Read Ebook: Airy Fairy Lilian by Duchess
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Ebook has 3303 lines and 131191 words, and 67 pages
"And a good thing too. Now, had you not better sit down and write to Lady Chetwoode or your guardian, naming an early date for going to them? Though what your father could have meant by selecting so young a man as a guardian is more than I can imagine."
"Because he wished me to live with Lady Chetwoode, who was evidently an old flame; and because Sir Guy, from all I hear, is a sort of Admirable Crichton--something as prosy as the Heir of Redclyffe, as dull as Sir Galahad. A goody-goody old-young man. For my part, I would have preferred a hoary-headed gentleman, with just a little spice of wickedness about him."
"Lilian, don't be flippant," in a tone of horror. "I tremble when I reflect on the dangers that must attend your unbridled tongue."
"Well, but, Aunt Priscilla,"--plaintively,--"one doesn't relish the thought of spending day after day with a man who will think it his duty to find fault every time I give way to my sentiments, and probably grow pale with disgust whenever I laugh aloud. Shan't I lead him a life!" says the younger Miss Chesney, viciously, tapping the back of one small hand vigorously against the palm of the other. "With the hope of giving that young man something to cavil at, I shall sustain myself."
"Child," says Miss Priscilla, "let me recommend a course of severe study to you as the best means of subduing your evil inclinations."
"I shall take your advice," says the incorrigible Lilian; "I shall study Sir Guy. I expect that will be the severest course of study I have ever undergone."
"Get your paper and write," says Miss Priscilla, who, against her will, is smiling grimly.
"I suppose, indeed, I must," says Lilian, seating herself at her davenport with all the airs of a finished martyr. "'Needs must,' you know, Aunt Priscilla. I dare say you recollect the rest of that rather vulgar proverb. I shall seal my fate this instant by writing to Lady Chetwoode. But, oh!" turning on her chair to regard her aunt with an expression of the keenest reproach, "how I wish you had not called them a 'well-regulated family!'"
"Be not over-exquisite To cast the fashion of uncertain evils."--MILTON.
Through the open windows the merry-making sun is again dancing, its bright rays making still more dazzling the glory of the snowy table-cloth. The great silver urn is hissing and fighting with all around, as though warning his mistress to use him, as he is not one to be trifled with; while at the lower end of the table, exactly opposite Sir Guy's plate, lies the post upon a high salver, ready to the master's hand, as has been the custom at Chetwoode for generations.
Evidently the family is late for breakfast. As a rule, the Chetwoode family always is late for breakfast,--just sufficiently so to make them certain everything will be quite ready by the time they get down.
Ten o'clock rings out mysteriously from the handsome marble clock upon the chimney-piece, and precisely three minutes afterward the door is thrown open to admit an elderly lady, tall and fair, and still beautiful.
She walks with a slow, rather stately step, and in spite of her years carries her head high. Upon this head rests the daintiest of morning caps, all white lace and delicate ribbon bows, that match in color her trailing gown. Her hands, small and tapering, are covered with rings; otherwise she wears no adornment of any kind. There is a benignity about her that goes straight to all hearts. Children adore her, dogs fawn upon her, young men bring to her all their troubles,--the evil behavior of their tailors and their mistresses are alike laid before her.
An elderly butler, who has evidently seen service , and who is actually steeped in respectability up to his port-wine nose, hovers around the breakfast, adjusting this dish affectionately, and straightening that, until all is carefully awry, when he leaves the room with a sigh of satisfaction.
Perhaps Lady Chetwoode's self-admiration would have grown beyond bounds, but that just at this instant voices in the hall distract her thoughts. The sounds make her face brighten and bring a smile to her lips. "The boys" are coming. She draws the teacups a little nearer to her and makes a gentle fuss over the spoons. A light laugh echoes through the hall; it is answered and then the door once more opens, and her two sons enter, Cyril, being the youngest, naturally coming first.
On seeing his mother he is pleased to make a gesture indicative of the most exaggerated surprise.
"Lazy boy! no wonder you are ashamed of yourself when you look at the clock," says Lady Chetwoode, smiling fondly as she returns his greeting.
"Ashamed! Pray do not misunderstand me. I have arrived at my twenty-sixth year without ever having mastered the meaning of that word. I flatter myself I am a degree beyond that."
"Last night's headache quite gone, mother?" asks Sir Guy, bending over her chair to kiss her; an act he performs tenderly, and as though the doing of it is sweet to him.
"That's right," says he, patting her gently on the shoulder; after which he goes over to his own seat and takes up the letters lying before him.
"Positively I never thought of the post," says Lady Chetwoode. "And here I have been for quite five minutes with nothing to do. I might as well have been digesting my correspondence, if there is any for me."
"I would if I were you," says Guy, laughing.
