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Translator: Ellie Schleussner

THE CONFESSION OF A FOOL

BY AUGUST STRINDBERG

TRANSLATED BY

ELLIE SCHLEUSSNER

BOSTON

SMALL, MAYNARD AND COMPANY

PUBLISHERS

STRINDBERG'S WORKS

Apart from this, it is an intense joy from an artistic point of view to follow the "confessor" through the book, as he looks at himself from all sides in order to gain self-knowledge; that he conceals nothing from us, not even those deep secrets which he would fain keep even in the face of death. One sees Strindberg brooding over his own soul to fathom its depths. He plumbs its hidden profoundnesses, he takes to pieces the inner wheels of his mechanism, so as to know for himself and to show us how he is made and what is the cause of the instinct which drives him to confess and to create. He opens wide his heart and lets us see that he carries in his breast his heaven and also his horrible hell. We see angels and devils fighting in his soul for supremacy, and the divine in him stepping between them with its creative Let there be!

THE CONFESSION OF A FOOL

PART I

It was on the thirteenth of May, 1875, at Stockholm.

I well remember the large room of the Royal Library which extended through a whole wing of the Castle, with its beechen wainscoting, brown with age like the meerschaum of a much-used cigar-holder. The enormous room, with its rococo headings, garlands, chains and armorial bearings, round which, at the height of the first floor, ran a gallery supported by Tuscan columns, was yawning like a great chasm underneath my feet; with its hundred thousand volumes it resembled a gigantic brain, with the thoughts of long-forgotten generations neatly arranged on shelves.

A passage running from one end of the room to the other divided the two principal parts, the walls of which were completely hidden by shelves fourteen feet high. The golden rays of the spring sun were falling through the twelve windows, illuminating the volumes of the Renaissance, bound in white and gold parchment, the black morocco bindings mounted with silver of the seventeenth century, the red-edged volumes bound in calf of a hundred years later, the green leather bindings which were the fashion under the Empire, and the cheap covers of our own time. Here theologians were on neighbourly terms with apostles of magic, philosophers hobnobbed with naturalists, poets and historians dwelt in peace side by side. It reminded one of a geological stratum of unfathomable depth where, as in a puddingstone, layer was piled upon layer, marking the successive stages arrived at by human folly or human genius.

I can see myself now. I had climbed on to the encircling gallery, and was engaged in arranging a collection of old books which a well-known collector had just presented to the library. He had been clever enough to ensure his own immortality by endowing each volume with his ex-libris bearing the motto "Speravit infestis."

Since I was as superstitious as an atheist, this motto, meeting my gaze day after day whenever I happened to open a volume, had made an undeniable impression on me. He was a lucky fellow, this brave man, for even in misfortune he never abandoned hope.... But for me all hope was dead. There seemed to be no chance whatever that my drama in five acts, or six tableaux, with three transformation scenes on the open stage, would ever see the footlights. Seven men stood between me and promotion to the post of a librarian--seven men, all in perfect health, and four with a private income. A man of twenty-six, in receipt of a monthly salary of twenty crowns, with a drama in five acts stowed away in a drawer in his attic, is only too much inclined to embrace pessimism, this apotheosis of scepticism, so comforting to all failures. It compensates them for unobtainable dinners, enables them to draw admirable conclusions, which often have to make up for the loss of an overcoat, pledged before the end of the winter.

I forgot my books as soon as I turned my back to them and was leaning out of the window, all my senses taking a delicious bath; below, the guards were marching past to the strains of the march from Faust. I was so intoxicated with the music, the flags, the blue sky, the flowers, that I had not noticed the porter entering my office in the meantime with the mail. He touched my shoulder, handed me a letter and disappeared.

Hm!... a letter from a lady.

I hastily opened the envelope, anticipating some delightful adventure ... surely it must be something of that sort ... it was!

"Meet me punctually at five o'clock this afternoon before No. 65 Parliament Street. You will know me by the roll of music in my hand."

A short time ago a little vixen had made a fool of me, and I had sworn to take advantage of the first favourable opportunity to revenge myself. Therefore I was willing enough. There was only one thing which jarred on me; the commanding, dictatorial tone of the note offended my manly dignity. How could this unknown correspondent dare to attack me unawares in this manner? What were they thinking of, these women, who have such a poor opinion of us men? They do not ask, they command their conquests!

As it happened I had planned an excursion with some of my friends for this very afternoon. And, moreover, the thought of a flirtation in the middle of the day in one of the principal streets of the town was not very alluring.

At two o'clock, however, I went into the chemical laboratory where the excursionists had arranged to assemble. They were already crowding the ante-room: doctors and candidates of philosophy and medicine, all of them anxious to learn the programme of the entertainment in store. I had made up my mind in the meantime, and with many apologies refused to be one of the party. They clamoured for my reasons. I produced my letter and handed it to a zoologist who was looked upon as an expert in all matters pertaining to love; he shook his head while perusing it.

