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He witnessed the breaking out of the plague in 1665, but when it reached the house adjoining his own, he was induced to remove with his family some miles out of town. Of this desertion of his post, however, he seems to have repented; for he afterwards returned, and occupied himself diligently in visiting the victims of that devastating malady, and has left a short but interesting account of his opinions respecting it, and of the treatment he adopted; for the comparative success of which, he appeals to the physicians who had witnessed or followed his practice.

At the age of 25, though a man of remarkably temperate and regular habits, he became afflicted with gout and stone, from which he suffered extreme torment with great resignation and patience for the rest of his life. Of course he did not neglect the opportunity of studying those diseases in his own person, and recording the result of his observations. His account of gout, especially, is considered to be a most accurate and able history of that disease.

He died, leaving a family, at his house in Pall-Mall, on the 29th of December, 1689, in the 66th year of his age, and was buried in the parish church of St. James, Westminster, where, in 1810, a tablet was erected to his memory by the College of Physicians, who became, as a body, tardily but fully convinced of his extraordinary merit and eminent claims to the gratitude and respect of his profession.

He is said to have been a man of the most retiring and unobtrusive disposition, and the utmost placidity of temper. In a biographical sketch by Dr. Samuel Johnson, prefixed to an English edition of his works by Swan, in 1742, it is remarked, that if he could not teach us in his writings how to cure the painful disorders from which he suffered, he has taught us by his example the nobler art to bear them with serenity. Nor was he less patient of mental than of bodily inflictions; for though he was the object of much asperity among the physicians of his time, he made no reprisals upon the reputations of those who slandered him: though he often speaks of their bitterness, he never even mentions their names,--a forbearance to which, as his biographer pungently remarks, they are indebted for their escape from a discreditable immortality. His writings breathe throughout a spirit of warm piety, candour, and benevolence: he is said to have been extremely generous in his dealings with his patients; for which, with other reasons, his practice though large was not very gainful, and he did not leave much wealth behind him. He never was sought after by the great, like his successor and disciple Radcliffe; and had none of the talents by which that singular man was able to push his fortune and establish a kind of professional despotism. Yet, whatever medical skill the latter evinced seems to have been derived from Sydenham, whose doctrines and treatment he contrived to bring into a much more early and general repute in England than they would probably have otherwise obtained. Each had his reward: the one will be long remembered as the founder of a magnificent library; the other can never be forgotten as the author of modern medicine.

The bent of Sydenham's mind was eminently practical; he thought that the business of a physician is to acquire an accurate knowledge of the causes and symptoms of diseases, and the effects of different remedies upon them, that if he cannot prevent them, he may at least recognise them with certainty, and apply with promptitude the means most likely to cure them: with Hippocrates and the ancient empirical physicians, whose tenets he professed to follow, he condemned all curious speculations upon the intimate nature of disease, as incapable of proof, and therefore always useless, and often hurtful; and maintained that the only trustworthy source of opinion in medicine is experience resulting from observations frequently repeated, and experiments cautiously varied; and that no theories worth attention can be framed until the recorded experience of many observers, under many different circumstances, and even through successive ages, shall be embodied into one general system; and he boldly declared his belief that every acute disease might then be cured. An instance, which unfortunately as yet stands alone in support of this rather sanguine expectation, may be taken from the history of small-pox. The observation of its contagious nature led to the general practice of inoculation, and this to the immortal discovery of Jenner, by which a disease but yesterday the scourge of the earth has been almost extinguished. It is remarkable that Sydenham, who first pointed out the important difference between its distinct and confluent forms,--who so materially improved the treatment by changing it from stifling to cooling,--and who studied and has described it with a laborious accuracy hardly paralleled in the history of medicine,--was not aware of this, to us, its most striking characteristic of contagion. A person conversant with such subjects will feel no surprise at this: to the general reader it may be a sufficient explanation, that it lies dormant for ten days; and that as it can only be taken once, and was always prevalent in London, the number of persons susceptible at any given time, and in obvious communication with each other, were comparatively few: so that opportunities were not so likely to arise as might be imagined of tracing its progress in single families or neighbourhoods from one source of contagion.

