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On the 8th of April, 1492, in a bedroom of the Carneggi Palace, about three miles from Florence, were three men grouped about a bed whereon a fourth lay dying.

The second, who was kneeling and holding one hand of the dying man between his own, was Angelo Poliziano, the Catullus of the fifteenth century, a classic of the lighter sort, who in his Latin verses might have been mistaken for a poet of the Augustan age.

The third, who was standing up and leaning against one of the twisted columns of the bed-head, following with profound sadness the progress of the malady which he read in the face of his departing friend, was the famous Pico della Mirandola, who at the age of twenty could speak twenty-two languages, and who had offered to reply in each of these languages to any seven hundred questions that might be put to him by the twenty most learned men in the whole world, if they could be assembled at Florence.

The man on the bed was Lorenzo the Magnificent, who at the beginning of the year had been attacked by a severe and deep-seated fever, to which was added the gout, a hereditary ailment in his family. He had found at last that the draughts containing dissolved pearls which the quack doctor, Leoni di Spoleto, prescribed for him were useless and unavailing, and so he had come to understand that he must part from those gentle-tongued women of his, those sweet-voiced poets, his palaces and their rich hangings; therefore he had summoned to give him absolution for his sins--in a man of less high place they might perhaps have been called crimes--the Dominican, Giralamo Francesco Savonarola.

It was not, however, without an inward fear, against which the praises of his friends availed nothing, that the pleasure-seeker and usurper awaited that severe and gloomy preacher by whose word's all Florence was stirred, and on whose pardon henceforth depended all his hope far another world.

Indeed, Savonarola was one of those men of stone, coming, like the statue of the Commandante, to knock at the door of a Don Giovanni, and in the midst of feast and orgy to announce that it is even now the moment to begin to think of Heaven. He had been born at Ferrara, whither his family, one of the most illustrious of Padua, had been called by Niccolo, Marchese d'Este, and at the age of twenty-three, summoned by an irresistible vocation, had fled from his father's house, and had taken the vows in the cloister of Dominican monks at Florence. There, where he was appointed by his superiors to give lessons in philosophy, the young novice had from the first to battle against the defects of a voice that was both harsh and weak, a defective pronunciation, and above all, the depression of his physical powers, exhausted as they were by too severe abstinence.

Savonarala from that time condemned himself to the most absolute seclusion, and disappeared in the depths of his convent, as if the slab of his tomb had already fallen over him. There, kneeling on the flags, praying unceasingly before a wooden crucifix, fevered by vigils and penances, he soon passed out of contemplation into ecstasy, and began to feel in himself that inward prophetic impulse which summoned him to preach the reformation of the Church.

Lorenzo, as we have said, was awaiting the arrival of Savonarola with an impatience mixed with uneasiness; so that, when he heard the sound of his steps, his pale face took a yet more deathlike tinge, while at the same time he raised himself on his elbow and ordered his three friends to go away. They obeyed at once, and scarcely had they left by one door than the curtain of the other was raised, and the monk, pale, immovable, solemn, appeared on the threshold. When he perceived him, Lorenzo dei Medici, reading in his marble brow the inflexibility of a statue, fell back on his bed, breathing a sigh so profound that one might have supposed it was his last.

The monk glanced round the room as though to assure himself that he was really alone with the dying man; then he advanced with a slow and solemn step towards the bed. Lorenzo watched his approach with terror; then, when he was close beside him, he cried:

"O my father, I have been a very great sinner!"

"The mercy of God is infinite," replied the monk; "and I come into your presence laden with the divine mercy."

"You believe, then, that God will forgive my sins?" cried the dying man, renewing his hope as he heard from the lips of the monk such unexpected words.

"Your sins and also your crimes, God will forgive them all," replied Savonarola. "God will forgive your vanities, your adulterous pleasures, your obscene festivals; so much for your sins. God will forgive you for promising two thousand florins reward to the man who should bring you the head of Dietisalvi, Nerone Nigi, Angelo Antinori, Niccalo Soderini, and twice the money if they were handed over alive; God will forgive you for dooming to the scaffold or the gibbet the son of Papi Orlandi, Francesco di Brisighella, Bernardo Nardi, Jacopo Frescobaldi, Amoretto Baldovinetti, Pietro Balducci, Bernardo di Banding, Francesco Frescobaldi, and more than three hundred others whose names were none the less dear to Florence because they were less renowned; so much for your crimes." And at each of these names which Savonarala pronounced slowly, his eyes fixed on the dying man, he replied with a groan which proved the monk's memory to be only too true. Then at last, when he had finished, Lorenzo asked in a doubtful tone:

"Then do you believe, my father, that God will forgive me everything, both my sins and my crimes?"

"Everything," said Savonarola, "but on three conditions."

"What are they?" asked the dying man.

"The first," said Savonarola, "is that you feel a complete faith in the power and the mercy of God."

"My father," replied Lorenzo eagerly, "I feel this faith in the very depths of my heart."

