bell notificationshomepageloginedit profileclubsdmBox

Read Ebook: Coming Home 1916 by Wharton Edith

More about this book

Font size:

Background color:

Text color:

Add to tbrJar First Page Next Page Prev Page

Ebook has 187 lines and 15612 words, and 4 pages

"You see," he explained with a half-embarrassed smile, "it was partly her fault. Other girls as clever, but less--how shall I say?--less proud, would have adapted themselves, arranged things, avoided startling allusions. She wouldn't stoop to that; she talked to my family as naturally as she did to me. You can imagine for instance, the effect of her saying: 'One night, after a supper at Montmartre, I was walking home with two or three pals'--. It was her way of affirming her convictions, and I adored her for it--but I wished she wouldn't!"

The next day we started for R?champ, not sure if we could get through, but bound to, anyhow! It was the coldest day we'd had, the sky steel, the earth iron, and a snow-wind howling down on us from the north. The Vosges are splendid in winter. In summer they are just plump puddingy hills; when the wind strips them they turn to mountains. And we seemed to have the whole country to ourselves--the black firs, the blue shadows, the beech-woods cracking and groaning like rigging, the bursts of snowy sunlight from cold clouds. Not a soul in sight except the sentinels guarding the railways, muffled to the eyes, or peering out of their huts of pine-boughs at the cross-roads. Every now and then we passed a long string of seventy-fives, or a train of supply waggons or army ambulances, and at intervals a cavalryman cantered by, his cloak bellied out by the gale; but of ordinary people about the common jobs of life, not a sign.

The sense of loneliness and remoteness that the absence of the civil population produces everywhere in eastern France is increased by the fact that all the names and distances on the mile-stones have been scratched out and the sign-posts at the cross-roads thrown down. It was done, presumably, to throw the enemy off the track in September: and the signs have never been put back. The result is that one is forever losing one's way, for the soldiers quartered in the district know only the names of their particular villages, and those on the march can tell you nothing about the places they are passing through. We had got badly off our road several times during the trip, but on the last day's run R?champ was in his own country, and knew every yard of the way--or thought he did. We had turned off the main road, and were running along between rather featureless fields and woods, crossed by a good many wood-roads with nothing to distinguish them; but he continued to push ahead, saying:

"We don't turn till we get to a manor-house on a stream, with a big paper-mill across the road." He went on to tell me that the mill-owners lived in the manor, and were old friends of his people: good old local stock, who had lived there for generations and done a lot for the neighbourhood.

"It's queer I don't see their village-steeple from this rise. The village is just beyond the house. How the devil could I have missed the turn?" We ran on a little farther, and suddenly he stopped the motor with a jerk. We were at a cross-road, with a stream running under the bank on our right. The place looked like an abandoned stoneyard. I never saw completer ruin. To the left, a fortified gate gaped on emptiness; to the right, a mill-wheel hung in the stream. Everything else was as flat as your dinner-table.

"Was this what you were trying to see from that rise?" I asked; and I saw a tear or two running down his face.

"They were the kindest people: their only son got himself shot the first month in Champagne--"

An old woman walked toward us down the road. R?champ jumped up and ran to meet her. "Why, Marie Jeanne, what are you doing in these ruins?" The old woman looked at him with unastonished eyes. She seemed incapable of any surprise. "They left my house standing. I'm glad to see Monsieur," she simply said. We followed her to the one house left in the waste of stones. It was a two-roomed cottage, propped against a cow-stable, but fairly decent, with a curtain in the window and a cat on the sill. R?champ caught me by the arm and pointed to the door-panel. "Oberst von Scharlach" was scrawled on it. He turned as white as your table-cloth, and hung on to me a minute; then he spoke to the old woman. "The officers were quartered here: that was the reason they spared your house?"

She nodded. "Yes: I was lucky. But the gentlemen must come in and have a mouthful."

R?champ's finger was on the name. "And this one--this was their commanding officer?"

"I suppose so. Is it somebody's name?" She had evidently never speculated on the meaning of the scrawl that had saved her.

"You remember him--their captain? Was his name Scharlach?" R?champ persisted.

Under its rich weathering the old woman's face grew as pale as his. "Yes, that was his name--I heard it often enough."

"Describe him, then. What was he like? Tall and fair? They're all that--but what else? What in particular?"

She hesitated, and then said: "This one wasn't fair. He was dark, and had a scar that drew up the left corner of his mouth."

R?champ turned to me. "It's the same. I heard the men describing him at Moulins."

We followed the old woman into the house, and while she gave us some bread and wine she told us about the wrecking of the village and the factory. It was one of the most damnable stories I've heard yet. Put together the worst of the typical horrors and you'll have a fair idea of it. Murder, outrage, torture: Scharlach's programme seemed to be fairly comprehensive. She ended off by saying: "His orderly showed me a silver-mounted flute he always travelled with, and a beautiful paint-box mounted in silver too. Before he left he sat down on my door-step and made a painting of the ruins...."

