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PRISONERS

FAST BOUND IN MISERY AND IRON

MARY CHOLMONDELEY

"Red Pottage"

"But for failing of love on our part, therefore is all our travail."

--JULIAN OF NORWICH.

DODD, MEAD & COMPANY NEW YORK MCMVI

COLVER PUBLISHING COMPANY

MARY CHOLMONDELEY

To My Brother Reginald

"'Is she worth it?' he said with sudden passion" " 46

"'You are all blinder one than the other, that it's Andrea I'm grieving for'" " 80

"If Fay had come in then he would have killed her, done her to death with the chains he had worn so patiently for her sake" " 146

"Fay noticed for the first time how lightly Wentworth walked, how square his shoulders were" " 184

Grim Fate was tender, contemplating you, And fairies brought their offerings at your birth; You take the rose-leaf pathway as your due, Your rightful meed the choicest gifts of earth.

--ARTHUR C. LEGGE.

Fay stood on her balcony, and looked over the ilexes of her villa at Frascati; out across the grey-green of the Campagna to the little compressed city which goes by the great name of Rome.

How small it looked, what a huddled speck with a bubble dome, to be represented by so stupendous a name!

She gazed at it without seeing it. Her eyes turned towards it mechanically because it contained somewhere within its narrow precincts the man of whom she was thinking, of whom she was always thinking.

It was easy to see that Fay--the Duchess of Colle Alto--was an Englishwoman, in spite of her historic Italian name.

She had the look of perfect though not robust health, the reflection over her whole being of a childhood spent much in the open air. She was twenty-three, but her sweet fair face, with its delicate irregular features, was immature, childish. It gave no impression of experience, or thought, or of having met life. She was obviously not of those who criticise or judge themselves. In how many faces we see the conflict, or the remains of conflict with a dual nature. Fay, as she was called by her family, seemed all of a piece with herself. Her unharassed countenance showed it, especially when, as at this moment, she looked harassed. Anxiety was evidently a foreign element. It sat ill upon her smooth face, as if it might slide off at any moment. Fay's violet eyes were her greatest charm. She looked at you with a deprecating, timid, limpid gaze, in which no guile existed, any more than steadfastness, any more than unselfishness, any more than courage.

Fay had come into the world anxious to please. She had never shown any particular wish to give pleasure. If she had been missed out of her somewhat oppressed and struggling home when she married, it is probable that the sense of her absence was tinged by relief.

She had never intended to marry the Duke of Colle Alto. It is difficult to say why that sedate distinguished personage married her.

Fay's face had a very sweet and endearing promise in it which drew men's eyes after her. I don't know what it meant, and they did not know either, but they instinctively lessened the distance between themselves and it. A very thin string will tow a very heavy body if there is no resistance, and the pace is slow. The duke looked at Fay, who was at that moment being taken out for her first season by her grandmother, Lady Bellairs. Fay tried to please him, as was her wont with all except men with beards. She liked to have him in attendance. Her violet eyes lighted up with genuine pleasure when he came to see her.

It is perhaps difficult for the legions of women who do not please easily, and for the handful whose interests lie outside themselves, and who are not desirous of pleasing indiscriminately, it is difficult for either to realise the passionate desire to please which possesses and saps the life of some of their sisters. Admiration with them is not a luxury, any more than a hot-water bottle is a luxury to the aged, or a foot rest to a gouty foot. It is a necessity of life. After a becoming interval, the interstices of which had been filled with flowers, the duke proposed to Lady Bellairs for Fay's hand. Fay did not wish to marry him. He was not in the least her ideal. Neither did she wish to remain unmarried, neither did she wish to part with her grave, distinguished suitor who was an ornament to herself. And she was distinctly averse to living any longer in the paternal home, lost in a remote crease in a Hampshire down. Poor women have only too frequently to deal with these complicated situations, with which blundering, egotistic male minds are seldom in perfect sympathy.

Fay had never willingly relinquished any of the men who had cared for her, and some had cared much. These last had as a rule torn themselves away from her, leaving hearts, or other fragments of themselves, behind, and were not to be cajoled back again, even by one of her little gilt-edged notes. But the duke did not break away. He had selected her, she pleased him, he desired to marry an Englishwoman. He had the approval of Lady Bellairs.

The day came when Fay was suddenly and adroitly confronted with the fact that she must marry him, or lose him.

