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MEMOIRS OF THE COURT OF MARIE ANTOINETTE,

QUEEN OF FRANCE

Being the Historic Memoirs of Madam Campan,

First Lady in Waiting to the Queen

Volume 3

I was with the Queen when the King, having finished his researches, informed her that he had not found anything among the secret papers elucidating the existence of this prisoner; that he had conversed on the matter with M. de Maurepas, whose age made him contemporary with the epoch during which the story must have been known to the ministers; and that M. de Maurepas had assured him he was merely a prisoner of a very dangerous character, in consequence of his disposition for intrigue. He was a subject of the Duke of Mantua, and was enticed to the frontier, arrested there, and kept prisoner, first at Pignerol, and afterwards in the Bastille. This transfer took place in consequence of the appointment of the governor of the former place to the government of the latter. It was for fear the prisoner should profit by the inexperience of a new governor that he was sent with the Governor of Pignerol to the Bastille.

Paris did not cease, during the first years of the reign, to give proofs of pleasure whenever the Queen appeared at any of the plays of the capital. At the representation of "Iphigenia in Aulis," the actor who sang the words, "Let us sing, let us celebrate our Queen!" which were repeated by the chorus, directed by a respectful movement the eyes of the whole assembly upon her Majesty. Reiterated cries of 'Bis'! and clapping of hands, were followed by such a burst of enthusiasm that many of the audience added their voices to those of the actors in order to celebrate, it might too truly be said, another Iphigenia. The Queen, deeply affected, covered her eyes with her handkerchief; and this proof of sensibility raised the public enthusiasm to a still higher pitch.

The King gave Marie Antoinette Petit Trianon.

When she first took possession of Petit Trianon, it was reported that she changed the name of the seat which the King had given her, and called it Little Vienna, or Little Schoenbrunn. A person who belonged to the Court, and was silly enough to give this report credit, wishing to visit Petit Trianon with a party, wrote to M. Campan, requesting the Queen's permission to do so. In his note he called Trianon Little Vienna. Similar requests were usually laid before the Queen just as they were made: she chose to give the permissions to see her gardens herself, liking to grant these little favours. When she came to the words I have quoted she was very, much offended, and exclaimed, angrily, that there were too many, fools ready, to aid the malicious; that she had been told of the report circulated, which pretended that she had thought of nothing but her own country, and that she kept an Austrian heart, while the interests of France alone ought to engage her. She refused the request so awkwardly made, and desired M. Campan to reply, that Trianon was not to be seen for some time, and that the Queen was astonished that any man in good society should believe she would do so ill-judged a thing as to change the French names of her palaces to foreign ones.

Before the Emperor Joseph II's first visit to France the Queen received a visit from the Archduke Maximilian in 1775. A stupid act of the ambassador, seconded on the part of the Queen by the Abbe de Vermond, gave rise at that period to a discussion which offended the Princes of the blood and the chief nobility of the kingdom. Travelling incognito, the young Prince claimed that the first visit was not due from him to the Princes of the blood; and the Queen supported his pretension.

He went to the Jardin du Roi; M. de Buffon, who received him there, offered him a copy of his works; the Prince declined accepting the book, saying to M. de Buffon, in the most polite manner possible, "I should be very sorry to deprive you of it."

It may be supposed that the Parisians were much entertained with this answer.

The Queen was exceedingly mortified at the mistakes made by her brother; but what hurt her most was being accused of preserving an Austrian heart. Marie Antoinette had more than once to endure that imputation during the long course of her misfortunes. Habit did not stop the tears such injustice caused; but the first time she was suspected of not loving France, she gave way to her indignation. All that she could say on the subject was useless; by seconding the pretensions of the Archduke she had put arms into her enemies' hands; they were labouring to deprive her of the love of the people, and endeavoured, by all possible means, to spread a belief that the Queen sighed for Germany, and preferred that country to France.

While the Queen, neglected as she was, could not even hope for the happiness of being a mother, she had the mortification of seeing the Comtesse d'Artois give birth to the Duc d'Angouleme.