Sydenham is justly celebrated for the happiness of his descriptions, and his skilful application of simple methods of cure, which are as effectual as they were novel in that age when a medical prescription sometimes contained a hundred different substances; but he has merit of a higher kind, as a discoverer of general laws. Among others, he was the first to notice that there is a uniformity in the fevers prevailing at any one time, which is subject to periodical changes; and that other acute diseases often partake largely of the same general character, and sometimes even merge in it altogether, as the plague is said to have swallowed up all other diseases. This, which he ascribed to some peculiar state of the atmosphere, he called its epidemic constitution; and to be aware of its vicissitudes must of course be very important to the physician as a guide to practice. The value of these laws, which Sydenham deduced from a multitude of observations, has been attested by almost every medical writer since his time.

His works have been repeatedly printed in the original Latin, as well as in English and the continental languages. The first was published after he had been sixteen years in practice; the last he edited himself, is dated three years before his death; and an elegant compendium of his experience was published posthumously by his son. They all appear to have been extorted by the importunity of his friends or the misrepresentations of his enemies. It is said that they were composed in English, and translated into Latin by his friends Mapletoft and Havers: there is, however, little reason for attaching credit to this report, as we are assured, on the authority of Sir Hans Sloane, who knew him well, that Sydenham was an excellent classical scholar, and perfectly capable of expressing himself elegantly in Latin. They are most carefully written and clearly expressed, and bear marks of the utmost truth and impartiality in the narration of facts, and judgment in arranging them. They are not voluminous, as he studiously refrained from overloading them with trivial matter, and from entering into the detail of a greater number of cases than might be sufficient to illustrate his method of practice. His object was to confine himself to the results of his own observation: to this he pretty strictly adhered, so that little space is occupied in his writings by quotations or criticism. It must be admitted that he occasionally lapses into theoretical discussion, in violation of his own principles; but as he seldom or never permitted his fancy to divert him from what was practically useful, he may be pardoned, if in that age of speculation he could not entirely resist the seduction. A graver charge against him is, that he overlooked or undervalued the immense body of information to be obtained from examining the effects of diseased actions after death, and devoted himself too exclusively to the study of the symptoms during life, and the effect of remedies upon them. It is hardly a sufficient justification of a man of so much independence of spirit to reply, that such examinations were opposed by the prejudices of the age in which he lived. Others have overcome the same obstacles, and with them many of those difficulties which perplexed and misled even the mind of Sydenham. He had equal or greater difficulties to contend against in the deep-rooted absurdities of the chemical and mechanical schools, which in the early part of his life held an almost equally divided sway in medicine: the former originated with Paracelsus and his disciples, and had the advantage of a longer prescription; and the latter had received a fresh accession of strength from the recent discoveries of Harvey: both, however, gave way before his energetic appeal to fact and experience. Scarcely less credit is due to him for his successful opposition to the popular superstition in favour of a host of futile remedies, which are now happily consigned to oblivion with the family receipt books and herbals in which their virtues were paraded, than for his victory over false principles and dangerous rules of practice.

On the whole, it may be safely advanced that medicine, as a practical science, owes more to the closely-printed octavo, in which the results of his toilsome exertions are comprised, than to any other single source of information.

CLARENDON.

