Read Ebook: The Jesus Problem: A Restatement of the Myth Theory by Robertson J M John Mackinnon

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age in the Kalika Purana suggests the procedure, and the probable significance of Golgotha, the "place of skulls." In the Hindu rite, the human victim was immolated "at a cemetery or holy place," upon which the sacrificer was not to look; and the head was presented in "the place of skulls, sacred to Bhoiruvu" . This could be in a special temple, or in a part of the cemetery, "or on a mountain."

At this point a warning must be given against the confusion set up by the habitual assumption that "something of the kind" occurred under Pontius Pilate. It is only on the biographical theory that that date is valid. Pontius Pilate is simply a figure in the later Mystery Drama, originally chosen, probably, because of his notoriety as a shedder of Jewish blood. We are not bound to prove that at his date the usage of ritual human sacrifice, real or pretended, survived at Jerusalem, though it may have done, as it survived at Rhodes in the time of Porphyry in the form, perhaps, of a Semitic mystery drama.

It is the assumption of the historicity of the Crucifixion that partly disarms the theorem of Sir J. G. Frazer as to a coincidence of Jewish sacrificial rites. Noting that the details of the Crucifixion closely conform to those of a human sacrifice sometimes practised in the Christian era in connection with the Roman Saturnalia, and also to those of a real or mock rite connected with the Babylonian feast of the Sacaea, he resorts to the alternative hypotheses that the analogous Jewish feast of Purim, imported from Babylon after the Return, and also involving either a real or a mock crucifixion, chanced to coincide with the actual crucifixion of the gospel Jesus; or that Christian tradition "shifted the date of the crucifixion by a month or so" to connect it with the Passover. As the official Purim rite, though cognate with that of the Passover, cannot well have been allowed to coincide with it, the theory of coincidence is barred; and the theorist is assured by an expert colleague that "all that we hear of the Passion is only explicable by the Passover festival," and that "without the background of the festival all that we know of the Crucifixion and of what led up to it is totally unintelligible."

When, however, the unhistorical character of the gospel narrative is realized, such difficulties disappear. The intention was certainly to connect the Crucifixion with the Passover ; and in the fourth gospel Jesus becomes an actual Passover sacrifice. But the narrative is simply a reduction to historic form of the procedure of a customary ritual sacrifice, habitual usages of human sacrifice being represented as expedients of a single Roman execution. With the exact seasonal date of the Jesus Barabbas rite which here motived the gospel legend, the myth-theory is not primarily concerned, though it has secondary interest. It was probably a Spring Festival, and at the same time a New Year Festival, the period of the vernal equinox having been both in east and west the time of the New Year before that was placed after the winter solstice. It is thus highly likely that there were analogous sacrificial festivals at Yule and at Easter, one celebrating the new-birth of the sun and the other the revival of vegetation. The Sacaea festival may or may not have been identical with that known from the monuments to have been called the Zakmuk : either way, the features may have been the same. There was in Judea, further, a hieratic year as well as a civil, a Lesser Passover as well as the greater. The myth-theory does not depend on an agreed date, though the myth fixes on an astronomical date, itself constantly varying in the calendar.

What leaps to the eyes is that the gospel legend preserves two separated features of the festival of a Sacrificed Mock-King, which as incidents in the life of the Teacher are wholly incompatible, and which the biographical theory cannot reasonably explain--the acclaimed and welcomed Entry into Jerusalem and within a week the demand of the city multitude for the crucifixion. The Entry is an elaboration of several myth elements, but it contains the item of the acclaimed ride of the quasi-king, mounted on an ass . If the biographical school would but consider historical probabilities, they would realize that the story as told cannot be historical, with or without the strange antithesis of the multitude's speedy demand for the prophet's death. Such a triumphal entry, for such a person as the gospel Jesus, could not spontaneously have taken place: it must have been planned; and, if arranged with such an effect as the record describes, it would have given Pilate very sufficient ground for intervention without waiting for a complaint from the priests. Taken as history, it is wholly irreconcilable with the "Crucify him" ascribed to a multitude whose support of Jesus had been affirmed the day before; and accordingly M. Loisy, accepting the Entry, rejects the latter episode. Strauss, hesitating to go, "as has latterly often been done," the length of rejecting the Entry on the ass as wholly mythical, finds it very much so; and Brandt incidentally dismisses it as "under the strongest suspicion of being framed upon Old Testament motives from beginning to end."