"No good, that...." he muttered disconnectedly; "wants to be married ... would never sell herself ... family, my dear old chap ... straight path ... but do what you like. You'll find us in the Park, later on, if the spirit moves you to join us, and I have been wrong about the lady...."

At the hour indicated I took up my position near the house mentioned, and awaited the appearance of the unknown letter-writer.

The roll of music in her hand, what was it but a proposal of marriage? It differed in no way from the announcements on the fourth page of certain newspapers. I suddenly felt uneasy; too late--the lady had arrived and we stood looking at each other.

My first impression--I believe in first impressions--was quite vague. She was of uncertain age, between twenty-nine and forty, fantastically dressed. What was she? Artist or blue-stocking? A sheltered woman or one living a free and independent life? Emancipated or cocotte? I wondered....

She introduced herself as the fianc?e of an old friend of mine, an opera singer, and said that he wished me to look after her while she was staying in town. This was untrue, as I found out later on.

She was like a little bird, twittering incessantly. After she had talked for half-an-hour I knew all about her; I knew all her emotions, all her thoughts. But I was only half interested, and asked her if I could do anything for her.

"I take care of a young woman!" I exclaimed, after she had explained what she wanted. "Don't you know that I am the devil incarnate?"

"You only think you are," she replied; "but I know you thoroughly. You're unhappy, that's all. You ought to be roused from your gloomy fancies."

"You know me thoroughly? You really think so? I'm afraid all you know is the now antiquated opinion your fianc? has of me."

It was no use talking, my "charming friend" was well informed and knew how to read a man's heart, even from a distance. She was one of those obstinate creatures who strive to sway the spirits of men by insinuating themselves into the hidden depths of their souls. She kept up a large correspondence, bombarded all her acquaintances with letters, gave advice and warning to young people, and knew no greater happiness than to direct and guide the destinies of men. Greedy of power, head of a league for the salvation of souls, patroness of all the world, she had conceived it her mission to save me!

She was a schemer of the purest water, with little intelligence but a great deal of female impudence.

I began to tease her by making fun of everything, the world, men, religion. She told me my ideas were morbid.

"Morbid! My dear lady, my ideas morbid? They are, on the contrary, most healthy and of the latest date. But what about yours now? They are relics of a past age, commonplaces of my boyhood, the rubbish of rubbish, and you think them new? Candidly speaking, what you offer me as fresh fruit is nothing but preserved stuff in badly soldered tins. Away with it! It's rotten! You know what I mean."

She left me without a word of good-bye, furious, unable to control herself.

When she had gone I went to join my friends in the Park, and spent the evening with them.

I had not quite got over my excitement on the following morning when I received a communication from her. It was a vainglorious letter in which she overwhelmed me with reproaches, largely tempered by forbearance and compassion; she expressed ardent wishes for my mental health, and concluded by arranging a second meeting, and stating that we ought to pay a visit to her fianc?'s aged mother.

As I rather pride myself on my manners, I resigned myself to my fate; but, determined to get off as cheaply as possible, I made up my mind to appear perfectly indifferent to all questions relating to religion, the world and everything else.

But how wonderful! The lady, dressed in a tightly fitting cloth dress, trimmed with fur, and wearing a large picture hat, greeted me most cordially; she was full of the tender solicitude of an elder sister, avoided all dangerous ground, and was altogether so charming that our souls, thanks to a mutual desire to please, met in friendly talk, and before we parted a feeling of genuine sympathy had sprung up between us.

After having paid our call we took advantage of the lovely spring day and went for a stroll.

I am not sure whether it was from an imperative desire to pay her out, or whether I felt annoyed at having been made to play the part of a confidant; whatever it was, the iniquitous idea occurred to me to tell her, in strict confidence, that I was practically engaged to be married; this was only half a lie, for I was really paying at that time a good deal of attention to a certain lady of my acquaintance.

On hearing this, her manner changed. She talked to me like a grandmother, began to pity the girl, questioned me about her character, her looks, her social status, her circumstances. I painted a portrait well calculated to excite her jealousy. Our eager conversation languished. My guardian angel's interest in me waned when she suspected a rival who might possibly be equally anxious to save my soul.

We parted, still under the influence of the chill which had gradually arisen between us.

When we met on the following day we talked exclusively of love and my supposed fianc?e.

But after we had visited theatres and concerts for a week and taken numerous walks together, she had gained her object. The daily intercourse with her had become a habit of which I felt unable to break myself. Conversation with a woman who is above the commonplace has an almost sensual charm. The souls touch, the spirits embrace each other.

One morning, on meeting her as usual, I found her almost beside herself. She was full of a letter which she had just received. Her fiance was furiously jealous. She accused herself of having been indiscreet; he was recommending her the utmost reserve in her intercourse with me: he seemed to have a presentiment that the matter would end badly.

"I can't understand such detestable jealousy," she said, deeply distressed.

"Because you don't understand the meaning of the word 'love,'" I answered.

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