Read Ebook: Mlle. Fouchette: A Novel of French Life by Murray Charles Theodore Day Francis Illustrator Kennedy E Benson Illustrator Richardson W H Illustrator

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Ebook has 3529 lines and 90916 words, and 71 pages

XL. The Magician Speaks.

L. On the Brink.

THE YELLOW FACE

THE YELLOW FACE

The flickering firelight fell upon the girl's pretty, thoughtful face; her violet eyes looked like deep lakes in it. She stood with one small foot tapping the polished brass rail of the fender. Claire Helmsley was accounted fortunate by her friends, for she was pretty and rich, and as popular as she was good-looking. The young man by her side, who stood looking moodily into the heart of the ship-log fire, was also popular and good-looking, but Jack Masefield was anything but rich. He had all the brain and all the daring ambition that makes for success, but he was poor and struggling yet, and the briefs that he dreamed of at the Bar had not come.

But he was not thinking of the Bar now as he stood by Claire Helmsley's side. They were both in evening dress, and obviously waiting for dinner. Jack's arm was around Claire's slender waist, and her head rested on his shoulder, so that by looking up she could just see the shadow on his clean-cut face. Though the pressure of his arm was strong and tender, he seemed as if he had forgotten all about the presence of the girl.

"Why so silent?" the girl said. "What are you thinking about, Jack?"

"Well, I was thinking about you, dearest," Jack replied. "About you and myself. Also of your guardian, Anstruther. I was wondering why he asks me so often and leaves us so much together when he has not the slightest intention of letting me marry you."

The girl colored slightly. The expression in her violet eyes was one of pain.

"You have never asked my guardian," she said. "We have been engaged now for over six months, Jack, and at your request I have kept the thing a dead secret. Why should we keep the matter a secret? You are certain to get on in your profession, and you would do no worse if the world knew that you had a rich wife. My guardian is kindness itself. He has never thwarted me in a single wish. He would not be likely to try and cross my life's happiness."

Jack Masefield made no reply for a moment. It was perhaps a singular prejudice on his part, but he did not like the brilliant and volatile Dr. Spencer Anstruther, who was Claire's guardian. He would have found it impossible to account for this feeling, but there it was.

"My guardian has plenty of money of his own," Claire said, as if reading his thoughts.

"There you are mistaken," Jack replied. "This is a fine old house, filled with beautiful old things. Anstruther goes everywhere; he is a favorite in the best society. Men of letters say he is one of the finest talkers in the world. But I happen to know that he has very little money, for a lawyer told me so. That being so, the ?2,000 a year you pay him till you marry or come of age is decidedly a thing to take care of. On the whole, dearest, we had better go on as we are."

Claire had a smile for her lover's prejudices. Personally she saw nothing amiss with her guardian. She crossed over to the window, the blinds of which had not yet been drawn, and looked out. She looked across the old-fashioned garden in front of the house to the street beyond, where a few passengers straggled along. On the far side of the road stood an electric standard holding a flaring lamp aloft. The house opposite was being refaced, so that it was masked in a high scaffold.

As was the custom in London, the scaffolding had been let out to some enterprising bill-posting company. It was a mass of gaudy sheets and placards puffing a variety of different kinds of wares. In the centre, bordered by a deep band of black, was one solitary yellow face with dark hair and starting eyes. At the base was the single word "Nostalgo."

An extraordinary vivid and striking piece of work for a poster. The face was strong and yet evil, the eyes were full of a devilish malignity, yet there was a kind of laugh in them too. Artists spoke freely of the Nostalgo poster as a work of positive genius, yet nobody could name the author of it. Nobody knew what it meant, what it foreshadowed. For two months now the thing had been one of the sensations of London. The cheap Press had built up legends round that diabolically clever poster; the head had been dragged into a story. The firm who posted Nostalgo professed to know nothing as to its inner meaning. It had become a catchword; actors on the variety stage made jokes about it. But still that devilish yellow face stared down at London with the malignant smile in the starting eyes.

"Jack, they have put up a fresh 'Nostalgo' poster on the hoarding opposite," Claire said. "I wish they hadn't. That face frightens me. It reminds me of somebody."

"So it does me," Jack replied, with sudden boldness. "It reminds me of your guardian."

Claire smiled at the suggestion. The guardian was a large, florid man, well-groomed and exquisitely clean. And yet as Jack spoke the yellow face opposite seemed to change, and in some way the illusion was complete. It was only for an instant, and then the starting eyes and the queer smile that London knew so well were back again.

"You make me shudder," Claire said in a half-frightened way. "I should never have thought of that. But as you spoke the face seemed to change. I could see my guardian dimly behind it. Jack, am I suddenly growing nervous or fanciful? The thing is absurd."

Jack paced up and down the room as if lost in thought. The light was shining on the face on the hoarding--it seemed to look at him with Spencer Anstruther's eyes.