Thus the biographical school itself proffers a myth-theory, without indicating an explanatory motive for the positing of a contradiction. But when we realize that an acclamation of a quasi-king riding on an ass was actually part of the ritual in a sacrificial rite in which he was to be crucified, the two clashing elements in the legend are at once explained in the full myth-theory. Their separate handling and development was, just as intelligibly, part of the process of gospel-making, the creation of an ideal Jesus. But seeing that in the Sacaea festival the mock-king had a five days' reign between his start and his death, the original ritual gave the interval which in the gospel story is filled with the acts of the Teaching God. Five days is the accepted traditional interval from Palm Sunday to Crucifixion Day.

and did not understand that the Hebraic idiom simply meant "an ass." Yet one member of the school, Dr. Conybeare, fiercely denounces myth-theorists for claiming to understand Jewish symbolism better than the Jews did. Either principle serves the turn. When Tertullian says that Jesus is the Divine Fish because fishes were parthenogenetically born, and Jesus was born again in the waters of the Jordan, Dr. Conybeare is sure of the wisdom of Tertullian. This thesis, first found in Tertullian, is to decide the question, to the exclusion of any reflection on the fact that the Sun at Easter had before the Christian era passed from the sign Aries to the sign Pisces in the zodiac. But when Matthew reads Zechariah's two asses as meaning two asses, Matthew is to be dismissed as a Jew who did not understand the commonest Hebrew idiom.

The simple fact that the Septuagint does not give the duplication, putting only "a young colt," will serve to indicate to any careful reader that the evangelist or interpolator was following the Hebrew, and therefore is to be presumed to have known something of Hebrew idiom. And the just critical inference is that both passages had regard to the zodiacal figure of the Two Asses for the sign Cancer, from which we have the myth of Bacchus riding on two asses. Further, it is probable that the similar passage in the Song of Jacob has also a zodiacal basis. These details, which Dr. Conybeare absolutely withholds from his readers, indicate the mythological induction put by the present writer. In an unconstruable sentence, Dr. Conybeare appears to argue that to secure any consideration for such a thesis we must "prove that the earliest Christians, who were Jews, must have been familiar with the rare legend of Bacchus crossing a marsh on two asses," and "with the rare representation of the zodiacal sign Cancer as an ass and its foal."

How the critic knows that the legend was rare at the beginning of the Christian era he does not reveal; any more than he gives his justification for calling the Asses sign rare in the face of the statement of Lactantius that the Greeks call the sign of Cancer " Asses." This reference was given by me, as also the item that the sign of the Ass and Foal is Babylonian. It was thus very likely to be known in the Semitic world. Yet Dr. Conybeare obliviously informs us that "it is next to impossible" that it should be known to "the earliest Christians," when all the while he is arguing that Matthew was not the gospel of "the earliest Christians." It is in perfect keeping with this chaotic procedure that he first oracularly refers me to Hyginus, whose version of the myth of Bacchus and the asses I had actually cited and quoted; and then, discovering that I had done so, yet leaving his written exhortation unaltered, he announces that "by Mr. Robertson's own admission, Bacchus never rode on two asses at all." It is difficult to be sure whether Dr. Conybeare does or does not believe in the historicity of Bacchus, as he does in that of Jesus; but seeing that Lactantius, as cited by me, expressly declares that the two asses carried Bacchus over the marsh, and that Dr. Conybeare had already recognized that such a myth existed, his absurd conclusion can be set down only to his habitual incoherence.

I have dealt in detail with his futile criticism at this point by way of putting the reader on his guard against the method of bluster. Comparative mythology is a difficult and thorny field, but it has to be explored; and Dr. Conybeare, whose study of the subject seems to have begun in the year of the issue of his book, does not even discern the nature of its problems. He avowedly supposes that totems are Gods; and he argues that the Jewish and Hellenistic world in the age of Augustus was at the mythopoeic stage of the Australian aborigines of to-day. Of the phenomena of iconographic myth he is evidently quite ignorant; and his dithyramb on the sun myth tells of nothing but obsolete debate on the question. And it is in this connection that he informs his antagonists, in his now celebrated academic manner, that they are "a back number."

