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The conversaziones of the Blue-stockings were as successful as might be. There was always a difficulty in procuring men. Dr Johnson could be baited from time to time. Horace Walpole, driven by curiosity, appeared and disappeared. At Mrs Ord's, 35 Queen Anne Street, where Fanny Burney met "everything delectable in the Blue way," one catches a glimpse of Mr Smelt, Captain Phillips, Dr Burney, Lord Mulgrave, Sir Lucas Pepys, and the Bishop of London. The kindness and patronage of Lord Bath and Lord Lyttelton could always be relied upon. Yet there was no full and easy interchange of ideas with men. The time had not yet come. In France it had been accomplished by the ladies who were willing to step beyond the bounds of strict propriety, but the pious English Blues were the last to wish to follow the example of their French sisters. And so their best chance of getting a man was to catch one young and struggling whom they might patronize and be kind to.

In this way all the luck fell to Mrs Mathew, of 27 Rathbone Place. If Mrs Montagu had the advantage of a rich and indulgent husband, Mrs Mathew excelled all in the respectability of hers. The Reverend Henry Mathew was incumbent of Percy Chapel, Charlotte Street, and afternoon preacher at St Martin's-in-the-Fields. The latter church alone is sufficient to make a man's reputation; but Mr Mathew had already made his both by his piety and his taste.

No one has such opportunities as one of the priesthood for discovering promising young men. Mr Mathew's first find was little Flaxman struggling with a Latin book. Learning the nature of the book, he promised him a better and invited him to his house. Mrs Mathew herself was well read in Latin and Greek, and here was a boy of genius thrown into her very lap. Rising to the great occasion, she taught him, read to him while he sketched, and by her treatment of him alone made more than amends for being a Blue.

When Flaxman was full grown he did all in his power to show his gratitude. Mrs Mathew was desirous to turn her back parlour into a Gothic chamber. Here was an opportunity. Flaxman modelled little figures of sand and putty and placed them in niches. Another prot?g?, Oram, son of old Oram and Loutherbourg's assistant, painted the windows, and between them they made the book-cases, tables, and chairs to match. With such a room, Mrs Mathew might ask whom she would and not be ashamed. To her tea parties came Mrs Montagu, Mrs Carter when staying in Clarges Street, Mrs Barbauld, Mrs Chapone, Mrs Brooke, and many others.

Blake was a romantic rather than a Greek, but as a later Greek, Goethe, has assured us that there is no antagonism between a true romantic and a true Greek, it is not surprising that the two men found a deep congeniality of spirit. There was an even deeper fellowship, which became explicit later on when both concurred in admiring Swedenborg.

"Oh, why was I born with a different face? Why was I not born like this envious race? Why did Heaven adorn me with bountiful hand, And then set me down in an envious land?"

"The following sketches were the production of untutored youth, commenced in his twelfth, and occasionally resumed by the author till his twentieth year; since which time, his talents having been wholly directed to the attainment of excellence in his profession, he has been deprived of the leisure requisite to such a revisal of these sheets as might have rendered them less unfit to meet the public eye. Conscious of the irregularities and defects to be found in almost every page, his friends have still believed that they possessed a poetical originality, which merited some respite from oblivion. These their opinions remain, however, to be now reproved or confirmed by a less partial public."

Mr Mathew was but one of those Bunglers that "can never see perfection, but in the journeyman's labour." However, he saved his name for his generation and lost it for posterity.

"The God of War is drunk with blood; The Earth doth faint and fail: The stench of blood makes sick the Heav'ns; Ghosts glut the throat of Hell!"

His feeling for England recalls old John of Gaunt's speech:

"Lord Percy cannot mean that we should suffer This disgrace: if so, we are not sovereigns Of the sea--our right, that Heaven gave To England, when at the birth of nature She was seated in the deep; the Ocean ceas'd His mighty roar, and fawning play'd around Her snowy feet, and own'd his awful Queen."

