Read Ebook: The Heart of Rachael by Norris Kathleen Thompson

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Ebook has 2622 lines and 127790 words, and 53 pages

"Why, what else would she do?" Miss Vanderwall asked briskly.

"Rachael's a perfectly adorable and brilliant and delightful creature," summarized Peter Pomeroy, "but she's not got a penny nor a relative in the world that I've ever heard of! She's got no grounds for divorcing Clarence, and if she simply wanted to get out, why, now that she's brought Billy up, introduced her generally, whipped the girl into some sort of shape and got her the right sort of friends, I suppose she might get out and welcome!"

"No, Billy honestly likes her," objected Vivian Sartoris.

"She doesn't care for her enough to see that there's fair play," Elinor Vanderwall said quickly.

"Why doesn't she take a leaf from Paula's book," somebody suggested, "and marry again? She could go out West and get a divorce on any grounds she might choose to name."

"Well, Rachael's a cold woman, and a hard woman--in a way," Miss Vanderwall said musingly, after a pause, when the troubles of the Breckenridges kept the group silent for a moment. "But she's a good sport. She gets a home, and clothes, and the club, and a car and all the rest out of it, and she knows Billy and Clarence do need her, in a way, to run things, and to keep up the social end. More than that, Clarence can't keep up this pace long--he's going to pieces fast--and Billy may marry any day--"

"I understand Joe Pickering's a little bit touched in that quarter," said Mrs. Torrence.

"Yes--well, Clarence will never stand for THAT," somebody said.

Little Miss Sartoris neglected the Torrence grandson long enough to say decidedly:

"She wouldn't LOOK at Joe Pickering! Joe drinks, and Billy's had enough of that with her father. Besides, he has no money of his own! He's impossible!"

"Where's the mother all this time?" asked the Englishman. "I mean to say, she's living, isn't she, and all that?"

"Very much alive," Miss Vanderwall said. "Married to an Italian count--Countess Luca d' Asafo. His people have cut him off; they're Catholics. She has two little girls; there's an uncle who's obliged to leave property to a son, and it serves Paula quite right, I think. Where they live, or what on, I haven't the remotest idea. I saw her in a car on Fifth Avenue, not so long ago, with two heavy little black-haired girls; she looked sixty."

"Her sister, you know, was thick with my niece, Barbara Olliphant," said Peter Pomeroy. "And funny thing!--when Barbara was married..."

It was a long story, and fortunately moved away from the previous topic; so that when it was presently interrupted by the arrival of two women, everybody in the group had cause to feel gratitude for a merciful deliverance.

The two women were Rachael and Carol Breckenridge, who came in a little breathless, the throbbing engine of their motor car still sounding faintly from the direction of the club doorway. Carol, a slender, black-eyed, dusky-skinned girl of seventeen, took her place beside Miss Sartoris on the fender, granting a brief unsmiling nod to one or two friends, and eying the group between the loose locks of her smoky, cropped black hair with the inscrutable, almost brooding, expression that was her favorite affectation. Her lithe, loosely built little body was as flat as a boy's, she clasped her crossed knees with slender, satin-smooth little brown hands, exposing by her attitude a frill of embroidered petticoat, a transparent stretch of ash-gray silk stocking, and smart ash-gray buckskin slippers with silver buckles.

She was an effective little figure in the mingled twilight and firelight, but it was toward her beautiful stepmother that everybody looked as Rachael Breckenridge seated herself on the arm of old Mrs. Torrence's chair and sent a careless greeting about the circle.

"Hello, everybody!" she said, in a voice of extraordinary richness and sweetness, "Peter, Dolly, Vivian--HELLO, Elinor! How do you do, Mrs. Emory?" There was an aside when the newcomer said imperatively to a club attendant, "We'll have some light here, please!" Then she resumed easily: "I do beg your pardon, Mrs. Emory, I interrupted you--"

"I only said that you were a little late for tea," said Mrs. Emory, sweetly, wishing with a sort of futile rage that she could learn to say almost nothing when this other woman, with her insulting bright air of making one feel inferior, was about. The Emorys had lived in Belvedere Hills for two years, coming from Denver with much money and irrefutable credentials. They had been members of the club perhaps half that time, members in good standing. But Mrs. Emory would have paid a large sum to have Rachael Breckenridge call her "Belle," and Rachael Breckenridge knew it.