Custom required that the royal family and the whole Court should be present at the accouchement of the Princesses; the Queen was therefore obliged to stay a whole day in her sister-in-law's chamber. The moment the Comtesse d'Artois was informed a prince was born, she put her hand to her forehead and exclaimed with energy, "My God, how happy I am!" The Queen felt very differently at this involuntary and natural exclamation. Nevertheless, her behaviour was perfect. She bestowed all possible marks of tenderness upon the young mother, and would not leave her until she was again put into bed; she afterwards passed along the staircase, and through the hall of the guards, with a calm demeanour, in the midst of an immense crowd. The poissardes, who had assumed a right of speaking to sovereigns in their own vulgar language, followed her to the very doors of her apartments, calling out to her with gross expressions, that she ought to produce heirs. The Queen reached her inner room, hurried and agitated; he shut herself up to weep with me alone, not from jealousy of her sister-in-law's happiness,--of that he was incapable,--but from sorrow at her own situation.

Deprived of the happiness of giving an heir to the crown, the Queen endeavoured to interest herself in the children of the people of her household. She had long been desirous to bring up one of them herself, and to make it the constant object of her care. A little village boy, four or five years old, full of health, with a pleasing countenance, remarkably large blue eyes, and fine light hair, got under the feet of the Queen's horses, when she was taking an airing in a calash, through the hamlet of St. Michel, near Louveciennes. The coachman and postilions stopped the horses, and the child was rescued without the slightest injury. Its grandmother rushed out of the door of her cottage to take it; but the Queen, standing up in her calash and extending her arms, called out that the child was hers, and that destiny had given it to her, to console her, no doubt, until she should have the happiness of having one herself. "Is his mother alive?" asked the Queen. "No, Madame; my daughter died last winter, and left five small children upon my hands." "I will take this one, and provide for all the rest; do you consent?" "Ah, Madame, they are too fortunate," replied the cottager; "but Jacques is a bad boy. I hope he will stay with you!" The Queen, taking little Jacques upon her knee, said that she would make him used to her, and gave orders to proceed. It was necessary, however, to shorten the drive, so violently did Jacques scream, and kick the Queen and her ladies.

The arrival of her Majesty at her apartments at Versailles, holding the little rustic by the hand, astonished the whole household; he cried out with intolerable shrillness that he wanted his grandmother, his brother Louis, and his sister Marianne; nothing could calm him. He was taken away by the wife of a servant, who was appointed to attend him as nurse. The other children were put to school. Little Jacques, whose family name was Armand, came back to the Queen two days afterwards; a white frock trimmed with lace, a rose-coloured sash with silver fringe, and a hat decorated with feathers, were now substituted for the woollen cap, the little red frock, and the wooden shoes. The child was really very beautiful. The Queen was enchanted with him; he was brought to her every morning at nine o'clock; he breakfasted and dined with her, and often even with the King. She liked to call him my child,

and lavished caresses upon him, still maintaining a deep silence respecting the regrets which constantly occupied her heart.

This child remained with the Queen until the time when Madame was old enough to come home to her august mother, who had particularly taken upon herself the care of her education.

The Queen hated M. de La Vauguyon; she accused him alone of those points in the habits, and even the sentiments, of the King which hurt her. A former first woman of the bedchamber to Queen Maria Leczinska had continued in office near the young Queen. She was one of those people who are fortunate enough to spend their lives in the service of kings without knowing anything of what is passing at Court. She was a great devotee; the Abbe Grisel, an ex-Jesuit, was her director. Being rich from her savings and an income of 50,000 livres, she kept a very good table; in her apartment, at the Grand Commun, the most distinguished persons who still adhered to the Order of Jesuits often assembled. The Duc de La Vauguyon was intimate with her; their chairs at the Eglise des Reollets were placed near each other; at high mass and at vespers they sang the "Gloria in Excelsis" and the "Magnificat" together; and the pious virgin, seeing in him only one of God's elect, little imagined him to be the declared enemy of a Princess whom she served and revered. On the day of his death she ran in tears to relate to the Queen the piety, humility, and repentance of the last moments of the Duc de La Vauguyon. He had called his people together, she said, to ask their pardon. "For what?" replied the Queen, sharply; "he has placed and pensioned off all his servants; it was of the King and his brothers that the holy man you bewail should have asked pardon, for having paid so little attention to the education of princes on whom the fate and happiness of twenty-five millions of men depend. Luckily," added she, "the King and his brothers, still young, have incessantly laboured to repair the errors of their preceptor."

This Prince combined with his attainments the attributes of a good husband, a tender father, and an indulgent master.

