Read Ebook: The Diary of a Man of Fifty by James Henry

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Ebook has 363 lines and 14922 words, and 8 pages

"And it must be a great pleasure," said my young friend, "to come back."

"Yes, fortunately the beauty is always here. What form of it," I asked, "do you prefer?"

My companion looked a little mystified; and at last he said, "I am very fond of the pictures."

"Oh, a great many."

"So did I; but I had certain favourites."

Again the young man hesitated a little, and then he confessed that the group of painters he preferred, on the whole, to all others, was that of the early Florentines.

I was so struck with this that I stopped short. "That was exactly my taste!" And then I passed my hand into his arm and we went our way again.

We sat down on an old stone bench in the Cascine, and a solemn blank-eyed Hermes, with wrinkles accentuated by the dust of ages, stood above us and listened to our talk.

"The Countess Salvi died ten years ago," I said.

My companion admitted that he had heard her daughter say so.

"After I knew her she married again," I added. "The Count Salvi died before I knew her--a couple of years after their marriage."

"Yes, I have heard that."

"And what else have you heard?"

My companion stared at me; he had evidently heard nothing.

"She was a very interesting woman--there are a great many things to be said about her. Later, perhaps, I will tell you. Has the daughter the same charm?"

"You forget," said my young man, smiling, "that I have never seen the mother."

"Very true. I keep confounding. But the daughter--how long have you known her?"

"Only since I have been here. A very short time."

"A week?"

For a moment he said nothing. "A month."

"That's just the answer I should have made. A week, a month--it was all the same to me."

"I think it is more than a month," said the young man.

"It's probably six. How did you make her acquaintance?"

"The analogy is complete," I said. "But the friend who gave me my letter to Madame de Salvi died many years ago. He, too, admired her greatly. I don't know why it never came into my mind that her daughter might be living in Florence. Somehow I took for granted it was all over. I never thought of the little girl; I never heard what had become of her. I walked past the palace yesterday and saw that it was occupied; but I took for granted it had changed hands."

"The Countess Scarabelli," said my friend, "brought it to her husband as her marriage-portion."

"I hope he appreciated it! There is a fountain in the court, and there is a charming old garden beyond it. The Countess's sitting-room looks into that garden. The staircase is of white marble, and there is a medallion by Luca della Robbia set into the wall at the place where it makes a bend. Before you come into the drawing-room you stand a moment in a great vaulted place hung round with faded tapestry, paved with bare tiles, and furnished only with three chairs. In the drawing-room, above the fireplace, is a superb Andrea del Sarto. The furniture is covered with pale sea-green."

My companion listened to all this.

"The Andrea del Sarto is there; it's magnificent. But the furniture is in pale red."

"Ah, they have changed it, then--in twenty-seven years."

"And there's a portrait of Madame de Salvi," continued my friend.

I was silent a moment. "I should like to see that."

He too was silent. Then he asked, "Why don't you go and see it? If you knew the mother so well, why don't you call upon the daughter?"

"From what you tell me I am afraid."

"What have I told you to make you afraid?"

I looked a little at his ingenuous countenance. "The mother was a very dangerous woman."

The young Englishman began to blush again. "The daughter is not," he said.

"Are you very sure?"

He didn't say he was sure, but he presently inquired in what way the Countess Salvi had been dangerous.

"You must not ask me that," I answered "for after all, I desire to remember only what was good in her." And as we walked back I begged him to render me the service of mentioning my name to his friend, and of saying that I had known her mother well, and that I asked permission to come and see her.

Poor young Stanmer was there, and three or four other admirers; they all got up when I came in. I think I had been talked about, and there was some curiosity. But why should I have been talked about? They were all youngish men--none of them of my time. She is a wonderful likeness of her mother; I couldn't get over it. Beautiful like her mother, and yet with the same faults in her face; but with her mother's perfect head and brow and sympathetic, almost pitying, eyes. Her face has just that peculiarity of her mother's, which, of all human countenances that I have ever known, was the one that passed most quickly and completely from the expression of gaiety to that of repose. Repose in her face always suggested sadness; and while you were watching it with a kind of awe, and wondering of what tragic secret it was the token, it kindled, on the instant, into a radiant Italian smile. The Countess Scarabelli's smiles tonight, however, were almost uninterrupted. She greeted me--divinely, as her mother used to do; and young Stanmer sat in the corner of the sofa--as I used to do--and watched her while she talked. She is thin and very fair, and was dressed in light, vaporous black that completes the resemblance. The house, the rooms, are almost absolutely the same; there may be changes of detail, but they don't modify the general effect. There are the same precious pictures on the walls of the salon--the same great dusky fresco in the concave ceiling. The daughter is not rich, I suppose, any more than the mother. The furniture is worn and faded, and I was admitted by a solitary servant, who carried a twinkling taper before me up the great dark marble staircase.

"I have often heard of you," said the Countess, as I sat down near her; "my mother often spoke of you."

"Often?" I answered. "I am surprised at that."

"Why are you surprised? Were you not good friends?"

"Yes, for a certain time--very good friends. But I was sure she had forgotten me."

"She never forgot," said the Countess, looking at me intently and smiling. "She was not like that."

"She was not like most other women in any way," I declared.

"Ah, she was charming," cried the Countess, rattling open her fan. "I have always been very curious to see you. I have received an impression of you."

"A good one, I hope."

She looked at me, laughing, and not answering this: it was just her mother's trick.

"I hope she spoke of me kindly," I insisted.

The Countess, still laughing, gave a little shrug balancing her hand to and fro. "So-so; I always supposed you had had a quarrel. You don't mind my being frank like this--eh?"

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