Read Ebook: The Stones of Venice Volume 3 (of 3) by Ruskin John

Font size: 10 px 15 px 20 px 25 px 30 px 35 px

Background color: BlackWhiteGrayLight GrayDark GrayDim Gray

Text color: BlackWhiteGrayLight GrayDark GrayDim Gray

Apply/Save settings

Ebook has 773 lines and 155505 words, and 16 pages

Of such knowledge as this, nothing but pride could come; and, therefore, I have called the first mental characteristic of the Renaissance schools, the "pride" of science. If they had reached any science worth the name, they might have loved it; but of the paltry knowledge they possessed, they could only be proud. There was not anything in it capable of being loved. Anatomy, indeed, then first made a subject of accurate study, is a true science, but not so attractive as to enlist the affections strongly on its side: and therefore, like its meaner sisters, it became merely a ground for pride; and the one main purpose of the Renaissance artists, in all their work, was to show how much they knew.

Now that perspective can be taught to any schoolboy in a week, we can smile at this vanity. But the fact is, that all pride in knowledge is precisely as ridiculous, whatever its kind, or whatever its degree. There is, indeed, nothing of which man has any right to be proud; but the very last thing of which, with any show of reason, he can make his boast is his knowledge, except only that infinitely small portion of it which he has discovered for himself. For what is there to be more proud of in receiving a piece of knowledge from another person, than in receiving a piece of money? Beggars should not be proud, whatever kind of alms they receive. Knowledge is like current coin. A man may have some right to be proud of possessing it, if he has worked for the gold of it, and assayed it, and stamped it, so that it may be received of all men as true; or earned it fairly, being already assayed: but if he has done none of these things, but only had it thrown in his face by a passer-by, what cause has he to be proud? And though, in this mendicant fashion, he had heaped together the wealth of Croesus, would pride any more, for this, become him, as, in some sort, it becomes the man who has labored for his fortune, however small? So, if a man tells me the sun is larger than the earth, have I any cause for pride in knowing it? or, if any multitude of men tell me any number of things, heaping all their wealth of knowledge upon me, have I any reason to be proud under the heap? And is not nearly all the knowledge of which we boast in these days cast upon us in this dishonorable way; worked for by other men, proved by them, and then forced upon us, even against our wills, and beaten into us in our youth, before we have the wit even to know if it be good or not? Truly a noble possession to be proud of! Be assured, there is no part of the furniture of a man's mind which he has a right to exult in, but that which he has hewn and fashioned for himself. He who has built himself a hut on a desert heath, and carved his bed, and table, and chair out of the nearest forest, may have some right to take pride in the appliances of his narrow chamber, as assuredly he will have joy in them. But the man who has had a palace built, and adorned, and furnished for him, may, indeed, have many advantages above the other, but he has no reason to be proud of his upholsterer's skill; and it is ten to one if he has half the joy in his couches of ivory that the other will have in his pallet of pine.

This unhappy and childish pride in knowledge, then, was the first constituent element of the Renaissance mind, and it was enough, of itself, to have cast it into swift decline: but it was aided by another form of pride, which was above called the Pride of State; and which we have next to examine.

? XL. It is to be noted also, that it ministered as much to luxury as to pride. Not to luxury of the eye, that is a holy luxury; Nature ministers to that in her painted meadows, and sculptured forests, and gilded heavens; the Gothic builder ministered to that in his twisted traceries, and deep-wrought foliage, and burning casements. The dead Renaissance drew back into its earthliness, out of all that was warm and heavenly; back into its pride, out of all that was simple and kind; back into its stateliness, out of all that was impulsive, reverent, and gay. But it understood the luxury of the body; the terraced and scented and grottoed garden, with its trickling fountains and slumbrous shades; the spacious hall and lengthened corridor for the summer heat; the well-closed windows, and perfect fittings and furniture, for defence against the cold; and the soft picture, and frescoed wall and roof, covered with the last lasciviousness of Paganism;--this is understood and possessed to the full, and still possesses. This is the kind of domestic architecture on which we pride ourselves, even to this day, as an infinite and honorable advance from the rough habits of our ancestors; from the time when the king's floor was strewn with rushes, and the tapestries swayed before the searching wind in the baron's hall.

