Read Ebook: My Lady Nicotine: A Study in Smoke by Barrie J M James Matthew Prendergast Maurice Brazil Illustrator

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Ebook has 329 lines and 60641 words, and 7 pages

"Where do you get it?" Gilray whispered, in hoarse delight.

The Arcadia had him for its own.

MARRIOT.

I have hinted that Marriot was our sentimental member. He was seldom sentimental until after midnight, and then only when he and I were alone. Why he should have chosen me as the pail into which to pour his troubles I cannot say. I let him talk on, and when he had ended I showed him plainly that I had been thinking most of the time about something else. Whether Marriot was entirely a humbug or the most conscientious person on our stair, readers may decide. He was fond of argument if you did not answer him, and often wanted me to tell him if I thought he was in love; if so, why did I think so; if not, why not. What makes me on reflection fancy that he was sincere is that in his statements he would let his pipe go out.

Of course I cannot give his words, but he would wait till all my other guests had gone, then softly lock the door, and returning to the cane chair empty himself in some such way as this:

"I have something I want to talk to you about. Pass me a spill. Well, it is this. Before I came to your rooms to-night I was cleaning my pipe, when all at once it struck me that I might be in love. This is the kind of shock that pulls a man up and together. My first thought was, if it be love, well and good; I shall go on. As a gentleman I know my duty both to her and to myself. At present, however, I am not certain which she is. In love there are no degrees; of that at least I feel positive. It is a tempestuous, surging passion, or it is nothing. The question for me, therefore, is, Is this the beginning of a tempestuous, surging passion? But stop; does such a passion have a beginning? Should it not be in flood before we know what we are about? I don't want you to answer.

"One of my difficulties is that I cannot reason from experience. I cannot say to myself, During the spring of 1886, and again in October, 1888, your breast has known the insurgence of a tempestuous passion. Do you now note the same symptoms? Have you experienced a sudden sinking at the heart, followed by thrills of exultation? Now I cannot even say that my appetite has fallen off, but I am smoking more than ever, and it is notorious that I experience sudden chills and thrills. Is this passion? No, I am not done; I have only begun.

"But this inquiry need not, I feel confident, lead to nothing. Negatively I know love; for I do not require to be told what it is not, and I have my ideal. Putting my knowledge together and surveying it dispassionately in the mass, I am inclined to think that this is really love.

"What is it? I reply that I am stumped at once, unless I am allowed to fix upon an object definitely and precisely. This, no doubt, is arguing in a circle; but Descartes himself assumed what he was to try to prove. This, then, being permitted, I have chosen my object, and we can now go on again. What is it? Some might evade the difficulty by taking a middle course. You are not, they might say, in love as yet, but you are on the brink of it. The lady is no idol to you at present, but neither is she indifferent. You would not walk four miles in wet weather to get a rose from her; but if she did present you with a rose, you would not wittingly drop it down an area. In short, you have all but lost your heart. To this I reply simply, love is not a process, it is an event. You may unconsciously be on the brink of it, when all at once the ground gives way beneath you, and in you go. The difference between love and not-love, if I may be allowed the word, being so wide, my inquiry should produce decisive results. On the whole, therefore, and in the absence of direct proof to the contrary, I believe that the passion of love does possess me.

"Where is it? This is the simplest question of the four. It is in the heart. It fills the heart to overflowing, so that if there were one drop more the heart would run over. Love is thus plainly a liquid: which accounts to some extent for its well-recognized habit of surging. Among its effects this may be noted: that it makes you miserable if you be not by the loved one's side. To hold her hand is ecstasy, to press it, rapture. The fond lover--as it might be myself--sees his beloved depart on a railway journey with apprehension. He never ceases to remember that engines burst and trains run off the line. In an agony he awaits the telegram that tells him she has reached Shepherd's Bush in safety. When he sees her talking, as if she liked it, to another man, he is torn, he is rent asunder, he is dismembered by jealousy. He walks beneath her window till the policeman sees him home; and when he wakes in the morning, it is to murmur her name to himself until he falls asleep again and is late for the office. Well, do I experience such sensations, or do I not? Is this love, after all? Where are the spills?

