Read Ebook: The Secret Glory by Machen Arthur

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Ebook has 331 lines and 54938 words, and 7 pages

eyes bleared with sickness, darkened by the approach of death. Now, indeed, he clearly beheld the shining vision of things immortal. He drank great draughts of the dark, glittering water, drinking, it seemed, the light of the reflected stars; and he was filled with life. Every sinew, every muscle, every particle of the deadly flesh shuddered and quickened in the communion of that well-water. The nerves and veins rejoiced together; all his being leapt with gladness, and as one finger touched another, as he still bent over the well, a spasm of exquisite pleasure quivered and thrilled through his body. His heart throbbed with bliss that was unendurable; sense and intellect and soul and spirit were, as it were, sublimed into one white flame of delight. And all the while it was known to him that these were but the least of the least of the pleasures of the kingdom, but the overrunnings and base tricklings of the great supernal cup. He saw, without amazement, that, though the sun had set, the sky now began to flush and redden as if with the northern light. It was no longer the evening, no longer the time of the procession of the dusky night. The darkness doubtless had passed away in mortal hours while for an infinite moment he tasted immortal drink; and perhaps one drop of that water was endless life. But now it was the preparation for the day. He heard the words:

As the song aspired into the heights, so there aspired suddenly before him the walls and pinnacles of a great church set upon a high hill. It was far off, and yet as though it were close at hand he saw all the delicate and wonderful imagery cut in its stones. The great door in the west was a miracle: every flower and leaf, every reed and fern, were clustered in the work of the capitals, and in the round arch above moulding within moulding showed all the beasts that God has made. He saw the rose-window, a maze of fretted tracery, the high lancets of the fair hall, the marvellous buttresses, set like angels about this holy house, whose pinnacles were as a place of many springing trees. And high above the vast, far-lifted vault of the roof rose up the spire, golden in the light. The bells were ringing for the feast; he heard from within the walls the roll and swell and triumph of the organ:

He knew not how he had taken his place in this great procession, how, surrounded by ministrants in white, he too bore his part in endless litanies. He knew not through what strange land they passed in their fervent, admirable order, following their banners and their symbols that glanced on high before them. But that land stood ever, it seemed, in a clear, still air, crowned with golden sunlight; and so there were those who bore great torches of wax, strangely and beautifully adorned with golden and vermilion ornaments. The delicate flame of these tapers burned steadily in the still sunlight, and the glittering silver censers as they rose and fell tossed a pale cloud into the air. They delayed, now and again, by wayside shrines, giving thanks for unutterable compassions, and, advancing anew, the blessed company surged onward, moving to its unknown goal in the far blue mountains that rose beyond the plain. There were faces and shapes of awful beauty about him; he saw those in whose eyes were the undying lamps of heaven, about whose heads the golden hair was as an aureole; and there were they that above the girded vesture of white wore dyed garments, and as they advanced around their feet there was the likeness of dim flames.

And Ambrose heard from within an awful voice and the words:

"Poetry is the only possible way of saying anything that is worth saying at all." This was an axiom that, in later years, Ambrose Meyrick's friends were forced to hear at frequent intervals. He would go on to say that he used the term poetry in its most liberal sense, including in it all mystic or symbolic prose, all painting and statuary that was worthy to be called art, all great architecture, and all true music. He meant, it is to be presumed, that the mysteries can only be conveyed by symbols; unfortunately, however, he did not always make it quite clear that this was the proposition that he intended to utter, and thus offence was sometimes given--as, for example, to the scientific gentleman who had been brought to Meyrick's rooms and went away early, wondering audibly and sarcastically whether "your clever friend" wanted to metrify biology and set Euclid to Bach's Organ Fugues.

However, the Great Axiom was the justification that he put forward in defence of the notes on which the previous section is based.

"Of course," he would say, "the symbolism is inadequate; but that is the defect of speech of any kind when you have once ventured beyond the multiplication table and the jargon of the Stock Exchange. Inadequacy of expression is merely a minor part of the great tragedy of humanity. Only an ass thinks that he has succeeded in uttering the perfect content of his thought without either excess or defect."

"Then, again," he might go on, "the symbolism would very likely be misleading to a great many people; but what is one to do? I believe many good people find Turner mad and Dickens tiresome. And if the great sometimes fail, what hope is there for the little? We cannot all be--well--popular novelists of the day."

Of course, the notes in question were made many years after the event they commemorate; they were the man's translation of all the wonderful and inexpressible emotions of the boy; and, as Meyrick puts it, many "words" are used in them which were unknown to the lad of fifteen.

