Read Ebook: The Winds of Time by Schmitz James H Brotman Adolph E Illustrator
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Ebook has 239 lines and 15468 words, and 5 pages
Illustrator: Adolph E. Brotman
The Winds of Time
He contracted for a charter trip--but the man who hired his spacer wasn't quite a man, it turned out--and he wanted more than service!
by James H. Schmitz
Illustrated by Brotman
"What did you find out?" she asked in a voice that was not very steady.
Gefty shrugged. "Nothing definite as yet. The ship hasn't been damaged--she's a tough tub. That's one good point. Otherwise ... well, I climbed into a suit and took a look out the escape hatch. And I saw the same thing there that the screens show. Whatever that is."
Gefty asked, "Has Mr. Maulbow shown any signs of waking up?"
Kerim shook her head. "His breathing and pulse seem all right, and that bump on his head doesn't look really bad, but he hasn't moved at all. Can you think of anything else we might do for him, Gefty?"
"Not at the moment," Gefty said. "He hasn't broken any bones. We'll see how he feels when he comes out of it." He was wondering about Mr. Maulbow and the fact that this charter had showed some unusual features from the beginning.
Kerim was a friendly sort of girl; they'd got to calling each other by their first names within a day or two after the trip started. But after that, she seemed to be avoiding him; and Gefty guessed that Maulbow had spoken to her, probably to make sure that Kerim didn't let any of her employer's secrets slip out.
But those facts looked a little different now.
Gefty scratched his chin, inquired, "Do you happen to know where Mr. Maulbow keeps the keys to the storage vault?"
Kerim looked startled. "Why, no! I couldn't permit you to take the keys anyway while he ... while he's unconscious! You know that."
Gefty grunted. "Any idea of what he has locked up in the vault?"
"You shouldn't ask me--" Her eyes widened. "Why, that couldn't possibly have anything to do with what's happened!"
He might, Gefty thought, have reassured her a little too much. He said, "I wouldn't know. But I don't want to just sit here and wonder about it until Maulbow wakes up. Until we're back in normspace, we'd better not miss any bets. Because one thing's sure--if this has happened to anybody else, they didn't turn up again to report it. You see?"
Kerim apparently did. She went pale, then said hesitantly, "Well ... the sealed cases Mr. Maulbow brought out from the Hub with him had some very expensive instruments in them. That's all I know. He's always trusted me not to pry into his business any more than my secretarial duties required, and of course I haven't."
"You don't know then what it was he brought up from that moon a few hours ago--those two big cases he stowed away in the vault?"
"No, I don't, Gefty. You see, he hasn't told me what the purpose of this trip is. I only know that it's a matter of great importance to him." Kerim paused, added, "From the careful manner Mr. Maulbow handled the cases with the cranes, I had the impression that whatever was inside them must be quite heavy."
"Oh! Have you--?"
"Not yet. But I intend to take a look at what Mr. Maulbow's got in that vault now, with or without his consent. You'd better run along and get dressed while I take him up to the instrument room."
"Why move him?" Kerim asked.
"The instrument room's got an overall safety field. I've turned it on now, and if something starts banging us around again, the room will be the safest place on the ship. I'll bring his personal luggage up too, and you can start looking through it for the keys. You may find them before I get a new set made. Or he may wake up and tell us where they are."
Kerim Ruse gave her employer a dubious glance, then nodded, said, "I imagine you're right, Gefty," and pattered hurriedly out of the stateroom. A few minutes later, she arrived, fully dressed, in the instrument room. Gefty looked around from the table-shelf where he had laid out his tools, and said, "He hasn't stirred. His suitcases are over there. I've unlocked them."
Kerim gazed at what showed in the screens about the control console and shivered slightly. She said, "I was thinking, Gefty ... isn't there something they call Space Three?"
"I see," Kerim said uncomfortably. Gefty heard her move over to the suitcases. After a moment, she asked, "What do the vault keys look like?"
"You can't miss them if he's just thrown them in there. They're over six inches long. What kind of a guy is this Maulbow? A scientist?"
"I couldn't say, Gefty. He's never referred to himself as a scientist. I've had this job a year and a half. Mr. Maulbow is a very considerate employer ... one of the nicest men I've known, really. But it was simply understood that I should ask no questions about the business beyond what I actually needed to know for my work."
"What's the business called?"
"Maulbow Engineering."
"Big help," Gefty observed, somewhat sourly. "Those instruments he brought along ... he build those himself?"
"No, but I think he designed some of them--probably most of them. The companies he had doing the actual work appeared to have a terrible time getting everything exactly the way Mr. Maulbow wanted it--There's nothing that looks like a set of keys in those first two suitcases, Gefty."
"Well," Gefty said, "if you don't find them in the others, you might start thumping around to see if he's got secret compartments in his luggage somewhere."
