Read Ebook: The Spanish Cavalier: A Story of Seville by A L O E

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and which I cannot believe to be true, I shall not rest easy until I learn its falsehood from himself. I trust that the cavalier's Spanish courtesy will forgive my intrusion, if intrusion it be. I long to penetrate through the reserve which De Aguilera wraps around him like his mantero, and speak to him freely as man to man, in a place where we can be secure from perpetual interruptions, and unfettered by the trammels of business. The address given me was the Calle de San Jos?, in the suburb of Triana, somewhere at the other side of the river. As I am now pretty well up in my Spanish, I think that I shall have no great difficulty in finding my way."

FOOTNOTES:

Circus for bull fights.

Public burning of those convicted of heresy, or what the Church of Rome regarded as such.

A SAUNTER THROUGH SEVILLE.

Lucius Lepine was the son of an officer of the royal navy. The youth had been eagerly and successfully pursuing a course of education in one of the public schools of England, when the sudden death of his father had deprived him of the means of completing it, and of leaving Rugby, as he had hoped to do, at the head of the school. The widowed mother of Lucius was left to support, on very slender means, a numerous family, of which he was the first-born. The youth's ambition had been to enter one of the universities, with a desire--as yet mentioned to no one--of preparing himself for the ministry of the Church. He now saw that the desire must be suppressed, the ambition relinquished. Lepine's first earthly object must be to become, not a burden, but a stay to his mother. Lucius had for some time exerted himself unsuccessfully to discover some means of earning independence, when a situation was offered to him in the firm of Messrs. Passmore and Perkins, which conducted an ironware factory in Seville. A boyish fancy, which had induced Lucius to acquire the Spanish language that he might read Don Quixote in the original, great intelligence, and a talent for keeping accounts, made the admiral's son peculiarly qualified to fill such a situation with credit to himself and advantage to his employers. Mr. Passmore's terms were liberal: he was at least good as a paymaster, whatever he might be as a man. Lucius did not hesitate long ere accepting the offer made to him. He took the "plunge" so bravely, and apparently cheerfully, that none, save perhaps his mother, guessed with what an inward shudder of repugnance it was made.

When thus separated from his family and all the companions of his youth, Lucius, who was of a genial temperament, looked around him for friends in what was to him a land of exile. He had had no letters of introduction, and the society of Mr. Passmore, the working head of the firm, and of a few merchants and manufacturers occasionally met with at his table, by no means satisfied the yearning of the young man's heart for intercourse with congenial spirits. The only person in Seville towards whom Lucius felt drawn by a feeling of sympathy was the stately young Spaniard, De Aguilera,--who had, like himself, been induced by liberal offers to accept a situation in the firm of Messrs. Passmore and Perkins. The aristocratic bearing of Don Alcala de Aguilera, his refined manners, his lofty courtesy, gave to him an interest in the mind of Lucius--an interest made up of mingled admiration, curiosity, and pity. The Spanish clerk, compared to his English employer, appeared to Lucius like a polished Toledo blade compared to a kitchen utensil. Lucius was occasionally reminded by the mien of his companion of other qualities of the rapier besides its exquisite polish. Insult, or what he deemed such, would make the Spaniard's dark eyes flash with an expression which told that his pride was not subdued, and that his anger might be dangerous. It was perhaps well that Mr. Passmore's inability to speak Spanish with anything approaching to fluency made him generally employ Lepine as the channel of communication between himself and De Aguilera. Many a dictatorial command or coarse reproof, uttered by Passmore, came softened from the lips of the English gentleman,--words which, if repeated in the tone in which they had first been spoken, would have made the haughty Spaniard lay his hand on his stiletto.

Bathed in golden glory rose the Alcazar, that splendid monument of Moorish art which has been compared to a palace of fairies, with its gorgeous colouring, its profusion of ornament, its gilded arches and marble columns. At some distance, in strong relief against the sky, appeared the glorious Cathedral, a rival in beauty, but a contrast in style, being the most magnificent Gothic building to be found in all Spain. The square tower of the Saracenic Giralda--grand relic of the past when the Moors bore sway in Andalusia, but now used as belfry to the Cathedral--glowed rosy red in the beams. Lucius paused for several minutes to admire the exquisite beauty of the buildings around him,--that beauty which to a poetic mind is heightened by the charm of antiquity, the colouring of romance. The Englishman seemed to have left every care behind him in the counting-house in the Calle San Francisco,--cares can be readily thrown aside at the age of nineteen.

The eye was not the only sense that drank in delight. The air was fragrant with the perfume from orange-trees, and musical with the peal of bells from the summit of the Giralda, blending softly with the nearer sound of a Spanish song, sung in rich tones to the accompaniment of a guitar.