Grim War is a means to glorious liberty:

"Then let the clarion of War begin; I'll fight and weep, 'tis in my country's cause; I'll weep and shout for glorious liberty. Grim War shall laugh and shout, decked in tears, And blood shall flow like streams across the meadows, That murmur down their pebbly channels, and Spend their sweet lives to do their country service: Then shall England's verdure shoot, her fields shall smile, Her ships shall sing across the foaming sea, Her mariners shall use the flute and viol, And rattling guns, and black and dreary war, Shall be no more."

Later on the War spirit in him, without diminishing, underwent a change. It is still England's green and pleasant fields that he loves, and he still longs for glorious liberty. This shall be effected by the building of Jerusalem. But as the root of the evil is in man, the weapons of his warfare become spiritual. Casting aside the rattling guns, he shouts:

"Bring me my bow of burning gold, Bring me my arrows of desire; Bring me my spear; O clouds unfold! Bring me my chariot of fire!

I will not cease from mental fight Nor shall my sword sleep in my hand, Till we have built Jerusalem In England's green and pleasant land."

For War breeds hate and every evil thing. Until we arouse ourselves and fight like warriors the evil that is in ourselves, there can be no glorious liberty, whether for England or any other nation of the world.

A magnificent opportunity had come to the Blue-stockings, and to Mrs Montagu in particular, who with all her money and wide influence, which she was always ready to use for her needy friends, might have helped quite incalculably when Blake most needed it, and earned our undying gratitude. Yet we must be just and not blame them for their lost opportunity. Their significance lies in the fact that they objected to being perfect dunces like the rest of their English sisters, and so they made a bold dash to understand the things that men understand. They were not the first learned women the world had seen. The ladies of the Italian Renaissance could have given them points all round. Their work was that of restoration and not revolution, and that was more than sufficient to occupy their thoughts and energies without their peering into the new world that was at work in Blake. When whiffs of the new spirit blew on them from Voltaire, Rousseau, Goethe, and Hume, they were chilled and shocked, and thanked Heaven that in Dr Johnson there was a champion who knew all about the new and stoutly maintained the old. That was sufficient for them. Unfortunately they lived at a time when Society was more than usually artificial and woman suppressed, and the odd contrast between them and their sisters made them appear to men somewhat as monsters, like singing mice or performing pigs. The charge of being a Blue-stocking must always brand with a stigma, but happily now that women are establishing their right to meet men on an equality, the charge need never be made again.

EARLY MARRIED LIFE AND EARLY WORK

We saw that William and Catherine Blake after their marriage settled at 23 Green Street, Leicester Fields. This was in 1782. Here they remained for two years, learning, not without pain, to adjust themselves to each other. Mrs Blake's love was maternal and whole-hearted. Hers was not a nature to question why love should involve the accepting of immeasurable cares. The cares came one by one and not always singly, and she meekly and bravely accepted them, contented to live her life in her husband's life, and happy when she perceived that she could smooth his path and shelter him from rough blasts.

In the early years of married life Blake continued with his wife's company the long walks which had been an early habit. Nothing could have been better for him. Walking till he was tired, rhythmic swing of his arms, unchecked sweating, did more than all else to cleanse his whole being and to cause that uprise of the spirit which was eventually to bring unity and peace to his chaotic and divided self.

His marriage had disturbed another elemental relationship of life. His father disapproved of it, and this led to an estrangement. We must admit that the father had not acquitted himself badly of his paternal duties. It is true he had foolishly wished to thrash him for reporting his visions, believing that the boy lied; but he had helped him to be an artist, and had never really opposed him when a boy. No one can reasonably demand more of a father. Nature has no superstitions about parent birds when their young have left the home nest. Gratitude and reverence to parents is still a beautiful thing, and would doubtless be given spontaneously to them if they could learn not to interfere when their children have grown up.

It has often been affirmed that the old man was a student of Swedenborg. If so, there had been at once a bond of sympathy between father and son. But the truth is that he had not read much of Swedenborg for the simple reason that he died four years before any theological work of importance by Swedenborg was translated into English. Everything shows that the father could not understand the son, who must have appeared to him eccentric, headlong, and obstinate. When William heard on July 4th, 1784, of his father's death, he paid all due respect to his memory, but he was not moved by any violent grief.