The lights, duly poured in a soft flood from all sides of the room, revealed in Mrs. Breckenridge one of those beauties that an older generation of diarists and letter writers frankly spelled with a capital letter as distinguishing her charms from those of a thousand of lesser degree. When such beauty is unaccompanied by intellect it is a royal dower, and its possessor may serenely command half a century of unquestioning adoration from the sons of men, and all the good things of life as well.

But when there is a soul behind the matchless eyes, and a keen wit animates the lovely mouth, and when the indication of the white forehead is not belied, it is a nice question whether great beauty be a gift of benign or malicious fairies. Not a woman in this room or in any room she entered could look at Rachael Breckenridge without a pang; her supremacy was beyond all argument or dispute. And yet there was neither complacency nor content in the lovely face; it wore its usual expression of arrogant amusement at a somewhat tiresome world.

Both in the instant impression it made, and under closest analysis, Rachael Breckenridge's beauty stood all tests. Her colorless skin was as pure as ivory, her dark-blue eyes, surrounded by that faint sooty color that only Irish eyes know, were set far apart and evenly arched by perfect brows. Her white forehead was low and broad, the lustreless black hair was swept back from it with almost startling simplicity, the line of her mouth was long, her lips a living red. Her figure, as she sat balancing carelessly on a chair-arm, showed the exquisite curves of a woman slow to develop, who is approaching the height of her beauty, and from the tip of her white shoe to the poppies on her soft straw hat there was that distinction in her clothing that betrayed her to be one of the few who may be always individual yet always in the fashion. She was a woman, quick, dynamic, impatient, who vitalized the very atmosphere in which she moved, challenging life by endless tests and measures, scornful of admiration, and ambitious, even in this recognized ambition of finding herself beautiful, prominent, and a rich man's wife, for something further and greater, she knew not what. She was an important figure in this world of hers; her word was authority, her decree law. Never was censure so quick as hers, never criticism so biting, or satire so witty. No human emotion was too sacred to form a target for her glancing arrows, nor was any affection deep enough to arouse in her anything but doubt and scorn.

"I don't want any tea, thank you, Peter," she said now, in the astonishingly rich voice that seemed to fill the words with new meaning. "And I won't allow the Infant to have any--no, Billy, you shall not. You've got a complexion, child; respect it. Besides, you've just had some. Besides, we're here for only two seconds--it's six o'clock. We're looking for Clarence--we seek a husband fond, a parent dear--"

"Clarence hasn't showed up here at all to-day," said Peter Pomeroy, stretching back comfortably in his chair, appreciative eyes upon Clarence's wife. "Shame, too, for we had some good golf. Course is in splendid condition. George beat me three up and two to play, but I don't bear any malice. Here I am signing for his highball."

"Well, then, we'll go on home," Mrs. Breckenridge said, without, however, changing her relaxed position. "Clarence is probably there; we've been playing cards at the Parmalees', or at least I have. Billy and Katrina were playing tennis with Kent and--who's the red-headed child you were enslaving this afternoon, Bill?"

"Porter Pinckard," Miss Breckenridge answered, indifferently, before entering into a confidential exchange of brevities with Miss Sartoris.

"I'll call him out, and run him through the liver," said Peter Pomeroy, "the miserable catiff! I'll brook no rivals, Billy."

Billy merely smiled lazily at this; her eyes were far more eloquent than her tongue, as she was well aware.

"Let her alone, Fascination Fledgerby!" said Mrs. Breckenridge briskly. "Why can't we take you home with us, Elinor? We go your way."

