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WOMAN
VOLUME V
WOMEN OF MEDIAEVAL FRANCE
PIERCE BUTLER, PH. D. OF TULANE UNIVERSITY OF LOUISIANA
Woman
In all ages and in all countries
VOLUME V
WOMEN OF MEDIAEVAL FRANCE
PIERCE BUTLER, PH. D. Of Tulane University of Louisiana
ILLUSTRATED
PHILADELPHIA GEORGE BARRIE & SONS, PUBLISHERS
COPYRIGHT. 1907, BY GEORGE BARRIE & SONS Entered at Stationers' Hall, London
TO M. L. B. AND J. P. B.
PREFACE IT is the customary privilege of the author to meet you at the threshold, as it were, bid you welcome, and in his own person explain more fully and freely than he may elsewhere the plan and intent of his book. After you have crossed this imaginary boundary you may judge for yourself, weigh and consider, and condemn even with scant regard for the author's feelings; for as a guest it is your privilege. But here outside I am still speaking as one with authority and unabashed; for I know not, and will not let myself fancy, how the reader will censure me. Though the little that need be said may be said briefly, I trust the reader will be a reader gentle enough to permit me graciously this word of general comment upon the whole work.
The keenness of your appetite for the repast spread will be the measure of the author's success. But whether I have been successful or not, the purpose was as has been said. Figures more or less familiar in history have been selected as the centrepieces; but scarcely anywhere have I felt myself bound to expound at length the political history of France: that was a business in which few women had a controlling voice, however lively their interest may have been, however pitifully or tragically their fate may have been influenced by battle or politics or mere masculine capricious passion.
"Theirs not to reason why; Theirs but to do or die,"
may be said of the soldier. Of these women of mediaeval France, as of all in the good days of old, it might be better said that it was not even theirs to do; the relief of action was not theirs; but to suffer and to die, without question. Yet the life was not all pain and suffering and sadness, as the scenes depicted will show. It is merely that the laughter has fallen fainter and fainter and died away--comedy perishes too often with the age that laughed at it--while the tears have left their stain.
With this little hint to the reader I have done, and let the book tell him more if he please. To those who helped me in the writing of, nay, who made it possible to write this book, my gratitude is none the less strong that I do not write them down in the catalogue. Many a page will bring back vividly to them as well as to me the circumstances under which it was written. May these memories sweeten my thanks to them.
PIERCE BUTLER. New Orleans.
IN THE DAYS OF THE CAPETIAN KINGS
In the older conception, history was a record chiefly of battles, of intrigues, of wicked deeds; it was true that the evil that men did lived after them; at least, the even tenor of their ways was passed over without notice by the chroniclers, and only a salient point, a great battle or a great crime, attracted attention. If little but deeds of violence is recorded about men, still less notice does the average mediaeval chronicler condescend to bestow upon women. History has been unjust to women, and this is preeminently the case in the history of France at the period with which we are to begin in this chapter. The age of the good King Robert was an age of warfare; the basic principle of feudalism was military service; and what position could women occupy in a social system dependent upon force? The general attitude toward women is hinted at by the very fact that, in the great war epic of Roland, the love story, upon which a modern poet would have laid much stress, is entirely subordinated; it is the hero and his marvellous valor that the poet keeps before us. The heroine, if she can be so called, the sister of Roland's brother in arms, Oliver, is not once named by the hero. In the midst of the battle, when Roland proposes to sound his horn to summon Charlemagne to his aid, Oliver reproaches him:
"Par ceste meie barbe! Se puis vedeir ma gente soror Aide, Vos ne gerrez jamais entre sa brace."
Before we can begin the story of those women whose names have come down to us from the France of the year 1000, it is necessary to have some sort of understanding of the social, if not of the political, condition of France, to learn what sort of influences environed and moulded the lives of women in those days. Such a survey of society, indeed, will be useful for the whole period of the Middle Ages, and will serve as a background for the figures of the women we shall have to consider, whether they be saints or sinners.
At the beginning of the reign of the good King Robert, the France over which he ruled was still scarcely consolidated. The power of the kings of France hardly yet extended, in reality, over more than the little duchy of France, a territory bounded, roughly, by the cities of Orl?ans on the south, Sens on the east, Saint-Denis on the north, and Chartres on the west. Not only were the more powerful barons, counts, and dukes, among whom the land was parcelled out, subject to the kings only at their good pleasure, but the very people over whom they directly ruled were still dimly conscious of the fact that they sprang from different races. Even as late as the middle of the tenth century we hear of "Goths, Romans, and Salians" as more or less distinct. The fusion of the several races on the soil of France was, however, at that time probably complete in all but name, if we except the Celts in Brittany; even the latest arrivals in France, the Norsemen, had ceased to be mere wandering freebooters and were fast developing, like the rest of France, a caste of hereditary nobles whose title and power depended upon the tenure of land.