"I have been taking for granted that I know who it is. But is this wise? Nothing puzzles me so much as the way some men seem to know, by intuition, as it were, which is the woman for whom they have a passion. They take a girl from among their acquaintance, and never seem to understand that they may be taking the wrong one. However, with certain reservations, I do not think I go too far in saying that I know who she is. There is one other, indeed, that I have sometimes thought--but it fortunately happens that they are related, so that in any case I cannot go far wrong. After I have seen them again, or at least before I propose, I shall decide definitely on this point.

"But there are others to consider. For me, would it not be the better part to show her that the greatest happiness of the greatest number should be my first consideration? Certainly there is nothing in a man I despise more than conceit in affairs of this sort. When I hear one of my sex boasting of his 'conquests,' I turn from him in disgust. 'Conquest' implies effort; and to lay one's self out for victories over the other sex always reminds me of pigeon-shooting. On the other hand, we must make allowances for our position of advantage. These little ones come into contact with us; they see us, athletic, beautiful, in the hunting-field or at the wicket; they sit beside us at dinner and listen to our brilliant conversation. They have met us, and the mischief is done. Every man--except, perhaps, yourself and Jimmy--knows the names of a few dear girls who have lost their hearts to him--some more, some less. I do not pretend to be in a different position from my neighbors, or in a better one. To some slight extent I may be to blame. But, after all, when a man sees cheeks redden and eyes brighten at his approach, he loses prudence. At the time he does not think what may be the consequences. But the day comes when he sees that he must take heed what he is about. He communes with himself about the future, and if he be a man of honor he maps out in his mind the several courses it is allowed him to follow, and chooses that one which he may tread with least pain to others. May that day for introspection come to few as it has come to me. Love is, indeed, a madness in the brain. Good-night."

When he finished I would wake up, open the door for Marriot, and light him to his sleeping-chamber with a spill.

JIMMY.

With the exception of myself, Jimmy Moggridge was no doubt the most silent of the company that met so frequently in my rooms. Just as Marriot's eyebrows rose if the cane chair was not empty when he strode in, Jimmy held that he had a right to the hearth-rug, on which he loved to lie prone, his back turned to the company and his eyes on his pipe. The stem was a long cherry-wood, but the bowl was meerschaum, and Jimmy, as he smoked, lay on the alert, as it were, to see the meerschaum coloring. So one may strain his eyes with intent eagerness until he can catch the hour-hand of a watch in action. With tobacco in his pocket Jimmy could refill his pipe without moving, but sometimes he crawled along the hearth-rug to let the fire-light play more exquisitely on his meerschaum bowl. In time, of course, the Arcadia Mixture made him more and more like the rest of us, but he retained his individuality until he let his bowl fall off. Otherwise he only differed from us in one way. When he saw a match-box he always extracted a few matches and put them dreamily into his pocket. There were times when, with a sharp blow on Jimmy's person, we could doubtless have had him blazing like a chandelier.

Seeing that I had him, Jimmy advanced to the hearth-rug as if about to make his statement; then changed his mind and, thrusting a dozen of the letters into my hands, invited me to read. The first letter ran: "Dearest Uncle Jim,--I must tell you about my canary. I love my canary very much. It is a yellow canary, and it sings so sweetly. I keep it in a cage, and it is so tame. Mamma and me wishes you would come and see us and our canary. Dear Uncle Jim, I love you.--Your little friend, Milly ." Here is the second: "Dear Uncle Jim,--You will want to know about my blackbird. It sits in a tree and picks up the crumbs on the window, and Thomas wants to shoot it for eating the cherries; but I won't let Thomas shoot it, for it is a nice blackbird, and I have wrote all this myself.--Your loving little Bobby ." In another, Jacky described his parrot, and I have also vague recollections of Harry on his chaffinch, and Archie on his linnet. "What does it mean?" I demanded of Jimmy, who, while I read, had been smoking savagely. "Don't you see that they are in for the prize?" he growled. Then he made his statement.

SCRYMGEOUR.

Scrymgeour was an artist and a man of means, so proud of his profession that he gave all his pictures fancy prices, and so wealthy that he could have bought them. To him I went when I wanted money--though it must not be thought that I borrowed. In the days of the Arcadia Mixture I had no bank account. As my checks dribbled in I stuffed them into a torn leather case that was kept together by a piece of twine, and when Want tapped at my chamber door, I drew out the check that seemed most willing to come, and exchanged with Scrymgeour. In his detestation of argument Scrymgeour resembled myself, but otherwise we differed as much as men may differ who smoke the Arcadia. He read little, yet surprised us by a smattering of knowledge about all important books that had been out for a few months, until we discovered that he got his information from a friend in India. He had also, I remember, a romantic notion that Africa might be civilized by the Arcadia Mixture. As I shall explain presently, his devotion to the Arcadia very nearly married him against his will; but first I must describe his boudoir.