That we are dealing with a conflict of symbolisms will probably be the inference of those who will face the facts. But Dr. Conybeare, who is here in good company, is quite satisfied that behind the Mark story of Jesus riding in a noisy procession on an unbroken colt we have unquestionable history. There must be no nonsense about two asses; but for him the story of the unbroken colt raises no difficulty. He further simplifies the problem by summarizing Mark as telling that "an insignificant triumphal demonstration is organized for him as he enters the sacred city on an ass"; and by explaining that "there was no other way of entering Jerusalem unless you went on foot." The "insignificant" is held to be sufficient to dispose of the problem of the Roman Governor's entire indifference to a Messianic movement. Thus functions the biographic method, in the hands of our academician.

Part of the demonstration of the myth-theory, again, lies in the fact that the first act of Jesus after his entry is to "cast out all them that sold and bought in the temple, and overthrow the tables of the money-changers, and the seats of them that sold the doves." That this should have been accomplished without resistance seemed to Origen so astonishing that he pronounced it among the greatest miracles of Jesus, adding the skeptical comment--"if it really happened." The myth-theory may here claim the support of Origen.

Strauss could find no ground for rejecting the story as myth upon his method of finding myth-motives only in the Old Testament. If he had lived in our day he would probably have agreed that the episode is singled out of the kinds of exploit which were permitted to the victim in the Sacaea and the Saturnalia and such primitive sacrificial festivals in general, and turned to a doctrinal account. Such liberties as are described, all falling short of sacrilege, are among those which could normally take place. It is by way of anti-Judaism that the episode is utilized in the synoptics.

In the fourth gospel, where so many matters are turned to new account, and so much new doctrine introduced, the purification is put with symbolic purpose at the outset of the Messiah's career, in a visit to Jerusalem of which the synoptics know nothing; and in this myth Jesus makes "a scourge of small cords" to effect his purpose. That later item was probably suggested by the effigy of the Egyptian Saviour God Osiris, who bears a scourge as the God of retribution. In the synoptics there is no symbol: the story is simply employed as part of the superadded didactic machinery which alternately exhibits the full development of the Messiah and the unfitness of the "Jewish dispensation" to continue. Inferribly, the story of the fig-tree is in the same case, signifying the condemnation of the Jewish cult, though here there may be a concrete motive of which we have lost the clue. But it is significant that while the gospel record could not possibly assign to the holy Messiah such a general course as was followed by the licensed sacrificial victim, it follows the story of his Entry with that of one markedly disorderly act; whereafter he goes to lodge in Bethany at a house which later is indicated as that of a leper . There his head is anointed by a woman; who in Luke, in a differently placed episode , becomes "a sinner." Is not this another echo from the obscure tragedy of the sacrificial victim, who was anointed for his doom?

? 4. The Mock-King Ritual

Separately considered, the Crucifixion in the gospel story is as impossible as the Entry. The cross, we are told, was headed with an inscription: "This is the King of the Jews." Sir J. G. Frazer and M. Salomon Reinach concur in recognizing that if the victim had really been executed on the charge of making such a claim, no Roman governor would have dared so to endorse it. The argument is that only by turning the execution into a celebration of a popular rite could the procedure have been made officially acceptable. But to extract such an explanation from the record is simply to stultify it as such. If there really occurred such a manipulation of the death-scene of an adored Teacher, how could the narrators possibly fail to say as much? We are asked by the biographical school to believe that the Crucifixion was made a farce-tragedy by treating the Teacher as the victim in a well-known rite of human sacrifice, and also to believe that the devotees who preserved the record, knowing this fact, chose to say nothing about it, preferring to represent the procedure as a unique incident.

It might perhaps be argued, on the biographical view, that the Roman soldiers, who are held to have been Asiatics, chose to improvise a version of a sacrificial rite which was unknown to the Jesuists, and that the latter simply reported the episode without understanding it, interpreting it from their prophets in their own way. But if the record be historical it is incredible that in a cult which is claimed to have made many adherents throughout the Roman Empire in east and west in a generation or two, it should not quickly have become known that the procedure of the Crucifixion was a copy of popular eastern and western rites of human sacrifice. If there had taken place what the hypothesis suggests, there was a purposive suppression. That is to say, the credibility of the narrative is at this point vitally impeached by a supporter of the biographical theory, which expressly rests on the narrative as regards non-miraculous data.