Soon after leaving this place of death we got to the second lines and our troubles began. We had to do a lot of talking to get through the lines, but what R?champ had just seen had made him eloquent. Luckily, too, the ambulance doctor, a charming fellow, was short of tetanus-serum, and I had some left; and while I went over with him to the pine-branch hut where he hid his wounded I explained R?champ's case, and implored him to get us through. Finally it was settled that we should leave the ambulance there--for in the lines the ban against motors is absolute--and drive the remaining twelve miles. A sergeant fished out of a farmhouse a toothless old woman with a furry horse harnessed to a two-wheeled trap, and we started off by round-about wood-tracks. The horse was in no hurry, nor the old lady either; for there were bits of road that were pretty steadily currycombed by shell, and it was to everybody's interest not to cross them before twilight. Jean de R?champ's excitement seemed to have dropped: he sat beside me dumb as a fish, staring straight ahead of him. I didn't feel talkative either, for a word the doctor had let drop had left me thinking. "That poor old granny mind the shells? Not she!" he had said when our crazy chariot drove up. "She doesn't know them from snow-flakes any more. Nothing matters to her now, except trying to outwit a German. They're all like that where Scharlach's been--you've heard of him? She had only one boy--half-witted: he cocked a broomhandle at them, and they burnt him. Oh, she'll take you to R?champ safe enough."

"Where Scharlach's been"--so he had been as close as this to R?champ! I was wondering if Jean knew it, and if that had sealed his lips and given him that flinty profile. The old horse's woolly flanks jogged on under the bare branches and the old woman's bent back jogged in time with it She never once spoke or looked around at us. "It isn't the noise we make that'll give us away," I said at last; and just then the old woman turned her head and pointed silently with the osier-twig she used as a whip. Just ahead of us lay a heap of ruins: the wreck, apparently, of a great ch?teau and its dependencies. "Lermont!" R?champ exclaimed, turning white. He made a motion to jump out and then dropped back into the seat. "What's the use?" he muttered. He leaned forward and touched the old woman's shoulder.

"I hadn't heard of this--when did it happen?"

"In September."

"Yes. Our wounded were there. It's like this everywhere in our country."

I saw Jean stiffening himself for the next question. "At R?champ, too?"

She relapsed into indifference. "I haven't been as far as R?champ."

"But you must have seen people who'd been there--you must have heard."

"I've heard the masters were still there--so there must be something standing. Maybe though," she reflected, "they're in the cellars...."

We continued to jog on through the dusk.

"There's the steeple!" R?champ burst out.

Through the dimness I couldn't tell which way to look; but I suppose in the thickest midnight he would have known where he was. He jumped from the trap and took the old horse by the bridle. I made out that he was guiding us into a long village street edged by houses in which every light was extinguished. The snow on the ground sent up a pale reflection, and I began to see the gabled outline of the houses and the steeple at the head of the street. The place seemed as calm and unchanged as if the sound of war had never reached it. In the open space at the end of the village R?champ checked the horse.

"The elm--there's the old elm in front of the church!" he shouted in a voice like a boy's. He ran back and caught me by both hands. "It was true, then--nothing's touched!" The old woman asked: "Is this R?champ?" and he went back to the horse's head and turned the trap toward a tall gate between park walls. The gate was barred and padlocked, and not a gleam showed through the shutters of the porter's lodge; but R?champ, after listening a minute or two, gave a low call twice repeated, and presently the lodge door opened, and an old man peered out. Well--I leave you to brush in the rest. Old family servant, tears and hugs and so on. I know you affect to scorn the cinema, and this was it, tremolo and all. Hang it! This war's going to teach us not to be afraid of the obvious.

We piled into the trap and drove down a long avenue to the house. Black as the grave, of course; but in another minute the door opened, and there, in the hall, was another servant, screening a light--and then more doors opened on another cinema-scene: fine old drawing-room with family portraits, shaded lamp, domestic group about the fire. They evidently thought it was the servant coming to announce dinner, and not a head turned at our approach. I could see them all over Jean's shoulder: a grey-haired lady knitting with stiff fingers, an old gentleman with a high nose and a weak chin sitting in a big carved armchair and looking more like a portrait than the portraits; a pretty girl at his feet, with a dog's head in her lap, and another girl, who had a Red Cross on her sleeve, at the table with a book. She had been reading aloud in a rich veiled voice, and broke off her last phrase to say: "Dinner...." Then she looked up and saw Jean. Her dark face remained perfectly calm, but she lifted her hand in a just perceptible gesture of warning, and instantly understanding he drew back and pushed the servant forward in his place.