"Nevertheless," he said, "they are the best words that I can find."

As has been said, the Old Grange was a large, roomy house; a space could easily have been found for half a dozen more boys if the High Usher had cared to be bothered with them. As it was, it was a favour to be at Horbury's, and there was usually some personal reason for admission. Pelly, for example, was the son of an old friend; Bates was a distant cousin; and Rawson's father was the master of a small Grammar School in the north with which certain ancestral Horburys were somehow connected. The Old Grange was a fine large Caroline house; it had a grave front of red brick, mellowed with age, tier upon tier of tall, narrow windows, flush with the walls, and a high-pitched, red-tiled roof. Above the front door was a rich and curious wooden pent-house, deeply carven; and within there was plenty of excellent panelling, and some good mantelpieces, added, it would seem, somewhere about the Adam period. Horbury had seen its solid and comfortable merits and had bought the freehold years before at a great bargain. The school was increasing rapidly even in those days, and he knew that before long more houses would be required. If he left Lupton he would be able to let the Old Grange easily--he might almost put it up for auction--and the rent would represent a return of fifty per cent on his investment. Many of the rooms were large; of a size out of all proportion to the boys' needs, and at a very trifling expense partitions might be made and the nine or ten available rooms be subdivided into studies for twenty or even twenty-five boys. Nature had gifted the High Usher with a careful, provident mind in all things, both great and small; and it is but fair to add that on his leaving Lupton for Wareham he found his anticipations more than justified. To this day Charles Horbury, his nephew, a high Government official, draws a comfortable income from his uncle's most prudent investment, and the house easily holds its twenty-five boys. Rainy, who took the place from Horbury, was an ingenious fellow and hit upon a capital plan for avoiding the expense of making new windows for some of the subdivided studies. After thoughtful consideration he caused the wooden partitions which were put up to stop short of the ceiling by four inches, and by this device the study with a window lighted the study that had none; and, as Rainy explained to some of the parents, a diffused light was really better for the eyes than a direct one.

In the old days, when Ambrose Meyrick was being made a man of, the four boys "rattled," as it were, in the big house. They were scattered about in odd corners, remote from each other, and it seemed from everybody else. Meyrick's room was the most isolated of any, but it was also the most comfortable in winter, since it was over the kitchen, to the extreme left of the house. This part, which was hidden from the road by the boughs of a great cedar, was an after-thought, a Georgian addition in grey brick, and rose only to two stories, and in the one furnished room out of the three or four over the kitchen and offices slept Ambrose. He wished his days could be as quiet and retired as his nights. He loved the shadows that were about his bed even on the brightest mornings in summer; for the cedar boughs were dense, and ivy had been allowed to creep about the panes of the window; so the light entered dim and green, filtered through the dark boughs and the ivy tendrils.

Here, then, after the hour of ten each night, he dwelt secure. Now and again Mr. Horbury would pay nocturnal surprise visits to see that all lights were out; but, happily, the stairs at the end of the passage, being old and badly fitted, gave out a succession of cracks like pistol shots if the softest foot was set on them. It was simple, therefore, on hearing the first of these reports, to extinguish the candle in the small secret lantern and to conceal the lantern under the bed-clothes. One wetted one's finger and pinched at the flame, so there was no smell of the expiring snuff, and the lantern slide was carefully drawn to guard against the possibility of suspicious grease-marks on the linen. It was perfect; and old Horbury's visits, which were rare enough, had no terrors for Ambrose.

So that night, while the venom of the cane still rankled in his body, though it had ceased to disturb his mind, instead of going to bed at once, according to the regulations, he sat for a while on his box seeking a clue in a maze of odd fancies and conceits. He took off his clothes and wrapped his aching body in the rug from the bed, and presently, blowing out the official paraffin lamp, he lit his candle, ready at the first warning creak on the stairs to douse the glim and leap between the sheets.