"I do wish," Kerim Ruse said uneasily, "that Mr. Maulbow would regain consciousness. It seems so ... so underhanded to be doing these things behind his back!"
It was.
About it he could make out a thin gleaming of wires--a jury-rigged safety field. Within the flimsy-looking protective cage was a double bank of instruments, some of them alive with the flicker and glow of lights. Those must be the very expensive and difficult-to-build items Maulbow had brought out from the Hub. Beside them stood the machine, squat and ponderous. In the vague light, it looked misshaped and discolored. A piece of equipment that had taken a bad beating of some kind. But it was functioning. As he stared, intermittent bursts of clicking noises rose from it, like the staccato of irregular gunfire.
The first step, in any event, was to get Maulbow awake now. To tamper with a device like this, before learning as much as one could about it, would be lunatic foolhardiness. It looked like too good a bet that the next serious mistake made by anybody would finish them all--
Perhaps it was only because Gefty's nerves were on edge that he grew aware at that point in his reflections of two minor signals from his senses. One was that the smell of ammonia, which he had almost stopped noticing, was becoming appreciably stronger. The other was the faintest of sounds--a whispering suggestion of motion somewhere behind him. But here in the storage vault nothing should have moved, and Gefty's muscles were tensing as his head came around. Almost in the same instant, he flung himself wildly to one side, stumbling and regaining his balance as something big and dark slapped heavily down on the floor at the point where he had stood. Then he was darting up through the entrance passage, turning, and knocking down the lock switches on the outside door panel.
It came flowing around the corner of the passage behind him as the vault doors began to slide together. He was aware mainly of swift, smooth, oiling motion like that of a big snake; then, for a fraction of a second, a strip of brighter light from the outside passage showed a long, heavy wedge of a head, a green metal-glint of staring eyes.
The doors closed silently into their frames and locked. The thing was inside. But it was almost a minute then before Gefty could control his shaking legs enough to start moving back towards the main deck. In the half-dark of the vault, it had looked like a big coiled cable lying next to the packing cases. Like Maulbow, it might have been battered around and knocked out during the recent disturbance; and when it recovered, it had found Gefty in the vault with it. But it might also have been awake all the while, waiting cunningly until Gefty's attention seemed fixed elsewhere before launching its attack. It was big enough to have flattened him and smashed every bone in his body if the stroke had landed.
Some kind of guard animal--a snakelike watchdog? What other connection could it have with the mystery machine? Perhaps Maulbow had intended to leave it confined in one of the cases, and it had broken loose--
Too many questions by now, Gefty thought. But Maulbow had the answers.
He was hurrying up the main deck's central passage when Maulbow's voice addressed him sharply from a door he'd just passed.
"Stop right there, Rammer! Don't dare to move! I--"
He glanced back, saw Maulbow coming out of the half-opened door, something like a twenty-inch, thin, white rod in one hand. Then Gefty went bounding on along the passage, hunched forward and zigzagging from wall to wall to give Maulbow--if the thing he held was a weapon and he actually intended to use it--as small and erratic a target as possible. Maulbow shouted angrily behind him. Then, as Gefty came up to the next cross-passage, a line of white fire seared through the air across his shoulders and smashed off the passage wall.
With that, he was around the corner, and boiling mad. He had no great liking for gunfire, but it didn't shake him like the silently attacking beast in the dark storage had done. He reached the deserted instrument room not many seconds later, had his gun out and cocked, and was faced back towards the passage by which he had entered. Maulbow, if he had pursued without hesitation, should be arriving by now. But the passage stayed quiet. Gefty couldn't see into it from where he stood. He waited, trying to steady his breathing, wondering where Kerim Ruse was and what had got into Maulbow. After a moment, without taking his eyes from the passage entrance, he reached into the wall closet from which he had taken the gun and fished out another souvenir of his active service days, a thin-bladed knife in a slip-sheath. Gefty worked the fastenings of the sheath over his left wrist and up his forearm under his coat, tested the release to make sure it was functioning, and shook his coat sleeve back into place.
The passage was still quiet. Gefty moved softly over to one of the chairs, took a small cushion from it and pitched it out in front of the entrance.
There was a hiss. The cushion turned in midair into a puff of bright white fire. Gefty aimed his gun high at the far passage wall just beyond the entrance and pulled the trigger. It was a projectile gun. He heard the slug screech off the slick plastic bulkhead and go slamming down the passage. Somebody out there made a startled, incoherent noise. But not the kind of a noise a man makes when he's just been hit.
"If you come in here armed," Gefty called, "I'll blow your head off. Want to stop this nonsense now?"
There was a moment's silence. Then Maulbow's voice replied shakily from the passage. He seemed to be standing about twenty feet back from the room.
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