At the debate of King Edwin with his courtiers and priests, whether he ought to receive the Gospel preached to him by Paulinus, one of his nobles spoke as follows:

"The present life, O king! weighed with the time that is unknown, seems to me like this. When you are sitting at a feast with your earls and thanes in winter time, and the fire is lighted, and the hall is warmed, and it rains and snows, and the storm is loud without, there comes a sparrow, and flies through the house. It comes in at one door and goes out at the other. While it is within, it is not touched by the winter's storm; but it is but for the twinkling of an eye, for from winter it comes and to winter it returns. So also this life of man endureth for a little space; what goes before or what follows after, we know not. Wherefore, if this new lore bring anything more certain, it is fit that we should follow it."

That could not have happened in a Renaissance building. The bird could not have dashed in from the cold into the heat, and from the heat back again into the storm. It would have had to come up a flight of marble stairs, and through seven or eight antechambers; and so, if it had ever made its way into the presence chamber, out again through loggias and corridors innumerable. And the truth which the bird brought with it, fresh from heaven, has, in like manner, to make its way to the Renaissance mind through many antechambers, hardly, and as a despised thing, if at all.

The king of Jerusalem, Godfrey of Bouillon, at the siege of Asshur, or Arsur, gave audience to some emirs from Samaria and Naplous. They found him seated on the ground on a sack of straw. They expressing surprise, Godfrey answered them: "May not the earth, out of which we came, and which is to be our dwelling after death, serve us for a seat during life?"

It is long since such a throne has been set in the reception chambers of Christendom, or such an answer heard from the lips of a king.

Thus the Renaissance spirit became base both in its abstinence and its indulgence. Base in its abstinence; curtailing the bright and playful wealth of form and thought, which filled the architecture of the earlier ages with sources of delight for their hardy spirit, pure, simple, and yet rich as the fretwork of flowers and moss, watered by some strong and stainless mountain stream: and base in its indulgence; as it granted to the body what it withdrew from the heart, and exhausted, in smoothing the pavement for the painless feet, and softening the pillow for the sluggish brain, the powers of art which once had hewn rough ladders into the clouds of heaven, and set up the stones by which they rested for houses of God.

Canute or Coeur de Lion would have dashed their sceptres against the lips of a man who should have dared to utter to them flattery such as this. But in the fifteenth century it was rendered and accepted as a matter of course, and the tempers which delighted in it necessarily took pleasure also in every vulgar or false means, of taking worldly superiority. And among such false means largeness of scale in the dwelling-house was of course one of the easiest and most direct. All persons, however senseless or dull, could appreciate size: it required some exertion of intelligence to enter into the spirit of the quaint carving of the Gothic times, but none to perceive that one heap of stones was higher than another. And therefore, while in the execution and manner of work the Renaissance builders zealously vindicated for themselves the attribute of cold and superior learning, they appealed for such approbation as they needed from the multitude, to the lowest possible standard of taste; and while the older workman lavished his labor on the minute niche and narrow casement, on the doorways no higher than the head, and the contracted angles of the turreted chamber, the Renaissance builder spared such cost and toil in his detail, that he might spend it in bringing larger stones from a distance; and restricted himself to rustication and five orders, that he might load the ground with colossal piers, and raise an ambitious barrenness of architecture, as inanimate as it was gigantic, above the feasts and follies of the powerful or the rich. The Titanic insanity extended itself also into ecclesiastical design: the principal church in Italy was built with little idea of any other admirableness than that which was to result from its being huge; and the religious impressions of those who enter it are to this day supposed to be dependent, in a great degree, on their discovering that they cannot span the thumbs of the statues which sustain the vessels for holy water.

? L. Among the tombs in front of the Church of St. John and Paul there is one which is peculiarly illustrative of the simplicity of these earlier ages. It is on the left of the entrance, a massy sarcophagus with low horns as of an altar, placed in a rude recess of the outside wall, shattered and worn, and here and there entangled among wild grass and weeds. Yet it is the tomb of two Doges, Jacopo and Lorenzo Tiepolo, by one of whom nearly the whole ground was given for the erection of the noble church in front of which his unprotected tomb is wasting away. The sarcophagus bears an inscription in the centre, describing the acts of the Doges, of which the letters show that it was added a considerable period after the erection of the tomb: the original legend is still left in other letters on its base, to this effect,

"Lord James, died 1251. Lord Laurence, died 1288."

At the two corners of the sarcophagus are two angels bearing censers; and on its lid two birds, with crosses like crests upon their heads. For the sake of the traveller in Venice the reader will, I think, pardon me the momentary irrelevancy of telling the meaning of these symbols.