Odd enough were his first cogitations. He was thinking how very sorry he was to have hit Pelly that savage blow and to have endangered Rawson's eyesight by the hard boards of the dictionary! This was eccentric, for he had endured from those two young Apaches every extremity of unpleasantness for upwards of a couple of years. Pelly was not by any means an evil lad: he was stupid and beefy within and without, and the great Public School system was transmuting him, in the proper course and by the proper steps, into one of those Brave Average Boobies whom Meyrick used to rail against afterwards. Pelly, in all probability , went into the Army and led the milder and more serious subalterns the devil's own life. In India he "lay doggo" with great success against some hill tribe armed with seventeenth-century muskets and rather barbarous knives; he seems to have been present at that "Conference of the Powers" described so brightly by Mr. Kipling. Promoted to a captaincy, he fought with conspicuous bravery in South Africa, winning the Victoria Cross for his rescue of a wounded private at the instant risk of his own life, and he finally led his troop into a snare set by an old farmer; a rabbit of average intelligence would have smelt and evaded it.

For Rawson one is sorry, but one cannot, in conscience, say much that is good, though he has been praised for his tact. He became domestic chaplain to the Bishop of Dorchester, whose daughter Emily he married.

But in those old days there was very little to choose between them, from Meyrick's point of view. Each had displayed a quite devilish ingenuity in the art of annoyance, in the whole cycle of jeers and sneers and "scores," as known to the schoolboy, and they were just proceeding to more active measures. Meyrick had borne it all meekly; he had returned kindly and sometimes quaint answers to the unceasing stream of remarks that were meant to wound his feelings, to make him look a fool before any boys that happened to be about. He had only countered with a mild: "What do you do that for, Pelly?" when the brave one smacked his head. "Because I hate sneaks and funks," Pelly had replied and Meyrick said no more. Rawson took a smaller size in victims when it was a question of physical torments; but he had invented a most offensive tale about Meyrick and had told it all over the school, where it was universally believed. In a word, the two had done their utmost to reduce him to a state of utter misery; and now he was sorry that he had punched the nose of one and bombarded the other with a dictionary!

And he sat in his room and grieved over the fashion in which he had broken this discipline. Still, something had to be done: he was compelled to stay in this place, and he did not wish to be reduced to the imbecility of wretched little Phipps who had become at last more like a whimpering kitten with the mange than a human being. One had not the right to allow oneself to be made an idiot, so the principle had to be infringed--but externally only, never internally! Of that he was firmly resolved; and he felt secure in his recollection that there had been no anger in his heart. He resented the presence of Pelly and Rawson, certainly, but in the manner with which some people resent the presence of a cat, a mouse, or a black-beetle, as disagreeable objects which can't help being disagreeable objects. But his bashing of Pelly and his smashing of Rawson, his remarks ; all this had been but the means to an end, the securing of peace and quiet for the future. He would not be murdered by this infernal Public School system either, after the fashion of Phipps--which was melancholy, or after the fashion of the rest--which was more melancholy still, since it is easier to recover from nervous breakdown than from suffusion of cant through the entire system, mental and spiritual. Utterly from his heart he abjured and renounced all the horrible shibboleths of the school, its sham enthusiasm, its "ethos," its "tone," its "loyal co-operation--masters and boys working together for the good of the whole school"--all its ridiculous fetish conventions and absurd observances, the joint contrivances of young fools and old knaves. But his resistance should be secret and not open, for a while; there should be no more "bashing" than was absolutely necessary.

Meyrick turned from his review of the wisdom of his elders and instructors to more intimate concerns. There were a few cuts of that vigorous cane which still stung and hurt most abominably, for skill or fortune had guided Mr. Horbury's hand so that he had been enabled here and there to get home twice in the same place, and there was one particular weal on the left arm where the flesh, purple and discoloured, had swelled up and seemed on the point of bursting. It was no longer with rage, but with a kind of rapture, that he felt the pain and smarting; he looked upon the ugly marks of the High Usher's evil humours as though they had been a robe of splendour. For he knew nothing of that bad sherry, nothing of the Head's conversation; he knew that when Pelly had come in quite as late it had only been a question of a hundred lines, and so he persisted in regarding himself as a martyr in the cause of those famous "Norman arches," which was the cause of that dear dead enthusiast, his father, who loved Gothic architecture and all other beautiful "unpractical" things with an undying passion. As soon as Ambrose could walk he had begun his pilgrimages to hidden mystic shrines; his father had led him over the wild lands to places known perhaps only to himself, and there, by the ruined stones, by the smooth hillock, had told the tale of the old vanished time, the time of the "old saints."

A wonderful joy, an ecstasy of bliss, swelled in Ambrose's heart as he assured himself that he was a witness, though a mean one, for the old faith, for the faith of secret and beautiful and hidden mysteries as opposed to the faith of rocker and sticker and mucker, and "the thought of the school as an inspiring motive in life"--the text on which the Head had preached the Sunday before. He bared his arms and kissed the purple swollen flesh and prayed that it might ever be so, that in body and mind and spirit he might ever be beaten and reviled and made ridiculous for the sacred things, that he might ever be on the side of the despised and the unsuccessful, that his life might ever be in the shadow--in the shadow of the mysteries.