We always called it Scrymgeour's boudoir after it had ceased to deserve the censure, just as we called Moggridge Jimmy because he was Jimmy to some of us as a boy. Scrymgeour deserted his fine rooms in Bayswater for the inn some months after the Arcadia Mixture had reconstructed him, but his chambers were the best on our stair, and with the help of a workman from the Japanese Village he converted them into an Oriental dream. Our housekeeper thought little of the rest of us while the boudoir was there to be gazed at, and even William John would not spill the coffee in it. When the boudoir was ready for inspection, Scrymgeour led me to it, and as the door opened I suddenly remembered that my boots were muddy. The ceiling was a great Japanese Christmas card representing the heavens; heavy clouds floated round a pale moon, and with the dusk the stars came out. The walls, instead of being papered, were hung with a soft Japanese cloth, and fantastic figures frolicked round a fireplace that held a bamboo fan. There was no mantelpiece. The room was very small; but when you wanted a blue velvet desk to write on, you had only to press a spring against the wall; and if you leaned upon the desk the Japanese workmen were ready to make you a new one. There were springs everywhere, shaped like birds and mice and butterflies; and when you touched one of them something was sure to come out. Blood-colored curtains separated the room from the alcove where Scrymgeour was to rest by night, and his bed became a bath by simply turning it upside down. On one side of the bed was a wine-bin, with a ladder running up to it. The door of the sitting-room was a symphony in gray, with shadowy reptiles crawling across the panels; and the floor--dark, mysterious--presented a fanciful picture of the infernal regions. Scrymgeour said hopefully that the place would look cozier after he had his pictures in it; but he stopped me when I began to fill my pipe. He believed, he said, that smoking was not a Japanese custom; and there was no use taking Japanese chambers unless you lived up to them. Here was a revelation. Scrymgeour proposed to live his life in harmony with these rooms. I felt too sad at heart to say much to him then, but, promising to look in again soon, I shook hands with my unhappy friend and went away.

It happened, however, that Scrymgeour had been several times in my rooms before I was able to visit him again. My hand was on his door-bell when I noticed a figure I thought I knew lounging at the foot of the stair. It was Scrymgeour himself, and he was smoking the Arcadia. We greeted each other languidly on the doorstep, Scrymgeour assuring me that "Japan in London" was a grand idea. It gave a zest to life, banishing the poor, weary conventionalities of one's surroundings. This was said while we still stood at the door, and I began to wonder why Scrymgeour did not enter his rooms. "A beautiful night," he said, rapturously. A cruel east wind was blowing. He insisted that evening was the time for thinking, and that east winds brace you up. Would I have a cigar? I would if he asked me inside to smoke it. My friend sighed. "I thought I told you," he said, "that I don't smoke in my chambers. It isn't the thing." Then he explained, hesitatingly, that he hadn't given up smoking. "I come down here," he said, "with my pipe, and walk up and down. I assure you it is quite a new sensation, and I much prefer it to lolling in an easy-chair." The poor fellow shivered as he spoke, and I noticed that his great-coat was tightly buttoned up to the throat. He had a hacking cough and his teeth were chattering. "Let us go in," I said; "I don't want to smoke." He knocked the ashes out of his pipe, and opened his door with an affectation of gayety.

The room looked somewhat more home-like now, but it was very cold. Scrymgeour had no fire yet. He had been told that the smoke would blacken his moon. Besides, I question if he would have dared to remove the fan from the fireplace without consulting a Japanese authority. He did not even know whether the Japanese burned coal. I missed a number of the articles of furniture that had graced his former rooms. The easels were gone; there were none of the old canvases standing against the wall, and he had exchanged his comfortable, plain old screen for one with lizards crawling over it. "It would never have done," he explained, "to spoil the room with English things, so I got in some more Japanese furniture."