Edward Hyde, Earl of Clarendon, the third son of Henry Hyde, of Dinton, Esquire, a younger branch of an ancient family long established in Cheshire, was born at Dinton, near Salisbury, February 18, 1609. The most valuable part of his early education he received from his father, who was an excellent scholar: from his residence at Magdalen Hall, Oxford, where he entered in 1622, and took his bachelor's degree in 1625, according to his own account he obtained little benefit. In February 1627, he was entered at the Middle Temple. At the age of twenty-one, he married his first wife, who died within six months of their union. After the lapse of three years he was again married, to the daughter of Sir Thomas Aylesbury, Master of Requests to the King, by whom he left a numerous family. He was called to the bar in Michaelmas term, 1633. To the study of law he entertained in the first instance a strong dislike, and applied himself chiefly to history and general literature. But from the time of his second marriage he devoted himself steadily to the pursuit of his profession, in which he early acquired considerable practice and reputation. His business was, however, more frequent in the Court of Requests, in the Star Chamber, than in the courts of common law, and his name rarely appears in the reports of that period.

Soon after he was called to the bar, Mr. Hyde was concerned in a transaction of considerable moment, which produced important consequences in his future life, by introducing him to the favourable notice of Archbishop Laud. It arose out of certain Custom-House regulations, by which the London merchants found themselves aggrieved. The leading men among them applied to Mr. Hyde, who, on finding all remonstrances with the Lord Treasurer unavailing, advised them to state their grievances in a petition to the King, which he drew for them. On the death of the Lord Treasurer, the Earl of Portland, the affairs of the Treasury were placed under the management of several commissioners, of whom Laud was one. The Archbishop soon found occasion to investigate the complaint of the merchants; and in consequence he sent for, and held several interviews with, Mr. Hyde: to whom he became a valuable and efficient patron, noticing him particularly when he appeared as counsel in the Star Chamber, and consulting and employing him on many public occasions.

Laud's favour introduced Mr. Hyde to the Lord Keeper Coventry, the Earl of Manchester, then Lord Privy Seal, and other political and legal characters of high rank, of the court party. With the leaders of the popular, or country party also he was upon friendly terms, "having," as he says, "that rare felicity, that even they who did not love many of those upon whom he most depended, were yet very well pleased with him and with his company."

Upon the summoning of what was called the Short Parliament, which met April 3, 1640, Mr. Hyde was elected member for Wootton-Basset, and for Shaftesbury. He chose to take his seat for the former place. His first and only speech during the session was in the celebrated debate on the subject of grievances, introduced by a motion of Mr. Pym; on which occasion Mr. Hyde directed the attention of the house to the enormous abuses of the Earl Marshal's Court. Whitelocke says that "he gained much credit by his conduct in this business." In the warm debate which took place in the House of Commons upon the question of a supply, it was hinted by members of the house connected with the court, that Charles, upon hearing of their proceedings, would probably dissolve the parliament in displeasure. Mr. Hyde perceived the injurious tendency of such a measure, and immediately went from the house to Archbishop Laud, to entreat him to dissuade the King from so injudicious a course. The Archbishop heard him as usual with patience, but refused to interfere: and the Parliament was dissolved in less than three weeks after its first meeting.

The necessities of the King compelled him to call the Long Parliament in the following November, of which Mr. Hyde was also a member. The elections having in general favoured the popular party, the temper of this parliament was at its commencement decidedly more opposed to the court than the last. At first, Mr. Hyde, whose familiarity with Laud was well known, was an object of jealousy and dislike. His conduct as chairman of the committee appointed to consider the abuses of the Earl Marshal's Court, which led to the total abolition of that unauthorized jurisdiction, and his avowed disapprobation of several obnoxious branches of the prerogative, restored him in some degree to the good opinion of the house, while his influence with the moderate party, both in the court and the parliament, daily increased. Having given up his professional practice since the beginning of the parliament, he was much employed in the ordinary business of the house. He was chairman of the committee appointed to inquire into the legality and expediency of the courts of the President and Council of the North, commonly called the Courts of York; and in April, 1641, he was commissioned to communicate to the House of Lords the resolutions of the Commons against those courts. The performance of this duty he accompanied by a speech, in which he explained to the Lords, with much clearness and precision, the origin and nature of this obnoxious jurisdiction, and which he says in his History, "met with good approbation in both houses." In July following he was chairman of the committee for inquiring into the conduct of the judges in the case of ship-money; and the management of the impeachment of the Lord Chief Baron Davenport, Baron Weston, and Baron Trevor, before the Lords, was afterwards entrusted to him. Upon this occasion, he delivered an excellent speech, exhibiting, in eloquent language, the destructive effects of the corruption of the judges upon the liberty of the subject and the security of property. During the same year, he appears from the Commons' journals to have been usually named on the most important committees both of a public and private nature.

