Read Ebook: Pilgrimage from the Alps to the Tiber Or The Influence of Romanism on Trade Justice and Knowledge by Wylie James Aitken

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The plain of Lombardy is so broad, and the road to Milan by Novara is so much on a level with its general surface, that the eye catches the distant Apennines only at the more elevated points. The screen which here, and for miles after leaving Turin, shuts out the view of the Apennines, is the Colina. The Colina is a range of lovely hills, which rise to a height of rather more than 1200 feet, and run eastward along the plain a few miles south of the Milan road. Soft and rich in their covering, picturesque in their forms, and indented with numerous dells, they look like miniature Alps set down on the plain, nearly equidistant from the great white hills on the north and the purple peaks on the south. The sun was near his setting; and his level rays, passing through fields of vapour,--presages of storm,--and shorn of the fiery brilliancy which is wont at eve to set these hills on a blaze, fell softly upon the dome of the Superga, and lighted up the white villas which stud the mountain by hundreds and hundreds throughout its whole extent. Vividly relieved by the deep azure of the vineyards, and looking, from their distance, no bigger than single blocks, these villas reminded one of a shower of marble, freshly fallen, and glittering in pearly whiteness in the setting rays.

The road, which to me had an almost sacred character, being the beginning of my journey to Rome, was a straight line,--straight as the arrow's flight,--between fields of rich meadow land, and rows of elms and poplars, which ran on and on, till, in the far distance, they appeared to converge to a point. It was a broad, macadamized, substantial highway, of about thirty feet in width, having a white line of curb-stones placed eight or ten paces apart; outside of which was an excellent pathway for foot passengers. On the left rose the Alps, calm and majestic, clothed in the purple shadows of evening.

I have mentioned the Po as flowing past Turin. This stream is doubtless the relic of that mighty flood which covered, at some former period, the vast space between the Alps and the Apennines, from the Graian and Cottian chains on the west, to the shores of the Adriatic on the east. As the waters drained off, this central channel alone was left, to receive and convey to the sea the innumerable torrents which are formed by the springs and snows of the mountains. The noble river thus formed is called the Po,--the pride of Italy, and the king of its streams. The Greeks, who clothed it with fable, and drowned Phaeton in its stream, called it Eridanus. Its Roman appellation was Padus, which in course of time resolved itself into its present name, the Po. Unlike the Nile, which rolls in solemn and solitary majesty through Egypt without permitting one solitary rill to mingle with its flood, the Po welcomes every tributary, and accepts its help in discharging its great function of giving drink to every flower, and tree, and field, and city, in broad Lombardy. It receives, in its course through Piedmont alone, not fewer than fifty-three torrents and rivers; and in depth and grandeur of stream it is not unworthy of the praises which the Greek and Roman poets lavished upon it. The cradle of this noble stream is placed in the centre of the ancient territory of the Vaudois, whose most beautiful mountain, Monte Viso, is its nursing parent. A fountain of crystal clearness, placed half-way up this hill, is its source. Thence it goes forth to water Piedmont and Venetian-Lombardy, and to mingle at last with the clear wave of the Adriatic,--emblem of those living waters which were to go forth from this same land into all quarters of Europe.

With these, of course, I shall not trouble the reader; only I must be permitted to mention a misconception into which I had fallen, in connection with my journey, and into which it is possible others may fall in similar circumstances. One is apt to imagine, before starting, that should he reach such a country as Italy, he will there feel as if home was very distant, and the events of his former life far removed in point of time. He thinks that a journey across the Alps has somehow a talismanic power to change him. He crosses the Alps, but finds that he is the same man still. Home has come with him: the friendships, the joys, the sorrows, of his past existence are as near as ever; nay, far nearer, for now he is alone with them; and though he goes southward, and kingdoms and mountain-chains are between him and his native country, he cannot feel that he is a foot-breadth more distant than ever. He moves about through strange lands in a shroud of home feelings and recollections.

How wretched, thought I, the man whom guilt chases from his country! He flies to distant lands in the hope of shaking off the remembrance of his crime. He finds that, go where he will, the spectre dogs his steps. In Paris, in Milan, in Rome, the grizzly form starts up before him. He must change, not his country, but his heart--himself--before he can shake off his companion.

May not the same principle be applicable, in some extent, to our passage from earth into the world beyond? When at home in Scotland, I had thought of Italy as a distant country; but now that I was in Italy, Scotland seemed very near--much nearer than Italy had done when in Scotland. We who are dwellers on earth think of the state beyond as very remote; but once there, may we not feel as if earth was in close proximity to us,--as if, in fact, the two states were divided by but a narrow gulph? Certain it is that the passage across it will work in us no change; and, like the stranger in a foreign country, we shall enter with an eternal shroud of joys and sorrows, springing out of the deeds and events of our present existence.

I found that if in this region the day had its beauty, the night had its sublimity and terrors. I had years before become familiar with the phenomena of thunder-storms among the Alps; and one who has seen lightning only in the sombre sky of Britain can scarce imagine its intense brilliancy in these more southern latitudes. With us it breaks with a red fiery flicker; there it bursts upon you like the sun, and pours a flood of noonday light over earth and sky. One evening, in particular, I shall never forget, on which I saw this phenomenon in circumstances highly favourable to its finest effect. I had walked out from Geneva to pass a few hours with the Tronchin family, whose mansion stands on the southern shores of the lake. It was evening; and the deep rolling of the thunder gave us warning that a storm had come on. We stepped out upon the lawn to enjoy the spectacle; for in the vicinity of the Alps, whose summits attract the fluid, the lightning is seldom dangerous to life. All was dark as midnight; not even the front of the mansion could we see. In a moment the flash came; and then it was day,--boundless, glorious day. All nature was set before us as if under the light of a cloudless sun. The lawn, the blue lake, the distant Alpine summits, the landscape around, with its pines, villas, and vineyards, all leaped out of the womb of night, stood in vivid intense splendour before the eye, and in a twinkling was again gone. This amazing transition from midnight to noonday, and from noonday to midnight, was repeated again and again. I was now to witness the sublimities of a thunder-storm on the plain of Lombardy.