Unfortunately he showed too much predilection for the mechanical arts; masonry and lock-making so delighted him that he admitted into his private apartment a common locksmith, with whom he made keys and locks; and his hands, blackened by that sort of work, were often, in my presence, the subject of remonstrances and even sharp reproaches from the Queen, who would have chosen other amusements for her husband.

Austere and rigid with regard to himself alone, the King observed the laws of the Church with scrupulous exactness. He fasted and abstained throughout the whole of Lent. He thought it right that the queen should not observe these customs with the same strictness. Though sincerely pious, the spirit of the age had disposed his mind to toleration. Turgot, Malesherbes, and Necker judged that this Prince, modest and simple in his habits, would willingly sacrifice the royal prerogative to the solid greatness of his people. His heart, in truth, disposed him towards reforms; but his prejudices and fears, and the clamours of pious and privileged persons, intimidated him, and made him abandon plans which his love for the people had suggested.

Monsieur--

had more dignity of demeanour than the King; but his corpulence rendered his gait inelegant. He was fond of pageantry and magnificence. He cultivated the belles lettres, and under assumed names often contributed verses to the Mercury and other papers.

His wonderful memory was the handmaid of his wit, furnishing him with the happiest quotations. He knew by heart a varied repertoire, from the finest passages of the Latin classics to the Latin of all the prayers, from the works of Racine to the vaudeville of "Rose et Colas."

The Comte d'Artoisi had an agreeable countenance, was well made, skilful in bodily exercises, lively, impetuous, fond of pleasure, and very particular in his dress. Some happy observations made by him were repeated with approval, and gave a favourable idea of his heart. The Parisians liked the open and frank character of this Prince, which they considered national, and showed real affection for him.

Methodical in all his habits, the King always went to bed at eleven precisely. One evening the Queen was going with her usual circle to a party, either at the Duc de Duras's or the Princesse de Glumenee's. The hand of the clock was slily put forward to hasten the King's departure by a few minutes; he thought bed-time was come, retired, and found none of his attendants ready to wait on him. This joke became known in all the drawing-rooms of Versailles, and was disapproved of there. Kings have no privacy. Queens have no boudoirs. If those who are in immediate attendance upon sovereigns be not themselves disposed to transmit their private habits to posterity, the meanest valet will relate what he has seen or heard; his gossip circulates rapidly, and forms public opinion, which at length ascribes to the most august persons characters which, however untrue they may be, are almost always indelible.

No one imagined that any blame could attach to so innocent an amusement. But the party were tempted to extend their drives as far as the Champs Elysees; a few sleighs even crossed the boulevards; the ladies being masked, the Queen's enemies took the opportunity of saying that she had traversed the streets of Paris in a sleigh.

This became a matter of moment. The public discovered in it a predilection for the habits of Vienna; but all that Marie Antoinette did was criticised.

Sleigh-driving, savouring of the Northern Courts, had no favour among the Parisians. The Queen was informed of this; and although all the sleighs were preserved, and several subsequent winters lent themselves to the amusement, she would not resume it.

This trick, discovered and punished with prudence and without passion, produced no more sensation out of doors than that of the Inspector Goupil.

A year after the nomination of Madame de Lamballe to the post of superintendent of the Queen's household, balls and quadrilles gave rise to the intimacy of her Majesty with the Comtesse Jules de Polignac. This lady really interested Marie Antoinette. She was not rich, and generally lived upon her estate at Claye. The Queen was astonished at not having seen her at Court earlier. The confession that her want of fortune had even prevented her appearance at the celebration of the marriages of the Princes added to the interest which she had inspired.

The Queen was full of consideration, and took delight in counteracting the injustice of fortune. The Countess was induced to come to Court by her husband's sister, Madame Diane de Polignac, who had been appointed lady of honour to the Comtesse d'Artois. The Comtesse Jules was really fond of a tranquil life; the impression she made at Court affected her but little; she felt only the attachment manifested for her by the Queen. I had occasion to see her from the commencement of her favour at Court; she often passed whole hours with me, while waiting for the Queen. She conversed with me freely and ingenuously about the honour, and at the same time the danger, she saw in the kindness of which she was the object. The Queen sought for the sweets of friendship; but can this gratification, so rare in any rank, exist between a Queen and a subject, when they are surrounded, moreover, by snares laid by the artifice of courtiers? This pardonable error was fatal to the happiness of Marie Antoinette.

