Read Ebook: The Recitation by Betts George Herbert

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Ebook has 290 lines and 28862 words, and 6 pages

Q. How do the base and altitude of the triangles compare with the base and altitude of the rectangle?

A. They are the same.

Q. How do the two triangles compare in area?

A. They are equal; each is half of the rectangle.

Q. Then, if each is half of the rectangle, what must be the area of one of the triangles?

A. The area of each triangle is 12, for the area of the rectangle is 24, and the area of each triangle is half that of the rectangle.

Q. Then, how may we find the area of a triangle?

A. Multiply the base by the altitude and take one half the product.

One of the greatest dangers in the use of this method is that pupils will come to depend on the questions as a crutch to help them along mentally when they should be able to proceed by themselves. Not infrequently do pupils say to the teacher when called upon for a topical discussion, "If you will ask me questions upon the topic I can answer them, but I cannot recite upon the topic." It is very much easier to answer a series of questions upon a subject than to discuss it independently. This method is well adapted to younger children; and this very reason makes it a danger when over-used with more advanced pupils. We need to learn to think a subject through and talk about topics without the help of a teacher to stand by and ask questions; we need to become independent in our thinking; we need practice in organizing and expressing our thoughts for ourselves.

The second danger we note in the question-and-answer method is that it does not give as much opportunity for training in self-expression as the topical method. In teaching by the question-and-answer method, the teacher occupies nearly or quite as much time with the questions as the class do with the answers. This does not give opportunity for practice enough in reciting on the part of the pupil, if the question-and-answer method is employed exclusively. The only way for a child to learn to recite well is by reciting; the only way to learn to express one's self is by having opportunity for expression.

The topical method is too familiar to require definition. In this method the teacher suggests a topic of the lesson or asks a question which requires the pupil to go on in his own way and tell what he can about the point under discussion. There is really no hard and fast line between the topical method and the question-and-answer method. The fundamental difference between the two is this: In the question-and-answer method, the question is definitely upon some fact or point, and requires a specific answer bearing on the fact or point of the question; in the topical method, the question or topic suggested requires the pupil to decide upon what facts or points need discussion, and then to plan his own discussion.

When the topical method is being employed it will nearly always need to be supplemented by questions and answers. Very rarely will a pupil recite upon any important topic with such accuracy and completeness that nothing more needs to be said concerning it. Hence, after the pupil has completed his topical discussion, the teacher can round out the subject, impress the more important points, or correct wrong impressions, by a few questions to be answered either by the pupil who has had the discussion or by the remainder of the class.

The topical method gives the teacher the best opportunity to teach the pupils how to study. It is safe to say that most pupils consider that they "have their lesson" when they understand it, or think they can remember it. But if the child is to be taught expression, as well as given knowledge, it is evident that this is not enough. Not only should a pupil be sure that he understands his lesson and can remember it, but also he should think how best to express it in the recitation. The teacher can help the class in this when assigning the topics by showing the pupils how to pick out the main points of the topics, and arrange them in order for discussion. This is, of course, really training in analysis--a power that all pupils need to cultivate.

It is at this point that the teacher needs to exercise great care. The child must not be discouraged by harsh criticism, but neither must an incomplete recitation be accepted as a complete one. The teacher must judge carefully how full a discussion should be expected from a child of the given age, taking into account the treatment of the topic in the pupil's textbook. Then by questions, further discussion by other pupils, kindly criticisms, and helpful suggestions, the standard should be placed as high as the class can attain. Nor is it to be forgotten that the standard is to be a constantly advancing one.

The lecture method is rather too formal a name for the method in which the teacher talks to the class instead of asking them to recite. He may either take the entire period in a lecture, or talk, or he may only supplement now and then the answers or topical recitations of the pupils. This method is almost exclusively used in many universities and colleges, but is not suited for extensive use in more elementary schools.

The teacher who is full of information and enthusiasm for the recitation is led by this very fact into temptation. Some point in the lesson suggests an interesting story or illustration, or some additional bit of information, and the teacher starts to tell it to the class. He becomes himself so interested in it that the lesson is forgotten and the class period ended long before the story is completed. This may do occasionally; but, once it becomes a habit, it is fatal to good teaching. The recitation as prepared by the class should be the chief interest of the class period. The teacher must learn to supplement without monopolizing.

The written recitation can hardly be called a method, since it can be itself applied to any or all of the methods of reciting. Like all other methods, the written recitation has its strong points of excellence and also its dangers.

There are certain kinds of knowledge that are seldom used except in writing. For example, we are never called upon to spell or to use letter forms, business forms, punctuation marks, etc., except in writing. It is safe to say that matter of such kinds should usually be taught by having it written.

The written recitation also leads to accuracy and precision of thought and expression. We all formulate more carefully what we write than what we speak.

The written recitation also gives an opportunity for training in verbal expression. Every person needs to be able to express himself easily and forcibly in writing. But this requires much practice, and there is no better practice than in formulating in writing the thoughts of the daily lessons.

This method does not ordinarily possess the interest and spontaneity of the oral recitation. There is no opportunity for the teacher to supplement with points brought in. Misconceptions are not cleared up in the minds of the pupils, at least during that recitation period, unless the written papers are read at once. Usually time does not permit this. Many children do not like to write, and hence find the lesson tiresome, especially if continued for a whole class period.