He thought of the place in which he was, of the hideous school, the hideous town, the weary waves of the dun Midland scenery bounded by the dim, hopeless horizon; and his soul revisited the faery hills and woods and valleys of the West. He remembered how, long ago, his father had roused him early from sleep in the hush and wonder of a summer morning. The whole world was still and windless; all the magic odours of the night rose from the earth, and as they crossed the lawn the silence was broken by the enchanted song of a bird rising from a thorn tree by the gate. A high white vapour veiled the sky, and they only knew that the sun had risen by the brightening of this veil, by the silvering of the woods and the meadows and the water in the rejoicing brook. They crossed the road, and crossed the brook in the field beneath, by the old foot-bridge tremulous with age, and began to climb the steep hillside that one could see from the windows, and, the ridge of the hill once surmounted, the little boy found himself in an unknown land: he looked into deep, silent valleys, watered by trickling streams; he saw still woods in that dreamlike morning air; he saw winding paths that climbed into yet remoter regions. His father led him onward till they came to a lonely height--they had walked scarcely two miles, but to Ambrose it seemed a journey into another world--and showed him certain irregular markings in the turf.

And Nicholas Meyrick murmured:

"The cell of Iltyd is by the seashore, The ninth wave washes its altar, There is a fair shrine in the land of Morgan.

"The cell of Dewi is in the City of the Legions, Nine altars owe obedience to it, Sovereign is the choir that sings about it.

"The cell of Cybi is the treasure of Gwent, Nine hills are its perpetual guardians, Nine songs befit the memory of the saint."

"See," he said, "there are the Nine Hills." He pointed them out to the boy, telling him the tale of the saint and his holy bell, which they said had sailed across the sea from Syon and had entered the Severn, and had entered the Usk, and had entered the Soar, and had entered the Canthwr; and so one day the saint, as he walked beside the little brook that almost encompassed the hill in its winding course, saw the bell "that was made of metal that no man might comprehend," floating under the alders, and crying:

And there they stood in the white morning, on the uneven ground that marked the place where once the Saint rang to the sacrifice, where the quickening words were uttered after the order of the Old Mass of the Britons.

"And then came the Yellow Hag of Pestilence, that destroyed the bodies of the Cymri; then the Red Hag of Rome, that caused their souls to stray; last is come the Black Hag of Geneva, that sends body and soul quick to hell. No honour have the saints any more."

Then they turned home again, and all the way Ambrose thought he heard the bell as it sailed the great deeps from Syon, crying aloud: "Sant, Sant, Sant!" And the sound seemed to echo from the glassy water of the little brook, as it swirled and rippled over the shining stones circling round those lonely hills.

So they made strange pilgrimages over the beloved land, going farther and farther afield as the boy grew older. They visited deep wells in the heart of the woods, where a few broken stones, perhaps, were the last remains of the hermitage. "Ffynnon Ilar Bysgootwr--the well of Saint Ilar the Fisherman," Nicholas Meyrick would explain, and then would follow the story of Ilar; how no man knew whence he came or who his parents were. He was found, a little child, on a stone in a river in Armorica, by King Alan, and rescued by him. And ever after they discovered on the stone in the river where the child had lain every day a great and shining fish lying, and on this fish Ilar was nourished. And so he came with a great company of the saints to Britain, and wandered over all the land.

"So at last Ilar Sant came to this wood, which people now call St. Hilary's wood because they have forgotten all about Ilar. And he was weary with his wandering, and the day was very hot; so he stayed by this well and began to drink. And there on that great stone he saw the shining fish, and so he rested, and built an altar and a church of willow boughs, and offered the sacrifice not only for the quick and the dead, but for all the wild beasts of the woods and the streams.

