Read Ebook: Education in the Home the Kindergarten and the Primary School by Peabody Elizabeth Palmer Manning E Elizabeth Adelaide Author Of Introduction Etc

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The whole body is the organ of touch; but as the hands are made convenient for grasping, to which the infant has an instinctive tendency, and the tips of the fingers are especially handy for touching, they become, by the intension of the mind into them, the special organ for examining things by touch, and getting impressions of qualities obvious to no other sense. When, as it sometimes happens, by malformation or maltreatment of them, the eyes fail to perform their functions, it is wonderful how much more the soul intends itself into the special organs of touch, developing them to such a degree, that a cultivated blind person seems almost to see with the tips of the fingers. This fact proves what I have been trying to impress on your minds, that the soul which spontaneously desires and wills enjoyment, takes possession and becomes conscious of its organs of sensuous perception, partly by an original impulse, given to it by the Creator, and partly, by the genial, sympathetic, intelligent, careful co-working of the mother and nurse; who, by what we call nursery play, gives a needed help to the child to accomplish this feat in a healthy and pleasurable manner. And we shall be better convinced of the virtue of this nursery play, if we consider the case of the neglected children of the very poor, so pathetically described by Charles Lamb. See essays on Popular Fallacies, No. 12.

There is doubtless marked difference in the original energy of life, in different children. Young--but not too young, happy, healthy, loving parents, have the most vigorous, lively and harmoniously organized children; but in all cases, the impulse of life must be met and cherished by the tender, attractive, inspiring force of motherly love; which with caressing tone and invoking smile, peers into the infant's eyes, and importunately calls forth the new person, who, as her instinctive motherly faith and love assure her, is there; and whom she yearns to make conscious of himself in self-enjoyment. The time comes when the little body has become so far subject to the new soul, that an answering smile of recognition signalizes the arrival upon the shores of mortal being of "that light which never was on sea or land," another immortal intelligence! It is only the smile of the intelligent human face, that can call forth this smile of the child in the first instance; but let this glad mutual recognition of souls take place once, and both parties will seek to repeat the delight, again and again. Few persons, indeed, get so chilled by the sufferings and disappointments, and so hardened by the crimes of human life, but on the sight of a little child, they are impelled to invoke this answering smile by making themselves, for the moment, little children again; seeking and finding that communion with our kind which is the Alpha and Omega of life.

Do not say that I am wandering, fancifully, from the serious work which we are upon: I am only beginning at the beginning. We can only understand the child, and what we are to do for it in the Kindergarten, by understanding the first stage of its being--the pre-intellectual one in the nursery. The body is the first garden in which God plants the human soul, "to dress and to keep it." The loving mother is the first gardener of the human flower. Good nursing is the first word of Froebel's gospel of child-culture.

The process of taking possession of the organs, that I have just described, is never performed perfectly unless children are nursed genially. If bitter and disagreeable things are presented to the organ of the taste, they are rejected with the whole force of a will, which is too blind in its ignorance to find the thing it wants, but vindicates its irrefragable freedom of choice by uttering cries of fright, pain and anger, as it shrinks back, instead of throwing itself forward into nature. If the cruel thing is repeated, the nerves are paralyzed, or at least rendered morbid, especially when rude untender handling outrages the sense of touch. When rough and discordant sounds assail the ear, or too sharply salient a light, the eye, these organs will be injured, and may be rendered useless for life. The neglected and maltreated child is dull of sense, and lifeless, or morbidly impulsive, possibly savagely cruel and cunning, in sheer self-defence. The pure element and first condition of perfect growth, is the joy that responds to the electric touch of love.

From what has been said of the soul's taking possession of the body and its several organs, by exercising the functions of tasting, hearing, seeing, smelling, touching, grasping, moving the limbs, and at last taking up the whole body into itself in the act of walking, we see that it is all done, even the last, by virtue of the social nature.

Froebel took his clue from this fact, a primal one, and never let it go, and it is of the greatest importance that it be understood clearly, that conscious individuality, which gives the sense of free personality, the starting point, as it were, of intelligent will, is perfectly consistent with and even dependent on the simultaneous development of the social principle in all its purity and power.