"Oh, I know," Jack said, with some suggestion of impatience in his voice. "And yet, if you don't mind, we will say nothing of our engagement at present."

Claire contested the point no longer. After all she was very happy as things stood. She had plenty of chances of meeting her lover, and Mr. Anstruther seemed to be altogether too wrapped up in his scientific studies to notice what was going on under his very eyes. He came into the room at the same moment humming a fragment of some popular opera.

There was nothing whatever about the man to justify Jack Masefield's opinions. Spencer Anstruther was calculated to attract attention anywhere. The man was tall and well set up, he had a fine commanding face softened by a tolerant and benign expression. People looked after him as he walked down the street and wondered which popular statesman he was. In society Anstruther was decidedly welcome, amongst men of learning he was a familiar figure. His scientific knowledge was great, certain publications of his were regarded in the light of text-books. Altogether he was a man to cultivate.

"I am afraid that I am late, young people," he said in a smooth, polished voice. "I hope you have been able to amuse yourselves together in my absence. You look moody, Jack. Don't those briefs come in as freely as you would like? Or have you been quarreling?"

"No, sir," Jack replied. "We never quarrel; we are too good friends for that. We have not the excuse in that way that lovers are supposed to possess."

The girl paused in some confusion. Anstruther smiled as he put up his glasses.

"It is a complex face," he said. "Whose features does it remind you of just now, Jack?"

"Yours," Jack said boldly. He flashed the word out suddenly. Half to himself he wondered why he always felt a wild desire to quarrel with this man. "I hope you won't be offended, sir, but I can see a grotesque likeness to you in the famous repellent Nostalgo."

Claire looked up in some alarm. She was wondering how her guardian would take it. The log fire in the grate shot up suddenly and illuminated Anstruther's face. Perhaps it was the quick flare that played a trick on Claire's fancy, for it seemed to her that suddenly Anstruther's face was convulsed with rage. The benign pink expression had gone, the features were dark with passion, the fine speaking eyes grew black with malignant hatred. Claire could see the hands of the man clenched so hard that the knuckles stood out white as chalk. And there with it all was the likeness to Nostalgo that Jack had so boldly alluded to. The fire dropped and spurted again, and when it rose for the second time the face of Spencer Anstruther was smooth and smiling.

Claire passed her handkerchief across her eyes to concentrate the picture of fiendish passion that she had seen. Was it possible that imagination had played some trick on her? And yet the picture was as vivid as a landscape picked out and fixed upon the retina by a flash of lightning on a dark night. The girl turned away and hid her white face.

"I should like to meet the artist who drew that face," Anstruther said, with a smile. "One thing I am quite certain of--it is not the work of an Englishman. Well, it has found London something to talk about, and the advertisement is a very clever one. I dare say before long we shall discover that it is exploited in the interest of somebody's soap."

The dining-room door was thrown open by a woman servant, who announced that dinner was served. They passed across the hall into a large dark-walled room, the solitary light of which was afforded by a pair of handsome candelabra on the table. There were not many flowers, but they were all blood red, with a background of shiny, metallic green. The woman who waited passed from one plate to another without making the slightest sign. As she came into the rays of the shaded candles from time to time Jack glanced at her curiouoor of Paris more extended outings. The barriers run along the line of fortifications and form the "octroi," or tax limit of the city. These big iron gates of the barriers intercept every road entering Paris and are manned by customs officials, who inspect all incoming vehicles and packages for dutiable goods.

Within the barriers is Paris,--beyond is the rest of the world. Inside are the police agents,--outside are the gendarmes.

Cheap shows, gypsy camps, merry-go-rounds, and all sorts of games hover about the barriers, where no special tax is exacted and where the regulations with reference to public order are somewhat lax. They attract noisy and unruly crowds on Sundays and holidays. A once popular song ran:

"Pour rigoler montons, Montons ? la barri?re."

Which means, that to have a good time let us go up to the barrier.

These resorts are infested by the human vermin that prey on the ignorant,--thieves, pickpockets, robbers, and cutthroats of every description. This very wood of Vincennes near at hand, now the glory of picnickers, was for centuries the home and stronghold of the robber and professional assassin. And it is a rash man at this day who would voluntarily risk his purse and life by being found alone in the neighborhood after nightfall.

Fouchette's territory lay chiefly in the streets and suburbs of Charenton. To cover it she was compelled to get out before daylight. If she had good luck and brought in anything valuable she got an extra allowance of soup, sometimes with a scrap of meat, to be invariably divided between her and Tartar, or a small glass of red wine; if her find was poor her fare was reduced, and instead of food she often received blows.

These blows, however, were never administered in the sight of the dog, Tartar,--only once, when the savage animal resented this treatment of his side partner by burying his teeth in Mother Podvin's arm.

