Read Ebook: Diana of the Crossways — Volume 5 by Meredith George

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Ebook has 558 lines and 32584 words, and 12 pages

'I am not allowed to go in and speak to her. You will find the room quite dark, my lady, and very cold. It is her command. My mistress will not let me light the fire; and she has not eaten or drunk of anything since . . . . She will die, if you do not persuade her to take nourishment: a little, for a beginning. It wants the beginning.'

Emma went upstairs, thinking of the enigmatical maid, that she must be a good soul after all. Diana's bedroom door was opened slowly.

'You will not be able to see at first, my lady,' Danvers whispered. 'The bed is to the left, and a chair. I would bring in a candle, but it hurts her eyes. She forbids it.'

Emma stepped in. The chill thick air of the unlighted London room was cavernous. She almost forgot the beloved of her heart in the thought that a living woman had been lying here more than two days and nights, fasting. The proof of an uttermost misery revived the circumstances within her to render her friend's presence in this desert of darkness credible. She found the bed by touch, silently, and distinguished a dark heap on the bed; she heard no breathing. She sat and listened; then she stretched out her hand and met her Tony's. It lay open. It was the hand of a drowned woman.

Shutters and curtains and the fireless grate gave the room an appalling likeness to the vaults.

So like to the home of death it seemed, that in a few minutes the watcher had lost count of time and kept but a wormy memory of the daylight. She dared not speak, for some fear of startling; for the worse fear of never getting answer. Tony's hand was lifeless. Her clasp of it struck no warmth.

She stung herself with bitter reproaches for having let common mundane sentiments, worthy of a Lady Wathin, bar her instant offer of her bosom to the beloved who suffered in this depth of mortal agony. Tony's love of a man, as she should have known, would be wrought of the elements of our being: when other women named Happiness, she said Life; in division, Death. Her body lying still upon the bed here was a soul borne onward by the river of Death.

The darkness gave sight after a while, like a curtain lifting on a veil: the dead light of the underworld. Tony lay with her face up, her underlip dropped; straight from head to feet. The outline of her face, without hue of it, could be seen: sign of the hapless women that have souls in love. Hateful love of men! Emma thought, and was; moved to feel at the wrist for her darling's pulse. He has, killed her! the thought flashed, as, with pangs chilling her frame, the pressure at the wrist continued insensible of the faintest beat. She clasped it, trembling, in pain to stop an outcry.

'It is Emmy,' said the voice.

Emma's heart sprang to heaven on a rush of thanks.

'My Tony,' she breathed softly.

She hung for a further proof of life in the motionless body. 'Tony!' she said.

The answer was at her hand, a thread-like return of her clasp.

'It is Emmy come to stay with you, never to leave you.'

The thin still answer was at her hand a moment; the fingers fell away. A deep breath was taken twice to say:

'Don't talk to me.'

Emma retained the hand. She was warned not to press it by the deadness following its effort to reply.

But Tony lived; she had given proof of life. Over this little wavering taper in the vaults Emma cowered, cherishing the hand, silently hoping for the voice.

It came: 'Winter.'

'It is a cold winter, Tony.'

'My dear will be cold.'

'I will light the fire.'

Emma lost no time in deciding to seek the match-box. The fire was lit and it flamed; it seemed a revival in the room. Coming back to the bedside, she discerned her Tony's lacklustre large dark eyes and her hollow cheeks: her mouth open to air as to the drawing-in of a sword; rather as to the releaser than the sustainer. Her feet were on the rug her maid had placed to cover them. Emma leaned across the bed to put them to her breast, beneath her fur mantle, and held them there despite the half-animate tug of the limbs and the shaft of iciness they sent to her very heart. When she had restored them to some warmth, she threw aside her bonnet and lying beside Tony, took her in her arms, heaving now and then a deep sigh.

She kissed her cheek.

'It is Emmy.'

'Kiss her.'

'I have no strength.'

Emma laid her face on the lips. They were cold; even the breath between them cold.

'Has Emmy been long . . .?'

'Here, dear? I think so. I am with my darling.'

Tony moaned. The warmth and the love were bringing back her anguish.

She said: 'I have been happy. It is not hard to go.'

Emma strained to her. 'Tony will wait for her soul's own soul to go, the two together.'

There was a faint convulsion in the body. 'If I cry, I shall go in pain.'

'You are in Emmy's arms, my beloved.'

Tony's eyes closed for forgetfulness under that sensation. A tear ran down from her, but the pain was lag and neighboured sleep, like the pleasure.

So passed the short winter day, little spoken.

Then Emma bethought her of a way of leading Tony to take food, and she said: 'I shall stay with you; I shall send for clothes; I am rather hungry. Don't stir, dear. I will be mistress of the house.'

She went below to the kitchen, where a few words in the ear of a Frenchwoman were sufficient to waken immediate comprehension of what was wanted, and smart service: within ten minutes an appetizing bouillon sent its odour over the bedroom. Tony, days back, had said her last to the act of eating; but Emma sipping at the spoon and expressing satisfaction, was a pleasant picture. The bouillon smelt pleasantly.

'Your servants love you,' Emma said.

'Ah, poor good souls.'

'They crowded up to me to hear of you. Madame of course at the first word was off to her pots. And we English have the habit of calling ourselves the practical people!--This bouillon is consummate.--However, we have the virtues of barbarians; we can love and serve for love. I never tasted anything so good. I could become a glutton.'

'Do,' said Tony.

'I should be ashamed to "drain the bowl" all to myself: a solitary toper is a horrid creature, unless he makes a song of it.'

'Emmy makes a song of it to me.'

'But "pledge me" is a noble saying, when you think of humanity's original hunger for the whole. It is there that our civilizing commenced, and I am particularly fond of hearing the call. It is grandly historic. So pledge me, Tony. We two can feed from one spoon; it is a closer, bond than the loving cup. I want you just to taste it and excuse my gluttony.'

Tony murmured, 'No.' The spoon was put to her mouth. She sighed to resist. The stronger will compelled her to move her lips. Emma fed her as a child, and nature sucked for life.

The first effect was a gush of tears.

Emma lay with her that night, when the patient was, the better sleeper. But during the night at intervals she had the happiness of feeling Tony's hand travelling to make sure of her.

AN EXHIBITION OF SOME CHAMPIONS OF THE STRICKEN LADY

Close upon the hour of ten every morning the fortuitous meeting of two gentlemen at Mrs. Warwick's housedoor was a signal for punctiliously stately greetings, the salutation of the raised hat and a bow of the head from a position of military erectness, followed by the remark: 'I trust you are well, sir': to which the reply: 'I am very well, sir, and trust you are the same,' was deemed a complimentary fulfilment of their mutual obligation in presence. Mr. Sullivan Smith's initiative imparted this exercise of formal manners to Mr. Arthur Rhodes, whose renewed appearance, at the minute of his own arrival, he viewed, as he did not conceal, with a disappointed and a reproving eye. The inquiry after the state of Mrs. Warwick's health having received its tolerably comforting answer from the footman, they left their cards in turn, then descended the doorsteps, faced for the performance of the salute, and departed their contrary ways.

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