Right before us, on the far-off horizon, gleams of light began to shoot along the sky. The play of the electric fluid was so rapid and incessant, as to resemble rather the continuous flow of light from its fountain, than the fitful flashes of lightning. At times these gleams would mantle the sky with all the soft beauty of moonlight, and at others they would dart angrily and luridly athwart the horizon. Soon the storm assumed a grander form. A ball of fire would suddenly blaze forth, in livid, fiery brilliancy; and, remaining motionless, as it were, for an instant, would then shoot out lateral streams or rays, coloured sometimes like the rainbow, and quivering and fluttering like the outspread wings of eagles. One's imagination could almost conceive of it as being a real bird, the ball answering to the body, while the flashes flung out from it resembled the wings, which were of so vast a spread, that they touched the Apennines on the one hand, and the Alps on the other.

THE INTRODUCTION.

Novara--Examination of Passports--Dawn--Monks prefer Dim Light to Clear--Battle of Novara, and its Results--The Ticino--Croats--Austrian Frontier and Dogana--Examination of Books and Baggage--Grandeur of the Alps from this Point--Contrast betwixt the Rivers and the Governments of Italy--Proof from thence of the Fall--Providence "from seeming Evil educing Good"--Rich but Monotonous Scenery of the Plain--Youth of the Alps, and Decay of the Lombard nations--The only Remedy--An Expelled Democrat--First View of Milan.

On emerging from the streets of the city, I found the east in the glow of dawn. Still, and pure, and calm broke the light; and under its ray the rich plain awoke into beauty, forgetful of the fiery bolts which had smitten it, and the darkness and destruction which had so lately passed across it. "Hail, holy light!" exclaims the bard of "Paradise." Yes, light is holy. It is undefiled and pure, as when "God saw the light that it was good." Man has ravaged the earth and reddened the seas; but light has escaped his contaminating touch, and is still as God made it, unless, indeed, when man imprisons it within the stained glass of the cathedral, and then obligingly helps its dimness by lighting a score or so of tapers. Did no monk ever think of putting a stained window in the east, and compelling the sun to ogle the world through spectacles? "The light is good," said He who created it, as He saw it darting its first pure beam across creation. Not so, says the Puseyite; it is not good unless it is coloured.

I looked with interest on the plains around Novara; for there, albeit no trace of the bloody fray remains, the army of Charles Albert in 1848 met the host of Radetzky; and there the fate of the campaign for Italian independence was decided. The battle which was fought on these plains led to the destruction of King Charles Albert, but not to the destruction of his kingdom of Sardinia,--though why Radetzky did not follow up his victory by a march on Turin, is to this hour a mystery. Nay, though it sounds a little paradoxical, it is probable that this battle, by destroying the king, saved the kingdom. Had Charles Albert survived till the re-action set in 1849 and 1850, there is too much reason to fear, from his antecedents, that he would have thrown himself into the current with the rest of the Italian rulers; and so Sardinia would have missed the path of constitutional liberty and material development which it has since, under King Victor Emanuel, so happily pursued. Had that happened, the horizon of Italy, dark as it is at this hour, would have been still darker, and the peninsula, from the Alps to Sicily, would not have contained a single spot where the hunted friends of liberty could have found asylum.

We soon approached the Ticino, the boundary between Sardinia and Austrian Lombardy. The Ticino is a majestic river, here spanned by one of the finest bridges in Italy. It contains eleven arches; is of the granite of Mount Torfano; and, like almost all the great modern works in Italy, was commenced by Napoleon, though finished only after his fall. Here, then, was the gate of Austria; and seated at that gate I saw three Croats,--fit keepers of Austrian order.

Refreshing it verily was to turn from the petty tyrannies of an Austrian custom-house, to the free, joyous, and glorious face of nature. Before me were the Alps, just shaking the cold night mists from their shaggy pine-clad sides, as might a lion the dew-drops from his mane. Here rose Monte Rosa in a robe of never-fading glory and beauty; and there stood Mont Blanc, with his diadem of dazzling snows. The giant had planted his feet deep amid rolling hills, covered with villages, and pine-forests, and rich pastures. Anywhere else these would have been mountains; but, dwarfed by the majestic form in whose presence they stood, they looked like small eminences, scattered gracefully at his base, as pebbles at the foot of some lofty pile. On his breast floated the fleecy clouds of morn, while his summit rose high above these clouds, and stood, in the calm of the firmament, a stupendous pile of ice and snow. Never had I seen the Alps to such advantage. The level plain ran quite up to them, and allowed the eye to take their full height from their flower-girt base to their icy summit. Hundreds and hundreds of peaks ran along the sky, conical, serrated, needle-shaped, jagged, some flaming like the ruby in the morning ray, others dazzlingly white as the alabaster.