The course adopted by Mr. Hyde with reference to the Earl of Strafford's prosecution cannot be precisely ascertained. That he was employed in arranging the preliminary steps for the impeachment, appears from the journals; but in his History he does not explicitly declare what part he took upon the introduction of the bill of attainder. Some of his biographers state that he warmly opposed it; but no evidence is given in support of the assertion; and it is quite clear that neither his name, nor that of Lord Falkland, his political and personal friend, appear amongst those which were posted as "Straffordians, Betrayers of their Country," for having voted against the measure. Though he cordially acquiesced in many of the measures at this time introduced by the popular leaders for the redress of grievances, his political opinions, as well as his ultimate views and intentions, differed widely from those of the predominant party. He strenuously opposed a bill for depriving the bishops of their seats in parliament, which passed the House of Commons, though it was rejected in the House of Lords by a great majority. In no degree discouraged by this discomfiture, the leaders of the Puritan party soon afterwards introduced a measure for the total abolition of episcopacy, known by the title of 'The Root and Branch Bill,' which was read a first time and committed. Mr. Hyde was appointed chairman of the committee, by common consent of both parties; the one wishing to get rid of his opposition in the committee, the other to secure a chairman of their own views. The result proved the latter party to be in the right; for Hyde contrived so to baffle the promoters of the measure, that they at last thought proper to withdraw it, Sir Arthur Haselrig declaring in the house, that "he would never hereafter put an enemy into the chair." His conduct respecting this measure was warmly approved by the King; who before he went to Scotland in 1641, sent for Mr. Hyde, to express how much he was beholden to him for his services, "for which he thought fit to give him his own thanks, and to assure him that he would remember it to his advantage."

Before the King left Whitehall, in consequence of the tumults occasioned by his indiscretion in demanding the Five Members, he charged Mr. Hyde, in conjunction with Lord Falkland and Sir John Colepeper, to consult constantly together upon the state of affairs in his absence, and to give him on every occasion their unreserved advice, without which he declared solemnly that he would take no step in the parliament. Though much discouraged by the previous conduct of the King respecting the Five Members, which he had adopted without consulting them, and entirely against their judgment, they undertook and faithfully executed the charge imposed upon them; and after the King had left London, they met every night at Mr. Hyde's house in Westminster, to communicate to each other their several intelligences and observations, and to make such arrangements as they thought best adapted to stay the falling fortunes of the royal cause.

Mr. Hyde's good understanding with the leaders of the popular party had rapidly declined, since his opposition to the proposed measure for ejecting the bishops from the House of Lords; and after his conduct in the committee for abolishing episcopacy he was regarded as a declared enemy, and his nightly consultations with Falkland and Colepeper were watched with the utmost jealousy. Though his situation at this time was one of considerable danger, he remained at his post after the King's departure to York, and constantly took his seat in the House of Commons. About the latter end of April, 1642, Mr. Hyde received a letter from the King, requiring him immediately to repair to him at York; with which requisition he complied in the course of the next month, having first rendered a signal service to the royal cause by persuading the Lord Keeper Littleton to send the Great Seal and also to go himself to the King. In consequence of this step the House of Commons passed a resolution, in August, 1642, disabling him from sitting again in that parliament; and their indignation was raised to such a degree, that Mr. Hyde was one of the few persons who were excepted from the pardon which the Earl of Essex was afterwards instructed to offer to those who might be induced to leave the King and submit to the parliament. On joining the King at York, Mr. Hyde continued to be one of his most confidential advisers, and was soon afterwards knighted and made Chancellor of the Exchequer. In this capacity he negotiated with the parliamentary commissioners sent to Oxford in 1643; and in 1645 he acted as one of the King's commissioners at the treaty of Uxbridge. After the breaking off of that treaty it was thought expedient to send the Prince of Wales into the west of England, both to secure his person from the dangers with which his father was environed, and to give encouragement to the Royalists in that part of the country. Sir Edward Hyde accompanied him as one of his council. The parliamentary successes in the west compelled the Prince to migrate, first to Scilly, thence to Jersey, from which place he departed into France in July, 1646. Hyde remained in Jersey for the space of two years, devoting himself wholly to his History of the Rebellion, which he had commenced in the Scilly Islands, and of which he completed the four first books at that time. While engaged in this manner, he received several letters from the King, expressive of his approbation of his undertaking, and supplying him with a particular relation of the occurrences which had taken place from the departure of the Prince until the period of his joining the Scotch army.

