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FAITH AND UNFAITH

A NOVEL

"PHYLLIS," "MOLLY BAWN," "AIRY FAIRY LILLIAN," "BEAUTY'S DAUGHTERS," "MRS. GEOFFREY," ETC.

"In Love, if Love be Love, if Love be ours, Faith and unfaith can ne'er be equal powers: Unfaith in aught is want of faith in all."--TENNYSON.

NEW YORK AND CHICAGO BUTLER BROTHERS

TROW'S PRINTING AND BOOKBINDING COMPANY, NEW YORK.

FAITH AND UNFAITH.

"A heap of dust alone remains of thee: 'Tis all thou art, and all the proud shall be!"--POPE.

In an upper chamber, through the closed blinds of which the sun is vainly striving to enter, Reginald Branscombe, fifth Earl of Sartoris, lies dead. The sheet is reverently drawn across the motionless limbs; the once restless, now quiet, face is hidden; all around is wrapt in solemn unutterable silence,--the silence that belongs to death alone!

A sense of oppressive calm is upon everything,--a feeling of loneliness, vague and shadowy. The clock has ticked its last an hour ago, and now stands useless in its place. The world without moves on unheeding; the world within knows time no more! Death reigns triumphant! Life sinks into insignificance!

Once, a little flickering golden ray, born of the hot sun outside, flashes in through some unknown chink, and casts itself gleefully upon the fair white linen of the bed. It trembles vivaciously now here, now there, in uncontrollable joyousness, as though seeking in its gayety to mock the grandeur of the King of Terrors! At least so it seems to the sole watcher in the lonely chamber, as with an impatient sigh he raises his head, and, going over to the window, draws the curtains still closer to shut out the obnoxious light; after which he comes back to where he has been standing, gazing down upon, and thinking of, the dead.

He is an old man, tall and gaunt, with kind but passionate eyes, and a mouth expressive of impatience. His hands--withered but still sinewy--are clasped behind his back; every feature in his face is full of sad and anxious thought.

What changes the passing of a few short hours have wrought--so he muses. Yesterday the man now chilled and silent for evermore was as full of animation as he--his brother--who to-day stands so sorrowfully beside his corpse. His blood had run as freely in his veins, his pulses throbbed as evenly, his very voice had been sounding strong and clear and hearty, when Death, remorseless, claimed him for his own.

Poor Reginald! Had he known of the fell disease that had nestled so long within his heart?--or had no symptoms ever shown themselves to give him kindly warning? Certainly no hint of it had ever passed his lips, even to those most near and dear to him. He had lived apparently free from care or painful forebodings of any kind,--a good and useful life too, leaving nothing for those behind to regret. Indeed, of late he had appeared even gayer, happier, than before; and now--

It seems such a little time ago since they both were lads together. A tiny space taken from the great eternity, when all is told. How well the living man remembers at this moment many a boyish freak and light-hearted jest, many a kindness shown and gift bestowed by the dead, that until now had wellnigh been forgotten!

He thinks of the good old college days, when they worked little, and fought hard, and trained their fresh young limbs to mighty deeds, and walked, and rode, and held their own with the best, and showed open defiance of dons and deans and proctors; he lingers, too, on the day still farther on, when Reginald, having attained to his kingdom, lavished with no meagre hand upon his more extravagant brother the money so sorely needed.

He rouses himself with an effort, and, going very softly to a small door that opens from the apartment, beckons gently to somebody beyond.

An old woman, dressed in deepest mourning, and of the housekeeper type, answers his summons, her eyes red with excessive weeping.

"I am going now," Lord Sartoris whispers to her in a low tone. "I have finished everything. You will remain here until my return."

"Yes, Mr. Arthur,--yes, my Lord," she answers, nervously; and then, as she gives the old title for the first time to the man before her, she bursts out crying afresh, yet silently, in a subdued fashion, as though ashamed of her emotion.