And while on the one hand it is in effect charged with the gravest suppressio veri, on the other it is charged, equally in the name of the biographical view, with something more than suggestio falsi, with absolute fiction. M. Loisy does not merely dismiss the Barabbas story as unhistorical, offering no explanation of its strange presence: he comes critically to the conclusion that Jesus on the cross uttered no word, whether of despair, entreaty, or resignation. We need not ask what kind of credit M. Loisy can ask for a record which he thus so gravely discredits. The scientific question is, Upon what grounds can he demur to the extension of a myth-theory to which he thus contributes? If the record admittedly invented utterances for the Teacher on the cross, why should not the whole be an invention? In particular, why should not the trial before Pilate and the inscription on the cross be inventions?

The inscription on the cross, we see, is for the great anthropologist of the school impossible save as part of a simulated ritual. M. Loisy, supporting the same general thesis, declares that "to say Jesus was not condemned to death as king of the Jews, that is to say, as Messiah, on his own avowal, amounts to saying that he never existed." It is even so; and the supporter of the myth-theory is thus doubly justified. The loyal induction is, not that in any rite of human sacrifice exactly such a label was affixed to the gibbet, but that probably some label was, and that the gospel framers "invented" a label which stated their claim for Jesus as Messiah. It was a fairly skilful thing to do, representing the label as a Roman mockery, and thereby making it an appeal to every Jew. It is indeed conceivable that Roman soldiers taking part, once in a way, in the rite of Jesus Barabbas, may have turned that to a purpose of contempt by labelling the poor mock-king as the king of the Jews. But such an episode would not be the enactment of the scene described in the record. It would merely be a hint for it, the acceptance of which was but an additional item of fiction.

That the Crucifixion, as described, is a normal act of ritual human sacrifice, is even more true than it is shown to be by the parallels of the Sacaea and the Saturnalia. The scourging, the royal robe, the mock crown, were all parts of those rituals, which thus conform in parody to the ritual of the mythic sacrifice of Ieoud, son of Kronos, probably parodied in the ritual for the victim sacrificed to Kronos at Rhodes. But so are the drink of wine and myrrh, the leg-breaking, and the piercing with the spear. The crown is a feature of all ancient sacrifice, in all parts of the world. Crowns of flowers were normal in the case of human victims, in India, in Mexico, in Greece, and among the North-American Indians, as in ordinary animal sacrifice among the Greeks, Romans, and Semites. But even the crown of thorns had a special religious vogue in Egypt, procured as such crowns were from thorn-trees near Abydos whose branches curled into garland-form. Prometheus the Saviour, too, receives from Zeus a crown of osiers; and his worshippers wore crowns in his honour. Either some such special motive or the common practice in the popular rite will account for the record.

And these items of the mock-king ritual exclude the argument which might possibly be brought from the fact that in the ancient world, as among primitives in general, all executions, as such, tend to assume the sacrificial form. The condemned criminal is "devoted," sacer, taboo, even as is the simply sacrificed victim, becoming the appanage of the God as is the God's representative who is sacrificed to the God. It might therefore be argued that a man condemned on purely political grounds could be treated as a sacrificial victim. But there is no instance of the criminal executed as such being treated as the mock-king. A criminal might be turned to that account, but that would be by special arrangement: executed simply as a criminal, he would not be crowned and royally robed. These details were features of specific sacrifices: executions were only generically sacrificial, and were of course in no way honorary. In the gospel story, the two thieves are neither mocked, robed, nor crowned. They are not "Sons of the Father," or deputies of the King.

? 5. Doctrinal Additions

The question here arises, however, whether the triple execution was a customary rite. All executions being, as aforesaid, quasi-sacrificial, an ordinary execution might conceivably be combined with a specific sacrifice. It is to be observed that no mention of the triple execution occurs outside of the gospels: the Acts and the Epistles have no allusion to it. It is thus conceivably, as was hinted by Strauss, a late addition to the myth, motived by the verse now omitted as spurious from Mark , but preserved in Luke : "And the scripture was fulfilled which saith, And he was reckoned with transgressors." But we are bound to consider the possibility that the triple execution was ritually primordial.