I asked him if he had sold his canvases; whereupon he signed me to follow him to the wine-bin. It was full of them. There were no newspapers lying about; but Scrymgeour hoped to manage to take one in by and by. He was only feeling his way at present, he said. In the dim light shed by a Japanese lamp, I tripped over a rainbow-colored slipper that tapered to the heel and turned up at the toe. "I wonder you can get into these things," I whispered, for the place depressed me; and he answered, with similar caution, that he couldn't. "I keep them lying about," he said, confidentially; "but after I think nobody is likely to call I put on an old pair of English ones." At this point the housekeeper knocked at the door, and Scrymgeour sprang like an acrobat into a Japanese dressing-gown before he cried "Come in!" As I left I asked him how he felt now, and he said that he had never been so happy in his life. But his hand was hot, and he did not look me in the face.

Nearly a month elapsed before I looked in again. The unfortunate man had now a Japanese rug over his legs to keep out the cold, and he was gazing dejectedly at an outlandish mess which he called his lunch. He insisted that it was not at all bad; but it had evidently been on the table some time when I called, and he had not even tasted it. He ordered coffee for my benefit, but I do not care for coffee that has salt in it instead of sugar. I said that I had merely looked in to ask him to an early dinner at the club, and it was touching to see how he grasped at the idea. So complete, however, was his subjection to that terrible housekeeper, who believed in his fad, that he dared not send back her dishes untasted. As a compromise I suggested that he could wrap up some of the stuff in paper and drop it quietly into the gutter. We sallied forth, and I found him so weak that he had to be assisted into a hansom. He still maintained, however, that Japanese chambers were worth making some sacrifice for; and when the other Arcadians saw his condition they had the delicacy not to contradict him. They thought it was consumption.

If we had not taken Scrymgeour in hand I dare not think what his craze might have reduced him to. A friend asked him into the country for ten days, and of course he was glad to go. As it happened, my chambers were being repapered at the time, and Scrymgeour gave me permission to occupy his rooms until his return. The other Arcadians agreed to meet me there nightly, and they were indefatigable in their efforts to put the boudoir to rights. Jimmy wrote letters to editors, of a most cutting nature, on the moon, breaking the table as he stepped on and off it, and we gave the butterflies to William John. The reptiles had to crawl off the door, and we made pipe-lights of the Japanese fans. Marriot shot the candles at the mice and birds; and Gilray, by improvising an entertainment behind the blood-red curtains, contrived to give them the dilapidated appearance without which there is no real comfort. In short, the boudoir soon assumed such a homely aspect that Scrymgeour on his return did not recognize it. When he realized where he was he lighted up at once.

HIS WIFE'S CIGARS.

Though Pettigrew, who is a much more successful journalist than Jimmy, says pointedly of his wife that she encourages his smoking instead of putting an end to it, I happen to know that he has cupboard skeletons. Pettigrew has been married for years, and frequently boasted of his wife's interest in smoking, until one night an accident revealed the true state of matters to me. Late in the night, when traffic is hushed and the river has at last a chance of making itself heard, Pettigrew's window opens cautiously, and he casts something wrapped in newspaper into the night. The window is then softly closed, and all is again quiet. At other times Pettigrew steals along the curb-stone, dropping his skeletons one by one. Nevertheless, his cupboard beneath the bookcase is so crammed that he dreams the lock has given way. The key is always in his pocket, yet when his children approach the cupboard he orders them away, so fearful is he of something happening. When his wife has retired he sometimes unlocks the cupboard with nervous hand, when the door bursts gladly open, and the things roll on to the carpet. They are the cigars his wife gives him as birthday presents, on the anniversary of his marriage, and at other times, and such a model wife is she that he would do anything for her except smoke them. They are Celebros, Regalia Rothschilds, twelve and six the hundred. I discovered Pettigrew's secret one night, when, as I was passing his house, a packet of Celebros alighted on my head. I demanded an explanation, and I got it on the promise that I would not mention the matter to the other Arcadians.

