Read Ebook: Miss Pat at School by Ginther Pemberton

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Ebook has 1301 lines and 56130 words, and 27 pages

"If this is where the celebrities eat, I don't wonder they're smudgy," she said in an undertone, as they seated themselves at the last vacant table and spread their purchases on its discolored surface. "This doesn't strike me as being very appetizing."

"It's clean, anyway, Miss Pat," said Elinor, whose practiced eyes had been busy. "It looks soiled because the table-tops are old marble and the floor is mottled cement, but it is really clean, though I can't honestly say it is attractive on first sight."

"One gets used to anything in time," said Patricia airily. "You remember how Sally Lukes missed the doing of those five weekly washes after Johnny got prosperous enough to keep her in comfort. I reckon we'll be just like that after a while--can't eat without smudges on the table and paint-splotches on the dining-room walls."

Her eyes strayed about, resting on one group after another till they lighted with sudden interest.

"There she is," she said ardently. "You can't deny, Elinor, that she's terribly good to look at. Why, the very way she manipulates that frilly napkin reconciles me to my food. I declare I'm twice as hungry as I was before."

The girl certainly did make a charming and refreshing picture in her pretty gown, and with a dainty lunch covering the objectionable table. Opposite to her sat the drab young woman, silently eating while she read hurriedly from a technical magazine. The contrast between the two was so great that it made Elinor wonder.

"She must be unselfish and agreeable," she said, forgetting her momentary prejudice, "particularly when the other doesn't seem to appreciate her society very highly. I fancy that one isn't very diverting. I wonder why they are such chums."

"Relatives, perhaps," hazarded Patricia, reveling in Elinor's conversion. "I hope we get to know her soon, don't you, Norn? She must be awfully popular. See how they all turn when she passes. I'm sorry she's going, though, for I could simply feast my eyes on her for hours."

Their new acquaintance of the corridor stopped at their table as she, too, made her way out.

"I am going into the portrait class when I go up," she said, her dark-fringed eyes smiling frankly down on Elinor. "They tell me you are going to take your first plunge this afternoon. I'll be glad to show you about if you need any chaperoning."

Elinor's eyes met hers gratefully. "I'll be so glad to have you tell me what I should do," she said with relief and instant friendliness in her soft voice. "I'm just a beginner, you know. I've never been in a class in my life and I'm rather scared about it."

The lips that Patricia had designated as "nice and crinkly" widened in a bright smile that held no hint of hauteur.

"I'll be about in the corridor when you come up," she promised. "You don't need to feel that way about it. It's the simplest thing in the world--after you once get settled. You're in great luck to get into life and head classes without ever having gone to school before. I fancy you are a very special brand of genius to have such privileges."

Elinor blushed and shook her head.

"I studied with Bruce Haydon last summer," she said. "He got me in here."

"O--oh," responded the girl, her face suddenly alight. "That is splendid. You know he's the most severe critic we have, but we all adore his work." Then she added as an afterthought: "He's tremendously popular with the men. He studied here, you know."

Patricia opened her eyes wide. "Why, Bruce is the most amiable sort," she protested. "He'll simply eat out of your hand up at home. I didn't know he ever criticized here," she ended, rather suspiciously.

Elinor's new friend smiled good-naturedly. "He only drops in once in a while," she said. "He was here pretty often last month, but he hadn't been here before that for nearly four years, they said. He's abroad now, isn't he?"

Elinor told her that Bruce was in Italy, getting his studies for the Fran?ais Society's panel of early Italian history.

"It must be jolly to know him out of the limelight," said the girl, seriously. "The girls were so crazy over him here that there wasn't a chance for a rational word with him, unless one were a man. He simply evaporated when he saw an apron."

Patricia laughed. "He's not so retiring in private," she declared, gayly. "He was one of our happy family for three months last summer and we never noticed any shyness; did we, Norn?"

Elinor reared her head with dignity. "He was very kind and friendly to us," she explained to their companion, "because he had been very much devoted to my aunt, who left us the house where we now live. He had no mother and Aunt Louise was very fond of him."

"Well, you're awfully in luck, however it is," replied the girl. "I'll see you in about fifteen minutes," and she nodded as she moved off, her dark hair gleaming in the mingled lights as she carried her small fine head proudly on her slender neck.

Patricia was about to make a comment when she suddenly turned and came back to them.