As I bent over the parapet, gazing on the flood that rolled beneath, I could not help contrasting the bounty of nature with the oppression of man. Here had this river been flowing through the long centuries, dispensing its blessings without stop or grudge. Day and night, summer and winter, it had rolled gladsomely onwards, bringing verdure to the field, fruitage to the bough, and plenty to the peasant's cot. Now it laved the flower on its brink,--now it fed the umbrageous sycamore and the tall poplar on the plain,--and now it sent off a crystal streamlet to meander through corn-field and meadow-land. It exacted nothing of man for the blessings it so unweariedly dispensed. It gave all freely. Whether, said I to myself, does Italy owe most to its rivers or to its Governments? Its rivers give it corn and wine: its Governments give it chains and prisons. They load the patient Lombard with burdens that press him down into toil and poverty; or they lead him away to shed his blood and lay his bones in a foreign soil. Why is it that all the functions of nature are beneficent? Even the storms that rage around Mont Blanc, the ice of its eternal winter, yield only good. Here they come, a river of crystal water, decking with living green this far-spreading plain. But the institutions of man are not so. From their frozen summits have too oft, alas! descended, not the peaceful river, but the thundering avalanche, burying in irretrievable ruin, man, with his labours and hopes. I suspect, however, that this is a narrow as well as a sombre philosophy. Doubtless the great fact of the Fall is written on the face of life. Nevertheless, we have a strong belief that the mighty schemes of Providence, like the arrangements of external nature, will all in the end become dispensers of good; that those evil systems which have burdened the earth, like those mountains of ice and snow which rise on its surface, have their uses, though as yet we stand too near them, and too much within the sphere of their tempests and their avalanches, fully to comprehend these uses. We must descend into the low-lying plains of the future, and contemplate them afar off; and then the glaciers and tempests of these moral Mont Blancs may dissolve into tender showers and crystal rivers, which will fructify and gladden the world.

In a few minutes I must leave the bridge of the Ticino. Could I, when far away,--in the seclusion of my own library, for instance,--bid the Alps rise before me, in stupendous magnificence, as now? I turned round, and fixed my gaze on the tamer objects of the plain; then back again to the mountains; but every time I did so, I felt the scene as new. Its glory burst on me as if seen for the first time. Alas! thought I, if this majestic image has so faded in the interval of a few moments, what will it be years after? A scene like this, it is true, can never be forgotten; but it is but a dwarfed picture that lives in the memory; and it is well, perhaps, it should be so; for were one to see always the Alps, with what eyes would one look upon the tamer though still romantic hills of his own country! And we may extend the principle. There are times when great truths--eternal verities--flash upon the soul in Alpine magnitude. It is a new world that discloses itself, and we are thrilled by its glory; but for the effective discharge of ordinary duties, it is better, perhaps, that these stupendous objects should be seen "as through a glass darkly," though still seen.

Hic Ver perpetuum, atque alienis mensibus AEstas.

But the little towns we passed looked so very old and tottering, and the inhabitants, too, appeared as much oppressed with years or cares as the heavy dilapidated architecture amid which they dwelt, and out of which they crept as we passed by, that one's heart grew sad. How evident was it that the immortal spirit was withered, and that the land, despite its images of grandeur and sublimity, nourished a stricken race! The Alps were still young, but the men that lived within their shadow had grown very old. Their ears had too long been familiar with the clank of chains, and their hearts were too sad to catch up the utterances of freedom which came from their mountains. The human soul was dying, and will die, unless new fire from a celestial source descend to rekindle it. Architecture, music, new constitutions, the ever glorious face of nature itself, will not prevent the approaching death of the continental nations. There is but one book in the world that can do it,--the Book of Life. Unfold its pages, and a more blessed and glorious effulgence than that which lights up the Alps at sunrise will break upon the nations; but, alas! this cannot be so long as the Jesuit and the Croat are there. We saw, too, on our journey, other things that did not tend to put us into better spirits. As we approached Milan, we met a couple of gensdarmes leading away a poor foot-sore revolutionist to the frontier. Ah! said I inly, could the Jesuits look into my breast, they would find there ideas more dangerous to their power, in all probability, than those that this man entertains; and yet, while he is expelled, I am admitted. No thanks to them, however. I rode onwards. League followed league of the richest but the most unvaried scenery. Campanile and hamlet came and went: still Milan came not. I strained my eyes in the direction in which I expected its roofs and towers to appear, but all to no purpose. At length there rose over the green woods that covered the plain, as if evoked by enchantment, a vision of surpassing beauty. I gazed entranced. The lovely creation before me was white as the Alpine snows, and shot up in a glorious cluster of towers, spires, and pinnacles, which flashed back the splendours of the mid-day sun. It looked as if it had sprung from under the chisel but yesterday. Indeed, one could hardly believe that human hands had fashioned so fair a structure. It was so delicate, and graceful, and aerial, and unsullied, that I thought of the city which burst upon the pilgrims when they had got over the river, or that which a prophet saw descending out of heaven. Milan, hid in rich woods, was before me, and this was its renowned Cathedral.

CITY AND PEOPLE OF MILAN.

It was under these conditions,--a pilgrim from a far land,--that I appeared at the gates of Milan. The passport detention seemed less an annoyance here than I had ever felt it before. The beauteous city, sitting so tranquilly amidst the sublimest scenery, seemed to have something of a celestial character about it. It looked so resplendent, partly by reason of the materials of which it is built, and partly by reason of the sun that shone upon it as an Italian sun only can shine, that none but pure men, I felt, might dwell here, and none but pure men might enter at its gates. There were white sentinels at its portals; rows of white houses formed its exterior; and in the middle of the city, floating above it,--for it seemed to float rather than to rest on foundations,--was its snow-white temple,--a place too holy almost, as it seemed, for human worship and human worshippers; and then the city had for battlements a glorious wall, white as alabaster, which rose to the clouds. Everything conspired to cheat the visitor into the belief that he had come at last to an abode where every hurtful passion was hushed, and where Peace had fixed her chosen seat.