The amount of writing required of children may be too great. Few pupils can write long at a time without eye-strain, muscle cramp, and bad bodily positions. Where this is the case, over-fatigue results if the amount of written work required is large. It is not unusual to find schools in which children are required to spend almost half of their school hours in some form of written work. This is a serious mistake both educationally and from the standpoint of health.

There is also still another side of the matter to consider. One of the great advantages of written work is that the pupil may have his errors shown him, so that he may reflect upon them and correct them. But not infrequently, where the amount of written work is too large, the errors are not carefully corrected by the teacher, and not corrected at all by the pupil. This is why many pupils will keep on making the same error time after time on their papers. The correction has not sufficiently impressed them.

All written work, with perhaps rare exceptions, should be carefully gone over by the teacher, and all serious or oft-repeated errors corrected by the pupils who make them. Not infrequently may children be seen to glance over a paper upon which the teacher has put precious time and some red ink in making corrections, and then crumple the paper and throw it into the waste basket. Sometimes this is done in sheer carelessness, and sometimes in petulance because of the many corrections. This is all a loss of time and opportunity. The teacher should have tact enough to show the pupils that corrections are made on their papers for their benefit, and not as a punishment. And then the pupils should take the trouble to correct the errors, that they may not occur again. Better a thousand times correct carefully an old paper than write a new one containing the same errors.

THE ART OF QUESTIONING

Skill in the art of questioning lies at the basis of all good teaching. When we were children it looked so easy for the teacher to sit and ask the questions which we were expected to answer. When we become teachers we find that it is much harder to ask the questions than to answer them. For to question well, one must not only know the subject thoroughly, but must also constantly interpret the mind of the pupil to discover what question next to ask, and whether he is mastering what we are teaching him.

Good questioning stimulates thought, leads to inquiry, and results in understanding and mastery. Poor questioning leaves the mental powers unawakened, cripples thought, and results in inefficiency and lack of mastery.

Good questioning is dependent upon the teacher's having a firm command of a few essential principles which apply to all questioning used in teaching. The teacher's constant self-criticism in the light of these will greatly improve his control of discussion in the class room.

The questions of the recitation must of course deal with the matter of the textbook and be directly suggested by it. Yet there are two dangers to be avoided in this connection: Questions should not follow the language of the text, and the teacher should not be dependent on the textbook to suggest the question itself or to determine the correctness of the answer.

The teacher who has not the lesson well prepared, or who is mentally lazy, has a constant temptation to ask questions in the words of the book. This is much easier than to know the subject and the textbook both well enough to formulate original, appropriate questions. An illustration of what is meant is found in the following account of a recitation conducted from "Montgomery's American History," the lesson being on the landing of the Pilgrims :--

Q. On a morning late in November, what did the Pilgrims do?

A. They sighted Cape Cod.

Q. Two days later, where did the Mayflower come to anchor?

A. In Provincetown Harbor.

Q. While the Mayflower remained at anchor, what did Captain Standish and a boatload of men do?

A. They went out to explore.

Q. On the shore of Plymouth harbor what is there lying?

A. A granite bowlder.

It is seen that each of these questions follows the words of the text, and that the answer but completes the sentence of which the question is a part. Questions of this kind only suggest to the memory the statement of the text, and do not cause the pupil to use his own thought in realizing the actual event. Hence they arouse little interest and leave little impression. They train the verbal memory, but leave imagination, thought, and understanding untouched. How much better such questions as these:--

When did the Pilgrims first sight land?

What land did they see?

What was its appearance?

Have you ever seen a stretch of shore like this one?

Why did not the Pilgrims land at this point?

Where did they finally anchor?

What measures did they take to see whether this was a suitable place to land?

Why is the name "Plymouth Rock" so famous in American history?

These questions cover just the same ground as the ones above, but they suggest living pictures and actual events rather than the language of the textbook.

The unprepared or lazy teacher is also in danger of relying on the textbook for his questions even when he does not formulate them in the language of the printed page. Not infrequently teachers conduct the whole of a recitation with the text open before them, hardly taking their eyes from the book, and seeming to have no inspiration or questions not immediately gleaned from the page before them. In extreme cases of unpreparedness they may even have to test the correctness of the answers given by the class by reference to the text. Of course this is all the highest degree of inefficiency. It should not be called teaching at all, for no one can teach another that which he does not himself possess as a part of his own mental equipment. Nothing can be more deadening to a class than to see a teacher, whom they look upon as their intellectual leader, floundering in such a vain attempt to teach something that he does not himself know.

The eyes and the mind of the teacher must both be free in the recitation--the eyes to look interest and encouragement into the eyes of the class, the mind to marshal the points of the lesson and watch the effects of their presentation on the minds of the pupils. A recitation at its best consists of an animated and interesting conversation between teacher and class. And no conversation can be live and interesting when one of its participants has mind and eyes riveted to a book; for conversation involves an interchange of expression, of spirit, and of personality as well as of words.

It is not meant that a teacher must never have a textbook open before him during a recitation. Often it is not only desirable, but necessary that he should do so; but only for suggestion and reference, and never to supply questions and test answers.

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