Patricia was introduced, and Margaret Howes, with promises to meet them later, went off finally, and Patricia and Elinor set to work to dispose of their neglected lunch, enjoying their own comments on the assembled groups more than they did the cakes and fruit.

"Just look at that mournful creature." Patricia motioned with her eyebrows to the opposite side of the room, where a large, stout young woman in somber cloak and wide-plumed hat was eating her way through a chocolate ?clair with just such an air of tragic and settled melancholy as one sometimes sees in a child whose grief is momentarily its most cherished possession.

"Isn't she the limit?" said Patricia in disdain. "She oughtn't to eat frivolous things like ?clairs. I wonder at her lack of judgment."

"She isn't in mourning," said Elinor, making a discovery. "I wonder who she is. She's impressive enough to be the president of the board, and Bruce says that's the most important person in the place."

They followed the general exodus upstairs, feeling more and more at home with every step.

Elinor was breathing fast as she swept the corridor with anxious glance.

"I hope Miss Howes doesn't forget," she said apprehensively. "I'd so much rather go into the class with her."

A girl sauntered past them as they loitered before their lockers.

"Looking for anyone?" she asked briskly, and hardly waiting for the answer, she raised her voice and called through the door of the next room:

"Hello, Howes! Here's someone looking for you!"

Patricia expected Margaret Howes as she emerged to show some surprise or annoyance at this summary mode of speech, but she was as serene and unconscious as ever.

"I'm busy, Griffin," she began, and then broke off as she saw the girls. "Oh, here you are," she said to Elinor. "I was looking for you in the modeling room."

The newcomer raised her pale eyebrows. "Absent-minded as ever, I see, Howes," she said with a whimsical sort of fondness in her peculiar voice. "Better run off to the head class before you forget where you're due."

She watched Margaret Howes and Elinor till they turned into the screened entrance to the portrait room; then she turned to Patricia with easy friendliness.

"You're fresh meat, aren't you?" she asked with a grin that widened her full mouth to a line. "When'd you come?"

Patricia gave her the brief outlines of her enrolment, and she nodded approvingly.

"Good stuff in the modeling room," she commented briskly. "But don't let old Bottle Green bulldoze you into thinking it's a deaf and dumb asylum or the vestibule to the morgue or any such sequestered spot. She's deadly dull, you know, and she almost faints if you whisper while the model is posing. She's monitor and I will say she enjoys the job."

"What does she do?" asked Patricia, delighted with the ease and candor of this speech. She felt sure this rickety, loose-jointed, pale-colored young woman was going to be worth while.

"As monitor, you mean?" responded the other, opening a locker near by and beginning to assemble her implements from a jumble of all sorts of odds and ends with which the locker was overflowing. "As merely monitor she sees that the models are posed, gets the numbers ready for us to draw when there is a new model, sees to it that we don't riot too loudly through the pose, takes any complaints we may have to make, to the powers above. But as guardian angel of the class, she soars far above our low conception of duty and propriety. Phew! Wait till you see her at it." Here her speech was lost while she delved head first into the welter.

Patricia occupied herself getting her tools from the convenient shelf on her own locker, hoping that the talk was not to end there.

Griffin emerged as suddenly as she had disappeared. "But it's the men that spoil her," she went on as though no interruption had occurred. "They're polite to her because she's so everlastingly gloomy. Same sort of politeness they'd show to a hearse, you know--respectful but not companionable."

Patricia gave an exclamation. "I believe I've seen her!" she cried. "She wears a long cloak and a hat with a big black plume, doesn't she? We noticed her at lunch and wondered what was the matter with her."

Patricia puckered her brow inquiringly.

"Breaks a bone every time anyone looks hard at her," explained the other, shoving the protruding conglomeration of her locker inside and snapping the door quickly on it. "She's more bones than the average, and she breaks them regularly every time she learns the name of a new one. I think she oughtn't to be allowed in the dissecting room for any consideration. She's just out of splints now for a right arm fracture, and, believe me, she worked all the time with her left."

"How could she?" wondered Patricia, feeling awed by this devotion to art.

"She couldn't," grinned Griffin. "That's the point. She's so taken up with her pose as suffering martyr that she overlooks a trifle like good work. Heavens, there's the gong! I've kept you here gassing when I know you're crazy to get to work. Come along in, and I'll help you set up your stand before the model poses again."

Patricia followed her into the big, clay-soiled, dusty room, clutching her new smooth wooden tools with nervous fingers.

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