We see a sad negative proof of this, in asylums for infants abandoned by their mothers, or given up by them through stress of poverty. There is one of these in New York city, into which are received poor little things in the first weeks of their existence. Every thing is done for their bodily comfort which the general human kindness can devise. They have clean warm cradles and clothes, good milk, in short everything but that caressing motherly play, which goes from the personal heart to the personal heart. That is one thing general charity cannot supply; it is the personal gift of God to the mother for her child, and none but she can be the sufficient medium of it, and therefore, undoubtedly it is, that almost all new-born children in foundling hospitals die; or, if they survive, are found to be feeble-minded or idiotic. They seem to sink into their animal natures, and belie the legend man written on their brows, showing none of that beautiful fearlessness and courageous affectionateness that characterise the heartily welcomed, healthy, well-cared-for human infant. On the contrary, they show a dreary apathy, morbid fearfulness, or a belligerent self-defence, anticipative of other forms of the cruel neglect which has been their dreary experience.

Taking a hint from observations of this kind, together with the bitter experiences of his own childhood, Froebel supplied to the mother or nurse some playthings for the baby, which might continue to improve the various organs of its body, by making the exercise of their functions a social delight.

The secondary colors may afterwards be added to the treasury for the eye, with the same carefulness to secure completeness and distinctness of impression; and to associate the color with the word that names it; for language, the special organ of social communion, should be addressed to the child from the first, though its complete attainment and use is the crown of all education.

Smiles and sounds, proceeding out of the mouth, are the first languages, and begin to fix the little child's eyes and attention upon the mouth of the mother, from which issue the tones that are sweetest to hear, and especially when in musical cadence. But the child understands the words addressed to him long before he himself begins to articulate; for language is no function of the individual, but only of the consciously social being, yearning to find himself in another.

There is a reciprocal communication between infants and adults that precedes the difficult act of articulation. This we call the natural language, and it is common to all nations, being mutually intelligible, as is proved by deaf mutes from remote countries who understand each other at once. But this natural language has a very narrow scope. It serves to communicate instinctive wants of body and heart, but does not serve the fine purposes of intellectual communication, nor minister any considerable intellectual development. These signs are very general, while every word in its origin has represented a particular object in nature. In analyzing any language, we find that the names given to the body and its members, and to the actions and facts of life, without which no human society can exist, are the nucleus or central words that characterize it, and from which the whole national rhetoric is derived. Hence there is a value for the mind in associating the words and action of even such a little play as "here we go up, up, up, and here we go down, down, down, and here we go backwards and forwards, and here we go round, round, round," with other rhymes and plays of an analogous character that are found wherever there are mothers and children.

The movement plays which Froebel invented, express, in dramatic form, some simple fact of nature or some childish fancy, for which he gives, as accompaniment, a descriptive song set to a simple melody. The children learn both to recite and to sing the words of the song, and then the movements of the play. To them the whole reason for the play seems to be the delight it gives, the exhilaration of body, the amusement of mind. But the Kindergartner knows that it serves higher ends, and that it is at least always a lesson in order, enabling them to begin to enact upon earth "Heaven's first law."

Do not say I am making too solemn a matter of these movement plays, to the Kindergartner. Unless she remembers that this very serious aim underlies every play which she conducts, she will not do justice to the children. Law or order is one and the same thing with beauty; and play is hindrance if it is not beautiful. When she insists upon the children governing themselves, so far as to keep their proper places in relation to each other; to forbear exerting undue force, and to seek to give the necessary aid to others by exerting sufficient force, the beautiful result justifies her will to the minds of the children, and commands their ready obedience. She must call forth by addressing the sense of personal responsibility in each child; and this, if done tenderly and with faith, it is by no means difficult to do. The reward to the children is instant in the success of the play, and therefore not thought of as reward of merit. It is a form of obedience that really elevates the little one higher in the scale of being as an individual, without danger of the re-action of pride and self-conceit; for self is swallowed up in social joy.