"And when this blessed Ilar rang his holy bell and began to offer, there came not only the Prince and his servants, but all the creatures of the wood. There, under the hazel boughs, you might see the hare, which flies so swiftly from men, come gently and fall down, weeping greatly on account of the Passion of the Son of Mary. And, beside the hare, the weasel and the pole-cat would lament grievously in the manner of penitent sinners; and wolves and lambs together adored the saint's hierurgy; and men have beheld tears streaming from the eyes of venomous serpents when Ilar Agios uttered 'Curiluson' with a loud voice--since the serpent is not ignorant that by its wickedness sorrow came to the whole world. And when, in the time of the holy ministry, it is necessary that frequent Alleluyas should be chanted and vociferated, the saint wondered what should be done, for as yet none in that place was skilled in the art of song. Then was a great miracle, since from all the boughs of the wood, from every bush and from every green tree, there resounded Alleluyas in enchanting and prolonged harmony; never did the Bishop of Rome listen to so sweet a singing in his church as was heard in this wood. For the nightingale and thrush and blackbird and blackcap, and all their companions, are gathered together and sing praises to the Lord, chanting distinct notes and yet concluding in a melody of most ravishing sweetness; such was the mass of the Fisherman. Nor was this all, for one day as the saint prayed beside the well he became aware that a bee circled round and round his head, uttering loud buzzing sounds, but not endeavouring to sting him. To be short; the bee went before Ilar, and led him to a hollow tree not far off, and straightway a swarm of bees issued forth, leaving a vast store of wax behind them. This was their oblation to the Most High, for from their wax Ilar Sant made goodly candles to burn at the Offering; and from that time the bee is holy, because his wax makes light to shine upon the Gifts."

This was part of the story that Ambrose's father read to him; and they went again to see the Holy Well. He looked at the few broken and uneven stones that were left to distinguish it from common wells; and there in the deep green wood, in the summer afternoon, under the woven boughs, he seemed to hear the strange sound of the saint's bell, to see the woodland creatures hurrying through the undergrowth that they might be present at the Offering. The weasel beat his little breast for his sins; the big tears fell down the gentle face of the hare; the adders wept in the dust; and all the chorus of the birds sang: "Alleluya, Alleluya, Alleluya!"

Once they drove a long way from the Wern, going towards the west, till they came to the Great Mountain, as the people called it. After they had turned from the high road they went down a narrow lane, and this led them with many windings to a lower ridge of the mountain, where the horse and trap were put up at a solitary tavern. Then they began to toil upward on foot, crossing many glistening and rejoicing streams that rushed out cold from the limestone rock, mounting up and up, through the wet land where the rare orchis grew amongst the rushes, through hazel brakes, through fields that grew wilder as they still went higher, and the great wind came down from the high dome above them. They turned, and all the shining land was unrolled before them; the white houses were bright in the sunlight, and there, far away, was the yellow sea and the two islands, and the coasts beyond.

Nicholas Meyrick pointed out a tuft of trees on a hill a long way off and told his son that the Wern was hidden beyond it; and then they began to climb once more, till they came at last to the line where the fields and hedges ended, and above there was only the wild mountain land. And on this verge stood an old farmhouse with strong walls, set into the rock, sheltered a little from the winds by a line of twisted beeches. The walls of the house were gleaming white, and by the porch there was a shrub covered with bright yellow flowers. Mr. Meyrick beat upon the oak door, painted black and studded with heavy nails. An old man, dressed like a farmer, opened it, and Ambrose noticed that his father spoke to him with something of reverence in his voice, as if he were some very great person. They sat down in a long room, but dimly lighted by the thick greenish glass in the quarried window, and presently the old farmer set a great jug of beer before them. They both drank heartily enough, and Mr. Meyrick said:

"Aren't you about the last to brew your own beer, Mr. Cradock?"

"The whole world likes muck better than good drink, now."

"You be right, Sir. Old days and old ways of our fathers, they be gone for ever. There was a blasted preacher down at the chapel a week or two ago, saying--so they do tell me--that they would all be damned to hell unless they took to ginger-beer directly. Iss indeed now; and I heard that he should say that a man could do a better day's work on that rot-belly stuff than on good beer. Wass you ever hear of such a liarr as that?"

The old man was furious at the thought of these infamies and follies; his esses hissed through his teeth and his r's rolled out with fierce emphasis. Mr. Meyrick nodded his approval of this indignation.

"We have what we deserve," he said. "False preachers, bad drink, the talk of fools all the day long--even on the mountain. What is it like, do you think, in London?"

There fell a silence in the long, dark room. They could hear the sound of the wind in the beech trees, and Ambrose saw how the boughs were tossed to and fro, and he thought of what it must be like in winter nights, here, high upon the Great Mountain, when the storms swept up from the sea, or descended from the wilds of the north; when the shafts of rain were like the onset of an army, and the winds screamed about the walls.

"May we see It?" said Mr. Meyrick suddenly.