We may roughly divide the society of the period into four classes. In the first we must place the nobles and their bands of retainers. In the second we find the churchmen, the greater among whom are hardly to be distinguished from the secular nobility, Below these, and a long distance below, come the inhabitants of the larger towns, the merchants and the better class of artisans. At the bottom, trodden down to the very soil from which they are forced to extract food for all the rest, and perhaps, if any is left, for themselves, come the peasantry.
Since the disruption of the great conglomerate empire of Charlemagne, the power of the nominal kings of France had been gradually restricted. Powerless to protect the kingdom from the attacks of foreign enemies, the king was also powerless to preserve order within it. Personal immunity from force could be obtained only by the use of force; and if one were not strong enough to protect one's self, the only way was to purchase protection from a stronger neighbor. This was the reason for the growth of the complicated system of feudalism, with whose remote origins and exact details we are not here concerned.
Though warlike churchmen not infrequently led their vassals in person, witness the Bishop of Beauvais at the battle of Bouvines, "who shed no blood, though he brake many bones with his club," women appeared but rarely in the earlier time as Amazons, and then half in sport, as in the case of Queen Eleanor in the second Crusade.
The unmarried woman, whether princess or mere demoiselle, was in a condition almost as dependent as the serf. If she did not choose to marry, or if her face or her fortune could not tempt anyone to ask her in marriage, she might enter a monastery. Indeed, a father unwilling or unable to provide a suitable dower for her might force her to become a nun. The eldest son must be provided for first. If the patrimony were small and the family large, younger sons had to fend for themselves, and daughters had to take what they could get. The convent was the cheapest and the safest place in which to establish them.
The feudal chateau of a great baron was not only a fortress to secure him against his enemies; it was also a home for his family and for scores of dependents and retainers, and frequently a hostelry for the entertainment of travellers of high and low degree. The moat, the drawbridge and portcullis, the strong walls pierced with narrow slits to admit scant light and air in time of peace and to deliver arrows in time of war, the battlements, and the lofty tower of strength, all these are familiar in our conceptions of the feudal castle. Many of us have followed Marmion in his mad dash under the descending portcullis and across the drawbridge of Lord Angus's castle; and we have watched the arrows flying against the walls of Front de Boeuf's donjon and old mad Ursula raving on its battlements. But the other features of the dwellings, though sometimes described with equal care by the great Sir Walter and his disciples, attract less attention and fade sooner from our memories. Such a manor hall as that of C?dric the Saxon should be kept in mind if we wish to get a fair idea of the actual life of the better classes, not only in England but in France, for the main features of the architecture and of the furnishings were the same. The nature and extent of the fortifications might vary greatly, according to the power or ambition of the owner; but the domestic arrangements of the feudal home would be substantially the same in all.
"La chambre est paint tut entur; Venus, la devesse d'amur, Fu tres bein en la paintur."
In the hall of the castle thus rudely furnished the inmates lived a large part of their lives. There the household assembled for meals. There the minstrel, if one chanced to be present, recited his romance. There the lord in person, or his seneschal or baillie, held his court to administer justice. It was the common room of the house, and usually contained all there was in the way of decoration. Comfort even here was hardly to be found; one can fancy that the fire on the open hearth gave out more smoke than heat, and the windows, often entirely unglazed and ill-fitting, let in more cold than light.
In the bower, the lady was not occupied with mere amusements. We are apt to forget that our more complex civilization has taught us to rely upon others to do many things which even our great-grand-mothers had to do for themselves. Placed in the position of Robinson Crusoe, even with the help of the simple tools which Defoe allows him to have, how helpless would be the average man of to-day, simply because, from long dependence on the little conveniences of modern life,--from Lucifer matches and cooking stoves to ready-made clothing and ready-made houses,--he would have lost the use of the most elementary faculties. So the female Crusoe, in a feudal castle lone island, far from the conveniences of town and shops, must, if she expected to get any comfort for herself and those around her, know how to do innumerable small things that even the modern shopgirl finds done for her as a matter of course.