Sartoris pats her shoulder kindly, and then with a sigh turns away, and passes from the room with bent head and hands still clasped behind him, as has become a habit with him of late years.

Down the stairs and along the hall he goes, until, reaching a door at the lower end, he pauses before it, and, opening it, enters a room, half library, half boudoir, furnished in a somewhat rococo style.

It is a room curiously built, being a complete oval, with two French windows opening to the ground, and a glass door between them--partly stained--that leads to the parterre outside. It is filled with mediaeval furniture, uncompromising and as strictly uncomfortable as should be, and has its walls covered with a high-art paper, on which impossible storks, and unearthly birds of all descriptions, are depicted as rising out of blue-green rushes.

This room is known as "my lady's chamber,"--having ever been the exclusive property of the mistress of the house, until Mrs. Dorian Branscombe, in default of any other mistress, had made her own of it during her frequent visits to Hythe, and had refurnished it to suit her own tastes, which were slightly AEsthetic.

Now, she too is dead and gone, and the room, though never entirely closed or suffered to sink into disrepair, is seldom used by any of the household.

As Lord Sartoris goes in, a young man, who has been standing at one of the windows, turns and comes quickly to meet him. He is of good height, and is finely formed, with brown hair cut closely to his head, a brown moustache, and deep-blue eyes. His whole appearance is perhaps more pleasing and aristocratic than strictly handsome, his mouth being too large and his nose too pronounced for any particular style of beauty.

Yet it is his eyes--perfect as they are in shape and color--that betray the chief faults of his disposition. He is too easy-going, too thoughtless of consequences, too much given to letting things go,--without consideration or fear of what the end may bring; too full of life and spirits to-day, to dream of a sadder morrow;--so happy in the present that the future troubles him not at all.

"How ill you look!" he says, anxiously, addressing his uncle. "My dear Arthur, you have been overdoing it. You should not have remained so long in that room alone."

"Well, it is all over now," Sartoris says, wearily, sinking into a chair near him. "I was glad to finish it once for all. Those private papers he kept in his own room should be examined sooner or later; and now my task is at an end I feel more contented."

"Very little. Just one letter sealed and directed to me. It contained a desire that poor Maud's letters should be buried with him. I found them in a drawer by themselves neatly tied with pale-blue ribbon,--her favorite color,--and with them an old likeness of her, faded almost white."

"For how long he remembered her!" says the young man, in a tone of slow astonishment.

"Too long for our present day," returns his uncle, absently. Then there is silence for a moment or two, broken only by the chatter of the birds in the sunlit garden outside. Presently Sartoris speaks again. "Where is Horace?" he asks, indifferently.

"No, I do not want him," says Sartoris, a little impatiently. "How strange no one told me of Clarissa's coming! And why did you not go with her to the stables, Dorian? Surely you know more about horses than he does."

About twenty years before my story opens, Dorian, fourth Lord Sartoris, died, leaving behind him three sons,--Reginald , Arthur, the present earl, and Dorian, the younger.

This Dorian alone, of all the brothers, had married. But his wife having died too, in giving birth to her second child Horace, and her husband having followed her to the grave about three years later, the care of the children developed upon their uncle Reginald, who had been appointed guardian.

But Reginald--being a somewhat careless man in many respects, and little given to children--took small heed of them, and, beyond providing masters for them at first, and later on sending them to school and college, and giving them choice of professions, had left them very much to their own devices.

True, when college debts accumulated, and pressing bills from long-suffering tradespeople came pouring in, he would rouse himself sufficiently to remonstrate with them in a feeble fashion, and, having received promises of amendment from both boys, he would pay their bills, make each a handsome present , and, having thus dropped a sop to Cerberus,--or conscience,--would dismiss money matters, nephews, and all from his thoughts.

So the children grew, from youth to boyhood, from boyhood to early manhood, with no one to whom to appeal for sympathy, with no woman's voice to teach them right from wrong,--with few hardships, fewer troubles, and no affections.