At the first summons of the porter's bell the gate opened. On entering, I found myself in what had been one of the palaces of Milan when the city was in its best days. But the Austrian eagle had scared the native princes and nobles of the Queen of Lombardy, who were gone, and had left their streets to be trodden by the Croat, and their palaces to be tenanted by the wayfarer. The buildings of the hotel formed a spacious quadrangle, three storeys high, with a finely paved court in the centre. I was conducted up stairs to my bed-room, which, though by no means large, and plainly furnished, presented the luxury of extreme cleanliness, with its beautifully polished wooden floor, and its delicately white napery and curtains. The saloon on the ground-floor opened sweetly into a little garden, with its fountain, its bit of rock-work, and its gods and nymphs of stone. The apartment had a peculiarly comfortable air at breakfast-time. The hissing urn, flanked by the tea-caddy; the rich brown coffee, the delicious butter, and the not less delicious bread, the produce of the plains around, not unnaturally white, as with us, but golden, like the wheat when it waves in the autumnal sun; and the guests, mostly English, which assembled morning after morning,--made the return of this hour very pleasant. Establishing myself at the Albergo Reale for this and the two following days, I sallied out, to wander everywhere and see everything.

Milan is of ancient days; and few cities have seen greater changes of fortune. In the reign of Diocletian and Maximilian it became the capital of the western empire, and was filled with the temples, baths, theatres, and other monuments which usually adorn royal cities. The tempest which Attila, in the middle of the fifth century, conducted across the Alps, fell upon it, and swept it away. Scarce a vestige of the Roman Milan has come down to our day. A second Milan was founded, but only to fall, in its turn, before the arms of Frederick Barbarossa. There was a strong vitality in its site, however; and a third Milan,--the Milan of the present day,--arose. This city is a huge collection of churches and barracks, caf?s and convents, theatres and palaces, traversed by narrow streets, ranged mostly in concentric circles round its grand central building, the Duomo. The streets, however, that lead to its various ports, are spacious thoroughfares, adorned with noble and elegant mansions. Such is the arrangement of the town in which I now found myself.

I sought everywhere for the gay Milan,--the white-robed city I had seen an hour ago,--but it was gone; and in its room sat a silent and sullen town, with an air of most depressing loneliness about it. There were few persons on the streets; and these walked as if they dragged a chain at their heels. I passed through whole streets of a secondary character, without meeting a single individual, or hearing the sound of man or of living thing. It seemed as if Milan had proclaimed a fast and gone to church; but when I looked into the churches, I saw no one there save a solitary figure in white, in the distance, bowing and gesticulating with extraordinary fervour, in the presence of dumb pictures and dim tapers. How can a worship in which no one ever joins edify any one? I could discover no signs of a flourishing art. There were not a few pretty and some beautiful things in the shop-windows; but the latter were all copies generally of the more striking natural objects in the neighbourhood, or of the works of art in the city, the productions of other times,--things which a dying genius might produce, but not such as a living genius, free to give scope to her invention, would delight to create. Such was the art of Milan,--the feeble and reflected gleam of a glory now set. As regards the trade of Milan,--a yet more important matter,--I could see almost no signs of it either. There were walking sticks, and such things, in considerable variety in the shops; but little of more importance. The fabrics of the loom, and the productions of the plane, the forge, and the printing press, which crowd our cities and dwellings, and give honest bread to our artizans, were all wanting in Milan. How its people contrived to get through the twenty-four hours, and where they got their bread, unless it fell from the clouds, I could not discover.

What an air of languor and weariness on the faces of the people! Amid these heavy-hearted and dull-eyed loiterers, what a relief it would have been to have met the soiled jacket, the brawny arm, and the manly brow, of one of our own artizans! I felt there were worse things in the world than hard work. Better it were to roll the stone of Sisyphus all life-long, than spend it in such idleness as weighs upon the cities of Italy. Better the clang of the forge than the rattle of the sabre. The Milanese seemed looking into the future; and a dismal future it is, if one may judge from their looks,--a future full of revolutions, to conduct, mayhap, to freedom; more probably to the scaffold.

I turned sharply round the corner of a street, and there, as if it had risen from the earth, was the Cathedral. As the sun breaking through a fog, or an Alpine peak flashing through mists, so burst this magnificent pile upon me; and its sudden revelation dispelled on the instant all my gloomy musings. I could only stand and gaze. Beauty, not sublimity, is the attribute of this pile. Beauty it rains around it in a never-ending, overflowing shower, as the sun does light, or Mont Blanc glory. I sought for some one presiding idea, simple and grand, which might take its place in the mind, and dwell there as an image of glory, never more to fade; but I could find no such idea. The pile is the slow creation of centuries, and the united conception of innumerable minds, which have clubbed their ideas, so to speak, to produce this Cathedral. Quarries of marble and millions of money have been expended upon it; and there is scarce an architect or sculptor of eminence who has flourished since the fourteenth century, who has not contributed to it some separate grace or glory; and now the Cathedral of Milan is perhaps the most numerous assemblage of beauties in stone which the world contains. Impossible it were to enumerate the elegances that cover it from top to bottom,--its carved portals, its flying buttresses, its arabesque pilasters, its richly mullioned windows, its basso-reliefs, its beautiful tracery, and its forest of snow-white pinnacles soaring in the sunlight, so calm and moveless, and yet so airy and light, that you fear the nest breeze will scatter them. You can compare it only to some Alpine group, whose flashing peaks shoot up by hundreds around some snow-white central summit.

The building, too, is populous as a city. There are upwards of three thousand statues upon it, and places for a thousand more. Here stands a monk, busy with his beads,--there a mailed warrior,--there a mitred bishop,--there a pilgrim, staff in hand,--there a nun, gracefully veiled,--and yonder hundreds of seraphs perched upon the loftier pinnacles, and looking as if a white cloud of winged creatures from the sky had just lighted upon it.