She must know how to make bread, without question. In the romance of King Florus a faithful wife disguises herself as a page and accompanies her husband without his recognizing her. They fall upon evil days, and the wife-page earns a living for herself and her master by starting a bakery and eventually an inn. The lady of the manor must not only know how to make the greater part of the clothing that she wears, but must know how to weave the cloth of which her gown is made, and to spin the yarn from which cloth and thread alike must come, and to card the wool or prepare the flax before that. If soap be considered necessary,--and there seems to have been no excessive use of it,--it would be wise for her to know how to make it, since there might be no place near by where soap could be bought. Candles, too, of a rude sort, or some sort of rushlight, for domestic use, it would be well to know how to make; and, of course, she should know how to make cheeses and to cure meats for use during the long months when fresh meats might not be had. Even on the tables of the rich, salt meats were the staple article. Unable to provide for the feeding of large flocks through the winter--forage was scarce, root crops were little cultivated for stock, and the omnipotent potato had not yet come to its own,--the lord's steward would have a large number of animals slaughtered just at the beginning of winter, and the flesh of these had to be salted down. The good housewife would, of course, know something of the process. Though in large households the management of the male servants, the outdoor servants generally, fell to the steward or baillie, the lady even here undoubtedly had to give a general supervision, and had to provide work for and maintain discipline among the women of the household. It must have required no small amount of ability and tact, therefore, successfully to be the lady of the chateau.
We need not pause here to consider the amusements and the traditional occupations of women, such as fine sewing and embroidery, or music and the care of flowers. These can best be noticed when we examine the romances of a later age.
"Nus sumes homes cum il sunt, Tex membres avum cum il unt, Et altresi grant cors avum, Et altretant sofrir poum."
One hears the echo of Shy lock's "Hath not a Jew eyes? Hath not a Jew hands, organs, dimensions, senses, affections, passions?" The feudal ages would have answered Jew and peasant alike with an emphatic "No!"
The barbarism in the suppression of this revolt is merely a typical instance of the prevailing cruelty of manners. It was not the peasant alone, regarded as hardly the same flesh and blood, to whom the seigneur was cruel. Let us look at a few of these famous knights, and first at the deeds of one notoriously wicked even in his own day. This was Foulques, surnamed Nerra, the black, Count of Anjou, and ancestor of the Plantagenet line. This same Foulques was twice married. His first wife, Elizabeth, accused of adultery--probably because he wished to get rid of her,--he disposed of by violent methods. One account reports that he had her burned alive; another, that he had her thrown over a precipice; and as she survived this, he, scandalized by her refusal to die in this more picturesque fashion, stabbed her himself. One is reminded of Nero, that most cheerful of the Roman murderer-emperors, who contrived an elaborate machine to drown his mother, and, when she swam ashore, was so irritated by the failure of his scheme that he had her summarily decapitated. Foulques's second wife was so ill used that she fled to the Holy Land. The pious count once burned down the church of Saint-Florent at Saumur, calling out to the saint: "Let me burn your old church here, and I'll build you a far finer one in Angers." And later he did build a huge abbey, which no one of the neighboring bishops would consecrate; but a judicious application to Rome, backed by a present, brought a cardinal to consecrate it; and the wrath of Heaven was shown, says the chronicler, for the new church was destroyed by lightning. At length the devout Foulques, who had made two previous pilgrimages to the Holy Land, was so smitten by remorse that he undertook a third. When he arrived at Jerusalem he had himself tied to a hurdle and dragged through the streets, while two of his servants flogged him, and he cried out at every blow: "Have mercy, O Lord, on the perjured traitor, Foulques!" We are not told--but it is probable--that the servants who did the flogging either did not survive very long, or else were wise enough to flog very gently. Foulques, however, died on his way back from Jerusalem.
One Norman gentleman, Ascelin de Go?l, having had the good luck to capture his feudal lord, held him for ransom; and in order that he might be encouraged to pay more, had him exposed at an open north window, in his shirt, and poured cold water over him, that the winter winds might freeze it. And even the mild and saintly King Robert, in his war against the Duke of Burgundy, laid waste the country far and wide, massacred defenceless peasants, and did not spare even monasteries and churches, since peasants and monasteries alike were regarded as but the goods of the duke, which it was his right to destroy.
The Church had some redress for the evils suffered. The pious and superstitious king was tormented nearly all his life by the threats of eternal damnation which the Church held over him. This brings us to a consideration of the influence of the Church upon manners in general and upon the condition of women.