The story of such an execution in the "Acts of Saint Hitzibouzit," martyred at some time in Persia, is evidently doubtful evidence for the practice, as Sir J. G. Frazer observes. The record runs that the saint was "offered up as a sacrifice between two malefactors on a hill top opposite the sun and before all the multitude," suggesting that the sacrifice was a solar one. This is possible; but martyrology is dubious testimony. On the other hand Mr. W. R. Paton has suggested that the triple execution was a Persian practice, and was made to a triple God. There is the notable support of the statement in a fragment of Ctesias that the Egyptian usurper Inarus was crucified by Artaxerxes the First between two thieves. In addition to the cases of Greek sacrifices of three victims may be noted one among the Dravidians of Jeypore; and the practice among the Khonds of placing the victim between two shrubs. In the Jeypore case one victim was sacrificed at the east, one at the west, and one at the centre of a village; and in another case two victims were sacrificed every third year. A triple execution might be a special event, in which two victims were both actually and ritually criminals, in order to enhance the divinity of the third. And we know that triple sacrifices did occur. The throwing of Shadrach, Meshach, and Abednego into the fiery furnace was ostensibly a triple sacrifice: it will hardly be claimed as a historical episode in its subsisting form.

On a careful balance, however, the presumption seems rather against a triple rite. What is quite clear is that for the early Jesuists the "prophecy" in 53rd Isaiah possessed the highest importance. For us, that lyric chapter is still somewhat enigmatic. Gunkel, who is here followed by Professor Drews, takes the view that the suffering figure described is really that of the typical victim of the human sacrifice; and it certainly fits that conception at points where it does not easily compose with that of the figure of oppressed Israel. The victim was "wounded for our transgressions, bruised for our iniquities"; and conceptually "with his stripes we are healed." On the other hand, who were "we" for "Isaiah" if not Israel itself? The only interpretation seems to be that the past generations had suffered for the present; and this does not yield an intellectually satisfying figure. But still more improbable, on the whole, is the suggestion that the Hebrew prophet or quasi-prophetic lyrist--whatever date we may assign to the chapter--has really perceived and figured the tragic vision of the sacrificial victim as he is here supposed to have done. It would be a psychological feat extremely remarkable even for that highly gifted writer; and moreover it would finally compose still less with the general idea of the context than does the supposed presentment of the suffering People. It is difficult to reach any satisfying notion of Isaiah's general meaning on the view of Gunkel and Drews.

We are thus far held, then, to the inference that, as Isaiah's chapter was certainly taken by the early Christists who had adopted the Messianic idea to be a prophecy of their Messiah, the Christ myth was shaped in accordance with it. There are three main strands in the Christ myth, the Jesuist, the Christist or Messianic, and that of the Teaching God. The "suffering" motive serves to bind the three together; and the concrete item, "he was numbered with the transgressors," bracketed as it is with "he poured out his soul unto death," gives a very definite ground for the item of the forced companionship of the malefactors in the Crucifixion scene. It is, in short, apparently one of the specifically Judaic motives in the myth construction. Earlier in the narrative the Messiah is frequently grouped with "publicans and sinners": he comes "eating and drinking," in contrast with the ascetic figure of the Baptist. That feature is probably part of the atmosphere of the myth-motive of the sacrificial victim, with the leper-host and the anointing by the "sinner." But the "two thieves" are inferribly supplied from another side.

In the first two gospels, the character of the unnamed anointress is tacitly suggested by the very reticence of the description, "a woman." In Jewry and in the East generally, the woman who went freely into men's houses was declassed; and the "sinner" of Luke was only a specification of the already hinted. But the story in Luke of the homage of the good thief is clearly new myth, coming of the widened ethic of the "gospel of the Gentiles." Matthew and Mark have no thought of anything but the association of the Messiah with typical transgressors in death: for them the two thieves are hostile. The "Gentile" gospel improves the occasion by converting one of the transgressors. No critical inquirer, presumably, now fails to see doctrinal myth at the second stage. It is only the atmosphere of presupposition that can keep it imperceptible in the first. In the making of the gospels, ritual myth, doctrinal myth, and traditional myth are co-factors; and it may be that even where doctrinal myth is quite clearly at work, as in the staging of the Messianic death "with transgressors," an actual ritual is also commemorated.

? 6. Minor Ritual and Myth Elements

In the later myth the robbers, as it happens, are made to embody certain features of sacrificial ritual. We are told in the fourth gospel that the Jews "asked of Pilate that their legs might be broken, and that they might be taken away,"--"that the bodies should not remain on the cross upon the sabbath, for the day of that sabbath was a high day." Accordingly the soldiers break the legs of the two thieves, "but when they came to Jesus, and saw that he was dead already, they brake not his legs." The implication is that the men's legs were to be broken by way of killing them--a patently untrue suggestion. The spear-thrust which "howbeit" was given to Jesus would have been the way of killing the others if they were alive: breaking the legs was a brutality which would not ensure death.