Many confirmed bachelors who openly regret that they have never come across a woman to whom they cared to tie themselves for life might be in a position to descant on the inability of wives to enter into their husbands' inmost feelings, if only they--the bachelors--had known on a past occasion how to act with sudden promptitude on the top of patience.

The duke played the waiting game, and then hit hard. He had coolly allowed himself to be trifled with, until the moment arrived when it did not suit him to be trifled with any longer.

The marriage had not proved a marked success, nor an entire failure. The duke was an irreproachable husband, but, like many men who marry when they are no longer young, he aged suddenly after marriage. He quickly became bald and stout. His tact except in these two particulars remained flawless. He never allowed his deep chagrin to appear when, three years after his marriage, he still remained without a son to continue his historic name.

He was polite to his wife at all times, mildly sarcastic as to her extravagance. Fay was not exorbitantly extravagant; but then the duke was not exorbitantly rich. One of Fay's arts, as unconscious as that of a kitten, was to imply past unhappiness, spoken of with a cheerful resignation which greatly endeared her to others--and to herself. The duke had understood that she had not had a very happy home, and he had honestly endeavoured to make her new home happy. In the early days of his marriage he made many small experiments in the hope of pleasing the pretty creature who had thrown in her lot with his. Possibly also there may have been other subtle, patient attempts to win somewhat from her of another nature. Possibly there may have been veiled disappointments, and noiseless retreats under cover of night.

However these things may have been, after the first year Fay made the discovery that she was unhappily married. The duke was kind, in kindness he never failed; but he was easily jealous--at least she thought so; and he appeared quite unable to see in their true light her amicable little flirtations with his delightful compatriots. After one or two annoying incidents, in which the compatriots had shown several distinctly un-English characteristics, the duke became, in his wife's eyes, tiresome, strict, a burden. Perhaps, also, she felt the Englishwoman's surprise at the inadequate belief in a woman's power of guarding her own virtue, which remains in some nations an hereditary masculine instinct. She felt that she could take care of herself, which was, in reality, just what she could not do, as her imperturbable, watchful husband was well aware.

But was he aware of the subject of her thoughts at this moment? It was more than probable that he was. But Fay had not the faintest suspicion that he had guessed anything.

And now trouble had come upon her. She had at last fallen in love. I would not venture to assert that she had fallen in very deep, that the "breakers of the boundless deep" had engulfed her. Some of us make shipwreck in a teacup tempest, and when our serenity is restored--there is nothing calmer than a teacup after its storm--our experience serves, after a decent interval, as an agreeable fringe to our confidential conversation.

Anyhow, Fay had fallen in love. I feel bound to add that for some time before that event happened life had become intolerably dull. The advent to Rome of her distant connection, Michael Carstairs, had been at this juncture a source of delight to her. She had, before her marriage, flirted with him a very little--not as much as she could have wished; but Lady Bellairs, who was fond of him, had promptly intervened, and the young man had disappeared into his examinations. That was four years ago.

In reality Fay had half-forgotten him; but when she saw him suddenly, pale, handsome, distinguished, across a ballroom in Rome, and, after a moment's uncertainty, realised who he was, she felt the same pleasurable surprise, soft as the fall of dew, which pervades the feminine heart when, in looking into an unused drawer, it inadvertently haps upon a length of new ribbon, bought, carefully put away, and forgotten.

Fay went gently up to Michael, conscious of her beauty and her wonderful jewels, and held out her hand with a little deprecating smile.

"And so we meet again at last," she said.

He turned red and white.

"At last," he said with difficulty.

She looked more closely at him. The dreamy, poetic face had changed during those four years. She became dimly aware that he had not only grown from a youth into a man, but that some other transformation had been painfully wrought in him.

Instinctively her beaming face became grave to match his. She was slow to see what others were feeling, but quick to reflect their mood. She sighed gently, vaguely stirred, in spite of herself, by something--she knew not what--in her companion's face.

"It is four years since I saw you," she said.

And from her lowered voice it seemed as if her life were rooted in memory alone.

"Four years," said Michael, who, promising young diplomat as he was, appeared only able to repeat parrot-wise her last words after her.

A pause.

"Do you know my husband?"

"I do not."

"May I introduce him to you?"

Fay made a little sign, and the duke approached, superb, decorated, dignified, with the polished pallor as if the skin were a little too tight, which is the Charybdis of many who have avoided the Scylla of wrinkles.

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