"In the year 1226, the Doge Giacomo Tiepolo dreamed a dream; and in his dream he saw the little oratory of the Dominicans, and, behold, the ground all around it was covered with roses of the color of vermilion, and the air was filled with their fragrance. And in the midst of the roses, there were seen flying to and fro a crowd of white doves, with golden crosses upon their heads. And while the Doge looked, and wondered, behold, two angels descended from heaven with golden censers, and passing through the oratory, and forth among the flowers, they filled the place with the smoke of their incense. Then the Doge heard suddenly a clear and loud voice which proclaimed, 'This is the place that I have chosen for my preachers;' and having heard it, straightway he awoke and went to the Senate, and declared to them the vision. Then the Senate decreed that forty paces of ground should be given to enlarge the monastery; and the Doge Tiepolo himself made a still larger grant afterwards."

There is nothing miraculous in the occurrence of such a dream as this to the devout Doge; and the fact, of which there is no doubt, that the greater part of the land on which the church stands was given by him, is partly a confirmation of the story. But, whether the sculptures on the tomb were records of the vision, or the vision a monkish invention from the sculptures on the tomb, the reader will not, I believe, look upon its doves and crosses, or rudely carved angels, any more with disdain; knowing how, in one way or another, they were connected with a point of deep religious belief.

I say, "according to the common tradition;" for there are some doubts cast upon the story by its supplement. Most of the Venetian historians assert that Francesco Dandolo's surname of "Dog" was given him first on this occasion, in insult, by the cardinals; and that the Venetians, in remembrance of the grace which his humiliation had won for them, made it a title of honor to him and to his race. It has, however, been proved that the surname was borne by the ancestors of Francesco Dandolo long before; and the falsity of this seal of the legend renders also its circumstances doubtful. But the main fact of grievous humiliation having been undergone, admits of no dispute; the existence of such a tradition at all is in itself a proof of its truth; it was not one likely to be either invented or received without foundation: and it will be well, therefore, that the reader should remember, in connection with the treatment of Barbarossa at the door of the Church of St. Mark's, that in the Vatican, one hundred and fifty years later, a Venetian noble, a future Doge, submitted to a degradation, of which the current report among his people was, that he had crept on his hands and knees from beneath the Pontiff's table to his feet, and had been spurned as a "dog" by the cardinals present.

Observe, there are no virtues on this tomb. Nothing but religious history or symbols; the Death of the Virgin in front, and the types of St. Mark and St. John at the extremities.

He was chosen Doge while, as provveditore, he was in Treviso, defending the city against the King of Hungary. The Venetians sent to the besiegers, praying that their newly elected Doge might be permitted to pass the Hungarian l for more than two miles, while the beach for a greater distance was fringed with canoes, many of the larger painted red and bearing gaudy pennons of stout kapa. As plundering had been forbidden, provisions of dried fish, potatoes, cocoanuts, taro, and live pigs and fowls had been brought in considerable quantities in extra canoes; but as the duration of the campaign could only be surmised, rolls of kapa and matting, shell wreaths, ivory, feather capes, calabashes, mechanical tools, ornaments, and extra arms were also brought, to be fairly exchanged from time to time for such supplies as might be wanted.

Everything being in readiness for an advance upon the stronghold of Kaupeepee, a war-council of the assembled chiefs was called. Among them were several who were well informed concerning the approaches to Haupu, and the main features of the campaign were arranged without discussion. Signals and other means of communication between the two divisions having been agreed upon, the next morning a detachment of two thousand men, occupying five hundred canoes, under the command of Kana, moved around the island to blockade the entrances to Haupu, and immediately after the main army, leaving a strong reserve to guard the canoes and look after supplies, broke camp and took up its line of march across the island to the mountains back of the fortress. The trails were rough, but at sunrise the next morning the land division, stretched along the summit of the hills two miles back of Haupu, looked down and saw the fleet of Kana drawn like a broad, black line around the ocean entrances to the doomed stronghold.

Meantime Kaupeepee had not been idle. Every movement of the enemy had been watched; and when word came to him that the shores of Kaunakakai were so crowded with warriors that the number could not be told, he grimly answered: "Then will our spears be less likely to miss!"

The walls of the fortress had been strengthened and replenished with missiles; large quantities of provisions had been secured, and sheds of ample space were finally erected for the collection of rain-water, should communication be interrupted with the streams in the gulches below. Before the enemy had reached positions completely cutting off retreat from the fortress, Kaupeepee had called his warriors together and thus addressed them:

"Warriors and friends!--for all, indeed, are warriors and friends in Haupu!--for years you have shared in the dangers of Kaupeepee and have never disobeyed him. Listen now to his words, and heed them well. A mighty army is about to surround Haupu by land and sea. It already blackens the shores of Kaunakakai, and will soon be thundering at our gates. The fight will be long and desperate, and may end in defeat and death to the most or all of us. I cannot order, cannot even ask you to face such peril for my sake. The gates are open. Let all leave with my good-will whose lives are precious to them. Let your acts answer at once, for the enemy is approaching and no time can be lost!"