Though there were many ambitious, greedy, and cruel priests; though many of them lived in open defiance of the Church's prohibition of marriage among the clergy,--there were several married bishops at an earlier period, and one of these, the Bishop of Dole, actually plundered his church to dower his daughters,--the Church as a whole unquestionably stood for the best in manners and in morals. After Charlemagne's vain attempts to revive popular education, what learning there was existed only among the clergy. Though themselves forming part of the feudal nobility and holding fiefs for which they owed military service, the bishops, abbots, and priors almost always espoused the cause of the weak and the oppressed. Within the precincts of the church the poor fugitive from violence done in the name of justice was offered sanctuary, and the right of sanctuary was usually respected.
Monasteries for women abounded all over France, most of them under some form of the Benedictine rule. Within their own monasteries women could govern themselves, though the whole convent was usually dependent upon male ecclesiastical control, either attached to a neighboring monastery, or under the jurisdiction of a bishop. In the great double monastic community of Fontevrault, established about noo by Robert d'Arbrissel, women were exalted above men; the nuns sang and prayed, the monks worked, and the entire establishment was under the guidance of the abbess.
The abbess or prioress occupied a position of responsibility and dignity not unlike that of the chatelaine. She too had the control of a large domestic establishment, and she was responsible not only for religious discipline but for the temporal provision for her nuns. The abbess had the power of a bishop within the limits of her convent, and bore a crosier as the sign of her rank. She might even hold some feudal tenure in the name of her convent. She drew revenues from her holdings and was in every sense the executive head of her house. At first--always under some of the stricter rules--the abbess carried on business outside the convent through some male agent. Greater freedom undoubtedly prevailed at times, however, and the rule against her leaving the convent was ignored. She was in some cases appointed, but usually elected from among the nuns, though cases are found, of course, where the abbess was the mere creature of some powerful lay or ecclesiastical authority. To become abbess of a nunnery was not considered beneath even a princess of the blood; and in some convents probably the same caste distinctions were observed as prevailed outside, and the nuns were nothing more than elegant retired ladies of birth and fashion.
The abbess appointed her subordinates, who varied in number and rank according to the power of the convent. There was generally a sub-prioress, second in authority to the abbess, and certain minor executive officers, whose duties were nevertheless important, such as the chaplain, the sexton, and the cellaress. The chaplain was in most cases a monk chosen to celebrate Mass for the nuns, since women were not allowed to become actual priests; but in some cases the officer called the chaplain was a nun, whether or not she could officiate in all capacities. The sexton was a nun whose duties were to ring the bells for services, to keep in order the chapel, the altar, and the sacred vessels, and sometimes to act as a treasurer. The most interesting of these officers, however, and the one whose position must have been really most trying, was the cellaress. It was she who had general supervision of the commissariat. She was usually chosen upon the advice, if not by the election, of the whole community, and it was especially important that she should be a tactful person and a judicious manager. As housekeeper of the establishment, she had to control the servants and to satisfy the nuns. In providing food and drink for the household, she had to manage receipts and disbursements of considerable amounts. Very frequently a farm was attached to the nunnery, or there were several farms whose produce was to be used for the support of the institution. For whatever was bought or sold the cellaress had to make an accounting. With the proceeds of her sales or of the rent of the farms under her control, or with the money allowed her, she had to buy such provisions as were needed: grain, flesh, fish,--usually a very large item, especially in the Lenten season,--condiments, such as preserved fruits, spices, salt, etc., and, where the rule did not utterly forbid it, wine or ale. Of these details we shall speak more fully in connection with the rules for a model nunnery which Ab?lard wrote for H?lo?se and upon which she based her government of the famous monastery of the Paraclete.
Aside from the protection they afforded to women who might otherwise have been utterly lost in the rough world, the monasteries were of great importance in other ways. Whatever it may have become during the period of the decline of monastic purity, the life in the nunneries, even in the comparatively dark period about the year 1000, was not an idle one. The day was carefully portioned off into periods of work, of religious devotion, and of leisure, which long custom fixed into a routine. The occupations included what we should now class chiefly as artistic work, though much of it was at the time really useful in a more homely way,--weaving of hangings and tapestries for the church, embroidery, painting and illuminating, and copying of manuscripts. This last was, of course, work of the highest utility, though the artistic skill displayed in the writing itself and in the beautiful illuminations made it also an art. We have few names of actual scribes of either sex, since they rarely signed the manuscripts they copied; but among these few there are some of women. The magnificent tapestries, sometimes large enough to cover in one piece the side of a church, are perhaps the most noteworthy of the products of the monasteries. So famous was the work of the nuns in this particular that tradition assigned to them, though perhaps mistakenly, the production of one of the most famous historical authorities for the Norman Conquest, the Bayeux tapestries, said to have been wrought for Bishop Odo of Bayeux by nuns under the direction of Queen Matilda.