"I did think you had come for that. There be very few now that remember."

He went out, and returned carrying a bunch of keys. Then he opened a door in the room and warned "the young master" to take care of the steps. Ambrose, indeed, could scarcely see the way. His father led him down a short flight of uneven stone steps, and they were in a room which seemed at first quite dark, for the only light came from a narrow window high up in the wall, and across the glass there were heavy iron bars.

Cradock lit two tall candles of yellow wax that stood in brass candlesticks on a table; and, as the flame grew clear, Ambrose saw that he was opening a sort of aumbry constructed in the thickness of the wall. The door was a great slab of solid oak, three or four inches thick--as one could see when it was opened--and from the dark place within the farmer took an iron box and set it carefully upon the floor, Mr. Meyrick helping him. They were strong men, but they staggered under the weight of the chest; the iron seemed as thick as the door of the cupboard from which it was taken, and the heavy, antique lock yielded, with a grating scream, to the key. Inside it there was another box of some reddish metal, which, again, held a case of wood black with age; and from this, with reverent hands, the farmer drew out a veiled and splendid cup and set it on the table between the two candles. It was a bowl-like vessel of the most wonderful workmanship, standing on a short stem. All the hues of the world were mingled on it, all the jewels of the regions seemed to shine from it; and the stem and foot were encrusted with work in enamel, of strange and magical colours that shone and dimmed with alternating radiance, that glowed with red fires and pale glories, with the blue of the far sky, the green of the faery seas, and the argent gleam of the evening star. But before Ambrose had gazed more than a moment he heard the old man say, in pure Welsh, not in broken English, in a resonant and chanting voice:

"Let us fall down and adore the marvellous and venerable work of the Lord God Almighty."

To which his father responded:

"Agyos, Agyos, Agyos. Mighty and glorious is the Lord God Almighty, in all His works and wonderful operations. Curiluson, Curiluson, Curiluson."

They knelt down, Cradock in the midst, before the cup, and Ambrose and his father on either hand. The holy vessel gleamed before the boy's eyes, and he saw clearly its wonder and its beauty. All its surface was a marvel of the most delicate intertwining lines in gold and silver, in copper and in bronze, in all manner of metals and alloys; and these interlacing patterns in their brightness, in the strangeness of their imagery and ornament, seemed to enthral his eyes and capture them, as it were, in a maze of enchantment; and not only the eyes; for the very spirit was rapt and garnered into that far bright world whence the holy magic of the cup proceeded. Among the precious stones which were set into the wonder was a great crystal, shining with the pure light of the moon; about the rim of it there was the appearance of faint and feathery clouds, but in the centre it was a white splendour; and as Ambrose gazed he thought that from the heart of this jewel there streamed continually a shower of glittering stars, dazzling his eyes with their incessant motion and brightness. His body thrilled with a sudden ineffable rapture, his breath came and went in quick pantings; bliss possessed him utterly as the three crowned forms passed in their golden order. Then the interwoven sorcery of the vessel became a ringing wood of golden, and bronze, and silver trees; from every side resounded the clear summons of the holy bells and the exultant song of the faery birds; he no longer heard the low-chanting voices of Cradock and his father as they replied to one another in the forms of some antique liturgy. Then he stood by a wild seashore; it was a dark night, and there was a shrilling wind that sang about the peaks of the sharp rock, answering to the deep voices of the heaving sea. A white moon, of fourteen days old, appeared for a moment in the rift between two vast black clouds, and the shaft of light showed all the savage desolation of the shore--cliffs that rose up into mountains, into crenellated heights that were incredible, whose bases were scourged by the torrents of hissing foam that were driven against them from the hollow-sounding sea. Then, on the highest of those awful heights, Ambrose became aware of walls and spires, of towers and battlements that must have touched the stars; and, in the midst of this great castle, there surged up the aspiring vault of a vast church, and all its windows were ablaze with a light so white and glorious that it was as if every pane were a diamond. And he heard the voices of a praising host, or the clamour of golden trumpets and the unceasing choir of the angels. And he knew that this place was the Sovereign Perpetual Choir, Cor-arbennic, into whose secret the deadly flesh may scarcely enter. But in the vision he lay breathless, on the floor before the gleaming wall of the sanctuary, while the shadows of the hierurgy were enacted; and it seemed to him that, for a moment of time, he saw in unendurable light the Mystery of Mysteries pass veiled before him, and the Image of the Slain and Risen.

For a brief while this dream was broken. He heard his father singing softly:

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