For a moment not a warrior of the thousand present moved. All stood staring at their chief and wondering that he should doubt. Then a confused hum of voices, rising louder and louder, swelled into a united shout of "Close the gates!" and Kaupeepee was answered. And a braver answer was never given than that which came from the stout hearts and unblanched lips of the thousand fearless defenders of Haupu. The gates were closed, with not a single warrior missing, and the fortress was soon environed with its enemies.

Halting his army on the summit of the mountains overlooking Haupu, Niheu despatched a messenger to the fortress with a signal of peace, to ascertain with certainty whether Hina was a prisoner there, and, if so, to demand the surrender of the captive. The messenger returned in safety, bearing this message from Kaupeepee: "Hina is within the walls of Haupu. Come with arms in your hands and take her!"

Communication was established with the fleet in front of Haupu, and Kana was advised to enter the gulches in force the next morning, destroy the canoes of the fortress, and maintain a footing there, if possible, while a strong division of the land forces would move down and draw attention to the rear defences by taking a position within attacking distance.

In pursuance of this plan, early next morning Niheu despatched a formidable force down the mountain in the rear of Haupu, with orders to menace but not to assault the defences. Arriving near the walls, a little skirmishing ensued, when the detachment took a position beyond the reach of the slingers, and began the construction of a stone wall across the ridge.

Meantime Kana's fleet of canoes, which had been hovering nearer and nearer the walls of Haupu since daylight, with a wild battle-cry from the warriors crowding them suddenly dashed through the surf, and partially succeeded in effecting a landing in one of the gulches flanking the fortress. So rapid had been the movement, and so thoroughly had the attention of the besieged been engrossed with the diversion from the mountains, that a division of the assaulting party managed to reach the canoes of the fortress, and another to secure a lodgment among the rocks on the opposite side of the gulch, before meeting with serious opposition. The score or two of warriors left to guard the canoes of the fortress were quickly overpowered and slaughtered, and then the work of destruction began. With loose rocks and heavy stone hammers the canoes were being hastily broken in pieces, including the great war-barge of Kaupeepee, when from the walls above the destroyers was precipitated a bewildering and murderous avalanche of rocks of all sizes and heavy sections of tree-trunks. As the missiles rolled and bounded down the steep declivity, sweeping it at almost the same moment for two hundred yards or more in length, the ground trembled as with an earthquake, and the gorge was filled with a dense cloud of dust.

The thunder of the avalanche ceased, and in the awful silence that succeeded Kaupeepee, at the head of two hundred warriors, dashed down the narrow path leading from the middle terrace to finish the dreadful work with spear, knife and battle-axe. The sight was appalling, even to the chief of Haupu. The gulch was choked with the bodies of the dying and the dead. Panic-stricken, those posted on the opposite hillside had abandoned their only place of safety, and perished in large numbers in attempting to reach their canoes. The few left alive and able to retreat were wildly struggling to escape seaward from the gulch in such canoes of their wrecked fleet as would still float, or by plunging desperately into the surf.

With exultant shouts Kaupeepee and his warriors sprang over their dead and dying enemies and swept down upon the unarmed and escaping remnant of the invaders. Although a considerable reserve of canoes came to their rescue from without, protected from assault from above by the presence of Kaupeepee and his party, the most of the fugitives would have been cut off but for the extraordinary efforts of Kana, who led the attacking party, but miraculously escaped unhurt. In the surf, in the deep entrance to the gulch, everywhere he moved around with his head and shoulders above the water. He assisted the canoes through the breakers, rescued exhausted and drowning swimmers, and from the bottom of the ocean reached down and gathered huge rocks, which he hurled at intervals at Kaupeepee's warriors to keep them in check. These wonderful exploits awed the attacking party, and greater still was their astonishment when they saw the strange being finally walk through the deep waters, erect and with his head and breast exposed, and step into a canoe quite half a mile from the shore. Turning to his warriors, with these words Kaupeepee answered their looks of inquiry: "He is Kana. I have heard of him. I am glad he escaped."