Little Fouchette remembered this friendly intervention by bringing home any choice bits of meat found in the house garbage during her morning tour. Mother Podvin remembered it by thereafter thumping Fouchette out of sight of her canine friend and protector. The infuriated woman would have slaughtered the offending spaniel on the spot, only Tartar was of infinite service to her husband in his business. She dared not, so she took it out on Fouchette.

Monsieur Podvin's business was not confined wholly to drinking, though it was perhaps natural that Fouchette should have reached that conclusion, since she had seen him in no other occupation. Monsieur Podvin, like many others of the mysterious inhabitants of the barriers, worked nights. Not regularly, but as occasion invited him or necessity drove him. On such occasions Tartar was brought forth from the cellar, where he reposed peacefully by the side of his little prot?g?e, and accompanied his master. As Tartar was held in strict confinement during the day, he was invariably delighted when the call of duty gave him this outing. And as he returned at all sorts of hours in the early morning, his frail partner and bedfellow never felt that it was necessary to sit up for him. Nevertheless, Fouchette was quite nervous, and sometimes sleepless, down there among the wine-bottles in the dark, on her pallet of straw, when she awoke to find her hairy protector missing; though, usually, she knew of his absence only by his return, when he licked her face affectionately before curling down closely as possible by her side.

Now, Monsieur Podvin's business, ostensibly, was that of keeping a low cabaret labelled "Rendez-Vous pour Cochers." It might have been more appropriately called a rendezvous for thieves, though this seems rather hypercritical when one knows the cabbies of the barriers. But the cabaret was really run by Madame Podvin, which robs monsieur of the moral responsibilities.

As a matter of fact, Monsieur Podvin was a mighty hunter, like Nimrod and Philippe Augustus, and other distinguished predecessors. His field of operations was the wood of Vincennes, where Philippe was wont to follow the chase some hundreds of years ago, and wherein a long line of royal chasseurs have subsequently amused themselves.

With the simple statement that they were all hunters and robbers, from Augustus to Podvin, inclusive, the resemblance ends; for the nobles and their followers followed the stag and wild boar, whereas Monsieur Podvin was a hunter of men.

At first blush the latter would appear to be higher game and a more dangerous amusement. Not at all. For the men thus run down by Monsieur Podvin and his faithful dog, Tartar, were little above the beasts from self-indulgence at any time, and were wholly devoid of even the lowest animal instincts when captured. They were the victims of their own bestiality before they became the victims of Podvin.

Every gala-day in the popular wood of Vincennes left a certain amount of human flotsam and jetsam lying around under the trees and in the dark shadows, helpless from a combination of wood alcohol and water treated with coloring matter and called "wine." It was Monsieur Podvin's business to hunt these unfortunates up and to relieve them of any valuables of which they might be possessed, and which they had no use for for the time being. It was quite as inspiriting and ennobling as going over a battlefield and robbing the dead, and about as safe for the operators. The intelligence of Tartar and his indefatigable industry lent an additional zest to the hunt and made it at once easy and remunerative. Tartar pointed and flushed the prey; all his master had to do was to go through the victims, who were usually too helpless to object. If, as was sometimes the case, one so far forgot himself as to do so, the sight of a gleaming knife-blade generally reconciled the victim to the peaceful surrender of his property. On special occasions Monsieur Podvin was assisted by a patron of the Rendez-Vous pour Cochers; but he usually worked alone, being of a covetous nature and unwilling to share profits. When accompanied, it was with the understanding that the booty was to be divided into equal shares, Tartar counting as an individual and coming in on equal terms, and one share on account of Fouchette,--all of which went to Monsieur Podvin.

For, without any knowledge or reward, Fouchette was made to do the most dangerous part of the business,--which lay in the disposal of the proceeds of the chase. It was innocently carried by her in her rag-basket to the receiver inside the barriers.

Where adults would have been suspected and probably searched, first by the customs officers and then by the police, Fouchette went unchallenged. Her towering basket, under which bent the frail little half-starved figure, marked her scarcely more conspicuously than her ready wit and cheerful though coarse retorts to would-be sympathizers. Her load was delivered to those who examined its contents out of her sight. The price went back by another carrier,--a patron of the Rendez-Vous pour Cochers. "La petite chiffonni?re" was widely known in the small world of the Porte de Charenton.

As for Fouchette,--well, she has already, in her laconic way, given about all that she knew of her earlier history. Picked up in a rag-heap by a chiffonni?re of the barrier, she had succeeded to a brutal life that had in five years reduced her to the physical level of the spaniel, Tartar. In fact, her position was really inferior, since the dog was never beaten and had always plenty to eat.

Instead of killing her, as would have been the fate of one of the lower animals subjected to the same treatment, all this had seemed to toughen the child,--to render her physically and morally as hard as nails.

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