"I have just heard from Lilian Chesney," suddenly says Lady Chetwoode, speaking as though a bombshell had fallen in their midst. "And she is really coming here next week!"
"No!" says Guy, without meaning contradiction, which at the moment is far from him.
"Yes," replies his mother, somewhat faintly.
"It is hard on you, mother," says Guy, "but it can't be helped. When I promised, I made sure her father would have lived for years to come."
"You did what was quite right," says Lady Chetwoode, who, if Guy were to commit a felony, would instantly say it was the only proper course to be pursued. "And it might have been much worse. Her mother's daughter cannot fail to be a lady in the best sense of the word."
"I'm sure I hope she won't, then," says Cyril, who all this time has been carefully laying in an uncommonly good breakfast. "If there is one thing I hate, it is a young lady. Give me a girl."
"But, my dear, what an extraordinary speech! Surely a girl may be a young lady."
"Yes, but unfortunately a young lady isn't always a girl. My experience of the former class is, that, no matter what their age, they are as old as the hills, and know considerably more than they ought to know."
"And just as we had got rid of one ward so successfully we must needs get another," says Lady Chetwoode, with a plaintive sigh. "Dear Mabel! she was certainly very sweet, and I was excessively fond of her, but I do hope this new-comer will not be so troublesome."
"I hope she will be as pleasant to talk to and as good to look at," says Cyril. "I confess I missed Mab awfully; I never felt so down in my life as when she declared her intention of marrying Tom Steyne."
"I never dreamed the marriage would have turned out so well," says Lady Chetwoode, in a pleased tone. "She was such an--an--unreasonable girl. But it is wonderful how well she gets on with a husband."
"Flirts always make the best wives. You forget that, mother."
"And what a coquette she was? If Lilian Chesney resembles her, I don't know what I shall do. I am getting too old to take care of pretty girls."
"Perhaps Miss Chesney is ugly."
"I hope not, my dear," says Lady Chetwoode, with a strong shudder. "Let her be anything but that. I can't bear ugly women. No, her mother was lovely. I used to think"--relapsing again into the plaintive style--"that one ward in a lifetime would be sufficient, and now we are going to have another."
"Well, let us say frivolous. It has just the same meaning nowadays, and sounds nicer. But he looks a 'grave and reverend,' if ever there was one. Indeed, his whole appearance is enough to make any passer-by stop short and say, 'There goes a good young man.'"
"I'm sure I hope not," says Guy, half offended, wholly disgusted. "I should be inclined to shoot any one who told me I was a 'good young man.' I have no desire to pose as such: my ambition does not lie that way."
"I don't believe you know what you are saying, either of you," says Lady Chetwoode, who, though accustomed to them, can never entirely help showing surprise at their sentiments and expressions every now and then. "I should be sorry to think everybody did not know you to be good as gold."
"Thank you, Madre. One compliment from you is worth a dozen from any one else," says Cyril. "Any news, Guy? You seem absorbed. I cannot tell you how I admire any one who takes an undisguised interest in his correspondence. Now I"--gazing at his five unopened letters--"cannot get up the feeling to save my life. Guy,"--reproachfully,--"don't you see your mother is dying of curiosity?"
"The letter is from Trant," says Guy, looking up from the closely written sheet before him. "He wants to know if we will take a tenant for 'The Cottage.' 'A lady'"--reading from the letter--"'who has suffered much, and who wishes for quietness and retirement from the world.'"
"I should recommend a convent under the circumstances," says Cyril. "It would be the very thing for her. I don't see why she should come down here to suffer, and put us all in the dumps, and fill our woods with her sighs and moans."
"Is she young?" asks Lady Chetwoode, anxiously.
"No,--I don't know, I'm sure. I should think not, by Trant's way of mentioning her. 'An old friend,' he says, though, of course, that might mean anything."
"Married?"
"Yes. A widow."
"Dear me!" says Lady Chetwoode, distastefully. "A most objectionable class of people. Always in the way, and--er--very designing, and that."
"If she is anything under forty she will want to marry Guy directly," Cyril puts in, with an air of conviction. "If I were you, Guy, I should pause and consider before I introduced such a dangerous ingredient so near home. Just fancy, mother, seeing Guy married to a woman probably older than you!"
"Yes,--I shouldn't wonder," says Lady Chetwoode, nervously. "My dear child, do nothing in a hurry. Tell Colonel Trant you--you--do not care about letting The Cottage just at present."
"Nonsense, mother! How can you be so absurd? Don't you think I may be considered proof against designing widows at twenty-nine? Never mind Cyril's talk. I dare say he is afraid for himself. Indeed, the one thing that makes me hesitate about obliging Trant is the knowledge of how utterly incapable my poor brother is of taking care of himself."
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