Read Ebook: Soldiers of the Legion Trench-Etched by Bowe John

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It is the practice in Great Britain to burn pure gypsum at a low temperature so as to convert it into the hydrate 2CaSO4?H2O, to soak the lumps in a solution of alum or of aluminium sulphate, and to recalcine them at about 500? C. On grinding they give Keene's cement. Instead of alum various other salts, e.g. borax, may be used. The quantity of these materials is so small that analyses of Keene's cement show it to be almost pure anhydrous calcium sulphate, and make it difficult to explain what, if any, influence these minute amounts of alum and the like can exert on the setting of the cement. It seems probable that the effect of the salts is inconsiderable, and that the governing condition is the temperature at which the cement has been burnt. The setting of Keene's cement takes place by the same sort of process which has been described for the setting of plaster of Paris, the chief differences being that the substance dissolved is anhydrous calcium sulphate and that the operation takes a longer time.

All cements having calcium sulphate as their base are suitable only for indoor work because of the solubility of this substance. They form excellent decorative plasters on account of their clean white colour and the sharpness of castings made from them, this latter quantity being due to their expansion when setting.

CEMETERY , literally a sleeping-place, the name applied by the early Christians to the places set apart for the burial of their dead. These were generally extra-mural and unconnected with churches, the practice of interment in churches or churchyards being unknown in the first centuries of the Christian era. The term cemetery has, therefore, been appropriately applied in modern times to the burial-grounds, generally extra-mural, which have been substituted for the overcrowded churchyards of populous parishes both urban and rural.

From 1840 to 1855, attention was repeatedly called to the condition of the London churchyards by correspondence in the press and by the reports of parliamentary committees, the first of which, that of Mr Chadwick, appeared in 1843. The vaults under the pavement of the churches, and the small spaces of open ground surrounding them, were crammed with coffins. In many of the buildings the air was so tainted with the products of corruption as to be a direct and palpable source of disease and death to those who frequented them. In the churchyards coffins were placed tier above tier in the graves until they were within a few feet of the surface, and the level of the ground was often raised to that of the lower windows of the church. To make room for fresh interments the sextons had recourse to the surreptitious removal of bones and partially-decayed remains, and in some cases the contents of the graves were systematically transferred to pits adjacent to the site, the grave-diggers appropriating the coffin-plates, handles and nails to be sold as waste metal. The neighbourhood of the churchyards was always unhealthy, the air being vitiated by the gaseous emanations from the graves, and the water, wherever it was obtained from wells, containing organic matter, the source of which could not be mistaken. In all the large towns the evil prevailed in a greater or less degree, but in London, on account of the immense population and the consequent mortality, it forced itself more readily upon public attention, and after more than one partial measure of relief had been passed the churchyards were, with a few exceptions, finally closed by the act of 1855, and the cemeteries which now occupy a large extent of ground to the north, south, east and west became henceforth the burial-places of the metropolis. Several of them had been already established by private enterprise before the passing of the Burial Act of 1855 , but that enactment forms the epoch from which the general development of cemeteries in Great Britain and Ireland began. Burial within the limits of cities and towns is now almost everywhere abolished, and where it is still in use it is surrounded by such safeguards as make it practically innocuous. This tendency has been conspicuous both in the United Kingdom and the United States. The increasing practice of cremation has assisted in the movement for disposing of the dead in more sanitary conditions; and the proposals of Sir Seymour Haden and others for burying the dead in more open coffins, and abandoning the old system of family graves, have had considerable effect. The tendency has therefore been, while improving the sanitary aspects of the disposal of the dead, to make the cemeteries themselves as fit as possible for this purpose, and beautiful in arrangement and decoration.

The chief cemeteries of London are Kensal Green cemetery on the Harrow Road; Highgate cemetery on the slope of Highgate Hill; the cemetery at Abney Park ; the Norwood and Nunhead cemeteries to the south of London; the West London cemetery at Brompton; the cemeteries at Ilford and Leytonstone in Essex; the Victoria cemetery and the Tower Hamlets cemetery in East London; and at a greater distance, accessible by railway, the great cemetery at Brookwood near Woking in Surrey, and the cemetery at New Southgate. The general plan of all these cemeteries is the same, a park with broad paths either laid out in curved lines as at Kensal Green and Highgate, or crossing each other at right angles as in the case of the West London cemetery. The ground on each side of these paths is marked off into grave spaces, and trees and shrubs are planted in the intervals between them. The buildings consist of a curator's residence and one or more chapels, and usually there is also a range of family graves with imposing tombs, massive structures containing in their corridors recesses for the reception of coffins, generally closed only by an iron grating. The provincial cemeteries in the main features of their arrangements resemble those of the metropolis. One of the most remarkable is St James's cemetery at Liverpool, which occupies a deserted quarry. The face of the eastern side of the quarry is traversed by ascending gradients off which open catacombs formed in the living rock,--a soft sandstone; the ground below is planted with trees, amongst which stand hundreds of gravestones. The main approach on the north side is through a tunnel, above which, on a projecting rock, stands the cemetery chapel, built in the form of a small Doric temple with tetrastyle porticos.

Many of the cities of America possess very fine cemeteries. One of the largest, and also the oldest, is that of Mount Auburn near Boston. Others of importance are the Laurel Hill cemetery at Philadelphia; the Greenwood cemetery at Brooklyn ; the Lake View cemetery at Cleveland, Ohio; while the cemeteries at New Orleans are famous for their beauty.