The retiring character of the Comtesse Jules, afterwards Duchesse de Polignac, cannot be spoken of too favourably; but if her heart was incapable of forming ambitious projects, her family and friends in her fortune beheld their own, and endeavoured to secure the favour of the Queen.

The Comtesse de Diane, sister of M. de Polignac, and the Baron de Besenval and M. de Vaudreuil, particular friends of the Polignac family, made use of means, the success of which was infallible. One of my friends , who was in their secret, came to tell me that Madame de Polignac was about to quit Versailles suddenly; that she would take leave of the Queen only in writing; that the Comtesse Diane and M. de Vaudreuil had dictated her letter, and the whole affair was arranged for the purpose of stimulating the attachment of Marie Antoinette. The next day, when I went up to the palace, I found the Queen with a letter in her hand, which she was reading with much emotion; it was the letter from the Comtesse Jules; the Queen showed it to me. The Countess expressed in it her grief at leaving a princess who had loaded her with kindness. The narrowness of her fortune compelled her to do so; but she was much more strongly impelled by the fear that the Queen's friendship, after having raised up dangerous enemies against her, might abandon her to their hatred, and to the regret of having lost the august favour of which she was the object.

This step produced the full effect that had been expected from it. A young and sensitive queen cannot long bear the idea of contradiction. She busied herself in settling the Comtesse Jules near her, by making such a provision for her as should place her beyond anxiety. Her character suited the Queen; she had merely natural talents, no pedantry, no affectation of knowledge. She was of middle size; her complexion very fair, her eyebrows and hair dark brown, her teeth superb, her smile enchanting, and her whole person graceful. She was seen almost always in a demi-toilet, remarkable only for neatness and good taste. I do not think I ever once saw diamonds about her, even at the climax of her fortune, when she had the rank of Duchess at Court.

I have always believed that her sincere attachment for the Queen, as much as her love of simplicity, induced her to avoid everything that might cause her to be thought a wealthy favourite. She had not one of the failings which usually accompany that position. She loved the persons who shared the Queen's affections, and was entirely free from jealousy. Marie Antoinette flattered herself that the Comtesse Jules and the Princesse de Lamballe would be her especial friends, and that she should possess a society formed according to her own taste. "I will receive them in my closet, or at Trianon," said she; "I will enjoy the comforts of private life, which exist not for us, unless we have the good sense to secure them for ourselves." The happiness the Queen thought to secure was destined to turn to vexation. All those courtiers who were not admitted to this intimacy became so many jealous and vindictive enemies.

It was necessary to make a suitable provision for the Countess. The place of first equerry, in reversion after the Comte de Tesse, given to Comte Jules unknown to the titular holder, displeased the family of Noailles. This family had just sustained another mortification, the appointment of the Princesse de Lamballe having in some degree rendered necessary the resignation of the Comtesse de Noailles, whose husband was thereupon made a marshal of France. The Princesse de Lamballe, although she did not quarrel with the Queen, was alarmed at the establishment of the Comtesse Jules at Court, and did not form, as her Majesty had hoped, a part of that intimate society, which was in turn composed of Mesdames Jules and Diane de Polignac, d'Andlau and de Chalon, and Messieurs de Guignes, de Coigny, d'Adhemar, de Besenval, lieutenant-colonel of the Swiss, de Polignac, de Vaudreuil, and de Guiche; the Prince de Ligne and the Duke of Dorset, the English ambassador, were also admitted.

It was a long time before the Comtesse Jules maintained any great state at Court. The Queen contented herself with giving her very fine apartments at the top of the marble staircase. The salary of first equerry, the trifling emoluments derived from M. de Polignac's regiment, added to their slender patrimony, and perhaps some small pension, at that time formed the whole fortune of the favourite. I never saw the Queen make her a present of value; I was even astonished one day at hearing her Majesty mention, with pleasure, that the Countess had gained ten thousand francs in the lottery. "She was in great want of it," added the Queen.

Thus the Polignacs were not settled at Court in any degree of splendour which could justify complaints from others, and the substantial favours bestowed upon that family were less envied than the intimacy between them and their proteges and the Queen. Those who had no hope of entering the circle of the Comtesse Jules were made jealous by the opportunities of advancement it afforded.

However, at the time I speak of, the society around the Comtesse Jules was fully engaged in gratifying the young Queen. Of this the Marquis de Vaudreuil was a conspicuous member; he was a brilliant man, the friend and protector of men of letters and celebrated artists.

