made another man o' me. I never had a man, woman, or child do to me what you did. I never had a friend--only a pal like Red Pete, who picked me up 'on shares.' I want to quit this yer--what I'm doin'. I want to begin by doin' the square thing to you"--He stopped, breathed hard, and then said brokenly, "My hoss is over thar, staked out. I want to give him to you. Judge Boompointer will give you a thousand dollars for him. I ain't lyin'; it's God's truth! I saw it on the handbill agin a tree. Take him, and I'll get away afoot. Take him. It's the only thing I can do for you, and I know it don't half pay for what you did. Take it; your father can get a reward for you, if you can't."
Such were the ethics of this strange locality that neither the man who made the offer nor the girl to whom it was made was struck by anything that seemed illogical or indelicate, or at all inconsistent with justice or the horse-thief's real conversion. Salomy Jane nevertheless dissented, from another and weaker reason.
"I don't want your hoss, though I reckon dad might; but you're just starvin'. I'll get suthin'." She turned towards the house.
"Say you'll take the hoss first," he said, grasping her hand. At the touch she felt herself coloring and struggled, expecting perhaps another kiss. But he dropped her hand. She turned again with a saucy gesture, said, "Hol' on; I'll come right back," and slipped away, the mere shadow of a coy and flying nymph in the moonlight, until she reached the house.
Here she not only procured food and whiskey, but added a long dust-coat and hat of her father's to her burden. They would serve as a disguise for him and hide that heroic figure, which she thought everybody must now know as she did. Then she rejoined him breathlessly. But he put the food and whiskey aside.
"Listen," he said; "I've turned the hoss into your corral. You'll find him there in the morning, and no one will know but that he got lost and joined the other hosses."
"I'll manage to get away," he said in a low voice, "ef--ef"--
Add to tbrJar First Page Next Page