Kana returned with his shattered fleet and still worsely shattered army to Kaunakakai. As the most of his canoes had been destroyed, Kaupeepee was unable to follow the retreating enemy to sea, but, hearing the shouts of conflict above, at once mounted with his warriors to the fortress, to assist in repelling an attack on the rear wall which had been hastily begun to save, if possible, the sea party from destruction. With Kaupeepee at the front the assault was quickly repulsed, the enemy retiring in confusion behind the lines of defence from which the advance had been made.

The wounded in the gulch were despatched, six of the least injured being reserved for sacrifice, and the night following the fortress of Haupu was ablaze with savage joy. As the first-fruits of the victories of the day, the six wounded prisoners were slain with clubs and laid upon the altar of the heiau as offerings to the gods, and chants of defiance were sent through the night air to the discomfited enemy beyond the walls.

These disasters did not dishearten Niheu. The canoes of the fortress had been destroyed, and that was something of a compensation for the loss of nearly two thousand of his best warriors and a considerable part of his fleet. Plans for further assaults from the sea were abandoned, and a regular siege, with a final entrance by the rear wall, was suggested and in the end agreed to by the chiefs in council.

Lines of pickets were accordingly stationed along the summits of the mountains flanking the fortress, in order to prevent the entrance into it of reinforcements or supplies, and the main body of the attacking force was moved down and placed in positions within slinging distance of the rear wall. This was not done without loss, for the wall was manned with expert slingers; but in less than a week the besiegers had advanced their main line of wooden defences within a hundred paces of the rear bulwark of the fortress and were daily gaining ground.

This movable line of assault and defence was a device as ingenious as it was effective. Timbers twenty feet in length, or corresponding with the height of the wall, were firmly corded together side by side until they stretched across the narrow summit leading to the fortress. To the top of each fourth or fifth timber was lashed a movable brace thirty feet in length, and then the wooden wall was raised into the air nearly erect, and securely held in that position by its line of supporting braces. It was a formidable-looking structure. Against it the missiles of the besieged fell harmless, and behind it the besiegers worked in safety.

Section by section and foot by foot this moving line of timber was advanced, until the warriors on the wall could almost touch it with their spears. Several desperate sorties, to destroy or prostrate it, had been made, but nothing beyond the cutting of a few of the lower fastenings had been achieved; and the defenders of Haupu, with tightened grasp of their weapons, grimly awaited the final assault, which they felt would not long be delayed. Day after day, night after night, they watched; but the wooden wall did not move, and they could only guess at what was going on behind it.

Finally a night of inky darkness came--a night "as dark as the farthest confines of Po"--bringing with it a storm of wind and rain. In the midst of the storm the wooden wall began to move, but so noiselessly that the advance was not perceived by the fortress sentinels. Midnight came and went; the storm continued, and nearer and nearer to the wall of stone was crowded the wall of timber. Just as coming day began to streak the east the bases of the two walls came together, the backward inclination of both leaving them a few feet apart at their tops. Hundreds of men then laid hold of the braces, and in a moment the wooden wall was shoved over and stayed against the other.

The alarm was given within, and warriors from all parts of the enclosure sprang toward the menaced wall. But the movement of their enemies was not less prompt. Up the braces they swarmed in such numbers that the few who had succeeded in reaching the top of the wall from within were hurled from it, and after them poured a cataract of spears against which the opposing force was powerless. The huge stone was rolled back, the gate was opened, and soon the upper terrace was cleared and five thousand warriors, led by Niheu in person, were sweeping down to complete their work of slaughter.

But their victory was not to be cheaply purchased. They had slain two or three hundred on the wall and around the gate, but thrice as many more, under the desperate leadership of Kaupeepee, were stretched like a wall across the middle terrace, with a resolution to contest every pace of the ground with their lives. They might have escaped, perhaps, down the paths leading from that terrace to the gulches; but they preferred to die, as they had for years lived, in defence of Haupu.

Down the terrace swept the victorious horde in the gray dawn of the morning. Niheu vainly tried to hold his warriors in check, for he knew the main body of the fortress force was still before him, and would have advanced with prudence; but the voices of the leaders were drowned in the battle-shouts of the surging throng, which in a few minutes struck Kaupeepee's wall of spears and battle-axes, and rolled back like a storm-wave broken against the front of Haupu. But the check was only momentary, for immediately behind the shattered column was a forest of advancing spears, and with a wild tumult of shouts and clashing weapons the entire force was precipitated upon Kaupeepee's thin but resolute lines of defence.