We have left to the last one most important question in considering the moral influence of the Church. Surely, the sanctity of the marriage tie is one of the foundation stones of morality and of civilization; upon it rests the home, where woman has always found her greatest and surest happiness. The Church had been struggling for centuries, and was to struggle some time longer, to make effective its opposition to marriage among the clergy. Among the secular priests, those not connected with a monastic order, marriage or concubinage had not by any means ceased, and we find even bishops leading scandalous lives. But the Church continued to fulminate its decrees, and the evil grew slowly less and less, till it existed only among the lower orders of the clergy and in out-of-the-way places. Monks and nuns alike took the three vows of poverty, of chastity, and of obedience. We are not concerned with the general question of whether or not priests should be married, or whether or not it is wisdom to force the observance of a vow of perpetual chastity upon young men and women who may have taken such a vow without duly considering their own temperaments, or who have been compelled to take it against their wills. Despite the scandals,--scandal has always a noisy tongue,--there should be no doubt that in the great majority of cases the vow of chastity was sincerely kept. Within its own limits the Church discouraged and was soon utterly to forbid marriage; what did it do to sanctify and to protect marriage outside of the ranks of the clergy?
Marriage was made one of the seven great sacraments of the Church, and the breach of the marriage tie was one of the sins most severely punished. Adultery had been severely punished under the customary laws of the Franks, usually by the death of both parties with frightful tortures; and the Church added to the physical punishment inflicted by the civil law in this world the threat of eternal torments in the next. Nevertheless, according to the testimony of many who are satirists and of some who are not, it was the unmarried priest who was the most frequent offender. An anecdote will illustrate the prevailing looseness of clerical morals. Wace tells us that a sacristan of Saint-Ouen, in Rouen, fell in love with a lady who lived across the little river Robec. As he was stealing across to meet her one dark night, his foot slipped on the plank by which he was crossing the stream, and he tumbled therein and was drowned. A devil was just about to pitchfork his soul and carry it off when an angel appeared, contending that the sacristan had not yet committed the sin. The case was submitted to Duke Richard, who ordered that the soul should be returned to the body, and that he would then judge according to the sacristan's actions. Presto! it was done; and the monk, his ardor cooled by the ducking, went back to his abbey and confessed to the abbot. A popular proverb makes the story survive: "Sir monk, step lightly, and take good care when you cross the plank." Not only in the Church, but in the world, immorality was too common and too easily pardoned. It is significant that illegitimacy was the rule rather than the exception among the Norman dukes, and that William the Conqueror, himself illegitimate, was conspicuous in his age for marital fidelity.
The moral theory of the Church was correct enough, however it failed in practice. Every precaution was taken--indeed, too many were taken--to prevent hasty and ill-assorted marriages. The banns had to be read three times in the church; the contracting parties must be of proper age; they must have the consent of parent or guardian; they must not be related within the degrees prohibited by the Church; they must not be bound by any previous vow of chastity or be guilty of any mortal sin.
Whether these horrors were direct effects of God's wrath or had birth in the zealous imagination of a writer whose interest it was to lay on the colors in his description of the blasting effects of excommunication, Robert and Bertha had to resign themselves to the cruel separation. Robert's superstitious fears were worked on by his monkish advisers, particularly Abbo, Abbot of Fleury, "who incessantly reprimanded the king, in public and in, private." This holy man, says the biographer of Robert, "continued his reproaches until the good King acknowledged his fault and abandoned the wife whom it was not permitted him to possess." The separation seems to have taken place definitely about the year 1006, and Robert was to be miserable in his domestic life all the rest of his days.
The pathos of the story of Bertha is heightened when we look at her successor on the throne. Even in her own day Constance, daughter of Guilhelm Taillefer, Count of Toulouse, was considered harsh and cruel; one chronicler euphemistically expresses this when he says: "There was as much constancy in her heart as in her name." She probably came by her nature honestly enough, for her mother was Arsinda, sister of that Foulques Nerra of cheerful memory, who, indeed, according to some accounts, forced the weak Robert to marry his niece. She was, says the chronicler, surnamed Candida on account of her excessive fairness, and is not infrequently called Blanche, the "fair queen." Into the rather primitive court of the French king, surrounded by his monks and probably longing for the banished Bertha, she came with a scandalous display of luxury and frivolity.
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