"Change at my house," Mrs. Breckenridge suggested, or rather commanded. "I'm dining in my room, I think. I'm all in." But the clear and candid eyes deceived no one. Clarence was misbehaving again, everybody decided, and poor Rachael could not bespeak five minutes of her own time until this particular period of intemperance was over. Miss Vanderwall, settling herself in the beautiful Breckenridge car five minutes later, faced the situation boldly.

"Where's Clarence, Rachael?"

"I haven't the remotest idea, my dear woman," said Mrs. Breckenridge frankly, yet with a warning glance at the back of her stepdaughter's head. Billy was at the wheel. "He didn't dine at home last night--"

"But we knew where he was," Billy said quickly, half turning.

"We knew where he was," agreed the older woman. "Watch where you're going, Bill! He told Alfred that he was dining in town, with a friend, talking business."

"I thought it was the night of Berry Stokes' dinner," suggested Miss Vanderwall.

"He wasn't there--I asked him not to go," said Billy.

"Oh--" Miss Vanderwall began and then abruptly stopped. "Oh!" said she mildly, in polite acquiescence.

They were sweeping through the April roadsides so swiftly that it was only a moment later when Rachael, reaching for the door, remarked cheerfully, "Here we are!"

The car had entered a white stone gateway, and was approaching a certain charming country mansion, one that was not conspicuous among a thousand others strewn over the neighboring hills and valleys, but a beautiful home nevertheless. Vines climbed the brick chimneys, and budding hydrangeas, in pots, topped the white balustrades of the porch. A hundred little details of perfect furnishing would have been taken for granted by the casual onlooker, yet without its lawns, its awnings, its window boxes and snowy curtaining, its glimpse of screened veranda and wicker chairs, its trim assembly of garage, stable, and servants' cottages, its porte-cochere, sleeping porches, and tennis court, it would have seemed incomplete and uncomfortable to its owners.

Rachael Breckenridge neither liked it nor disliked it. It had been her home for the seven years of her married life, except for the month or two she spent every winter in a New York hotel. She had never had any great happiness in it, to be sure, but then her life had been singularly lacking in moments of real happiness, and she had valued other elements, and desired other elements more. She had not expected to be happy in this house, she had expected to be rich and envied, and secure, and she was all of these things. That they were not worth attaining, no one knew better than Rachael now.

The house was of course a great care to her, the more so because Billy was in it so little, and was so frankly eager for the time when she should leave it and go to a house of her own, and because Clarence was absolutely indifferent to it in his better moods, and pleased with nothing when he was in the grip of his besetting sin. The Breckenridges did little formal entertaining, but the man of the house liked to bring men down from town for week-end visits, and Billy brought her young friends in and out with youthful indifference to domestic regulations, so that on Rachael, as housekeeper, there fell no light burden.

She carried it gracefully, knitting her handsome brows as the seasons brought about their endless problems, discussing bulbs with old Rafael in the garden when the snow melted, discussing paper and paint in the first glory of May, superintending the making of iced drinks on the hot summer afternoons, and in October filling her woodroom duly with the great logs that would blaze neglected in the drawing-room fireplace all winter long. The house was not large, as such houses go; too much room was wasted by a very modern architect in linen closets and coat closets, bathrooms and hall space, dressing-rooms, passages, and nooks and corners generally. Yet Rachael's guest-rooms were models in their way, and when she gave a luncheon the women who came were always ready to exclaim in despairing admiration over the beauty of the gardens, the flower-filled, airy rooms, the table appointments, and the hostess herself.

But when they said that she was "wonderful"--and it was the inevitable word for Rachael Breckenridge-the general meaning went deeper than this. She was wonderful in her pride, the dignity and the silence of her attitude toward her husband; she had been a wonderful mother to Clarence's daughter; not a loving mother, perhaps--she was not loving to anyone--but a miracle of determination and clearness of vision.