Not one of the defenders of Haupu escaped, but more than one-half of Niheu's army perished in the various assaults upon the fortress. Hina was found uninjured, and, while there was great joy to her in the embrace of her sons and aged mother, she wept over the death of Kaupeepee, who with his love had made light her long imprisonment.

The body of Kaupeepee was given to Keoloewa for interment, as were also the remains of Moi, who was among the last to fall. The walls of Haupu were levelled, never to be raised again, and Hina returned to her husband in Hilo, after a separation of nearly eighteen years, thus bringing to a close one of the most romantic legends of early Hawaiian chivalry.

THE ROYAL HUNCHBACK.

CHARACTERS.

Kanipahu, king of Hawaii. Kalapana, son of Kanipahu. Kamaiole, a usurper of the throne, chief of Kau. Iola, sister of Kamaiole. Makea, daughter of Iola. Waikuku, a military chief, abductor of Iola. Nanoa, a chief in the royal household.

THE ROYAL HUNCHBACK.

About the period of A.D. 1160 Kanipahu was the nominal sovereign of the island of Hawaii. He was the grandson of Pili, who near the close of the previous century came from Samoa, at the solicitation of the high-priest Paao, to assume the moiship left vacant by the death of Kapawa, whose grandfather was probably the first of the southern chiefs who came to the Hawaiian group during the important migratory movements of the eleventh and twelfth centuries.

Although the sovereignty of the entire island was claimed by the Pili family, disturbances were frequent in the time of Kanipahu, and a few of the native chiefs of the old stock of Nanaula, which held sway in the group for nearly six centuries, refused to yield allegiance to the new dynasty. To strengthen his power and placate the native chiefs and people, Kanipahu took to wife Hualani, the fifth in descent from Maweke, of the Nanaula line, and subsequently Alaikaua, who was probably of the same native strain.

The makaainana, or common people, however, seem to have been better satisfied with their new rulers than were their former chiefs who had been supplanted in authority, and it was therefore with difficulty that they could be aroused to a resistance to political conditions which imposed upon them no hardships which they had not borne under their old rulers, and no responsibilities with which they were not already familiar. And, besides, the new-comers from the south had introduced new laws, new customs and new products of the soil, as well as new gods and new forms of worship. They had brought with them the kaeke, or sacred drum, and puloulou, or inviolable tabu staff, crowned with balls of white or black kapa. They had also instituted the title of moi, or supreme sovereign, whereas the several islands before had been ruled by scores of independent chiefs, each claiming and holding as large a district as he was able to defend. They had established the Aha-alii, or college of chiefs, through which the rank of every noble might find recognition, and be perpetuated in his family. They had constructed grander heiaus, or temples, and shut the populace from the observance of many of their religious ceremonies. The tabus of the chiefs and priests had been enlarged and rendered more strict, and the priesthood had become more powerful and independent. The persons of the mois and high chiefs had become more sacred, and they exercised their functions with increased display and ostentation.

These additional exactions on the part of the new rulers, however, were partially if not wholly compensated for to the laboring masses by the protection brought to them through the political change against the oppressions of their petty chiefs and land-owners; and it is therefore probable that, on the whole, their social and industrial condition was quite as tolerable under the new as under the old or native r?gime.

Kanipahu resided principally in Kohala, where his grandfather had taken up his abode, and constructed mansions consistent with his sovereign state. And it was there that the high-priest Paao, who brought Pili to the group, established himself and family, after first landing in Puna and erecting to his god the temple of Wahaula, the ruins of which are still seen near the village of Kahawalea. After the arrival of Pili it is probable that Paao removed with him to the more populous district of Kohala, and there remained as his high-priest and adviser. At Puuepa he erected the large heiau of Mookini, the stones for which were passed from hand-to-hand from Niulii, a distance of nine miles--a circumstance indicating the presence of a large population on Hawaii at that time. As it was one of the largest temples in the group--its walls, enclosing an irregular parallelogram, having an aggregate length of 817 feet, with a height of 20 feet, and a breadth of 8 feet at the top--a vast amount of labor must have been required to transport the material over so long and rough a road, with no appliance more effective than human muscle. But the walls are so well built that they are standing to-day, and from a secret crypt in the wall of the south side of the heiau were taken but a few years ago, and are still preserved, two finely-polished stone disks of a diameter of eight or ten inches, which it is not improbable were the two strange idols which tradition says Paao brought with him over the great waters from Upolu, and which were hidden by some faithful kahu or servant of the heiau when the ancient worship of the people was abolished by the second Kamehameha in 1819.

Share on: WhatsApp @Hash Facebook Tweet