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Read Ebook: After the Pardon by Serao Matilde
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Ebook has 2397 lines and 73108 words, and 48 pages
"That Vittoria Casalta is going to the English Embassy, Maria."
"Ah, you know that she is not going there!" and she laughed bitterly.
"Don't torment yourself, don't torment me, dear soul!" he said softly, tenderly drawing her to himself with his conquering sweetness and gentle grace.
Donna Maria let herself be drawn to him, no longer smiling, as if expecting some word or action. But neither action nor word came. After the tender admonition, as usual, a certain dryness rendered them dumb and motionless.
She, as usual, was the first to interrupt this state of mind.
"And then, Marco, how do you know that the fair Vittoria is not going to Lady Clairville's?"
"Because she no longer goes into society, Maria."
"Has she taken the veil?" she exclaimed, with a sarcastic smile.
"Almost. For that matter she never has loved the world."
"Perhaps she flies from you, Marco?"
"Yes, I believe she flies from me."
"I tell you Vittoria Casalta still loves you," Maria murmured slowly as if she were speaking to herself, as if she were repeating to herself a thing said many times.
"No," said Marco vivaciously.
"She still loves you," the woman repeated authoritatively, almost imperiously.
"There is only one woman who loves me, and she is you, Maria--you," he replied, as if to finish the discussion.
She listened attentively from the very first words of the sentence, attentively as if to find in them a trace or a recollection of past things, but she did not hear there quite what she wished. The words were the same, but the voice was no longer the same which pronounced them, and no longer the same, perhaps, was the man who said them. A sense of delusion for an instant, only for an instant, was depicted on her face; an expression, however, which he did not notice.
"I have never understood, Marco," she resumed in a grave voice, "if you loved this Vittoria Casalta seriously."
"What does it matter now?" he exclaimed, a little vexed.
"No, it doesn't matter, it is true. Still, I should have liked to have heard it from you."
"How many times have you asked this, Maria?" he said, between reproof and increasing vexation.
"Also you have asked me pretty often, Marco, if I ever loved my husband," she retorted disdainfully.
At such a reminder the countenance of Marco Fiore became convulsed. Every slightly feminine trace disappeared from his rather pale and delicate face, and the firm and obstinate lines of his profile and chin became more accentuated, manly and rough. His lips trembled as he spoke.
"Why do you name your husband? Why do you name him, Maria?"
"Because he is not dead, Marco; because he exists, because he lives," she proclaimed imperiously, her large eyes flashing.
"I hate him. Don't speak to me of him!" he exclaimed with agitation, rising and kicking the chair aside to walk about.
"But why do you hate him? Why? Tell me, tell me."
"Because he is the only man of whom I can be, of whom I ought to be, jealous, Maria," he exclaimed, beside himself with exasperation. Then Maria smiled joyfully, a smile which he did not observe.
"I renounced him, his name and his fortune for you," she replied simply.
"Do you regret it?" he asked, still hot with anger, but somewhat distractedly.
"I do not regret it," she replied, after an imperceptible moment of hesitation.
"But, Maria, I am sure he regrets you very much."
"No."
"I am as certain as if he had told me, and I am certain he will get you back, Maria."
"No."
"Yes, he will get you back."
"Covering himself with shame?"
"Yes, because he loves you."
"Covering himself with ridicule."
"He loves you, he loves you."
"Knowing that I do not love him."
"What does that matter? He will take you back to try to make you love him."
"This is madness."
"All those who love are mad," murmured Marco Fiore very sadly.
Stupefied and suffering, she looked at him. Each looked at the other as if to recognise themselves. They were the same who, strangely, every day and every evening, scarcely found themselves together without, after a few minutes, involuntarily irritating with curious and cruel fingers the old wounds which seemed to be healing, which their restless and disturbed minds caused to bleed again.
Here she was, Donna Maria Guasco Simonetti, graceful and exquisite, she who had been the object of a thousand desires, repulsed by her serene austerity and boundless pride, who had suddenly loved Marco Fiore madly and faithfully for three years. Here she was in that house where she had come to live alone, after abandoning the conjugal abode for three years, to live apart in a strange, constant and ardent love, forgetful of every other thing. Here she was, ever more graceful in the plenitude of her womanly grace, in the atmosphere of exclusive luxury with which she was surrounded, and in garments which reflected her fascination.
Instead they had given themselves, as for some time, to a sad duel of words, sometimes sarcastic, sometimes angry, evoking the absent figures of the two betrayed, of Vittoria Casalta, Marco's betrothed, of Emilio Guasco, the husband of Donna Maria.
Both tried to subdue themselves. She crossed the quiet room, and adjusted some knick-knacks on the pianoforte, which was covered with a peculiar flowered fabric, her profile was bent slightly in a pleasing way beneath the dense shadow of her magnificent hair.
Marco opened a cigarette case, and asked, with a voice already become expressionless--
"May I smoke?"
"Do smoke."
"Would you like a cigarette?"
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