We do not suppose that Mr Blake made his fortune by hosiery, but he left a little money which was divided among the sons. James took on the business and the mother lived with him. William, assisted by Mrs Mathew , took the house Number 27, next door to his brother, and there he opened a print shop in partnership with Parker, who had been a fellow-pupil at Basire's. Robert, who was teething when we last saw him, was now grown up and proved understanding and sympathetic of William's visionary point of view. It was agreed that Robert should live with William at Number 27 and become his apprentice.

Once more Blake was all mixed up with his immediate kith and kin. When one remembers that he had no illusions about fathers and saw clearly that the father of one's flesh might be the enemy of one's spirit, it seems incredible that he should have planted himself and his wife next door to a brother who was, he knew, an enemy to his spirit, and to a mother who would hardly approve of the young wife, and who would not be behindhand with her advice; but Blake was not strong in common sense, nor could he keep his neck out of a noose until it had first nearly strangled him.

Robert was a comfort to him, but he can only have added to Mrs Blake's cares. For at this time William was passionately devoted to Robert, and his feeling to his wife had not yet quite resolved itself into that enduring comradeship which was to be his priceless treasure to the end of his days. The oft-repeated tale of Mrs Blake's obedience when her husband said peremptorily: "Kneel down and beg Robert's pardon directly, or you will never see my face again," throws a searchlight on the whole situation. One sees William's peril and Catherine's care, and how her self-forgetful love was the one thing that could bring these discordant elements into a lasting harmony.

This arrangement lasted for two and a half years, when Robert fell desperately ill. William nursed him tenderly, and during the last fortnight sat with him day and night. At the end he saw Robert's soul rise from his body, clapping its hands for joy as it ascended to its perfect life of liberty. Then William, tired out, went to sleep, and did not wake up till after three days and three nights.

The print shop was not successful. Blake lacked the necessary business quality, and the failure was aggravated by disagreements with Parker. The partnership was dissolved, Parker going his own way, and engraving chiefly after Stothard, and Blake closing the shop and retiring with his wife to the other end of Poland Street, which joins Broad Street with Oxford Street. There at Number 28 the two, having lost everything, set about in a nearer fellowship to retrieve their fortunes and face the unknown future with as much courage as might be.

Blake's deferences were not always thus unfortunate. He appreciated Hogarth for his intrinsic value at a time when respectable people patronized him for pictured moralities. We cannot imagine a greater contrast than Blake the frugal seer and Hogarth "the typical carnivorous Englishman." Outline was their meeting-ground. Hogarth saw, we may say detected, in the scenes that marked the progresses of the Rake and the Harlot, a full pulsing life and an unexpected beauty. When he would express what he saw, with a mighty stretch he shook off all foreign influences and set about to express himself naturally and in his own way. His hand appropriated to its use the power of the line, more particularly the vitality of the curved line, with the amazing result that the moment we forget his "moralities," we see in him an exuberant artist of the beautiful. Blake was wholly with him in all this. We rejoice for the seeing eye that Blake and Hogarth cast on the shady side of life, but our wonder and amazement pass into worship when we perceive that this was included in the vision of Him who was called in derision the Friend of Publicans and Sinners, but was contented to speak of Himself as the Son of Man.

While pondering this difficulty day and night, and increasingly urged by poverty, his brother Robert came to him and directed him what he was to do. He told him to write his poems and designs on copper with an ineffaceable liquid, and with aquafortis to eat away the remainder of the plate until the writing and designs were left in clear relief. Then he might take as many copies as he liked, and just touch them up by hand.

Robert visited William continually to the end of his life, bringing him consolation and encouragement during times of anxiety and stress.

These supernatural happenings in the life of Blake read as simply and naturally as the beautiful stories of St Francis converting brother Wolf or receiving the sacred stigmata. There was nothing of the modern spiritualist's paraphernalia--no medium, no trance, no tappings. Blake was born with his inner spiritual eye open, his outer bodily eye, contrary to general custom, proving sluggish. Hence he was able to keep a natural simplicity amidst things which are too apt to stir only the thaumaturgic appetite of other people.