In May, 1648, Hyde received the King's commands to join the Prince of Wales at Paris. On the way thither, he met Lord Cottington and others at Rouen, where he learned that the Prince was gone to Holland, and was ordered to follow him. After many difficulties and dangers, Cottington and Hyde met their young master at the Hague in the month of August, and were soon afterwards joined by several other members of the King's council.

The first open act of hostility against Lord Clarendon was undertaken by the Earl of Bristol, who, in 1663, exhibited articles of high treason and other misdemeanors against him in the House of Lords. These articles, which contained a great variety of vague and inconsistent charges, were forwarded by the House of Lords to the King, who informed them, that "he found several matters of fact charged, which upon his own certain knowledge were untrue; and that the articles contained many scandalous reflections upon himself and his family, which he looked upon as libels against his person and government." Upon a reference by the House of Lords to the judges, they reported that "the whole charge did not amount to treason though it were all true;" and upon this the proceedings were abandoned.

But it was at last the fate of Lord Clarendon to experience the proverbial ingratitude of princes. From the period of the Restoration a powerful union of discontented parties had gradually combined against him. All hated him--the old cavaliers, because they thought he neglected their just claims upon the bounty of the King; the papists and the dissenters, because they found him an uncompromising opponent of all concessions to those whom he regarded as enemies of the established church; the licentious adherents of an unprincipled court, because his honest endeavours to withdraw the King from his levity and profligacy to serious considerations, thwarted their intentions and interrupted their pleasures. Their united efforts erased from Charles's mind the recollection of services of no common value, and caused him to abandon his best and most faithful counsellor, without having even the appearance of a reason for his conduct, beyond what he called "the Chancellor's intolerable temper."

The Great Seal was taken from Lord Clarendon in August, 1667; and in the month of November following, after an angry debate, he was impeached by the Commons, in general terms, of high treason and other crimes and misdemeanors; but the Lords, upon the impeachment being carried up, refused to commit him, or to sequester him from parliament, on the ground of the generality of the charge. Before the formal articles of impeachment were prepared, Lord Clarendon left England, in consequence of repeated messages from the King advising him to take that course, having previously addressed to the Lords a vindication of his conduct. Immediately after his departure a bill was introduced into the House of Lords, and rapidly passed, by which he was condemned to perpetual banishment, and declared to be for ever incapable of bearing any public office or employment in England.

After some hesitation, Lord Clarendon determined to reside at Montpellier, where he arrived in July, 1668. He was treated with much courtesy and respect by the governor of the city, as well as the French and English inhabitants of all ranks. His first task was to write the vindication of his conduct above-mentioned. During his retirement he made himself master of French and Italian, and read the works of the most eminent writers in both those languages. He also completed his History of the Rebellion, and wrote an answer to Hobbes's Leviathan, an Historical Discourse on Papal Jurisdiction, a volume of Essays, divine, moral, and political, and also those fragments of his Life, which were first published by the University of Oxford in 1759. Engaged in these pursuits he passed nearly three years at Montpellier in great tranquillity and cheerfulness. He left that city in 1672, and went first to Moulins, then to Rouen, where he died, December 9, 1673. His remains were brought to England and interred in Westminster Abbey.