I purposed to-morrow to climb to the roof, and thence survey the plains of Lombardy and the chain of the Alps; so, turning away from the door, I made the tour of the square in which the Cathedral stands. I came first upon a row of cannon, so pointed as to sweep the square. Behind the guns, piled on the pavement, were stacks of arms, and soldiers loitering beside them. Ah! thought I, these are the loving ties that bind the people of Lombardy to the House of Hapsburg. The priest's chant is heard all day long within that temple; and outside there blend with it the sentinel's tramp and the drum's roll. I passed on, and came next upon a most unusual display of literature. Four-paged pamphlets in hundreds lay piled upon stalls, or were ranged in rows against the wall. The subjects discussed in these pamphlets were of a high spiritual cast, and woodcuts were freely employed to aid the reader's apprehension. These latter belonged to a very different style of art from that conspicuous in the Cathedral, but they had the merit of great plainness; and a glance at the woodcut enabled one to read at once the story of the pamphlet. The wall was all a-blaze with flames; and I saw the advantage of an infallible Church to teach one secrets which the Bible does not reveal. The sin chiefly insisted on was that of despising the priest; and the punishment awaiting it was set before me in a way I could not possibly mistake. Here, for instance, was a wealthy sinner, who lay dying in a splendid mansion. With horrible impiety, the man had refused the wafer, and ordered the priest about his business, despite the imploring tears of wife and family, who surrounded his bed. A glance at the other compartment of the picture showed the consequence of this. There you found the man just launched into the other world. A crowd of black fiends, hideous to behold, had seized upon the poor soul, and were dragging it down into a weltering gulf of lurid flame. In another picture you had an equally graphic illustration of the happiness of obeying Mother Church. Here lay one dying amid beads, crucifixes, and shaven crowns. The devil was fleeing from the house in terror; and in the compartment devoted to the spiritual world, the soul was following a benevolent-looking gentleman, who carried a big key, and was walking in the direction of a very magnificent mansion on a high hill, where, I doubt not, a welcome and hospitable reception waited both. The same lesson was repeated along the wall times without number.

I could not but remark, that the only person for whom these extraordinary representations appeared to have any attractions was myself. Not so the exhibition on the other side of the square. Having perused with no ordinary interest, though, I fear, with not much profit, this "Theory of a Future State," I crossed the quadrangle, passing right under the eastern towers of the Cathedral, and came suddenly upon a knot of persons gathered round a tall rectangular box, in which was enacting the melo-drama of Punch. These persons were enjoying the fun with a relish which was noways abated by the spectacle over the way. The whole thing was acted exactly as I had seen it before; but to me it was a novelty to hear Punch, and all the other interlocutors in the piece, discourse in the language in which Dante had sung, and in which I had heard, just before leaving Scotland, Gavazzi declaim. In all lands Punch is an astute scoundrel; but, strange to say, in all lands the popular feeling is on his side. His imperturbable coolness and truculent villany procured him plaudits among the Milanese, as I had seen them do elsewhere. Courage and self-possession are valuable qualities, and for their sake we sometimes forgive bad men and bad causes; whereas, from nothing do we more instinctively recoil than from hypocrisy. On this principle it is, perhaps, that we have a sort of liking for Punch, incorrigible scoundrel as he is; and that great criminals, who rob and murder at the head of armies, we deify, while little ones we hang.

I had now completed my tour of the Cathedral, and could not help reflecting on the miscellaneous, and apparently incongruous, character of the spectacles grouped together in the square. In the middle was the great temple, in which priests, in stole and mitre, celebrated the high mysteries of their Church. In one of the angles were rows of mounted cannon, and a forest of bayonets. In another was seen the whole process of refining souls in purgatory. Strange, that if men here are shut up in prisons and hulks amid desperadoes, they come out more finished villains than they entered; whereas hereafter, if men are shut up with even worse characters, amid blazing fires, glowing gridirons, and cauldrons of boiling lead, they come out perfected in virtue. They pass at once from the society of fiends, where they have been whipped, roasted, and I know not what, to the society of angels. This is a strange schooling to give dignity to the character and conscious purity to the mind. And yet Rome subjects all her sons to this discipline for a longer or shorter period. Much do we marvel, that the same process which unfits men for associating with respectable people here should be the very thing to prepare them for good society hereafter. The other side of the square Punch had all to himself; and Punch, I saw, was the favourite. The inhabitants of Milan kept as respectable a distance from the painted fiends as if they had been veritable Satans, ready to clutch the incautious passer-by, and carry him off to their den. They kept the same respectable distance from the Austrian cannon; and these were no painted terrors. And as regards the Cathedral, scarce a solitary foot crossed its threshold, though there,--astounding prodigy!--He who made the worlds was Himself made many times every day by the priests. But Punch had a dense crowd of delighted spectators around him; and yet he competed with the priest at immense disadvantage. Punch played his part in a humble wooden shed, while the priest played his in a magnificent marble Cathedral, with a splendid wardrobe to boot. Still the people seemed to feel, that the only play in which there was any earnestness was that which was enacted in the wooden box. A stranger from India or China, who was not learned in either the religion or the drama of Europe, would probably have been unable to see any great difference between the two, and would have taken both for religious performances; concluding, perhaps, that that in the Cathedral was the established form, while that in the wooden box was the disestablished; in short, that Punch had been a priest at some former period of his life, and sung mass and sold indulgences; but that, imbibing some heterodox notions, or having fallen into some peccadillo, such as eating flesh on Friday, he had been unfrocked and driven out, and compelled to play the priest in a wooden tabernacle.