"Several years having elapsed," said Pettigrew, "since I pretended to smoke and enjoy my first Celebro, I could not now undeceive my wife--it would be such a blow to her. At the time it could have been done easily. She began by making trial of a few. There were seven of them in an envelope; and I knew at once that she had got them for a shilling. She had heard me saying that eightpence is a sad price to pay for a cigar--I prefer them at tenpence--and a few days afterward she produced her first Celebros. Each of them had, and has, a gold ribbon round it, bearing the legend, 'Non plus ultra.' She was shy and timid at that time, and I thought it very brave of her to go into the shop herself and ask for the Celebros, as advertised; so I thanked her warmly. When she saw me slipping them into my pocket she looked disappointed, and said that she would like to see me smoking one. My reply would have been that I never cared to smoke in the open air, if she had not often seen me do so. Besides, I wanted to please her very much; and if what I did was weak I have been severely punished for it. The pocket into which I had thrust the Celebros also contained my cigar-case; and with my hand in the pocket I covertly felt for a Villar y Villar and squeezed it into the envelope. This I then drew forth, took out the cigar, as distinguished from the Celebros, and smoked it with unfeigned content. My wife watched me eagerly, asking six or eight times how I liked it. From the way she talked of fine rich bouquet and nutty flavor I gathered that she had been in conversation with the tobacconist, and I told her the cigars were excellent. Yes, they were as choice a brand as I had ever smoked. She clapped her hands joyously at that, and said that if she had not made up her mind never to do so she would tell me what they cost. Next she asked me to guess the price; I answered eighty shillings a hundred; and then she confessed that she got the seven for a shilling. On our way home she made arch remarks about men who judged cigars simply by their price. I laughed gayly in reply, begging her not to be too hard on me; and I did not even feel uneasy when she remarked that of course I would never buy those horridly expensive Villar y Villars again. When I left her I gave the Celebros to an acquaintance against whom I had long had a grudge--we have not spoken since--but I preserved the envelope as a pretty keepsake. This, you see, happened shortly before our marriage.

"I have had a consignment of Celebros every month or two since then, and, dispose of them quietly as I may, they are accumulating in the cupboard. I despise myself; but my guile was kindly meant at first, and every thoughtful man will see the difficulties in the way of a confession now. Who can say what might happen if I were to fling that cupboard door open in presence of my wife? I smoke less than I used to do; for if I were to buy my cigars by the box I could not get them smuggled into the house. Besides, she would know--I don't say how, I merely make the statement--that I had been buying cigars. So I get half a dozen at a time. Perhaps you will sympathize with me when I say that I have had to abandon my favorite brand. I cannot get Villar y Villars that look like Celebros, and my wife is quicker in those matters than she used to be. One day, for instance, she noticed that the cigars in my case had not the gold ribbon round them, and I almost fancied she became suspicious. I explained that the ribbon was perhaps a little ostentatious; but she said it was an intimation of nutty flavor: and now I take ribbons off the Celebros and put them on the other cigars. The boxes in which the Celebros arrive have a picturesque design on the lid and a good deal of lace frilling round the edge, and she likes to have a box lying about. The top layer of that box is cigars in gold ribbons, placed there by myself, and underneath are the Celebros. I never get down to the Celebros.

"For a long time my secret was locked in my breast as carefully as I shall lock my next week's gift away in the cupboard, if I can find room for it; but a few of my most intimate friends have an inkling of it now. When my friends drop in I am compelled to push the Celebro box toward them, and if they would simply take a cigar and ask no questions all would be well; for, as I have said, there are cigars on the top. But they spoil everything by remarking that they have not seen the brand before. Should my wife not be present this is immaterial, for I have long had a reputation of keeping good cigars. Then I merely remark that it is a new brand; and they smoke, probably observing that it reminds them of a Cabana, which is natural, seeing that it is a Cabana in disguise. If my wife is present, however, she comes forward smiling, and remarks, with a fond look in my direction, that they are her birthday present to her Jack. Then they start back and say they always smoke a pipe. These Celebros were making me a bad name among my friends, so I have given a few of them to understand--I don't care to put it more plainly--that if they will take a cigar from the top layer they will find it all right. One of them, however, has a personal ill-will to me because my wife told his wife that I preferred Celebro cigars at twelve and six a hundred to any other. Now he is expected to smoke the same; and he takes his revenge by ostentatiously offering me a Celebro when I call on him."

GILRAY'S FLOWER-POT.

I charge Gilray's unreasonableness to his ignoble passion for cigarettes; and the story of his flower-pot has therefore an obvious moral. The want of dignity he displayed about that flower-pot, on his return to London, would have made any one sorry for him. I had my own work to look after, and really could not be tending his chrysanthemum all day. After he came back, however, there was no reasoning with him, and I admit that I never did water his plant, though always intending to do so.

The great mistake was in not leaving the flower-pot in charge of William John. No doubt I readily promised to attend to it, but Gilray deceived me by speaking as if the watering of a plant was the merest pastime. He had to leave London for a short provincial tour, and, as I see now, took advantage of my good nature.