"The second," said Savonarola, "is that you give back the property of others which you have unjustly confiscated and kept."

"My father, shall I have time?" asked the dying man.

"God will give it to you," replied the monk.

Lorenzo shut his eyes, as though to reflect more at his ease; then, after a moment's silence, he replied:

"Yes, my father, I will do it."

"The third," resumed Savonarola, "is that you restore to the republic her ancient independence and her farmer liberty."

Lorenzo sat up on his bed, shaken by a convulsive movement, and questioned with his eyes the eyes of the Dominican, as though he would find out if he had deceived himself and not heard aright. Savonarola repeated the same words.

"Never! never!" exclaimed Lorenzo, falling back on his bed and shaking his head,--"never!"

The monk, without replying a single word, made a step to withdraw.

"My father, my father," said the dying man, "do not leave me thus: have pity on me!"

"Have pity on Florence," said the monk.

"But, my father," cried Lorenzo, "Florence is free, Florence is happy."

"Florence is a slave, Florence is poor," cried Savonarola, "poor in genius, poor in money, and poor in courage; poor in genius, because after you, Lorenzo, will come your son Piero; poor in money, because from the funds of the republic you have kept up the magnificence of your family and the credit of your business houses; poor in courage, because you have robbed the rightful magistrates of the authority which was constitutionally theirs, and diverted the citizens from the double path of military and civil life, wherein, before they were enervated by your luxuries, they had displayed the virtues of the ancients; and therefore, when the day shall dawn which is not far distant," continued the mark, his eyes fixed and glowing as if he were reading in the future, "whereon the barbarians shall descend from the mountains, the walls of our towns, like those of Jericho, shall fall at the blast of their trumpets."

"And do you desire that I should yield up on my deathbed the power that has made the glory of my whole life?" cried Lorenzo dei Medici.

"It is not I who desire it; it is the Lord," replied Savonarola coldly.

"Impossible, impossible!" murmured Lorenzo.

"Very well; then die as you have lived!" cried the monk, "in the midst of your courtiers and flatterers; let them ruin your soul as they have ruined your body!" And at these words, the austere Dominican, without listening to the cries of the dying man, left the room as he had entered it, with face and step unaltered; far above human things he seemed to soar, a spirit already detached from the earth.

At the cry which broke from Lorenzo dei Medici when he saw him disappear, Ermolao, Poliziano, and Pico delta Mirandola, who had heard all, returned into the room, and found their friend convulsively clutching in his arms a magnificent crucifix which he had just taken dawn from the bed-head. In vain did they try to reassure him with friendly words. Lorenzo the Magnificent only replied with sobs; and one hour after the scene which we have just related, his lips clinging to the feet of the Christ, he breathed his last in the arms of these three men, of whom the most fortunate--though all three were young--was not destined to survive him more than two years. "Since his death was to bring about many calamities," says Niccolo Macchiavelli, "it was the will of Heaven to show this by omens only too certain: the dome of the church of Santa Regarata was struck by lightning, and Roderigo Borgia was elected pope."

Towards the end of the fifteenth century--that is to say, at the epoch when our history opens the Piazza of St. Peter's at Rome was far from presenting so noble an aspect as that which is offered in our own day to anyone who approaches it by the Piazza dei Rusticucci.

In fact, the Basilica of Constantine existed no longer, while that of Michael Angelo, the masterpiece of thirty popes, which cost the labour of three centuries and the expense of two hundred and sixty millions, existed not yet. The ancient edifice, which had lasted for eleven hundred and forty-five years, had been threatening to fall in about 1440, and Nicholas V, artistic forerunner of Julius II and Leo X, had had it pulled down, together with the temple of Probus Anicius which adjoined it. In their place he had had the foundations of a new temple laid by the architects Rossellini and Battista Alberti; but some years later, after the death of Nicholas V, Paul II, the Venetian, had not been able to give more than five thousand crowns to continue the project of his predecessor, and thus the building was arrested when it had scarcely risen above the ground, and presented the appearance of a still-born edifice, even sadder than that of a ruin.

As to the piazza itself, it had not yet, as the reader will understand from the foregoing explanation, either the fine colonnade of Bernini, or the dancing fountains, or that Egyptian obelisk which, according to Pliny, was set up by the Pharaoh at Heliopolis, and transferred to Rome by Caligula, who set it up in Nero's Circus, where it remained till 1586. Now, as Nero's Circus was situate on the very ground where St. Peter's now stands, and the base of this obelisk covered the actual site where the vestry now is, it looked like a gigantic needle shooting up from the middle of truncated columns, walls of unequal height, and half-carved stones.