"What a glorious city is this Seville!" said Lucius to himself as he went on his way. "There is not an object on which the eye rests in which an artist would not find a subject for a sketch. What a picture might be made of yonder donnas, with their mantillas and graceful lace veils, as, accompanied by their duenna, they ascend the steps of that magnificent church! No women are lovelier than those of Seville,--long may they keep their graceful costume! How picturesque is yon group of gipsies by the fountain--the man in his striped mantle of many hues leaning over the back of his ass, as he talks to the dark-eyed girl with scarlet blossoms wreathed in her raven-black hair! The very beggars wear their rags with grace! And what thoughts of the past crowd upon the mind in this old city of the Moors! Yes, what thoughts of the past!" repeated Lucius to himself, while a sterner expression marked his features; for he had now reached a spot associated with memories of the Inquisition, which had held its headquarters at Seville. Again Lucius paused, but it was not now to admire, and it was before the mind's eye that a picture of thrilling interest arose.

"Do I indeed stand on the very spot where, a few centuries ago, thousands of martyrs yielded their bodies to the flames, their souls to their God?" mused Lepine. "Was it here that--clad in their yellow san-benitos, and surrounded by curious crowds to whom their pangs were a pastime, and fanatical priests to whom their torments were a triumph--men and tender women endured the most painful of deaths! Yes; this pure balmy air was once polluted with the smoke from human sacrifices--this sunshine darkened with the clouds rising from stakes to which living victims were bound! What deeds of heroism--what unblenching courage--what unshaken faith displayed in the hour of nature's agony, have made this spot holy ground! Here--a spectacle to angels and to men--martyrs showed what the sons of Spain could dare and her daughters endure! Are the idle, self-indulgent inhabitants of Seville in the nineteenth century descendants or representatives of heroes who counted not their lives dear to them, but who, having embraced evangelical truth, grasped it firmly even unto death? Or can it be that martyrs have suffered in vain--that the light which they kindled is quenched for ever in Spain? Is the cry, 'How long, Lord, how long?' never to meet an answer as regards this benighted though beautiful land? I cannot believe it;" and Lucius resumed his rapid walk. "The seed sown amidst tears and blood must spring up one day, and ripen to a harvest of light! Happy--thrice happy--the reapers! Spaniards will show themselves worthy of their martyrs, and no longer appear to the world as a degenerate race, indifferent to their highest interests, or cold in the holiest cause. But what right have I to upbraid them either with indifference or coldness? Here am I, proud of the name of Englishman, thankful for having been brought up in the clearness of gospel light. I have been for a year in Seville, and I have never so much as shown to a Spaniard the New Testament in his own language, which I carry now on my person. Nay, the only man in this country for whom I have a feeling of friendship--the man whom I meet almost every day of my life--he knows nothing of the faith which I hold, save that he probably deems me a heretic, simply because I was reared in England. Of Alcala's inner life, his views, his hopes, I, his friend, am as ignorant as if we had never met till to-day! I cannot tell--I have never inquired--whether De Aguilera be a bigoted son of that Church which is drunken with the blood of the saints, or whether, like many of his countrymen, he has adopted sceptical views, the pendulum swinging from superstition into infidelity--from believing that which is false, into denying that which is true.

"And the Spaniard may now be on the eve of meeting a violent death--of having the martyr's agonies without the martyr's crown! I have been made uneasy by the bare rumour of the danger to which his person may be exposed. How little have I thought of the perils which surround the soul of one brought up under the dark shadow of Romish error! I must see De Aguilera, and speak to my friend as I have not ventured to speak before. God help me to break through a reserve which I have often suspected to be cowardly, but which I now feel to be criminal!"

FOOTNOTES:

A garment, covered with representations of demons, worn by the condemned.

FADED SPLENDOUR.

"Is this a prison or a palace?" was the mental inquiry of Lucius, as, after again asking his way to the house of Don Alcala de Aguilera, he reached the stately building, which was one of the numerous relics which the Moors have left behind them in Seville. The high, dead, fortress-like wall, suggested the former term; a glimpse through the open archway of the dwelling, the latter. From this archway a vestibule led into an inner court, from which it was divided by an ornamental grating; this grating also being open at the time, nothing impeded the view into the marble-paved patio beyond. This patio, or court, was surrounded by clustering columns of the most graceful proportions; while in the centre of it orange-trees and broad-leaved bananas, the oleander and the myrtle, bordered a fountain of exquisite design. The vestibule itself was paved with Moorish tiles, of hue the most brilliant; and the exterior of the archway was gracefully sculptured. The first impression made by a glance through the opening was, that a scene of Oriental beauty and splendour lay beyond it. Had Lucius had time for closer observation, he must have noticed also marks of poverty and decay. Every here and there a bright tile in the passage, and marble square in the patio, had been broken or displaced--the carving on the fountain had in many places been injured, and no water fell into its basin; but the plants in the little central garden looked fresh and green in the softened light, as if tended by a woman's hand. The aspect of the place, so unlike that of any mansion in a northern clime, was calculated to raise admiration and excite curiosity in the mind of a stranger, and waken a desire to explore the interior, and make acquaintance with the dwellers in so picturesque and romantic a home.