When I was in Germany, I went, as I believe I told you, to those Kindergartens, which were taught by Froebel's own pupils, and I found that in these the movement plays were the most prominent feature of the practice. More than one was played in the course of the three or four hours, and especially when the session was as much as four hours. It was done in a very exact though not constrained manner, and much stress seemed to be laid upon every part. The singing was not done by three or four, but all the children were encouraged to sing. Often the little timider ones were called on to repeat the rhyme alone, without singing it, and then to sing it alone with the teacher. Thus the stronger and abler were exercised in waiting, sympathetically, for the weaker. A great deal of care was also exercised in regard to the form and character of the play itself. Those of Froebel's own suggestion and invention were the preferred ones. They consisted in imitating, in rather a free and fanciful manner, the actions of the gentler animals, hares and rabbits, fishes, bees and birds. There were plays in which children impersonated animals, evidently for the purpose of awakening their sympathies and eliciting their kindness towards them. Many of the labors of human beings, common mechanics, such as cooperage, the work of the farmer, that of the miller, trundling the wheelbarrow, sawing wood, &c., were put into form by simple rhymes. The children sometimes personated machinery, sometimes great natural movements. In one instance I saw the solar system performed by a company of children that had been in the Kindergarten four years, but none of them were over seven years old. Mere movement is in itself so delightful and salutary for children that a very little action of the imitative or fanciful power is necessary, just to take the rudeness out of bodily exercise without destroying its exhilaration.

My Kindergarten Guide, the revised edition of which is published by E. Steiger, of New York, contains some of the principal plays, set to Froebel's own music. I would gladly have printed all that Madame Ronge published in her Guide, which is out of print, but for the expense.

The connecting link between the nursery and Kindergarten is the First Gift of Froebel's series, being used in both. The nursery use will have taught the names of the six colors, red, orange, yellow, green, blue and purple, and made it a favorite play thing. It is all the better if the child has had no other playthings prepared for him. He has doubtless used the chairs, footstools, and whatever else he could lay his hands on, to embody his childish fancies; and it is to be hoped he has been allowed to play out of doors with the earth, and has made mud pies to his heart's content--not tormented with any sense of the--at his age--artificial duty of keeping his clothes clean. That duty is to be reserved for the Kindergarten age, and will come duly, by proper development of the mental powers.

In the Kindergarten, the ball-plays are to become more skillful, and the teacher must see that the child learns to throw the ball so that it may bound back into his own hands; so that it may bound into the hands of another who is in such position as to catch its reflex motion. The children must learn to toss it up and catch it again themselves. When standing in two rows they can throw it back and forwards to each other. When standing in a circle, the balls may be made to circulate with rapidity, passing from hand to hand, the children singing the accompanying song.

"Who'll buy my eggs?" is a good play to exercise them in counting. And all these movement plays with the ball are admirable for exercising the body, giving it agility, grace of movement, precision of eye and touch. These things will accrue all the more surely if it is kept play, and no constraining sense of duty is called on. As most of these plays are not solitary, they become the occasion for children's learning to adjust themselves to each other, and the teacher must watch that hilarity do not become violence or rudeness to each other, but furtherance of one another's fun; and occasionally, in enforcing this harmony, a child must be removed from the play, and made to stand in a corner alone, or even outside the room, till the desire of rejoining his companions shall quicken him to be sufficiently considerate of them to make pleasant play possible. All children in playing together learn justice and social graces, more or less, because they find that without fair play their sport is spoilt; but this play must be supervised by the Kindergartner, in order that there may not be injustice, selfishness and quarreling. A Kindergartner, who is not a martinet, and who is herself a good play-fellow, will magnetize the children, and inspire such general good will that unpleasantness will be foreclosed in a great measure; but a company of children are generally of such variety of temperament and different degrees of bodily strength, have so often come from such inadequate nursery life, that the regulating Kindergartner has a good deal to do to prevent discords and secure their kindness to each other, and the reasonable little self-sacrifices of common courtesy. But she will find a word is often enough; the question, Is that right? Would you like to have any one else do so? It is sometimes necessary to bring all the play to a full stop, in order to bring the common conscience to pronounce upon the fairness of what some one is doing. I would suggest that the question be asked not of the class, but of the individual culprit, whether what is being done wrong, is right or wrong? The child, with the eyes of the class upon him, will generally be eager to confess and reform, because the moral sense is quite as strong as self-love, and especially when re-inforced by the presence of others. It is not worth while to make too much of little faults, and the first indication of turning to the right must be accepted; the child is grateful for being believed in and trusted, and the wrong doing is a superficial thing; the moral sentiment is the substantial being of the child.

