Read Ebook: The Lone Ranche by Reid Mayne

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Ebook has 1736 lines and 87267 words, and 35 pages

She makes no remark, but stepping towards the yucca and reaching up, impales the piece of paper on one of its topmost spikes.

"Now, caballero," she says, "you mount my mare. See, she stands ready for you."

Hamersley again protests, saying he can walk well enough.

But his tottering steps contradict him, and he urges his objections in vain.

The young girl appealingly persists, until at length the gallantry of the Kentuckian gives way, and he climbs reluctantly into the saddle.

So saying, she strikes off through the sage, the mustang stepping by her side, and the two great hounds, like a rear guard, bringing up behind.

FOES OR FRIENDS?

Mounted on the mustang mare, Frank Hamersley pursues his way, wondering at his strange guide. So lovely a being encountered in such an out-of-the-way corner of the world--in the midst of a treeless, waterless desert, over a hundred miles from the nearest civilised settlement!

Who is she? Where has she come from? Whither is she conducting him?

To the last question he will soon have an answer; for as they advance she now and then speaks words of encouragement, telling him they are soon to reach a place of rest.

"Yonder!" she at length exclaims, pointing to two mound-shaped elevations that rise twin-like above the level of the plain. "Between those runs our road. Once there, we shall not have much farther to go; the rancho will be in sight."

In contrast with the dreary plain over which he has been so long toiling, to Hamersley the valley appears a paradise--worthy home of the Peri who is conducting him down to it. It resembles a landscape painted upon the concave sides of an immense oval-shaped dish, with the cloudless sky, like a vast cover of blue glass, arching over it.

His doubts are dissipated by the sweet voice sounding once more in his ears.

At this the mustang gives a soft whimper, as if answering the interrogatory.

"I shall myself go before," the girl continues. "So let loose the rein, and leave Lolita to take her own way."

After giving this injunction, she turns abruptly to the right, where a path almost perpendicular leads down a ledge, traversing the facade of the cliff. Close followed by the mustang, she advances fearlessly along it.

Certainly a most dangerous descent, even for one afoot; and if left to his own will, Hamersley might decline attempting it on horseback. But he has no choice now, for before he can make either expostulation or protest, Lolita has struck along the path, and continues with hind-quarters high in air and neck extended in the opposite direction, as though standing upon her head! To her rider there is no alternative but do as he has been directed--stick close to the saddle. This he manages by throwing his feet forward and laying his back flat along the croup, till his shoulders come between the crossed shanks of the prong-horns.

In this position he remains, without saying a word, or even daring to look below, till he at length finds himself moving forward with face upturned to the sky, thus discovering that the animal he bestrides is once more going along level ground.

Once more stepping to the front, she strikes off among the trees, along a path which still inclines downward, though now in gentler slope.

Hamersley's brain is in a whirl. The strange scenes, things, thoughts, and fancies are weaving weird spells around him; and once more he begins to think that his senses have either forsaken or are forsaking him.

This time it is really so, for the long-protracted suffering--the waste of blood and loss of strength--only spasmodically resuscitated by the excitement of the strange encounter--is now being succeeded by a fever of the brain, that is gradually depriving him of his reason.

He has a consciousness of riding on for some distance farther--under trees, whose leafy boughs form an arcade over his head, shutting out the sun. Soon after, all becomes suddenly luminous, as the mustang bears him out into a clearing, with what appears a log-cabin in the centre. He sees or fancies the forms of several men standing by its door; and as the mare comes to a stop in their midst his fair conductor is heard excitedly exclaiming,--

At this one of the men springs towards him; whether to be kind, or to kill, he cannot tell. For before a hand is laid on him the strange tableau fades from his sight; and death, with all its dark obliviousness, seems to take possession of his soul.

"SAVED BY AN ANGEL!"

The shadow of Walt Wilder is again projected over the Staked Plain, as before, to a gigantic length. But this time westwardly, from a sun that is rising instead of setting.

It is the morning after he parted with his disabled companion; and he is now making back towards the spot where he had left the latter, the sun's disc just appearing above the horizon, and shining straight upon his back. Its rays illumine an object not seen before, which lends to Walt's shadow a shape weird and fantastic. It is that of a giant, with something sticking out on each side of his head that resembles a pair of horns, or as if his neck was embraced by an ox-yoke, the tines tending diagonally outwards.

On looking at Walt himself the singularity is at once understood. The carcase of a deer lies transversely across his back, the legs of the animal being fastened together so as to form a sling, through which he has thrust his head, leaving the long slender shanks, like the ends of the letter X, projecting at each side and high above his shoulders.

Despite the load thus borne by him, the step of the ex-Ranger is no longer that of a man either despairing or fatigued. On the contrary, it is light and elastic; while his countenance shows bright and joyous as the beams of the ascending sun. His very shadow seems to flit over the frosted foliage of the artemisias as lightly as the figure of a gossamer-robed belle gliding across the waxed floor of a ball-room.

Walt Wilder no longer hungers or thirsts. Though the carcase on his back is still unskinned, a huge collop cut out of one of its hind-quarters tells how he has satisfied the first craving; while the gurgle of water, heard inside the canteen slung under his arm, proclaims that the second has also been appeased.

He is now hastening on to the relief of his comrade, happy in the thought of being able soon to relieve him also from his sufferings.