The explanation is that both leg-breaking and spearing were features of sacrificial rites. It may have been by way of purposive contrast to the former procedure that in the priestly ritual of the passover it is enacted that no bone of the victim shall be broken. The breaking of the leg-bones in human sacrifice was one of the horrible expedients of the primitive world for securing the apparent willingness of the victim: it is to be found alike in Dravidian and in African sacrifice. An alternative method, which tended to supersede the other, was that of drugging or intoxication, of which we find still more widespread evidence. In ancient Jerusalem, we find the practice transferred to ordinary execution on the cross, the humane women making a practice of giving a narcotic potion of wine and incense to the victim. Thus associated with the deaths of ordinary criminals, it suggested to some of the Jesuist myth-makers a ground for specializing the record.

In the first two gospels, a drink is offered to Jesus on the cross--wine mingled with gall, in Matthew; wine mingled with myrrh in Mark--"but he received it not"; this, in Matthew, after tasting. The Marcan form is probably the first, as it describes the customary narcotic: the idea is to indicate that in the case of the divine victim no artifice was needed to secure an apparent acquiescence: he was a voluntary sufferer. "Gall," in Matthew, may have reference to pagan mysteries in which a drink of gall figured. In Luke, vinegar is ostensibly offered as part of the derision. In John, no drink is mentioned till the end, when the dying victim says, "I thirst." Having partaken of "a sponge full of the vinegar upon hyssop," he says, "It is finished," and dies. In Matthew, this act of compassion takes a simpler form, the sponge of vinegar being given on the utterance of the despairing cry, while other bystanders jeer: in Mark, the giver of the sponge also jeers.

It is needless to debate long over the priorities of such details: as regards the drink of vinegar, all alike have regard to Psalm lxix, 21: "They gave me also gall for my meat; and in my thirst they gave me vinegar to drink." For that reason, the wine-and-myrrh item is probably primordial: it tells of the sacrificial rite; and the drink of vinegar is a doctrinal addition; even as the rejection of the narcotic is doctrinal. For the variations which distinguish each narrative from the others, there is no reasonable explanation on the biographical view: if devoted onlookers could not preserve the truth at such a point, where could they be trusted? The mythical interpretation alone makes all intelligible.

The fourth gospel, with its tale of the leg-breaking, supplies the strongest ground for surmising the occasional occurrence of a triple rite, in which the lesser victims were treated as sacrificed slaves normally have been in African and other human sacrifice, while the central victim was put on another footing. The express enactment in regard to the mysterious paschal sacrifice suggests that bone-breaking took place in others. In all likelihood, the original paschal sacrifice was that of a human victim of specially high grade: the substitution of the lamb was part of the process of civilization indicated in the myth of Abraham and Isaac. And if the knowledge of the death-rite of Jesus Barabbas could subsist in the first century or later, knowledge of an early triple rite could subsist also. But this remains open to doubt, though at several points the fourth gospel specially emphasizes the historical derivation of the cult from a sacrament of blood sacrifice.

Nowhere else is the literal basis of the symbol of "body and blood" so insisted upon. Its writers had present to their minds an actual ritual in which the eating of the body of a Sacrificed God, first actually, then symbolically, was of cardinal importance. The later myth puts new stress on the conception, as if it had been felt that the earlier was not sufficiently explicit; and it makes the Jewish high-priest lay down the doctrine of human sacrifice from the Judaic side. It is in this atmosphere of sacrificial ideas that we get the item of the piercing of the divine victim with a spear. The detail is turned specially to the account of the Johannine doctrine of resurrection by putting what passed in popular physiology for a certain proof of death--the issuing of "blood and water." But here again we find both a Hebrew motive and a pagan motive for the detail. In the sacrifice of the sacred slave of the Moon-Goddess among the primitive Albanians, the victim was allowed the customary year of luxury and licence, and was finally anointed and slain by being pierced to the heart with a sacred lance through the side. And there are other eastern analogues.