Cemeteries have been in use among many Eastern nations from time immemorial. In China, the high grounds near Canton and Macao are crowded with tombs, many of them being in the form of small tumuli, with a low encircling wall, forcibly recalling the ringed barrows of western Europe. But the most picturesque cemeteries in the world are those of the Turks. From them it was, perhaps, that the first idea of the modern cemetery, with its ornamental plantations, was derived. Around Constantinople the cemeteries form vast tracts of cypress woods under whose branches stand thousands of tombstones. A grave is never reopened; a new resting-place is formed for every one, and so the dead now occupy a wider territory than that which is covered by the homes of the living. The Turks believe that till the body is buried the soul is in a state of discomfort, and the funeral, therefore, takes place as soon as possible after death. No coffin is used, the body is laid in the grave, a few boards are arranged round it, and then the earth is shovelled in, care being taken to leave a small opening extending from the head of the corpse to the surface of the ground, an opening not unfrequently enlarged by dogs and other beasts which plunder the grave. A tombstone of white marble is then erected, surmounted by a carved turban in the case of a man, and ornamented by a palm branch in low relief if the grave is that of a woman. The turban by its varying form indicates not only the rank of the sleeper below but also the period of his death, for the fashion of the Turkish head-dress is always changing. A cypress is usually planted beside the grave, its odour being supposed to neutralize any noxious exhalations from the ground, and thus every cemetery is a forest, where by day hundreds of turtle doves are on the wing or perching on the trees, and where bats and owls swarm undisturbed at night. Especially for the Turkish women the cemeteries are a favourite resort, and some of them are always to be seen praying beside the narrow openings that lead down into a parent's, a husband's, or a brother's grave. Some of the other cemeteries of Constantinople contrast rather unfavourably with the simple dignity of those which belong to the Turks. That of the Armenians abounds with bas-reliefs which show the manner of the death of whoever is buried below, and on these singular tombstones there are frequent representations of men being decapitated or hanging on the gallows.

See also the articles BURIAL AND BURIAL ACTS; CREMATION; FUNERAL RITES; CHURCHYARD.

CENCI, BEATRICE , a Roman woman, famous for her tragic story; poetic fancy has woven a halo of romance about her, which modern historic research has to a large extent destroyed. Born at Rome, she was the daughter of Francesco Cenci , the bastard son of a priest, and a man of great wealth but dissolute habits and violent temper. He seems to have been guilty of various offences and to have got off with short terms of imprisonment by bribery; but the monstrous cruelty which popular tradition has attributed to him is purely legendary. His first wife, Ersilia Santa Croce, bore him twelve children, and nine years after her death he married Lucrezia Petroni, a widow with three daughters, by whom he had no offspring. He was very quarrelsome and lived on the worst possible terms with his children, who, however, were all of them more or less disreputable. He kept various mistresses and was even prosecuted for unnatural vice, but his sons were equally dissolute. His harsh treatment of his daughter Beatrice was probably due to his discovery that she had had an illegitimate child as the result of an intrigue with one of his stewards , but there is no evidence that he tried to commit incest with her, as has been alleged. The eldest son Giacomo was a riotous, dishonest young scoundrel, who cheated his own father and even attempted to murder him . Two other sons, Rocco and Cristoforo, both of them notorious rakes, were killed in brawls. Finally Francesco's wife Lucrezia and his children Giacomo, Bernardo and Beatrice, assisted by a certain Monsignor Guerra, plotted to murder him. Two bravos were hired , and Francesco was assassinated while asleep in his castle of Petrella in the kingdom of Naples . Giacomo afterwards had one of the bravos murdered, but the other was arrested by the Neapolitan authorities and confessed everything. Information having been communicated to Rome, the whole of the Cenci family were arrested early in 1599; but the story of the hardships they underwent in prison is greatly exaggerated. Guerra escaped; Lucrezia, Giacomo and Bernardo confessed the crime; and Beatrice, who at first denied everything, even under torture, also ended by confessing. Great efforts were made to obtain mercy for the accused, but the crime was considered too heinous, and the pope refused to grant a pardon; on the 11th of September 1599, Beatrice and Lucrezia were beheaded, and Giacomo, after having been tortured with red-hot pincers, was killed with a mace, drawn and quartered. Bernardo's penalty, on account of his youth, was commuted to perpetual imprisonment, and after a year's confinement he was pardoned. The property of the family was confiscated.

CENOBITES , monks who lived together in a convent or community under a rule and a superior,--in contrast to hermits or anchorets who live in isolation. The Basilians in the East and the Benedictines in the West are the chief cenobitical orders .

The orthography and the quantity of the penultimate vowel of Cenomani have given rise to discussion. According to Arbois de Jubainville, the Cenomni of Italy are not identical with the Cenomni of Gaul. In the case of the latter, the survival of the syllable "man" in Le Mans is due to the stress laid on the vowel; had the vowel been short and unaccented, it would have disappeared. In Italy, Cenomani is the name of a people; in Gaul, merely a surname of the Aulerci.

CENOTAPH , a monument or tablet to the memory of a person whose body is buried elsewhere. The custom arose from the erection of monuments to those whose bodies could not be recovered, as in the case of drowning.

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