Read Ebook: The Orchard of Tears by Rohmer Sax

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Ebook has 376 lines and 28372 words, and 8 pages

The sacred courtesans of the past and the Kitty Chesters of the present all were expressions of that mystic principle, IEVE, upon which the universe turns as a compass upon its needle, and which, reproduced in our gross bodies, has led to the creation of the Groves of Paphos. That sublime Desire which should lead us to the great Unity and final fulfilment, would seem through all the ages to have driven men ever further from it. Would a day never dawn when all that uncontrolled Force should be contained and directed harmoniously, when the pure Isis of the Egyptian mysteries should cast down the tainted Isis whose lascivious rites were celebrated in Pompeii? Scarcely perceptible was the progress of mankind. In every woman was born a spark of Bacchic fire, which leapt up sweetly at the summons of love or crimson, shameful, at the beck of lust. There were certain conditions peculiarly favourable to its evil development; loneliness, according to Kitty Chester, a loneliness beyond man's understanding....

Paul aroused himself from a reverie and remembered that he had been thinking of Flamby with a strange and lingering tenderness. The clock on the mantelpiece recorded the hour of two a.m., and he turned out the lights in the study and made his way upstairs. He had told Eustace not to wait up for him, and the house was in darkness. Before Yvonne's room Paul stopped, and gently opened the door. A faint sound of regular breathing, and the scent of jasmine came to him. He closed the door as quietly as he had opened it, and proceeded to the next, which was that of his own room.

When he retired he threw open the heavy curtains draped before the windows, and saw that the weather had cleared. White clouds were racing past the face of the moon. He fell asleep almost immediately, and the moon pursuing her mystic journey, presently shone fully in upon the sleeper. Unwittingly Paul was performing one of the rites of the old Adonis worshippers in sleeping with the moonlight upon his face, and thus sleeping he was visited by a strange dream....

Drunk with the wine of life, he ran through a grove of scented pines, flanked by thickets of giant azaleas and taunting one onward and upward to where faint silver outlines traced upon the azure sky lured to distant peaks. Etherealised shapes of haunting beauty surrounded him, and sometimes they seemed to merge into the verdure and sometimes it was a cloud of blossom that gave up an airy form as a lily gives of its sweetness, now bearing a white nymph, now an Apollo-limbed youth, sun kissed and godlike. Gay hued, four footed creatures mingled with the flying shapes, and all pressed onward; things sleek and eager hastening through the grove, swiftly passing, hoof and pad; leaping girls and laughing youths; amid sentient flowers and trees whose life was joy. Earth's magic sap pulsed through them all and being was an orgy of worship--worship of a bountiful Mother, of Earth in her golden youth....

He passed thence to the banks of Egypt's Nile, and heard the lamentations of priests and wailing of women as a black ox, flower bedecked and wearing a collar encrusted with gems, was drowned in the turgid stream. Time and space ceased to exist for him. Through the murk of cavernous passages he paced, pausing before a pit in which reposed a sarcophagus of huge dimensions; and when the dim company and he had paid tribute to that which lay there, all ascended to a temple, lofty and awesome, its dizzy roof upheld by aisles of monstrous granite. To an accompaniment of sorrowful chanting, the doors of the altar were opened, and within upon the shrine rested a square-hewn statue. Jewelled lamps glowed and censers smoked before the image of the bull, Apis.

PART THIRD

THE KEY

Only by means of certain perversions of natural law, of which suicide was one, could man evade rebirth, and even thus only for a time. Sorrow was not a punishment but merely a consequence. Punishment was man-made and had no place in the wider scheme, could have no place in a universe where all things were self-inflicted. Germany symbolised the culmination of materialism, "the triumph of the Bull." To Germany had been attracted all those entities, converging through the ages, whose progress had been retarded by abandonment to materialism. "Caligula and Nero defile the earth to-day, and others even mightier in evil. A Messalina and a Poppae do not survive individually, for such as these are not human in the strictest sense, in that they lack what is called a soul which is a property common to humanity. The parable of the woman of Corinth who seduced Menippus, a disciple of Apollonius, is misunderstood. We have come to regard all mortal bodies as the tenements of immortal souls. This is true of men but is not always true of women. Such women are not strictly mortal: they are feminine animals and their place in the scheme will be discussed later. To speak of their sins is to misuse the word. They are sinless, as the serpent and the upas tree are sinless...."

Paul did not immediately broach the subject which now became uppermost in his mind, but following some desultory conversation, he said, "I should think Devon would be delightful just now. Suppose we run down for a week or two."

"Could you be ready to go on Thursday, Yvonne?"

"Yes, quite easily."

"I can work upon my notes for the autumn book in Devon better than in London."

"But," began Yvonne, and stopped, staring unseeingly at the roses in the bowl upon the table.

"But what, Yvonne?"

"I was about to propose a complete rest, Paul, but I know it would be useless if the working mood is upon you."

"You realise what it means to me, Yvonne. I should no more be justified in laying down my pen whilst there was more work to do than a soldier would be justified in laying down his sword in the heat of battle. You do not feel that this task which I have taken up has made a gulf between us?"

"It has done so in a sense," replied Yvonne, crumbling a fragment of bread between her fingers. "But I have never been so foolish as to become jealous of your work."

"I might have been in the army and stationed on the other side of the world," said Paul laughing.

"I am not complaining about your work, Paul."

"Yet you are not entirely happy."

"What makes you think so?"

"I don't know. I sometimes feel that you are not."

"I am quite happy," said Yvonne in the listless voice, and presently she went up to her room, Paul looking after her in a troubled way. He was uneasily searching his memory for a clue to the significance of that expression, vaguely familiar but unexpected, which he had noticed in Yvonne's face. He lighted his pipe and went into the study.