The Baron de Besenval added to the bluntness of the Swiss all the adroitness of a French courtier. His fifty years and gray hairs made him enjoy among women the confidence inspired by mature age, although he had not given up the thought of love affairs. He talked of his native mountains with enthusiasm. He would at any time sing the "Ranz des Vaches" with tears in his eyes, and was the best story-teller in the Comtesse Jules's circle. The last new song or 'bon mot' and the gossip of the day were the sole topics of conversation in the Queen's parties. Wit was banished from them. The Comtesse Diane, more inclined to literary pursuits than her sister-in-law, one day, recommended her to read the "Iliad" and "Odyssey." The latter replied, laughing, that she was perfectly acquainted with the Greek poet, and said to prove it:

"Homere etait aveugle et jouait du hautbois."

The Queen found this sort of humour very much to her taste, and said that no pedant should ever be her friend.

Before the Queen fixed her assemblies at Madame de Polignac's, she occasionally passed the evening at the house of the Duc and Duchesse de Duras, where a brilliant party of young persons met together. They introduced a taste for trifling games, such as question and answer, 'guerre panpan', blind man's buff, and especially a game called 'descampativos'. The people of Paris, always criticising, but always imitating the customs of the Court, were infected with the mania for these childish sports. Madame de Genlis, sketching the follies of the day in one of her plays, speaks of these famous 'descampativos'; and also of the rage for making a friend, called the 'inseparable', until a whim or the slightest difference might occasion a total rupture.

Marie Antoinette took little pains to promote literature and the fine arts. She had been annoyed in consequence of having ordered a performance of the "Connstable de Bourbon," on the celebration of the marriage of Madame Clotilde with the Prince of Piedmont. The Court and the people of Paris censured as indecorous the naming characters in the piece after the reigning family, and that with which the new alliance was formed. The reading of this piece by the Comte de Guibert in the Queen's closet had produced in her Majesty's circle that sort of enthusiasm which obscures the judgment. She promised herself she would have no more readings. Yet, at the request of M. de Cubieres, the King's equerry, the Queen agreed to hear the reading of a comedy written by his brother. She collected her intimate circle, Messieurs de Coigny, de Vaudreuil, de Besenval, Mesdames de Polignac, de Chalon, etc., and to increase the number of judges, she admitted the two Parnys, the Chevalier de Bertin, my father-in-law, and myself.

Mold read for the author. I never could satisfy myself by what magic the skilful reader gained our unanimous approbation of a ridiculous work. Surely the delightful voice of Mold, by awakening our recollection of the dramatic beauties of the French stage, prevented the wretched lines of Dorat Cubieres from striking on our ears. I can assert that the exclamation Charming! charming! repeatedly interrupted the reader. The piece was admitted for performance at Fontainebleau; and for the first time the King had the curtain dropped before the end of the play. It was called the "Dramomane" or "Dramaturge." All the characters died of eating poison in a pie. The Queen, highly disconcerted at having recommended this absurd production, announced that she would never hear another reading; and this time she kept her word.

The tragedy of "Mustapha and Mangir," by M. de Chamfort, was highly successful at the Court theatre at Fontainebleau. The Queen procured the author a pension of 1,200 francs, but his play failed on being performed at Paris.

The spirit of opposition which prevailed in that city delighted in reversing the verdicts of the Court. The Queen determined never again to give any marked countenance to new dramatic works. She reserved her patronage for musical composers, and in a few years their art arrived at a perfection it had never before attained in France.

It was solely to gratify the Queen that the manager of the Opera brought the first company of comic actors to Paris. Gluck, Piccini, and Sacchini were attracted there in succession. These eminent composers were treated with great distinction at Court. Immediately on his arrival in France, Gluck was admitted to the Queen's toilet, and she talked to him all the time he remained with her. She asked him one day whether he had nearly brought his grand opera of "Armide" to a conclusion, and whether it pleased him. Gluck replied very coolly, in his German accent, "Madame, it will soon be finished, and really it will be superb." There was a great outcry against the confidence with which the composer had spoken of one of his own productions. The Queen defended him warmly; she insisted that he could not be ignorant of the merit of his works; that he well knew they were generally admired, and that no doubt he was afraid lest a modesty, merely dictated by politeness, should look like affectation in him.

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