The very roots of liberty are being dug out of the soil. The free towns have lost their rights; the provinces their independence; and the tendency of things is towards the formation of great centralized despotisms. Thus an Asiatic equality and barbarism is sinking down upon continental Europe. So much is this the case, that some of the thinking minds in Germany are in the belief that the dark ages are returning. The following passage in the "Life and Letters of Niebuhr," written less than two months before his death in 1831, is almost prophecy:--

"It is my firm conviction that we, particularly in Germany, are rapidly hastening towards barbarism; and it is not much better in France.

ARCO DELLA PACE.

Depressing Effect produced by Sight of Slavery--The Castle of Milan--Non-intercourse of Italians and Austrians--Arco della Pace--Contrasted with the Duomo--Evening--Ambrose--Milanese Inquisition--The Two Symbols.

It was now drawing towards evening; and I must needs see the sun go down behind the Alps. There are no sights like those which nature has provided for us. What are embattled cities and aisled cathedrals to the eternal hills, with their thunder-clouds, and their rising and setting suns? Making my exit by the northern gate of the city, I soon forgot, in the presence of the majestic mountains, the narrow streets and clouded faces amid which I had been wandering. Their peaks seemed to look serenely down upon the despots and armies at their feet; and at sight of them, the burden I had carried all day fell off, and my mind mounted at once to its natural pitch. How crushing must be the endurance of slavery, if even the sight of it produces such prostration! Day by day it eats into the soul, weakening its spring, and lowering its tone, till at last the man becomes incapable of noble thoughts or worthy deeds; and then we condemn him because he lies down contentedly in his chains, or breaks them on the heads of his oppressors.

Emerging from the lanes of the city, I found myself on a spacious esplanade, enclosed on three of its sides by double rows of noble elms, and bounded on the remaining side by the caf?s and wine-shops of the city, filled with a crowd of loquacious, if not gay, loiterers. In the middle of the esplanade rose the Castle of Milan,--a gloomy and majestic pile, of irregular form, but of great strength. It was on the top of this donjon that the beacon was to be kindled which was to call Lombardy to arms, in the projected insurrection of 1852. The soft green of the esplanade was pleasantly dotted by white groupes in the Austrian uniform, who loitered at the gates, or played games on the sward. But neither here nor in the caf?s, nor anywhere else, did I ever see the slightest intercourse betwixt the soldiers and the populace. On the contrary, the two seemed on every occasion to avoid each other, as men, not only of different nations, but of different eras.

There are two monuments, and only two, in Italy, which redeem its modern architecture from the reproach of universal degeneracy. One of these is the Triumphal Arch of Milan, known also as the Arco della Pace. It was full in view from where I stood, rising on the northern edge of the esplanade, with the line of road stretching out from it, and running on and on towards the Alps, over which it climbs, forming the famous Simplon Pass. I crossed the plain in the direction of the Arco della Pace, to have a nearer inspection of it. It was more to my taste than the Duomo. The Cathedral, much as I admired it, had a bewildering and dissipating effect. It presented a perfect universe of towers, pinnacles, and statues, flashing in the Italian sun, and in the yet more dazzling splendour of its own beauty. But, stript of the tracery with which it is so profusely covered, and the countless statues that nestle in its niches, it would be a withered, naked, and unsightly thing, like a tree in winter. Not so the arch to which I was advancing. It rose before me in simple grandeur. It might be defaced,--it might grow old; but its beauty could not perish while its form remained. It presents but one simple and grand idea; and, seen once, it never can be forgotten. It takes its place as an image of beauty, to dwell in the mind for ever. To look upon it was to draw in concentration and strength.

I found this arch guarded by a Croat,--beauty in the keeping of barbarism. Much I wondered what sensations it could produce in such a mind: of course, I had no means of knowing. I touched the arch with my palm, to ascertain the quality of its polish and workmanship. The Croat made a threatening gesture, which I took as a hint not to repeat the action. I walked under it,--walked round it,--viewed it on all sides; but why should I describe what the engraver's art has made so familiar all over Europe? And such is the power of a simple and sublime idea,--whether the pen or the chisel has given it body,--to transmit itself, and retain its hold on the mind, that, though I had only now seen the Arco della Pace for the first time, I felt as if I had been familiar with it all my life; and so, doubtless, does my reader. The little squat figure, with the swarthy face, and dull, cold eye, that kept pacing beside it, watched me all the while my survey was going on. Sorely must it have puzzled him to discover the cause of the interest I took in it. Most probably he took me for a necromancer, whose simple word might transport the arch across the Alps.

The very spirit of peace pervaded the scene around the Arco della Pace. Peace descended from the summits of the Alps, and peace breathed upon me from the tops of the elms. It was sweet to see the gathering of the shadows upon the great plain; it was sweet to see the waggoner come slowly along the great Simplon road; it was sweet to see the husbandman unyoke his bullocks, and come wending his way homeward over the rich ploughed land, beneath the beautiful festoonings of the vine; sweet even were the city-stirs, as, mellowed by distance, they broke upon the ear; but sweeter than all was it to mark the sun's departure among the Alps. One might have fancied the mountains a wall of sapphire inclosing some terrestrial paradise,--some blessed clime, where hunger, and thirst, and pain, and sorrow, were unknown. Alas! if such were Lombardy, what meant the Croat beside me, and the black eagle blazoned on the flag, that I saw floating on the Castle of Milan? The sight of these symbols of foreign oppression recalled the haggard faces and toil-bent frames I had seen on my journey to Milan. I thought of the rich harvests which the sun of Lombardy ripens only that the Austrian may reap them, and the fertile vines which the Lombard plants only that the Croat may gather them. I thought of the sixty thousand expatriated citizens whose lands the Government had confiscated, and of the victims that pined in the fortresses and dungeons of Lombardy; and I felt that truly this was no paradise. To me, who could demand my passport and re-cross the Alps whenever I pleased, these mountains were a superb sight; but what could the poor Lombard, whom Radetzky might order to prison or to execution on the instant, see in them, but the walls of a vast prison?