Striding lightly among the sage-bushes, and looking ahead for the landmark that should guide him, he at length catches sight of it. The palmilla, standing like a huge porcupine upon the plain, cannot be mistaken; and he descries it at more than a mile's distance, the shadow of his own head already flickering among its bayonet-like blades.

It is this question, mentally put by Walt Wilder, that has caused the quick change in his countenance--the result of a painful conjecture.

"Marciful heavens!" he exclaims, suddenly making halt, the gun almost dropping from his grasp. "Kin it be possyble? Frank Hamersley gone under! Them buzzards! They've been upon the groun' to a sartinty. Darnashin! what ked they a been doin' down thar? Right by the bunch o' palmetto, jest whar I left him. An' no sign o' himself to be seen? Marciful heavens! kin it be possyble they've been--?"

Interrupting himself, he remains motionless, apparently paralysed by apprehension, mechanically scanning the palmilla, as though from it he expected an answer to his interrogatory.

"It air possyble," he continues after a time, "too possyble--too likesome. He war well-nigh done up, poor young fellur; an' no wonder. Whar is he now? He must be down by the side o' the bush--down an' dead. Ef he war alive, he'd be lookin' out for me. He's gone under; an' this deer-meat, this water, purcured to no purpiss. I mout as well fling both away; they'll reach him too late."

Once more resuming his forward stride, he advanced towards the dark mass above which the vultures are soaring. His shadow, still by a long distance preceding him, has frightened the birds higher up into the air, but they show no signs of going altogether away. On the contrary, they keep circling around, as if they had already commenced a repast, and, driven off, intend returning to it.

On what have they been banqueting? On the body of his comrade? What else can be there?

Thus questioning himself, the ex-Ranger advances, his heart still aching with apprehension. Suddenly his eye alights on the piece of paper impaled upon the topmost spike of the palmilla. The sight gives him relief, but only for an instant; his conjectures again leading him astray.

"Poor young fellur!" is his half-spoken reflection; "he's wrote somethin' to tell how he died--mayhap somethin' for me to carry back to the dear 'uns he's left behind in ole Kaintuck. Wall, that thing shall sartinly be done ef ever this chile gets to the States agin. Darnashin! only to think how near I war to savin' him; a whole doe deer, an' water enough to a drownded him! It'll be useless venison now, I shan't care no more to put tooth into it myself. Frank Hamersley gone dead--the man o' all others I'd 'a died to keep alive. I'd jest as soon lie down an' stop breathin' by the side o' him."

While speaking he moves on towards the palmilla. A few strides bring him so near the tree that he can see the ground surface about its base. There is something black among the stems of the sage-bushes. It is not the dead body of a man, but a buzzard, which he knows to be that he had shot before starting off. The sight of it causes him again to make stop. It looks draggled and torn, as if partially dismembered.

"Kin he hev been eatin' it? Or war it themselves, the cussed kannybals? Poor Frank, I reck'n I'll find him on t'other side, his body mangled in the same way. Darn it, 't air kewrous, too. 'Twar on this side he laid down to git shade from the sun. I seed him squat whiles I war walkin' away. The sun ain't hot enuf yit to a druv him to westward o' the bush, though thar for sartin he must be. What's the use o' my stannin' shilly-shally hyar? I may as well face the sight at oncest, ugly as I know it'll prove. Hyar goes."

Steeling himself for the terrible spectacle, which he believes to be certainly awaiting him, he once more advances towards the tree.

A dozen strides bring him up, and less than half a dozen more carry him around it.

No body, living or dead--no remains of man, mutilated or otherwise!

For some time Wilder stands in speechless surprise, his glances going all around. But no human figure is seen, either by the palmilla or among the sage-bushes beside it. Can the wounded man have crawled away? But no; why should he? Still, to make sure, the ex-Ranger shouts out, calling Hamersley by name.

He gets no response. Alone he hears the echo of his own voice, mingling with the hoarse croaking of the vultures, scared by his shouts.

His hunter habits now counsel him to a different course of action. His comrade cannot be dead, else the corpse would be there. The vultures could not have eaten up both body and bones. There is no skeleton, no remains. His fellow fugitive has gone off or been taken. Whither? While asking the question Wilder sets about the right way to answer it. As a skilled tracker he begins by examining the signs that should put him on the trace of his missing companion. At a glance he perceives the prints of a horse's hoof, and sees they are those of one unshod. This bodes ill, for the naked-hoofed horse betokens a savage rider--an Indian. Still, it may not be; and he proceeds to a more careful scrutiny of the tracks. In a short time he is able to tell that but one horse has been there, and presumably but one rider, which promises better. And while shaping conjectures as to who it could have been his eye ascends to the piece of paper impaled upon the spike, which he has for a time forgotten. This promises still better. It may clear up everything.

Hoping it will, he strides towards and takes hold of it. Lifting it carefully from the leaf, he spreads it out. He sees some writing in pencil, which he prepares to read.

At first sight he supposed it might be a dying record. Now he believes it may be something else.

His hands tremble, and his huge frame is convulsed as he holds the paper to his eyes.

With a thrill of joy he recognises the handwriting of Hamersley, which he knows. He is not much of a scholar; still, he can read, and at a glance makes out the first four words, full of pleasant meaning:

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