WESLEY, WHITEFIELD, LAVATER, AND SWEDENBORG

Blake's manifold nature lacked, so far, a co-ordinating principle. From his earliest years religion had been a reality to him, and so had art, music, literature, but not one of these was so dominant over the rest as to make them subservient. Each lived its separate life and was likely to continue to do so, unless his religion could become forceful and definite enough to penetrate the others and bind them into a higher unity.

His religion had been fed by vision. His visions came to him so naturally that it never occurred to him that others might regard them as symptoms of abnormality or insanity. The thrashing that his father gave him when he told at home what he had seen at Peckham Rye was a memorable occasion, like conversion to some people, only it opened his outer eye and not his inner.

The visions made several things clear to his understanding. He early distinguished between inner and outer vision, supernatural and natural religion. Religion was never a matter of opinion, always of experience. Christ's language was also his own, "We speak that we do know, and testify that we have seen." He felt the same mild surprise at hearing religion denied as he would at the denial of the sun by a blind man. But the reason of such blindness was also quite clear to him. Spiritual things are spiritually discerned. The spiritual man sought no other evidence than that of his spiritual discernment. If the natural man were ever to arrive at spiritual vision, it must be by a new birth of the Spirit. Thus Blake knew from the beginning the inward meaning of Christ's words to Nicodemus, "Verily, verily, I say unto you, Except a man be born again, he cannot see the Kingdom of Heaven.... That which is born of the flesh is flesh, that which is born of the Spirit is spirit." Blake was never in danger at any time in his life of becoming enmeshed in natural religion. His escape was more instinctive if less effectual than that of his philosophical contemporary who sought to combat his difficulties by working out an elaborate analogy between natural and revealed religion.

The man who knows by experience what it is to be born again knows also how clamorous the new life within is for nourishment. Blake was driven to the mystics for food. We know by his repeated references in his long poems that St Theresa, Madame Guyon, Paracelsus and Jacob Boehme fed his supersensual life. But besides appealing to the past, he looked around to listen to what his contemporaries had to say to him. It is evident that he would listen only to those who were as clear as himself on the experience of the new birth.

It is not surprising that the high church divines of the eighteenth century had little to say for him. They were more eager to show to the leaders of the enthusiastic methodist party that regeneration took place in Holy Baptism than to make sure that they had exhausted its meaning in their experience. Their views might be extremely correct; but anything more dull and uninspiring than their sermons and collected works could hardly be found. Blake had no need to examine them particularly, for the best high churchman of the time was Dr Johnson, and he already had his eye on him.

Dr Johnson to the end was a particular kind of grand schoolmaster. He believed in the Christian revelation fervently, and he believed, also with fervour, in the rod, in Latin, in scholarship, and in the drastic repression of the young. He who declared that he would never disgrace the walls of the Abbey by writing for it an epitaph in English, could hardly have seen anything worth his notice in the ignorant Blake and his still more ignorant wife; and Blake in his turn, unnoticed and unknown, living a severely abstemious life, was too apt to ruminate on Johnson's gluttony and pension, and to conclude that the latter was a reward for barren learning.

It is as well that Johnson and Blake never met. Neither could have worked through his prejudices. They lived in a different world, and moved from a different centre. Johnson viewed the wreckage of the Old World, and then with undaunted courage and indomitable will set himself to build out of the wreckage a covering for himself and his friends. Blake, conscious that dawn was stirring on the wreckage of the dark night, was straining his vision to catch the outline of the new emerging world. Johnson's was a superb mind working within too narrow bounds. Blake's was so far the promise of an unimagined type. We who look backward over the lapse of a hundred years can reverence both men, but it is Blake who is the more inspiring and fruitful.