As Gilray had owned his flower-pot for several months, during which time he had watered it daily, he must have known he was misleading me. He said that you got into the way of watering a flower-pot regularly just as you wind up your watch. That certainly is not the case. I always wind up my watch, and I never watered the flower-pot. Of course, if I had been living in Gilray's rooms with the thing always before my eyes I might have done so. I proposed to take it into my chambers at the time, but he would not hear of that. Why? How Gilray came by this chrysanthemum I do not inquire; but whether, in the circumstances, he should not have made a clean breast of it to me is another matter. Undoubtedly it was an unusual thing to put a man to the trouble of watering a chrysanthemum daily without giving him its history. My own belief has always been that he got it in exchange for a pair of boots and his old dressing-gown. He hints that it was a present; but, as one who knows him well, I may say that he is the last person a lady would be likely to give a chrysanthemum to. Besides, if he was so proud of the plant he should have stayed at home and watered it himself.

He says that I never meant to water it, which is not only a mistake, but unkind. My plan was to run downstairs immediately after dinner every evening and give it a thorough watering. One thing or another, however, came in the way. I often remembered about the chrysanthemum while I was in the office; but even Gilray could hardly have expected me to ask leave of absence merely to run home and water his plant. You must draw the line somewhere, even in a government office. When I reached home I was tired, inclined to take things easily, and not at all in a proper condition for watering flower-pots. Then Arcadians would drop in. I put it to any sensible man or woman, could I have been expected to give up my friends for the sake of a chrysanthemum? Again, it was my custom of an evening, if not disturbed, to retire with my pipe into my cane chair, and there pass the hours communing with great minds, or, when the mood was on me, trifling with a novel. Often when I was in the middle of a chapter Gilray's flower-pot stood up before my eyes crying for water. He does not believe this, but it is the solemn truth. At those moments it was touch and go, whether I watered his chrysanthemum or not. Where I lost myself was in not hurrying to his rooms at once with a tumbler. I said to myself that I would go when I had finished my pipe, but by that time the flower-pot had escaped my memory. This may have been weakness; all I know is that I should have saved myself much annoyance if I had risen and watered the chrysanthemum there and then. But would it not have been rather hard on me to have had to forsake my books for the sake of Gilray's flowers and flower-pots and plants and things? What right has a man to go and make a garden of his chambers?

Knowing that there was no explaining things to Gilray, I redoubled my exertions to water his flower-pot as the day for his return drew near. Once, indeed, when I rang for water, I could not for the life of me remember what I wanted it for when it was brought. Had I had any forethought I should have left the tumbler stand just as it was to show it to Gilray on his return. But, unfortunately, William John had misunderstood what I wanted the water for, and put a decanter down beside it. Another time I was actually on the stair rushing to Gilray's door, when I met the housekeeper, and, stopping to talk to her, lost my opportunity again. To show how honestly anxious I was to fulfil my promise, I need only add that I was several times awakened in the watches of the night by a haunting consciousness that I had forgotten to water Gilray's flower-pot. On these occasions I spared no trouble to remember again in the morning. I reached out of bed to a chair and turned it upside down, so that the sight of it when I rose might remind me that I had something to do. With the same object I crossed the tongs and poker on the floor. Gilray maintains that instead of playing "fool's tricks" like these I should have got up and gone at once to his rooms with my water-bottle. What? and disturbed my neighbors? Besides, could I reasonably be expected to risk catching my death of cold for the sake of a wretched chrysanthemum? One reads of men doing such things for young ladies who seek lilies in dangerous ponds or edelweiss on overhanging cliffs. But Gilray was not my sweetheart, nor, I feel certain, any other person's.

I come now to the day prior to Gilray's return. I had just reached the office when I remembered about the chrysanthemum. It was my last chance. If I watered it once I should be in a position to state that, whatever condition it might be in, I had certainly been watering it. I jumped into a hansom, told the cabby to drive to the inn, and twenty minutes afterward had one hand on Gilray's door, while the other held the largest water-can in the house. Opening the door I rushed in. The can nearly fell from my hand. There was no flower-pot! I rang the bell. "Mr. Gilray's chrysanthemum!" I cried. What do you think William John said? He coolly told me that the plant was dead, and had been flung out days ago. I went to the theatre that night to keep myself from thinking. All next day I contrived to remain out of Gilray's sight. When we met he was stiff and polite. He did not say a word about the chrysanthemum for a week, and then it all came out with a rush. I let him talk. With the servants flinging out the flower-pots faster than I could water them, what more could I have done? A coolness between us was inevitable. This I regretted, but my mind was made up on one point: I would never do Gilray a favor again.