The ball plays should always be accompanied and alternated, in the Kindergarten, with conversations upon the ball, naming the colors, telling which are primary, which secondary, and illustrating the difference by giving them pieces of glass of pure carmine, blue and yellow, and letting them put two upon each other, and hold them towards the window, and so realize the combinations of the secondary colors. Ask them, afterwards, to tell what colors make orange, or purple, or green; and what color connects the orange and green; or the purple and orange, or the green and purple.

One of the other exercises, on the day of using the First Gift may be sewing with the colored threads on the cards; and the colors may be arranged so as to illustrate the connections, &c., just learned. The use of the First Gift need only be once a week. It will then be a fresh pleasure every time during the whole of the Kindergarten course, even if it should last three years. After the children have become perfectly familiar with the primary and secondary colors, their combinations and connections, the lessons on colors may be varied, by telling them that tints of the primary colors and of the secondary colors, are made by adding white to them; and shades of them, by adding black to them. This may be illustrated by flowers, as may various combinations of colors. A very little child, whom it was hard to train even to the hilarious and gay plays, and whose attention could not easily be fixed, surprised a teacher one day by his aptitude in detecting what color had been mixed with red to make a very glorious pink in a phlox. This child liked to sew, but was very impatient of putting his needle into any special holes. It proved to be the pleasure of handling the colored yarns, and he was always eager to change them and form new combinations. It may not be irrelevant to say here, in regard to ball playing, from which I have digressed to colors, that the ball is the last plaything of men as well as the first with children.

In the easy mood of mind that attends the lively play of childhood, impressions are made clearly; and it should be the care of the educator to have all the child's notions associated with significant words, as can only be done by his becoming their companion in the play, and talking about it, as children always incline to do. It is half the pleasure of their play, to represent it in words, as they are playing. In the nursery, the mothers play with the child, and all her dealings with it, are expressed in words that are important lessons in language; and together with language, we give a lesson in manners, by first trotting a child gently, and then jouncingly, to the words, "This is the way the gentle folks go, this is the way the gentle folks go; and this is the way the country folks go, this is the way the country folks go--bouncing and jouncing and jumping so." To describe what they are doing in little rhymes when playing ball, makes it a mental as well as physical play of faculty, and Froebel published a hundred little rhymes, and the music for as many ball plays.

It is not an unimportant lesson for children to learn, that the same things seem different in different circumstances. The fact that white light is composed of different colored rays can be illustrated by giving the children prisms to hold up in the sunshine; and by calling their attention to the splendid colors of the sky at sunset and sunrise, when the clouds act as prisms, and to the rainbow. Children of the Kindergarten age, will be so much engaged with the beautiful phenomenon, they will not be likely to ask questions as to how the light is separated by the prism and clouds; they will rest in the fact. But if, by chance, analytic reflection has supervened, and they do, then a large ball on which all the six colors are arranged in lines meridian-wise, to which a string is attached at one pole, or both poles, can be given them, and they be told to whirl it very swiftly. This will present the phenomenon of the merging of the colors to the eye by motion, so that the ball looks whitish from which you can proceed to speak of light as being composed of multitudinous little balls, of the colors of the rainbow, in motion, and so looking white.

