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Read Ebook: Home Arts for Old and Young by Smith Caroline L
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Ebook has 18 lines and 2185 words, and 1 pages
THE BETROTHED
From the Italian of
ALESSANDRO MANZONI
London: Richard Bentley, Cumming, Dublin. Bell and Bradfute, Edinburgh. Galignani, Paris. 1834
STANDARD NOVELS.
"No kind of literature is so generally attractive as Fiction. Pictures of life and manners, and Stories of adventure, are more eagerly received by the many than graver productions, however important these latter may be. APULEIUS is better remembered by his fable of Cupid and Psyche than by his abstruser Platonic writings; and the Decameron of BOCCACCIO has outlived the Latin Treatises, and other learned works of that author."
THE BETROTHED.
Complete in One Volume.
London: Richard Bentley, 8. New Burlington Street : Bell, and Bradfute, Edinburgh; and Cumming, Dublin.
London: Printed by A. Spottiswoode, New-Street-Square.
CRITICAL REMARKS on MANZONI'S BETROTHED:
BY THE COUNT O'MAHONY.
To publish a novel, to analyse, to eulogise it, and recommend its perusal to the good and pious, will appear no doubt very extraordinary, and offend the prejudices of many who have agreed among themselves to consider a novel, whoever may be its author, and whatever may be its subject, form, and design, as a pestilent production. If you ask them why? "Because," they will reply--"because it is a novel!" The answer is as wise as it is peremptory and decisive, and we will spare ourselves the useless trouble of replying to arguments so profound and powerful. We will, however, submit a few serious reflections to minds of a less elevated order, were it only to prove that we can talk reasonably, even on the subject of novels.
But there is another point of view under which we must consider novels, or rather the works so called, but which bear, to those which morals and good taste reprobate, no other resemblance than the name. These are, it is true, unhappily few in number, and therefore have not been classed by themselves, but have been comprehended in the common appellation, and included in the general proscription; like an honest man, who, bearing the same name as a rogue, partakes with him the odium of his reputation. But this is an injustice for which we are disposed to claim reparation.
Now, we ask, by what unjust caprice would we condemn in the novelist that which we admire and applaud in the moralist and philosopher; or rather, by what title do we interdict to the former the right of being equally philosophical and moral with the latter? If man were without weaknesses and society without imperfections, truth would prevail of itself, and in order to be loved and obeyed, it would need only to be shown in its unadorned purity and undisguised nakedness. But, from the beginning of the world, pride has precipitated man into darkness. Corrupt and blind, a jealous susceptibility is developed in his character, which continually increases in proportion to his blindness and corruptions,--that is to say, the deeper he is plunged in darkness, the more he dreads the light, and it is but by degrees, and under various disguises, that we can hope ultimately to make him endure its full blaze.
Besides, fiction, under divers forms, such as fables, apologues, novels, allegories, and tales, constitutes a large portion of the literature of every nation; to this we may add the utility, nay, even the necessity of disguising truth, in order to make it acceptable to our imperfection; and more than all, the good frequently resulting from these modest productions ought to stimulate those on whom Heaven has bestowed the same kind of talent, to employ it in exposing vice and reforming the corruptions of society.
However this may be, the new taste for foreign literature is remarkable. Numerous works of imagination have appeared simultaneously of an elevated style and uncommon erudition. The choice, and we may add the gravity, of the subjects, the importance of the action, the extent of the developements, and the fidelity of the descriptions, stamp them with a peculiar character, and oblige us to assign to their authors a distinct rank among novel writers. Although unequal in merit, they may be arranged into two classes. The one, beholding how history was neglected, has endeavoured to restore its influence by reviving our ancient chronicles, and presenting to us in an elegant undress, the same characters from whom we avert our eyes, in the magnificent and stiff accompaniments of their historical costume. The other, less numerous, but, in our opinion, much more happily inspired, afflicted by the cold indifference with which the most excellent works on morals and politics are received, or by the insulting contempt which discards them altogether, has undertaken to allure and amuse the prejudices of the age, in order to correct them. In an imaginary picture, they have specially devoted themselves to describe the great springs of human action, and to bring prominently forward those traits of character, those inflexible criticisms on society, which under such a form will attract attention, when every direct and serious admonition would be rejected. Now, it is to this class of novel writers that Alessandro Manzoni essentially belongs.
And here, a great difficulty presents itself; a work of which the action is so simple, that an analysis of it might be given in half a page, and yet so rich in beauties, that a volume might be written in its praise; between these two extremes, the middle path is not easy to find. For, if we should content ourselves with stating that two villagers, who were betrothed, and about to be united, had been separated by the menaces of a rich and titled robber, calumniated, betrayed by a seeming friend, and aided by the unlooked-for benevolence of an enemy; again persecuted by the tyranny of the great, and then almost immolated by the tyranny of the people, and finally delivered by the pestilence itself; if, we repeat, we confine ourselves to this exposition, we shall have presented to our readers the abstract of the work; but shall we have given them a single idea of its beauties?
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