It is the fourth gospel, finally, that introduces the "garment without seam," combining a Hebraic with a pagan motive. In order to fulfil a "prophecy" held to be Messianic, the synoptics make the soldiers cast lots for the garments of Jesus. The fourth gospel specifies a simple allotment of the garments in general, as if they could have been numerous enough to go round the soldiery, but limits the act of "casting lots" to the chiton, the under garment. Thus the soldiers both "divide the raiment" and cast lots for the "vesture." The making of this "without seam" is at once an assimilation of Jesus to the high-priest and an assimilation of the Slain God to the Sun-God and other deities. A special chiton was woven for Apollo in Sparta; as a peplos or shawl was woven for H?r? at Elis. And this in turn had for the pre-Christian pagans mystic meanings as symbolizing the indivisible solar robe of universal light, ascribed to Osiris; the partless robe of Ahura Mazda; Pan's coat of many colours, and yet other notions. Always the story is itemized in terms of myth, of ritual, of symbol, of doctrine, never in terms of real biography.

? 7. The Cross

It is not at all certain, and it is not probable, that in the earlier stages of the myth the cross as such was prominent. Early crucifixion was not always a nailing of outstretched hands in the cross form, but often a hanging of the victim by the arms, tied together at the wrists, with or without a support to the body at the thighs. The stauros was not necessarily a cross: it might be a simple pile or stake. In the Book of Acts Peter and the Apostles are made to speak of Jesus "whom ye slew, hanging him on a tree." This was in itself a common sacrificial mode; and all sacrificial traditions are more or less represented in the New Testament compilation.

But there was an irresistible compulsion to a divinizing of the cross as of the victim. Ages before the Christian era the symbol had been mystic and sacrosanct for Semites, for Egyptians, for Greeks, for Hindus; and the Sacred Tree of the cults of Attis, Dionysos, and Osiris lent itself alike to many symbolic significances. The cross had reference to the equinox, when the sacred tree was cut down; to the victim bound to it; to the four points of the compass; to the zodiacal sign Aries, thus connected with the sacrificial lamb; and to the universe as symbolized in the "orb" of the emperor, with the cross-lines drawn on it. The final Christian significance of the cross is a composite of ideas associated with it everywhere, from Mexico to the Gold Coast, in both of which regions it was or is a symbol of the Rain-God. The Dravidian victim, the deified sacrifice, was as-it-were crucified; as was a victim in a Batak sacrifice, where, as on the Gold Coast, the St. Andrew's-cross form is enacted. The commonness of some such procedure in African sacrificial practice points to its general antiquity.

It would appear, too, that in the mysteries of the Saviour Gods not only a crucified aspect of the God but a simulation of that on the part of the devotees was customary. Osiris was actually represented in crucifix form; and in the ritual the worshipper became "one with Osiris," apparently by being "joined unto the sycamore tree." When, then, in the Epistle to the Galatians we find "Paul" addressing the converts as "those before whose eyes Jesus Christ was openly set forth crucified," and declaring of himself: "I bear in my body the marks of the Lord Jesus," we are at once pointed to the Syrian practice of stigmata, which appears to connect with both Osirian and Christian usage. In his remarkable account of the life of the sacred city of Hierapolis--a microcosm of eastern paganism--Lucian, after telling how children are sacrificed with the votive pretence that they are oxen, records that it is the universal practice to make punctures in the neck or in the hands, and that "all" Syrians bear such stigmata. One of the principal cults of the place was that of Attis, the castrated God of Vegetation, in whose mysteries the image of a youth was bound to a tree, with a ritual of suffering, mourning, resurrection and rejoicing. As Dionysos was also "he of the tree," it is not improbable that he, who also died to rise again, may have been similarly adored. On the other hand, the representation of the Saviour Prometheus suffering in a crucified posture tells of an immemorial concept.

For the Jews, finally, the cross symbol was already mystically potent, being a mark of salvation in connection with the massacre-sacrifice of the Passover, and by consequence salvatory in times of similar danger. When with this was combined the mystic significance of the sign in Platonic lore as pointing to the Logos, the mythic foundation for Christism was of the broadest. The crucifix is late in Christian art; but the wayside cross is as old as the cult of Hermes, God of boundaries.

? 8. The Suffering Messiah

Now, these are adequate though not numerous documentary grounds for the doctrine, on Jewish principles of interpretation. Jewish, indeed, the Messianic idea is not in origin: it is Perso-Babylonian; and the idea of a suffering or re-arising Messiah may well have come in from that side. But equally that may have found some Jewish acceptance. We can see very well that in Daniel "the Anointed One"--that is, "the Messiah" and "the Christ"--refers to the Maccabean hero; but that as well as the other passages, on Jewish principles, could apply to the Messiah of any period; and the Septuagint reading of Psalm xxii, 16: "They pierced my hands and my feet," was a specification of crucifixion. It is not impossible that that reading was the result of the actual crucifixion of Cyrus, who had been specified as a "Christ" in Isaiah. We have nothing to do here with rational interpretation: the whole conception of prophecy is irrational; but the construing of old texts as prophecies was a Jewish specialty.