The appearance of the one whom Lucius saw at the entrance, however, contrasted with the stately elegance of the mansion of which she was an inmate. Chaffering with an itinerant vendor of fish stood an old woman, wrinkled and bent. From her coarse dress, arms bare to the elbow, and the strong scent of garlic which hung about her, the dame might rather have been deemed a denizen of one of the low purlieus of Seville, than the servant of an aristocrat. The old crone, who used much gesticulation in speaking, was so eager about her bargaining that she did not notice the approach of Lucius Lepine. The colloquy between her and the hawker had probably lasted for some time, as both parties looked heated and angry.

"Five cuartos a piece! why, I would not give twenty for the whole lot of them; they're not fresh--not fit to set before the se?ora!" were the first words heard by Lucius as he came up to the archway.

"I tell you again, they were alive and swimming this morning," interrupted the man.

"Don't you think I know good fish when I see them?" cried the shrill-voiced dame. "I who have been for nigh sixty years in the service of the illustrious caballero Don Pedro de Aguilera, his son, and his grandson besides!"

"It's not the fish, but the price, that don't suit you," retorted the hawker. "Come, you shall have them a bargain,--let's say nine cuartos a pair."

"I'll give eight, and no more," cried the dame, eying the fish with a hungry look, but clinching hard the coppers which she held in her hand.

The hawker shook his head, and shouldered his basket.

"You'll lose the custom of the house," threatened the woman.

"No great loss," laughed the hawker, as he turned from the arch; "the barber round the corner will buy all this fish, and he earns enough with his razor to pay a fair price for his dinner!"

"Is Don Alcala de Aguilera within?"

Old Teresa was startled and annoyed at the preceding colloquy having been overheard by a stranger. It was also wounding to her vanity as a woman, and her pride as a retainer of a noble family, that she should be seen in the deshabille in which she had emerged from the kitchen, instead of the black silk dress in which she was wont to attend Donna Inez to mass. In a tone of irritation Teresa replied that the illustrious caballero was not in the house.

"Is he likely soon to come in?" inquired Lucius Lepine.

The servant did not know, or chose not to tell. The caballero came in and out at his pleasure: he might be spending the evening at the governor's palace, he might not be home till midnight. Teresa stood in the middle of the archway like a jealous guardian of the place, who would suffer the entrance of no stranger to disturb its dignified seclusion. But the sound of Lepine's question had reached other ears than those of Teresa.

"Alcala, is it you at last?" exclaimed a sweet, eager voice from within; and Lucius caught a glimpse of a youthful form hurrying across the patio with a rapidity very unusual in the movements of a lady of Spain. It was indeed but a glimpse, for the donna, seeing that he at the entrance was a stranger and not her expected brother, instantly retreated, disappearing behind the foliage of the shrubs that surrounded the fountain.

The young Englishman would fain have sent in his card, and presented himself to the lady or ladies within, but shyness prevented his thus making an attempt to enter the house without a formal introduction. Lucius had seen little or nothing of society in the higher circles of Seville, and feared to give offence by some unintentional breach of its rules. The manner of Teresa would have shown a less intelligent observer than Lucius, that she at least would have resented and resisted as an intrusion any attempt on his part to venture within the archway. A little disappointed at his failure in procuring an interview with his friend, Lucius placed his card in the soiled, wrinkled hand of Teresa, to be given to her master on his return. With a lingering look through the vestibule into the beautiful patio beyond, the Englishman quitted the place.

In a state of high irritation, Teresa hurried through the passage into the court, taking care to close and lock the grating between them. With the air of a duenna who, having grown gray in service, thinks that she is privileged to say what she pleases, the old woman approached her young lady.

Donna Inez, on a low marble seat, was bending over the work on which she had been engaged when roused by hearing the voice of Lucius. The work was that of decorating some garment of the gayest description,--of bright green richly embroidered with silver, into which Inez was fastening spangles of the same brilliant metal. A scarf of the most vivid scarlet lay carelessly thrown across her knees. The gay colouring of the work on which she was employed contrasted with the black dress of the Spanish maiden; and she was pursuing her occupation with anything but pleasure, if one might judge from the gushing tears which ever and anon fell on her beautiful work.