THE GRANDEST SCENE IN HISTORY.

Though Scrymgeour only painted in watercolors, I think--I never looked at his pictures--he had one superb idea, which we often advised him to carry out. When he first mentioned it the room became comparatively animated, so much struck were we all, and we entreated him to retire to Stratford for a few months, before beginning the picture. His idea was to paint Shakespeare smoking his first pipe of the Arcadia Mixture.

Many hundreds of volumes have been written about the glories of the Elizabethan age, the sublime period in our history. Then were Englishmen on fire to do immortal deeds. High aims and noble ambitions became their birthright. There was nothing they could not or would not do for England. Sailors put a girdle round the world. Every captain had a general's capacity; every fighting-man could have been a captain. All the women, from the queen downward, were heroines. Lofty statesmanship guided the conduct of affairs, a sublime philosophy was in the air. The period of great deeds was also the period of our richest literature. London was swarming with poetic geniuses. Immortal dramatists wandered in couples between stage doors and taverns.

Ned Alleyn goes from tavern to tavern, picking out his men. There is an ale-house in Sea-coal Lane--the same where lady-like George Peele was found by the barber, who had subscribed an hour before for his decent burial, "all alone with a peck of oysters"--and here Ned is detained an unconscionable time. Just as he is leaving with Kempe and Cowley, Armin and Will Shakespeare burst in with a cry for wine. It is Armin who gives the orders, but his companion pays. They spy Alleyn, and Armin must tell his news. He is the bearer of a challenge from some merry souls at the "Saba" to the actor-manager; and Ned Alleyn turns white and red when he hears it. Then he laughs a confident laugh, and accepts the bet. Some theatre-goers, flushed with wine, have dared him to attempt certain parts in which Bentley and Knell vastly please them. Ned is incredulous that men should be so willing to fling away their money; yet here is Will a witness, and Burbage is staying on at the "Saba" not to let the challengers escape.

All this time Marlowe is at the Globe, wondering why the others are so long in coming; but not wondering very much--for it is good wine they give you at the Globe. Even before the feast is well begun Kit's eyes are bloodshot and his hands unsteady. Death is already seeking for him at a tavern in Deptford, and the last scene in a wild, brief life starts up before us. A miserable ale-house, drunken words, the flash of a knife, and a man of genius has received his death-blow. What an epitaph for the greatest might-have-been in English literature: "Christopher Marlowe, slain by a serving-man in a drunken brawl, aged twenty-nine!" But by the time Shakespeare had reached his fortieth birthday every one of his fellow-playwrights round that table had rushed to his death.

Peele is in the middle of a love-song when Kit stumbles across the room to say a kind word to Shakespeare. That is a sign that George is not yet so very tipsy; for he is a gallant and a squire of dames so long as he is sober. There is not a maid in any tavern in Fleet Street who does not think George Peele the properest man in London. And yet, Greene being absent, scouring the street with Cutting Ball--whose sister is mother of poor Fortunatus Greene--Peele is the most dissolute man in the Globe to-night. There is a sad little daughter sitting up for him at home, and she will have to sit wearily till morning. Marlowe's praises would sink deeper into Will's heart if the author of the "Jew of Malta" were less unsteady on his legs. And yet he takes Kit's words kindly, and is glad to hear that "Titus Andronicus," produced the other day, pleases the man whose praise is most worth having. Will Shakespeare looks up to Kit Marlowe, and "Titus Andronicus" is the work of a young playwright who has tried to write like Kit. Marlowe knows it, and he takes it as something of a compliment, though he does not believe in imitation himself. He would return now to his seat beside Ned Alleyn; but the floor of the room is becoming unsteady, and Ned seems a long way off. Besides, Shakespeare's cup would never require refilling if there were not some one there to help him drink.