Arthur Branscombe, indeed, who had come back from India six months after his father's death, and had stayed at Hythe for two interminable years , had during that time so worked himself into the heart of the eldest boy Dorian, and had so far taken him into his own in return, that long years had failed to efface the fondness of either. Indeed, now that he has returned from abroad , he finds the love he had grafted in the child still warm in the heart of the man.

Horace, the younger, had chosen his profession, and gone in heavily for law. But Dorian, who inherited two thousand a year from his father, and a charming residence,--situated about three miles from Hythe, and two from the pretty village of Pullingham,--had elected to try his hand at farming, and was at first honestly believed in by confiding tenants, who discussed him as a being up to his eyes in agricultural lore and literally steeped in new and improved projects for the cultivation of land.

But time undeceived these good souls. And now, though they love him better, they believe in him not at all. To adore one's horses, and to be a perfect slave to one's dogs, is one thing; to find a tender interest in the price of guano, and a growing admiration for prize pigs, is quite another. When Dorian had tried it for six months, he acknowledged, reluctantly, that to him mangels were an abomination, and over-fed cattle a wearying of the flesh!

Every now and then, indeed, he tells himself that he must "look about him," as he calls it, and, smothering a sigh, starts for a quick walk across his land, and looks at a field or two, or into the nearest paddock, and asks his steward how things are going on, and if all is as satisfactory now as in the old days when his father held the reins of government, and, having listened absently to comfortable answers and cheerful predictions for the future, strolls away again, thoroughly content, not caring to investigate matters further.

He knows all the best people in town, and puts in a good time when there; is a fair hand at whist, and can beat most men at billiards; will now and then put money on a favorite for the Oaks or the Grand National, but cannot be said to regard gambling as an amusement. He is extravagant in many ways, but thoroughly unselfish and kind-hearted, and generous to a fault. He is much affected by women, and adored by children, who instinctively accept him as a true friend.

Horace, both in face and in figure, is strangely like his brother,--in character very different. He is tall and well built, with eyes large, dark, and liquid, but rather too closely set to be pleasing. His mouth is firm and somewhat hard, his smile soft, but uncertain. He is always charming to women, being outwardly blind to their caprices and an admirer of their follies, and is therefore an immense favorite with a certain class of them, whose minds are subservient to their bodies. Yet to every rule there is an exception. And by women good and true, and loyal, Horace has been, and is, well beloved.

As Lord Sartoris and Dorian cross the hall, they meet Horace, and a pretty girl--tall, slender, and graceful--coming towards them. She appears sad, and slightly distressed, but scarcely unnerved: there is a suspicion of tears about her large gray eyes. Her gown, of violet velvet , sits closely to her perfect figure; a Langtry bonnet, to match her dress, covers her head and suits admirably her oval face and Grecian nose and soft peach-like complexion.

Going up, with impulsive grace, to Lord Sartoris, she lays both her ungloved hands upon his shoulders, and presses her lips with tender sympathy to his cheek.

"How sad it all is!" she says, with a little break in her voice. "How can I tell you all I feel for you? If you had only had the faintest warning! But it was all so sudden, so dreadful."

"Was it?" says Clarissa, quickly. "That is what has been troubling me. We only heard the terrible news this morning, and papa said it would be intrusive to call so early; but I--I could not keep away."

"Your presence in this gloomy house is an undeniable comfort," says Sartoris, sadly. "I am glad you understood us well enough to know that. It is my greatest wish that you should regard us all with affection."

He glances from her to Dorian, as he speaks, with anxious meaning. But Dorian's gaze is fixed thoughtfully upon the stained-glass window that is flinging its crimson and purple rays upon the opposite wall, and has obviously been deaf to all that has been passing. As for Clarissa, she has turned, and is looking into Horace's dark eyes.

Sartoris, catching the glance, drops Miss Peyton's hand with a sigh. She notices the half-petulant action, and compresses her lips slightly.

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