When Allston painted his great picture of Uriel, whose background was the sun, he thought out carefully the means of producing the dazzling effect, and drew lines of all the rainbow colors in their order, side by side, after having put on his canvass a ground of the three primary colors mixed. When the picture was first exhibited at Somerset House, the effect was dazzling, and it was bought at once by Lord Egremont, in a transport of delight; and for twice the sum the artist put upon it, that is, six hundred guineas. I do not know whether time may not have dimmed its brilliancy, since paint is of the earth, earthy; but to paint the sun at high noon, and have it a success, even for a short time, is a great feat; and art, in this instance, took counsel of science deliberately, according to the artist's confession. But perfect sensuous impressions of color and its combinations, were the basis of both the science and the art.

FOOTNOTES:

An American translation has been published by Lee & Shepard, Boston.

It is sold for ten cents by Hammett, publisher, in Brattle street, Boston.

DISCIPLINE.

SINCE the kindergartner is to receive the child from the nursery, and half of the work in the kindergarten is what ought to have been done in the nursery, I will give another lecture upon what Froebel thought the nursery ought to do for religious nurture; since, if it has not been done in the nursery, it must be done in the kindergarten.

"Patty-cake" teaches a child that he has hands and fingers; "This little pig goes to market, this one stays at home," that he has toes. It is the child's own body that first furnishes the objects of his attention to be associated with words. From the beginning it is the instinct of the maternal nurse to talk to the child, which attracts him to observe the organs of speech; and this prompts the sympathetic use of his own organs. Speech is a function distinctively human, which, beginning in the nursery, is carried on carefully in the kindergarten, creating the sphere of the intellectual life; for words support the operation of thinking.

And is not this, on the whole, the common sense of mankind? Does any sane person hold a baby, up to three years old, and often, indeed, much later, responsible for the state of its temper, or for the rightfulness of its action?

Nevertheless, the child is a moral person all this time, and it is of the last importance to his subsequent moral life whether or not his temper has been kept sweet, and his action according to law, or discordant. Discordant action must have a bad reactionary effect upon the temper, and interrupt or retard the growth of the several organs of sense and of motion. Hence the mother or nurse must not neglect to use her power wisely as well as gently to prevent these evils, by duplicate movements that are rhythmic, and calculated to bring about some end that the child's mind may easily grasp.

In the first of these mother-songs of Froebel, the mother finds that the baby she holds in her arms, though another than herself, is in a certain sense one with herself; thus is unveiled to her the Divine Fountain of Being, the Person of Persons, from whom she and her little one have severally come; and her feelings of wonder and gratitude awaken the sense of responsibility to make her child grow conscious as she is of the common Father,--and thankful as she is for life in such close relation with herself,--who is the first form in which God reveals Himself to the child; for when he first looks away from his body so far as to perceive that his mother is another than himself, she fills the whole sphere of his perception!

But you will say that I am getting quite beyond the nursery.

Little children certainly, of all persons, are oftenest found in this condition when

"Love is an unerring light, And joy its own security."

The one fatal thing is to wound the child's heart. It is better to give up the point of controlling its will to righteousness for the moment, than to do that; and a parent is the least likely of all persons to wound his child's heart.

When nothing can be done without wounding, the parent who trusts his own heart will leave the rebel to the consequences which God holds in his gracious hands for the final salvation of every one of his children.

I may be told that the important element of self-assertion may be weakened by being always disarmed, and killed by the mother's sympathy; and that to provoke it into conscious strength, direct antagonism is necessary. But the best antagonism is that quiet, inevitable one, that comes from the inexorableness of material nature which the child must needs feel, the more disorderly he is, but which he sees is insensate and impersonal; whose antagonism, therefore, does not grieve his heart, and disappoint his hope as human oppression does, making him sad or bitter, but stimulates his mind to conquer and subdue it, or develops a dignified patience. The appointed domain for kingly man is not the brotherhood, but material nature; and gradually he is to learn that nature's inexorable laws are the expression of a Supreme Personality as benignant as it is august, who takes up His human child into Himself, not without his concurring will; for mankind mounts on the nature which he gradually subdues into a stepping-stone, by knowledge, and the use of it. The mother must remember that though the first, she is not the only instrumentality by which the Divine Providence works. The time comes when she is compelled to deliver her cherished darling up to other influences; when the child bursts out of the nursery, not only self-asserting and affectionate, but putting forth energies, and seeking satisfaction of sensibilities that cannot be met within that narrow precinct.