"Madame la Comtesse--it is some one outside asking for Mademoiselle."

The dark girl jumped up and ran out into the hall. I remember wondering: "Is it because she wants to have him to herself first--or because she's afraid of their being startled?" I wished myself out of the way, but she took no notice of me, and going straight to Jean flung her arms about him. I was behind him and could see her hands about his neck, and her brown fingers tightly locked. There wasn't much doubt about those two....

The next minute she caught sight of me, and I was being rapidly tested by a pair of the finest eyes I ever saw--I don't apply the term to their setting, though that was fine too, but to the look itself, a look at once warm and resolute, all-promising and all-penetrating. I really can't do with fewer adjectives....

R?champ explained me, and she was full of thanks and welcome; not excessive, but--well, I don't know--eloquent! She gave every intonation all it could carry, and without the least emphasis: that's the wonder.

All the while, I was looking about me at the fine secure old room, in which nothing seemed altered or disturbed, the portraits smiling from the walls, the servants beaming in the doorway--and wondering how such things could have survived in the trail of death and havoc we had been following.

The same thought had evidently struck Jean, for he dropped his sister's hand and turned to gaze about him too.

"Then nothing's touched--nothing? I don't understand," he stammered.

Monsieur de R?champ raised himself majestically from his chair, crossed the room and lifted Yvonne Malo's hand to his lips. "Nothing is touched--thanks to this hand and this brain."

Madame de R?champ was shining on her son through tears. "Ah, yes--we owe it all to Yvonne."

"All, all! Grandmamma will tell you!" Simone chimed in; and Yvonne, brushing aside their praise with a half-impatient laugh, said to her betrothed: "But your grandmother! You must go up to her at once."

A wonderful specimen, that grandmother: I was taken to see her after dinner. She sat by the fire in a bare panelled bedroom, bolt upright in an armchair with ears, a knitting-table at her elbow with a shaded candle on it.

She was even more withered and ancient than she looked in her photograph, and I judge she'd never been pretty; but she somehow made me feel as if I'd got through with prettiness. I don't know exactly what she reminded me of: a dried bouquet, or something rich and clovy that had turned brittle through long keeping in a sandal-wood box. I suppose her sandal-wood box had been Good Society. Well, I had a rare evening with her. Jean and his parents were called down to see the cur?, who had hurried over to the ch?teau when he heard of the young man's arrival; and the old lady asked me to stay on and chat with her. She related their experiences with uncanny detachment, seeming chiefly to resent the indignity of having been made to descend into the cellar--"to avoid French shells, if you'll believe it: the Germans had the decency not to bombard us," she observed impartially. I was so struck by the absence of rancour in her tone that finally, out of sheer curiosity, I made an allusion to the horror of having the enemy under one's roof. "Oh, I might almost say I didn't see them," she returned. "I never go downstairs any longer; and they didn't do me the honour of coming beyond my door. A glance sufficed them--an old woman like me!" she added with a phosphorescent gleam of coquetry.

Little by little I got from her the story of the German approach: the distracted fugitives pouring in from the villages north of R?champ, the sound of distant cannonading, and suddenly, the next afternoon, after a reassuring lull, the sight of a single spiked helmet at the end of the drive. In a few minutes a dozen followed: mostly officers; then all at once the place hummed with them. There were supply waggons and motors in the court, bundles of hay, stacks of rifles, artillery-men unharnessing and rubbing down their horses. The crowd was hot and thirsty, and in a moment the old lady, to her amazement, saw wine and cider being handed about by the R?champ servants. "Or so at least I was told," she added, correcting herself, "for it's not my habit to look out of the window. I simply sat here and waited." Her seat, as she spoke, might have been a curule chair.

The effect had been miraculous. The captain--what was his name? Yes, Chariot, Chariot--Captain Chariot had been specially complimentary on the subject of the whipped cream and the cigars. Then he asked to see the other members of the family, and Mlle. Malo told him there were only two--"two old women!" He made a face at that, and said all the same he should like to meet them; and she answered: "'One is your hostess, the Comtesse de R?champ, who is ill in bed'--for my poor daughter-in-law was lying in bed paralyzed with rheumatism--'and the other her mother-in-law, a very old lady who never leaves her room.'"

"But aren't there any men in the family?" he had then asked; and she had said: "Oh yes--two. The Comte de R?champ and his son."

"And where are they?"

"In England. Monsieur de R?champ went a month ago to take his son on a trip."

The officer said: "I was told they were here to-day"; and Mlle. Malo replied: "You had better have the house searched and satisfy yourself."

"Well--?"

Add to tbrJar First Page Next Page Prev Page

 

Back to top