Now the eyes of this multitude were fixed, as we have said, upon the Vatican, and particularly upon one chimney, from which would come the first signal, when suddenly, at the moment of the 'Ave Maria'--that is to say, at the hour when the day begins to decline--great cries went up from all the crowd mixed with bursts of laughter, a discordant murmur of threats and raillery, the cause being that they had just perceived at the top of the chimney a thin smoke, which seemed like a light cloud to go up perpendicularly into the sky. This smoke announced that Rome was still without a master, and that the world still had no pope; for this was the smoke of the voting tickets which were being burned, a proof that the cardinals had not yet come to an agreement.

Scarcely had this smoke appeared, to vanish almost immediately, when all the innumerable crowd, knowing well that there was nothing else to wait for, and that all was said and done until ten o'clock the next morning, the time when the cardinals had their first voting, went off in a tumult of noisy joking, just as they would after the last rocket of a firework display; so that at the end of one minute nobody was there where a quarter of an hour before there had been an excited crowd, except a few curious laggards, who, living in the neighbourhood or on the very piazza itself; were less in a hurry than the rest to get back to their homes; again, little by little, these last groups insensibly diminished; for half-past nine had just struck, and at this hour the streets of Rome began already to be far from safe; then after these groups followed some solitary passer-by, hurrying his steps; one after another the doors were closed, one after another the windows were darkened; at last, when ten o'clock struck, with the single exception of one window in the Vatican where a lamp might be seen keeping obstinate vigil, all the houses, piazzas, and streets were plunged in the deepest obscurity.

At this moment a man wrapped in a cloak stood up like a ghost against one of the columns of the uncompleted basilica, and gliding slowly and carefully among the stones which were lying about round the foundations of the new church, advanced as far as the fountain which, formed the centre of the piazza, erected in the very place where the obelisk is now set up of which we have spoken already; when he reached this spot he stopped, doubly concealed by the darkness of the night and by the shade of the monument, and after looking around him to see if he were really alone, drew his sword, and with its point rapping three times on the pavement of the piazza, each time made the sparks fly. This signal, for signal it was, was not lost: the last lamp which still kept vigil in the Vatican went out, and at the same instant an object thrown out of the window fell a few paces off from the young man in the cloak: he, guided by the silvery sound it had made in touching the flags, lost no time in laying his hands upon it in spite of the darkness, and when he had it in his possession hurried quickly away.

Thus the unknown walked without turning round half-way along the Borgo Vecchio; but there he turned to the right and took a street at the other end of which was set up a Madonna with a lamp: he approached the light, and drew from his pocket the object he had picked up, which was nothing else than a Roman crown piece; but this crown unscrewed, and in a cavity hollowed in its thickness enclosed a letter, which the man to whom it was addressed began to read at the risk of being recognised, so great was his haste to know what it contained.

We say at the risk of being recognised, for in his eagerness the recipient of this nocturnal missive had thrown back the hood of his cloak; and as his head was wholly within the luminous circle cast by the lamp, it was easy to distinguish in the light the head of a handsome young man of about five or six and twenty, dressed in a purple doublet slashed at the shoulder and elbow to let the shirt come through, and wearing on his head a cap of the same colour with a long black feather falling to his shoulder. It is true that he did not stand there long; for scarcely had he finished the letter, or rather the note, which he had just received in so strange and mysterious a manner, when he replaced it in its silver receptacle, and readjusting his cloak so as to hide all the lower part of his face, resumed his walk with a rapid step, crossed Borgo San Spirito, and took the street of the Longara, which he followed as far as the church of Regina Coeli. When he arrived at this place, he gave three rapid knocks on the door of a house of good appearance, which immediately opened; then slowly mounting the stairs he entered a room where two women were awaiting him with an impatience so unconcealed that both as they saw him exclaimed together:

"Well, Francesco, what news?"

"Good news, my mother; good, my sister," replied the young man, kissing the one and giving his hand to the other. "Our father has gained three votes to-day, but he still needs six to have the majority."

"Then is there no means of buying them?" cried the elder of the two women, while the younger, instead of speaking, asked him with a look.

"Certainly, my mother, certainly," replied the young man; "and it is just about that that my father has been thinking. He is giving Cardinal Orsini his palace at Rome and his two castles of Monticello and Soriano; to Cardinal Colanna his abbey of Subiaca; he gives Cardinal Sant' Angelo the bishopric of Porto, with the furniture and cellar; to the Cardinal of Parma the town of Nepi; to the Cardinal of Genoa the church of Santa Maria-in-Via-Lata; and lastly, to Cardinal Savelli the church of Santa Maria Maggiore and the town of Civita Castellana; as to Cardinal Ascanio-Sforza, he knows already that the day before yesterday we sent to his house four mules laden with silver and plate, and out of this treasure he has engaged to give five thousand ducats to the Cardinal Patriarch of Venice."

"But how shall we get the others to know the intentions of Roderigo?" asked the elder of the two women.

"My father has provided for everything, and proposes an easy method; you know, my mother, with what sort of ceremonial the cardinals' dinner is carried in."

"Yes, on a litter, in a large basket with the arms of the cardinal far whom the meal is prepared."

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