The fun becomes fast and furious; and the landlord of the Globe puts in an appearance, ostensibly to do his guests honor by serving them himself. But he is fearful of how the rioting may end, and, if he dared, he would turn Nash into the street. Tom is the only man there whom the landlord--if that man had only been a Boswell--personally dislikes; indeed, Nash is no great favorite even with his comrades. He has a bitter tongue, and his heart is not to be mellowed by wine. The table roars over his sallies, of which the landlord himself is dimly conscious that he is the butt, and Kempe and Cowley wince under his satire. Those excellent comedians fall out over a trifling difference of opinion; and handsome Nash--he tells us himself that he was handsome, so there can be no doubt about it--maintains that they should decide the dispute by fist-cuffs without further loss of time. While Kempe and Cowley threaten to break each other's heads--which, indeed, would be no great matter if they did it quietly--Burbage is reciting vehemently, with no one heeding him; and Marlowe insists on quarrelling with Armin about the existence of a Deity. For when Kit is drunk he is an infidel. Armin will not quarrel with anybody, and Marlowe is exasperated.

But where is Shakespeare all this time? He has retired to a side table with Alleyn, who has another historical play that requires altering. Their conversation is of comparatively little importance; what we are to note with bated breath is that Will is filling a pipe. His face is placid, for he does not know that the tobacco Ned is handing him is the Arcadia Mixture. I love Ned Alleyn, and like to think that Shakespeare got the Arcadia from him.

For a moment let us turn from Shakespeare at this crisis in his life. Alleyn has left him and is paying the score. Marlowe remains where he fell. Nash has forgotten where he lodges, and so sets off with Peele to an ale-house in Pye Corner, where George is only too well known. Kempe and Cowley are sent home in baskets.

Again we turn to the figure in the corner, and there is such a light on his face that we shade our eyes. He is smoking the Arcadia, and as he smokes the tragedy of Hamlet takes form in his brain.

This is the picture that Scrymgeour will never dare to paint. I know that there is no mention of tobacco in Shakespeare's plays, but those who smoke the Arcadia tell their secret to none, and of other mixtures they scorn to speak.

MY BROTHER HENRY.

Strictly speaking I never had a brother Henry, and yet I cannot say that Henry was an impostor. He came into existence in a curious way, and I can think of him now without malice as a child of smoke. The first I heard of Henry was at Pettigrew's house, which is in a London suburb, so conveniently situated that I can go there and back in one day. I was testing some new Cabanas, I remember, when Pettigrew remarked that he had been lunching with a man who knew my brother Henry. Not having any brother but Alexander, I felt that Pettigrew had mistaken the name. "Oh, no," Pettigrew said; "he spoke of Alexander too." Even this did not convince me, and I asked my host for his friend's name. Scudamour was the name of the man, and he had met my brothers Alexander and Henry years before in Paris. Then I remembered Scudamour, and I probably frowned, for I myself was my own brother Henry. I distinctly recalled Scudamour meeting Alexander and me in Paris, and calling me Henry, though my name begins with a J. I explained the mistake to Pettigrew, and here, for the time being, the matter rested. However, I had by no means heard the last of Henry.

Several times afterward I heard from various persons that Scudamour wanted to meet me because he knew my brother Henry. At last we did meet, in Jimmy's chambers; and, almost as soon as he saw me, Scudamour asked where Henry was now. This was precisely what I feared. I am a man who always looks like a boy. There are few persons of my age in London who retain their boyish appearance as long as I have done; indeed, this is the curse of my life. Though I am approaching the age of thirty, I pass for twenty; and I have observed old gentlemen frown at my precocity when I said a good thing or helped myself to a second glass of wine. There was, therefore, nothing surprising in Scudamour's remark, that, when he had the pleasure of meeting Henry, Henry must have been about the age that I had now reached. All would have been well had I explained the real state of affairs to this annoying man; but, unfortunately for myself, I loathe entering upon explanations to anybody about anything. This it is to smoke the Arcadia. When I ring for a time-table and William John brings coals instead, I accept the coals as a substitute. Much, then, did I dread a discussion with Scudamour, his surprise when he heard that I was Henry, and his comments on my youthful appearance. Besides, I was smoking the best of all mixtures. There was no likelihood of my meeting Scudamour again, so the easiest way to get rid of him seemed to be to humor him. I therefore told him that Henry was in India, married, and doing well. "Remember me to Henry when you write to him," was Scudamour's last remark to me that evening.

"Do you know a man, Scudamour? Reply," was what Alexander said. I thought of answering that we had met a man of that name when we were in Paris; but after consideration, I replied boldly: "Know no one of name of Scudamour."

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