"Donna Inez, Donna Inez! how could you do anything so unseemly?" exclaimed old Teresa, giving vent to her irritation. "What would the hidalgo Don Pedro de Aguilera have said, could he have seen his grand-daughter, without so much as a veil on her head, rushing towards an English stranger--a heretic, too!--with no more dignity than if she were some wandering git?na?"

Inez raised her tear-swollen eyes, and there was no lack of dignity in the tone of her gentle reply, "Methinks you forget your place, Teresa."

Inez knew that poor old Teresa had entered on an inexhaustible theme when she began to speak of the good old days before the occupation of the city by the French in 1810. Teresa had been little more than a child when she had entered the service of Donna Benita de Aguilera, then a happy young wife and mother, but soon to be left a widow with wrecked fortune and shattered mind. Her husband, Don Pedro, a wealthy nobleman, and of the bluest blood in Spain, had joined the army raised to repel the invader. The tidings of De Aguilera's death in fight had reached his young wife at a time when French soldiers were quartered in her house. The shock had weakened the lady's intellect; and though she had lived on, was living on still in extreme old age, her subsequent life had been but as a lengthened childhood.

The family fortune had also at that time received a blow from which it had never recovered. Teresa was never weary of telling of the treasures which Don Pedro once had possessed, services of silver plate, and a splendid goblet of gold, and of the jewels of his bride,--which, by her account, might have purchased half Andalusia. Bitter were Teresa's invectives against the foreign robbers, who had not only killed her master, but plundered his helpless widow and orphan. Teresa had clung to the De Aguilera family in weal and in woe; but age and adversity had rendered more irritable a temper not naturally sweet; and having once dandled in her arms the father of Inez, the old duenna always looked on his daughter as a mere child. Teresa was as ready to chide as to serve the se?orita; but the retainer's long-tried fidelity made Inez tolerate from her what from another she could not have borne.

Teresa now went rambling on with her reminiscences; but the mind of Inez was so painfully preoccupied, that she took in the meaning of nothing, and was only aware of the fact that the old woman was speaking, by the babble of her voice distressing an ear intently listening for the step of Alcala. The sun had sunk, and the first faintly visible star shone over the patio, which was unprovided with the awning commonly used in the courts of the wealthy to soften the glare of a southern sky. Inez could no longer see to work; but her labour was finished--the last silver spangle had been fixed on the glossy green satin sleeve. The maiden sat listening, waiting, weeping, till startled again by a sound at the entrance to the house, which made her spring to her feet with the exclamation, "It is my brother at last!"

FOOTNOTES:

A kind of soup, common in Spain

PRIDE AND ITS PENALTY.

But again Inez was disappointed. Instead of her brother appearing, Teresa ushered in a visitor, Donna Maria de Rivas, a middle-aged lady of Seville, well known to the Aguileras, as she had been brought up in the same convent as the late mother of Alcala and Inez.

The se?ora entered the patio with the stately grace peculiar to Spanish ladies. But the expression on her face was that of keen curiosity; and even before she greeted Inez with a kiss on either cheek, the visitor's eyes were riveted on the garments of scarlet and green.

"It is then true!" exclaimed Donna Maria, "and Don Alcala is to appear in full fico in the Plaza de Toros to-morrow!"

The look of anguish on the pale face of the sister might have been sufficient reply, but Donna Maria was not one whose curiosity could be so easily satisfied. She was an old friend of the family, and, as such, she deemed it her right to know all that concerned them. Perhaps to the motherless girl at her side it was some relief to pour forth the tale of her sorrows to one who professed at least to feel a strong interest in the children of her early companion. In the deepening twilight, under the clear blue sky of Andalusia, while star after star twinkled forth, Inez, often interrupting herself to listen, told the cause of that distress which was blanching her cheek and well-nigh breaking her heart.

"You know--I need not tell you--that we--my grandmother and brother, I mean--have no longer the wealth possessed by our fathers."

"They were some of the most distinguished hidalgos of Spain," interrupted Donna Maria.

"My brother," continued Inez, "though willing to suffer anything himself rather than degrade his dignity by doing anything that the world might deem unbecoming in one of his rank, could not endure to see our aged grandmother wanting what her infirmities required. Alcala therefore consented to--to"--Inez was a Spaniard, and may be forgiven if she had inherited enough of the pride of her race to feel it a deep humiliation to own that the heir of the Aguileras had stooped to serve in an ironware factory, and accept the foreigner's gold.

"I know, I know, my poor child," said Donna Maria, pitying her friends under what she regarded as an almost unbearable misfortune and disgrace.

Inez went on with her story.

"But Alcala had still, of course, the right to mix in the highest society of Seville. He spent his evenings often--ah! much too often--at the palace of the governor, Don Lopez de Rivadeo."

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