THE DUOMO OF MILAN.

Interior Disappoints at First Sight--Expands into Magnificence--Description of Interior--Mummy of San Carlo Borromeo--His too early Canonization--A Priest at Mass--The Two Mysteries--Distinction between Religion and Worship--Roof of Cathedral--Aspect of Lombardy from thence--Ascend to the Top of Tower--Objects in the Square--Miniature of the World--The Alps from the Cathedral Roof--Martyr Associations--A Future Morning.

My next day was devoted to the Cathedral. Entering by the great western doorway,--a low-browed arch, rich in carving and statuary,--I pushed aside the thick, heavy quilt that closes the entrance of all the Italian churches, and stood beneath the roof. My first feeling was one of disappointment; so great was the contrast betwixt the airy and sunlight beauty of the exterior, and the massive and sombre grandeur within. The marble of the floor was sorely fretted by the foot: its original colours of blue and red had passed into a dingy gray, chequered with the variously-tinted light which flowed in through the stained windows. The white walls and unadorned pillars looked cold and naked. Beggars were extending their caps towards you for an alms. On the floor rose a stack of rush-bottomed chairs, as high as a two-storey house,--as if the priests, dreading an em?ute, had made preparations by throwing up a barricade. A carpenter, mounted on a tall ladder, was busied, with hammer and nails, suspending hangings of tapestry along the nave, in honour, I presume, of some saint whose f?te-day was approaching. The dim light could but feebly illuminate the many-pillared, long-aisled building, and gave to the vast edifice something of a cavern look.

I came round, and stood in front of the high altar. It towers to a great height, looking like the tall mast of a ship; and, could any supposable influence throw the marble floor on which it rests into billows, it might ride safely on their tops, beneath the stone roof of the Cathedral. A priest was saying mass, and some half-dozen of persons on the wooden benches before the chancel were joining in the service. It was a cold affair; and the vastness of the building but tended to throw an air of insignificance over it. The languid faces of the priest and his diminutive congregation brought vividly to my recollection the crowd of animated countenances I had seen outside the same building, around Punch, the day before. The devotion before me was a dead, not a living thing. It had been dead before the foundations of this august temple were laid. But it loved to revisit "the glimpses" of these tapers, and to grimace and mutter amid these shadowy aisles. To nothing could I compare it but to the skeleton in the chapel beneath, that lay rotting in a shroud of gorgeous robes. It was as much a corpse as that skeleton, and, like it too, it bore a shroud of purple and scarlet, and fine linen and gold, which concealed only in part its ghastliness. Were Ambrose to come back, he would once more close his Cathedral gates, but this time in the face of the priests.

The stream can never rise higher than its source; and so is it with worship. That worship that cometh of man cannot, in the nature of things, rise higher than man. The worship of Rome is manifestly man-contrived. It may be expected, therefore, to rise to the level of his tastes, but not a hairbreadth higher. It may stimulate and delight his faculties, such as they are, but it cannot regenerate them. At the best, it is only the aesthetic faculties which the worship of Rome calls into exercise. It presents no truth to the mind, and cannot therefore act upon the moral powers. God is unseen: He is hidden in the dark shadow of the priest. How, then, can He be regarded with confidence or love? The doctrine of the atonement,--the central glory of the Christian system,--is unknown. It is eclipsed by the mass. If you want to be religious,--to obtain salvation,--you buy masses. You need not cultivate any moral quality. You need not even be grateful. You have paid the market-price of the salvation you carry home, and are debtor to no one.

Those who speak of the worship of the Church of Rome as well fitted to make men devout, only betray their complete ignorance of all that constitutes worship. Men must be devout before they can worship. There is no error in the world more common than that of putting worship for religion. Worship is not the cause, but the effect. Worship is simply the expression of an inward feeling, that feeling being religion; and nothing is more obvious, than that till this feeling be implanted, there can be no worship. The man may bow, or chant, or mutter; he cannot worship. He may be dazzled by fine pictures, but not melted into love or raised to hope by glorious truths. Moral feelings can be produced not otherwise than by the apprehension of moral truths; but in the Church of Rome all the great verities of revelation lie out of sight, being covered with the dense shadow of symbol and error. A single verse of Scripture would do more to awaken mind and produce devotion than all the statues and fine pictures of all the cathedrals in Italy.

I got weary at last of these shadowy aisles and the priests' monotonous chant; and so, paying a small fee, I had a low door in the south transept opened to me; and, groping my way up a stair of an hundred and fifty steps, or rather more, I came out upon the top of the Cathedral. I had left a noble temple, but only to be ushered into a far nobler,--its roof the blue vault, its floor the great Lombardy plain, and its walls the Alps and Apennines. The glory of the temple beneath was forgotten by reason of the greater glory of that into which I had entered. It was not yet noon, and the morning mists were not yet wholly dissipated. The Alps and the Apennines were imprisoned in a shroud of vapour. Nevertheless the scene was a noble one. Lombardy was level as the sea. I have seen as level and as circular an expanse from a ship's deck, when out of sight of land, but nowhere else. One of the most prominent features of the scene were the long straight rows of the Lombardy poplar, which, rooted in its native soil, and drinking its native waters, shoots up into the most goodly stature and the most graceful form. And then, there were glimpses of beautifully green meadows, and long silvery lines of canals; and all over the plain there peeped out from amidst rich woods, the white walls of hamlets and towns, and the tall, slender Campanile. The country towards the north was remarkably populous. From the gates of Milan to the skirts of the mists that veiled the Alps the plain was all a-gleam with white-walled villages, beautifully embowered. A fairer picture, or one more suggestive of peace and happiness, is perhaps nowhere to be seen. But, alas! past experience had taught me, that these dwellings, so lovely when seen from afar, would sink, on a near approach, into ill-furnished and filthy hovels, with inmates groaning under the double burden of ignorance and poverty.