When then a theistic rationalist of the last generation wrote of the gospel Jesus:--

His being a carpenter, occupying the field of barbaric Galilee, and suffering death as a culprit, are not features which the constructor of an imaginary tale would go out of his way to introduce wherewith to associate his hero, and therefore, probably, we have here real facts presented to us,

he was far astray. Anything might be predicated of a Jewish Messiah. Not only had the Messianic Cyrus been crucified: the anointed and triumphant Judas Maccabaeus, under whose auspices the Messianic belief had revived in Israel in the second century B.C., had finally fallen in battle; and his brother Simon, who was actually regarded as the Messiah, was murdered by his son-in-law.

It is not here argued that the Messianic idea had been originally connected with the Jesus cult; on the contrary that cult is presented as a non-national one, surviving in parts of Palestine in connection with belief in an ancient deity and the practice of an ancient rite, in a different religious atmosphere from that of Messianism. The solution to which we shall find ourselves led is that at a certain stage the Messianic idea was grafted on the cultus; and this stage is likely to have begun after the fall of Jerusalem, when for most Jews the hope of a Maccabean recovery was buried. Then it was that the idea of a Messiah "from above," supernaturally empowered to make an end of the earthly scene, became the only plausible one; and here the conception of a Slain God who, like all slain Gods, rose again, invited the development. Jesuists could now make a new appeal to Jews in general upon recognizably Jewish lines. They were of course resisted, even as Sadducees were resisted by Pharisees, and vice versa. The statement in the Messiah article in the Encyclopaedia Biblica that it is highly improbable that "the Jews" at the time of Christ believed in a suffering and atoning Messiah is nugatory. No one ever put such a proposition. But "the Jews" had in course of time added much to their creed, and might have added this, were it not that the Jesus cult became identified with Gentile and anti-Judaic propaganda.

In any case the idea arose among Jews, and quite intelligibly. The picture drawn by Isaiah was a standing incitement to the rise of a cult whose Hero-God had been slain. It was the one kind of Messianic cult which the Romans would leave unmolested. At the same time it committed the devotees to the position that the Messiah must come again, "in the clouds, in great glory"; and the Christian Church was actually established on that conception, which sufficed to sustain it till the earthly Providence of the State came to the rescue. Some of its modern adherents have not hesitated to boast that the common expectation of the speedy end of the world gave the infant Church a footing not otherwise obtainable. It was certainly a conditio sine qua non for Christianity in its infancy.

As for the item of "the carpenter," we have seen not only that that is mythic, but that the myth-theory alone can account for it.

? 9. The Rock Tomb

In the first gospel we have a comparatively simple version of the story of Joseph of Arimathea, a rich disciple of Jesus, who gets the dead body of the crucified, wraps it in clean linen, and lays it "in his own new tomb, which he had hewed out in the rock." In Mark and Luke we have visibly elaborated accounts, in which, however, while the rock tomb is specified, it is not described as Joseph's "own," though it is represented as hitherto unused. Such a narrative points very directly to the Mithraic rite in which the stone image of the dead God, after being ritually mourned over, is laid in a tomb, which, Mithra being "the God out of the rock," would naturally be of stone--a simple matter in a cult whose chief rites were always enacted in a cave. Details thus thrown into special prominence, while in themselves historically insignificant, can be understood only as mythically motived. So noticeable is the Mithraic parallel that the Christian Father who angrily records it exclaims, Habet ergo diabolus Christos suos--"the devil thus has his Christs." In Mithraism the rock tomb, which is an item in a ritual of death and resurrection, is mythically motived throughout: in the gospel story, historically considered, the item is meaningless.

Obvious as is the mythological inference, it is met by the assertion that round Jerusalem "soil was so scarce that every one was buried in a rock tomb." Such a criticism at once defeats itself. If every one was buried in a rock tomb, what was the point of the emphasised detail in the gospels, which are so devoid of details of a really biographical character? Obviously, rock tombs were the specialty of the rich; and Joseph of Arimathea is described in all the synoptics as a man of social standing. Is the motive of the story nothing better than the desire to record that Jesus was richly buried?

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