Yet those days throughout which Paul laboured unceasingly for the greatest cause of humanity were lotus days for many. London was raided and rationed; London swore softly, demanded a change of government, turned up its coat collar and stumped doggedly along much as usual. Men fought and women prayed, whilst Paul worked night and day to bring some ray of hope to the hearts of those in whom faith was dead. The black thread crept like an ebon stain into the woof of the carpet. The image of the Bull was set up in many a grove hitherto undefiled, and Paul worked the more feverishly because it was one of the inscrutable cosmic laws that the black should sometimes triumph over the white.

Paul's intimacy with Jules Thessaly had grown closer than he realised. Thessaly was become indispensable to him. Paul, had he essayed the task, must have found it all but impossible to disentangle his own ideas, or those due to direct inspiration, from the ideas of Thessaly or those based upon inquiries traceable to the astonishing data furnished by his collection. Item by item he had revealed its treasures to the man who alone had power to wield them as levers to move the world. Remote but splendid creeds, mere hazy memories of mankind, were reconstructed upon these foundations. The Izamal temples of Yucatan were looted of their secrets--the secrets of a great Red Race, mighty in knowledge and power, which had sought to look upon the face of God before the Great Pyramid was fashioned, whose fleets had ruled the vanished seas known to us as the Sahara and North Africa, whose golden capital had looked proudly out upon an empire mightier than Rome--an empire which the Atlantic Ocean had swallowed up. The story of this cataclysm which had engulfed Atlantis, brought to new lands by a few survivors, had bequeathed to men the legend of the Deluge. The riddle of The Sphinx, most ancient religious symbol in the known world, was resolved; for Paul saw it to represent man emerging from the animal and already aspiring to the spiritual state.

War, pestilence and vast geographical upheavals alike were manifestations of spiritual conflict physically reflected. Some of the German philosophers had perceived this dimly, but as one born in blindness fails to comprehend light, their vision was no more than hereditary memory of another pit of doom which had engulfed them. Those who spoke of casting down the spirit of Prussian militarism used metaphor veiling a truth profound as that which underlies the Holy Trinity, and which is symbolised by the Sphinx. As vultures swooped to carrion, as harlots flocked to Babylon, so had the unredeemed souls of the universe descended upon Germany....

Thus his concept of evil was universal, and to those who sought to fix "responsibility" for the war upon this one or that he raised a protesting hand. No man made the Deluge.

"I quite see your point," Don replied. "In the same way I have never ceased to regret that I was not born in Ashby-de-la-Zouch. The possession of such a euphonious birthplace would have coloured all my life."

"But like the Scotsman you would have revered your home from a distance," said Thessaly. "I agree with you that it would have been an ideal birthplace if you had left it at so tender an age that you failed to recall its physical peculiarities. It is the same with women. In order that one should retain nothing but fairy memories of a woman--memories of some poetic name, of the perfume of roses, of beauty glimpsed through gossamer--it is important that one should not have lived with her. Herein lies the lasting glamour of the woman we have never possessed."

"Bad," he remarked. "Damn bad."

He belonged to Crozier, the artist famed for "sun-soaked flesh," and Crozier's pupils were all too familiar with this formula. It was so often upon Crozier's lips that Lorenzo the Magnificent had acquired it perfectly.

"Quite right, Lorenzo," said Flamby, throwing her smock on to a stool. "It's blasted bad."

"Damn bad," corrected Lorenzo. "No guts."

"I don't agree with you there, Lorenzo. It's your nose that I hate."

"No sun!" screamed Lorenzo, excitedly. "The bloodsome thing never saw the sun!"

"Oh, please behave, Lorenzo, or I shall not share my sugar ration with you any more."

"Sugar?" inquired Lorenzo, head on one side again.

Flamby held up a lump of sugar upon her small pink palm, and a silence of contentment immediately descended upon Lorenzo, only broken by the sound of munching. Flamby was just going out to wash the paint from her hands, for she always contrived to get nearly as much upon her fingers as upon the canvas, when a cheery voice cried: "Ha! caught you. Thought I might be too late."

She turned, and there in the doorway stood Don. Less than three months had elapsed since his last leave and Flamby was intensely surprised to see him. She came forward with outstretched hands. "Oh, Don," she cried. "How lovely! However did you manage it?"

An exquisite blush stained her cheeks, and her eyes lighted up happily. Glad surprises made her blush, and she was very sincerely glad as well as surprised to see Don. She had not even heard him approach. She had been wondering what Devonshire was like, for Paul was in Devonshire. Now as Don took both her hands and smiled in the old joyous way she thought that he looked ill, almost cadaverous, in spite of the tan which clung to his skin.

"Craft, Flamby, guile and the subtlety of the serpent. The best men get the worst leave."

"Bad," remarked Lorenzo in cordial agreement. He had finished the sugar. "Damn bad."

"What!" cried Don--"have you got old Crozier's Lorenzo down here? Hullo! let us see how you have 'percepted' him." He crossed to the easel, surveying Flamby's painting critically. "Does Hammett still talk about 'percepting the subject' and 'emerging the high-lights' and 'profunding the shadows'?"

"He does. You're mean not to tell me."

"That's very unusual, isn't it?"

"What, Flamby?"

"To get home leave after treatment at a base hospital? I mean they might as well have sent you home in the first place."

Don stared at her long and seriously. "Flamby," he said, "you have been flirting with junior subalterns. No one above the rank of a second-lieutenant ever knew so much about King's Regulations."

"Own up, then."

Flamby's eyes were so misty that she averted her face. "Oh, Don," she said unsteadily, "and I wrote to you only three days ago and thought you were safe."

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