The kindergarten must, then, succeed by complementing the nursery; and the child begin to take his place in the company of his equals, to learn his place in their companionship, and still later to learn wider social relations and their involved duties. No nursery, therefore, not even a perfect one, can supersede the necessity of a kindergarten, where children shall come into cognizance of the moral laws which are to restrain and guide their self-assertion, and quicken and enlarge their social affections, leading them to self-denials for the sake of opportunities for themselves of useful and creative art, beneficence, and heroism.

"On whom those truths do rest That we are toiling all our lives to find,"

and therefore a child can supply a substantial meaning to any name for God adequate to awaken the living echo of the soul that

"Cometh from afar Trailing clouds of glory from God,"

whose voice sent it forth, as Gioberti says, "to suffer and to be for a season on earth."

I hope you follow me in my thought, for I think I am looking into the child, which is the thing that ought to be done if one undertakes to teach it. That the child really knows God before God is even named to him is not a speculative theory with me but a fact of my experience. It is one of my earliest remembrances, that I was sitting in the lap of a young lady, whose name and countenance I have forgotten, who was caressing me, and calling me sweet, beautiful, darling, etc., when all at once she seized me into a closer embrace and exclaimed, rather than asked, Who made you?

I remember my pleased surprise at the question, that I feel very sure had never been addressed to my consciousness before. At once a Face arose to my imagination,--only a Face and head,--close to me, and looking upon me with the most benignant smile, in which the kindness rather predominated over the intelligence; but it looked at me as if meaning, "Yes, I made you, as you know very well." I was so thoroughly satisfied, that I replied to the question decisively, "A man."

The lady said to another who sat near us, "Only think! this great girl does not know who made her!"

I remember I was no less sure of my knowledge, notwithstanding she said this. Though it was the first time I had thought God and given the name "man" to the thought, it seemed not new to me. I had felt God before.

Since I came to the age of reflection, I have always regretted the conversation that followed. It was not judicious, and seems to me a little out of character for my mother, who was of strong religious sentiment and quick imagination, and all other conversation on religious subjects that I remember of hers was very good. She was rather thrown off her guard by my unexpected theology and lost her presence of mind. I was her oldest child, and she had waited to see some enquiry raised before speaking on the subject. I had seemed more stupid than I was, for I belong by nature rather to the reflective than perceptive class, and so had very little language. At this distance of time I cannot, of course, remember the details of the conversation, but I came out of it with another image of God in my mind, conveying not half so much of the truth as did that kind Face, close up to mine, and seeming to be so wholly occupied with His creature. The new image was of an old man, sitting away up on the clouds, dressed in a black silk gown and cocked hat, the costume of our old Puritan minister. He was looking down upon the earth, and spying round among the children to see who was doing wrong, in order to punish offenders by touching them with a long rod he held in his hand, thus exposing them to everybody's censure. Of course my mother said no such thing to me, but what she did say, by subtle associations with the words she used, gave me this image, which I need not say rather checked than promoted my spiritual advancement.

But to take up the thread of my discourse again. I would very earnestly say that the Socratic or conversational method is the only way of bringing into a child's definite consciousness God's revelation of Himself to souls. But this requires a mutual understanding of words, and if we are careful, we may produce this in the kindergarten.

Froebel intimates that a general impression of there being an invisible Friend and Protector may be given by the baby's seeing the mother in the attitude of devotion, and he would have recognition of God called forth by her naming the unseen Father at moments when the child's heart is overflowing with joy and love, or seeking to know where some beautiful thing comes from. The child feels already at such times the presence of the Infinite Cause, the Infinite Source of joy and goodness, and the name of Heavenly Father given to this presence will not be an empty vocable. Using with the name of Father the word "our," with which the Lord's Prayer begins, suggests that He is the Father of all alike, and all human beings will thus be united together with Him in the child's imagination.

This idea of one personal but comprehensive Being, the centre of the social organization, is a quickening of the immortal personality, which has a date in time no less certainly than the quickening of the body, and is our sense of identity.

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