There is ample evidence that Blake turned his full attention on to Wesley, Whitefield, and Hervey, and watched them with sympathy. These men were proclaiming everywhere the need of being born again. No one met Blake so definitely on what he had always seen clearly, with large, childlike vision. When Samuel Foote, representative of a thousand others, carelessly threw the epithet "hypocrite" at Whitefield's head, Blake was indignant, and accurately designated the actor as the hypocrite. With perfect justice he pointed out that if Whitefield confessed his sins before all the world, and never pretended to be free from the passions that burn in other men, he was certainly an honest and sincere man. To pounce on a Christian who inadvertently falls, and call him a hypocrite, is as usual now as in Blake's day, but it comes with astonishing gracelessness from the lips of those who have spent their youthful passions in wanton waste, and, wearied and bored, are bidding for a respectable middle age.

Whitefield had pungent things to say to respectable moralists. He had no milder term than "filthy rags" for their dull moralities. If he sought to cover his nakedness with the garment of Christ's righteousness, Blake, while using a different phrase, perfectly understood him and sympathized. But then came the divergence. Whitefield's doctrine of the new birth was inextricably bound up with crude doctrines of Christ's substitutionary death and imputed righteousness, and Blake, who had experienced the new birth quite apart from faith in these particular Calvinist dogmas, felt no need to cling to what his instinctive feeling rejected; and, what with him was final, he found that Whitefield not only left his aesthetic faculties starved, but actually believed that as the arts came from Tubal and Tubal-cain, and they were descended from Cain, who had been cursed, they must necessarily have their origin from hell.

Hervey carried Blake as far as Whitefield, and no farther. Some years later, when Blake had diverged widely from Whitefield and Hervey, he still remembered them with tenderness and affection; and placing them with F?nelon, Madame Guyon, St Theresa , saw them at Los' South Gate, "with all the gentle souls who guide the great Wine-press of Love."

Blake found that he could keep company with Wesley for a longer time. Wesley had no rigid Calvinism, and he was not content unless imputed righteousness should pass by a second blessing into imparted holiness. Here also Blake's language was wholly different from Wesley's, but the thing he arrived at--the unification of all his powers under the inspiration and creative force of his imagination--led him along a path very like that trodden by Wesley and his methodists as they pressed towards the goal of entire sanctification. It is important to go behind words to things, but it is equally important to come back to a form of sound words. The methodists have been imprisoned by their wordy formulae, while Blake by his vision of the things behind words not only preserved his freedom, but also, by freeing his imagination, was enabled to create beautiful rhythmic words which invoke instead of imprison.

Among his contemporaries Blake discovered a deeper kinship with Lavater than with any of these. Whitefield and Wesley had succeeded in reviving in themselves the first glow and enthusiasm of protestantism. Lavater is once removed from his zealous protestant forefathers, and the things that they had repressed were making their reappearance in him. Among these was the feeling for the beautiful, which, as he welcomed and nourished it, deepened his sympathies and enlarged his outlook. What he lost in fiery zeal he gained in geniality. He had a constant perception of the truth that outward things are an index to inner conditions and correspond with them. This prompted him to observe the faces of his fellow-creatures and to attempt a system of physiognomy. His instinctive reading of faces was often astonishingly correct; but his makeshift system has no value. More to the point are his aphorisms, which were read and annotated by Blake, and these are sufficient both to reveal Lavater and bring certain lasting convictions of Blake's into a clear light. I will take a few of the more important.

Blake comments: "A golden sentence." He had felt for many years that all repression was futile. What is repressed comes out again in the wrong place. The last state of the repressed man is worse than his first. Blake was not yet quite clear about what was the alternative to repression, but he was sure that sin was disorder. How he resolved the disorder we shall see later on.

Blake: "All gold."

He preferred the word "will" to "interest." "Will" is identical with Swedenborg's "affection" and Boehme's "desire." No one has worked out the correspondence of the "heart" with the "will" so effectually as Swedenborg. Blake knew that to discover the will was to discover the man. A man can change only as he changes the object of his will. When his will is towards God, his powers fall into order and he becomes a saint.

Blake: "This was Christ."

He knew both as an artist and a mystic that the appearance of objects is according to the state of the beholder. This is true of the objects not only of the outer world but also of the inner, and therefore only the witness of a perfect man is trustworthy. The visions of all others must be corrected by the vision of the Christ.

Underlined by Blake.

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