When the more distant objects allowed me to attend to those at hand, I found that I was not alone on the Cathedral's roof. There were around me an assembly of some thousands. The only moving figure, it is true, was myself: the rest stood mute and motionless, each in his little house of stone; but so eloquent withal, in both look and gesture, that you half expected to find yourself addressed by some one in this life-like crowd of figures.

I ascended to the different levels by steps on the flying buttresses. A winding staircase in a turret of open tracery next carried me to the Octagon, where I found myself surrounded by a new zone of statues. Here I again made a long halt, admiring the landscape as seen under this new elevation, and doing my best to scrape acquaintance with my new companions. I now prepared for my final ascent. Entering the spire, I ascended its winding staircase, and came out at the foot of the pyramid that crowns the edifice. Higher I could not go. Here I stood at a height of about three hundred and fifty feet, looking down upon the city and the plain. I had left the grosser forms of monks and bishops far beneath, and was surrounded--as became my aerial position--with winged cherubs, newly alighted, as it seemed, on the spires and turrets which shot up like a forest at my feet. Here I waited the coming of the Alps, with all the impatience with which an audience at the theatre waits the rising of the curtain.

Meanwhile, till it should please Monte Rosa and her long train of white-robed companions to emerge, I had the city spectacles to amuse me. There was Milan at my feet. I could count its every house, and trace the windings of its every street and lane, as easily as though it had been laid down upon a map. I could see innumerable black dots moving about in the streets,--mingling, crossing, gathering in little knots, then dissolving, and the constituent atoms falling into the stream, and floating away. Then there came a long white line with nodding plumes; and I could faintly hear the tramp of horses; and then there followed a mustering of men and a flashing of bayonets in the square below. I sat watching the manoeuvres of the little army beneath for an hour or so, while drum and clarionet did their best to fill the square with music, and send up their thousand echoes to break and die amid the spires and statues of the Cathedral. At last the mimic war was ended, and I was left alone, with the silent and moveless, but ever acting statues around and below me. What a picture, thought I, of the pageantry of life, as viewed from a higher point than this world! Instead of an hour, take a thousand years, and how do the scenes shift! The golden spectacle of empire has moved westward from the banks of the Euphrates to those of the Tiber and the Thames. You can trace its track by the ruins it has left. The field has been illuminated this hour by the gleam of arts and empire, and buried in the darkness of barbarism the next. Man has been ever busy. He has builded cities, fought battles, set up thrones, constructed systems. There has been much toil and confusion, but, alas! little progress. Such would be the sigh which some superior being from some tranquil station on high would heave over the ceaseless struggle and change in the valley of the world. And yet, amid all its changes, great principles have been taking root, and a noble edifice has been emerging.

But, lo! the mists are rising, and yonder are the Alps. Now that the curtain is rent, one flashing peak bursts upon you after another. They come not in scores, but in hundreds. And now the whole chain, from the snowy dome of the Ortelles in the far-off Tyrol, to the beauteous pyramid of Monte Viso in the south-western sky, is before you in its noble sweep of many hundreds of miles, with thousands of snowy peaks, amid which, pre-eminent in glory, rises Monte Rosa. Turning to the south, you have the purple summits of the Apennines rising above the plain. Between this blue line in the south and that magnificent rampart of glaciers and peaks in the north, what a vast and dazzling picture of meadows, woods, rivers, cities, with the sun of Italy shining over all!

Ye glorious piles! well are ye termed everlasting. Kings and kingdoms pass away, but on you there passes not the shadow of change. Ye saw the foundations of Rome laid;--now ye look down upon its ruins. In comparison with yours, man's life dwindles to a moment. Like the flower at your foot, he blooms for an instant, and sinks into the tomb. Nay, what is a nation's duration, when weighed against thine? Even the forests that wave on your slopes will outlast empires. Proud piles, how do ye stamp with insignificance man's greatest labours! This glorious edifice on which I stand,--ages was it in building; myriads of hands helped to rear it; and yet, in comparison with your gigantic masses, what is it?--a mere speck. Already it is growing old;--ye are still young. The tempests of six thousand winters have not bowed you down. Your glory lightened the cradle of nations,--your shadows cover their tomb.

But to me the great charm of the Alps lay in the sacred character which they wore. They seemed to rise before me, a vast temple, crowned, as temple never was, with sapphire domes and pinnacles, in which a holy nation had worshipped when Europe lay prostrate before the Dagon of the Seven Hills. I could go back to a time when that plain, now covered, alas! with the putridities of superstition, was the scene of churches in which the gospel was preached, of homes in which the Bible was read, of happy death-beds, and blessed graves,--graves in which, in the sublime words of our catechism, "the bodies of the saints being still united to Christ, do rest in their graves till the Resurrection." Sleep on, ye blessed dead! This pile shall crumble into ruin; the Alps dissolve, Rome herself sink; but not a particle of your dust shall be lost. The reflection recalled vividly an incident of years gone by. I had sauntered at the evening hour into a retired country churchyard in Scotland. The sun, after a day of heavy rain, was setting in glory, and his rays were gilding the long wet grass above the graves, and tinting the hoar ruins of a cathedral that rose in the midst of them, when my eye accidentally fell upon the following lines, which I quote from memory, carved in plain characters upon one of the tombstones:--

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