Who else, her friends wondered, could have cleared the social horizon for Paula Breckenridge's daughter so effectively? With what brisk resoluteness the new mother had cut short the aimless European wanderings, cropped the child's artificially curled hair, given away the unsuitable silk stockings and the ridiculous frocks and hats. Billy, shorn and bewildered, had been brought home; had entered Miss Proctor's select school, entered Miss Roger's select dancing class, entered Professor Darling's expensive riding classes. Billy, in dark-blue Peter Thompsons, in black stockings and laced boots, had been dropped in among other little girls in Peter Thompsons and laced boots, little girls with the approved names of Whittaker and Bowditch, Moran and Merridew and Parmalee.

Billy had never doubted her stepmother's judgment; like all of the new Mrs. Breckenridge's friends, she was deeply, dumbly impressed with that lady's amazing efficiency. She had been a spoiled and discontented little rowdy. She became an entirely self-satisfied little gentlewoman. Clarence, jealously watching her progress, knew that Rachael was doing for his daughter far more than he could ever do himself.

But Rachael, if she had expected reward, reaped none. Her husband was a supremely selfish man, and his daughter inherited his sublime ability to protect his own pleasure at any cost. Carol admired her step-mother, but she was an indolent and luxury-loving little soul, and even as early as her twelfth or fourteenth year she had been deeply flattered by the evidences of her own power over her father. Into her youthful training no reverence for parents--real or adopted--had been infused; she called her father "Clancy," as some of his intimate friends called him, and he delighted to take her orders and bow to her pretty tyranny.

Before she was sixteen he began to take her about with him: to dances, to the theatre, and for long trips in his car. He entered eagerly into her young friendships, frantic to prove himself as young at heart as she. He paid her the extravagant compliments of a lover, and gave her her grandmother's beautiful jewelry, as well as every trinket that caught her eye.

And Billy accepted his attentions with a finished coquetry that was far from childlike, a flush on her satin cheek, a dimple puckering the corner of her mouth, and silky lashes lowered over her satisfied eyes. She was inevitably precocious in many ways, but she was young enough still to fancy herself one of the irresistible beauties and belles of the world, and to flaunt a perfectly conscious arrogance in the eyes of all other women.

All this was bewildering and painful to Rachael. She had never loved her husband--love entered into none of her relationships--her marriage had been only a step in the steady progress of her life toward the position she desired in the world. But she had liked him. She had liked his child, and she had come into the new arrangement kindly and gallantly determined to make the venture at least as profitable to them both as it was to her.

To be ignored, to be deliberately set aside, to be insulted by a selfishness so calculating and so deliberate as to make her own attitude seem all warmth and generosity by comparison, genuinely astonished her. At first, indeed, a sort of magnificent impatience had prevented her from feeling any stronger emotion than astonishment. It was too ridiculous, said the bride to herself tolerantly; it could not go on, of course, this preposterous consideration of a child of ten, this belittling consideration of her own place in the scheme as less Clarence's wife than Billy's mother. It must adjust itself with every week that they three lived together, the child slipping back to her own life, the husband and wife sharing theirs. When Clarence's first fears for his daughter's comfort under the new rule were set at rest, when his confidence in the wisdom and efficiency of his wife was fully established, then a normal relationship must ensue. "Surely Clarence wouldn't ask a woman to marry him just to give Billy a home and social backing?" Rachael asked herself, in those first puzzled days in Paris.

That was seven years ago. She knew exactly that for truth now. Long ago she had learned that whatever impulse had moved Clarence Breckenridge to ask her to marry him was quickly displaced by his vision of Billy's need as being greater than his own.

It had been an unpalatable revelation, for Rachael was a woman proud as well as beautiful. But presently she had accepted the situation as it stood, somehow fighting her way, as the years went by, to fresh acceptances: the acceptance of Billy's ripening charms, the acceptance of Clarence's more and more frequent times of inebriated irresponsibility. Silently she made her mental adjustments, moving through her gay and empty life in an unsuspected bitterness of solitude, won to protest and rebellion only when the cold surface she presented to the world was threatened from within or without.

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