In the discharge of the legal functions of his office of Lord Chancellor, as presiding in the Court of Chancery, he was by no means distinguished; he promoted some reforms in the practice of his court, and continued the judicious improvements effected during the Commonwealth; but Evelyn says "he was no considerable lawyer," and the circumstance that he never decided a case without requiring the presence of two judges is, if true, a sufficient acknowledgment of his judicial incompetency.

For his judicial appointments Lord Clarendon is entitled to unqualified praise. Hale, Bridgeman, and other judges of the highest eminence for learning and independence, were appointed by him immediately after the Restoration, and contributed in a great degree to give stability and moral strength to the new government, by the confidence which their characters inspired in the due administration of the law.

As an historian Lord Clarendon was unquestionably careless and inexact to a surprising degree, which may in some measure be excused by the necessity of writing very much from recollection; and he was a perpetual advocate and partisan of the Royal cause, though by no means of most of its supporters. But though his narration constantly betrays the bias of party, and cannot therefore be safely relied upon for our historical conclusions, his misrepresentations arise from the avowed partiality and intense concern he feels for the cause he is advocating, and not from any design to suppress or distort facts. His style is luxuriant and undisciplined, and his expression in the narrative parts of his history is diffuse and inaccurate; but his fervent loyalty and the warmth of his attachment to his political friends have infused a richness of eloquence into his delineations of character, which has perhaps never been surpassed in any language.

SIR J. REYNOLDS.

Footnote 2:

It is worthy of remark that about the same time the sculptors in Rome were as exclusively employed in restoring antique statues.

Laborious detail on the one hand, and empty facility on the other, formed the distinguishing characteristics of these different schools; but however opposite in execution, mind was alike wanting in both. Denner may be considered the representative of the microscopic style; a style, if it deserves the name, which he applied even to heads the size of life; and as mere finish never was, and probably never will be carried to a more absurd length, his name, though comparatively obscure, marks an epoch in the art. The same scrupulous minuteness obtained about the same time in landscape; among the view-painters, Hendrick Van Lint, surnamed Studio, may be named as the most remarkable of his class. Reynolds alludes to him in one of his discourses, as noted, when he knew him in Rome, for copying every leaf of a tree. The opposite style, which aimed at quantity and rapidity, was derived from the expert painters of galleries and ceilings, called "Machinisti," and more immediately from Luca Giordano. Facility and despatch, at the expense of every solid quality of art, were the characteristics of the school which was represented in the earlier part of Reynolds's career, principally by Sebastian Conca in Italy, and by Corrado Giaquinto in Spain.

The changes which took place in this state of things, towards the latter part of the century, may be traced partly to the renewed appreciation of the antique statues , and subsequently to political circumstances. The fluctuations of taste, however deliberately estimated by retrospective criticism, are indeed generally the result of accident, and depend on causes but seldom derived from a just definition of the nature and object of art. It appears, however, that Reynolds, alone as he was, the founder rather than the follower of a school, enjoyed the rare privilege of making the taste of his time instead of being made by it; and although it would be absurd to suppose that he could be independent of the accidents with which he was brought in contact, it will not appear, upon a candid inquiry, that this great artist was in any respect directly influenced by the practice of his age.

Joshua Reynolds was born at Plympton, near Plymouth, in Devonshire, July 16, 1723; he was the son of the Rev. Samuel Reynolds, who taught the grammar school of Plympton. The young artist's fondness for drawing manifested itself early, and at eight years of age he had become so well acquainted with the "Jesuits' Perspective," as to apply its principles with some effect in a drawing of his father's school, a building elevated on stone pillars. Among other books connected with art to which he had access, Richardson's 'Treatise on Painting' had a powerful effect in exciting his ambition. The earliest known picture he attempted is a portrait of the Rev. Thomas Smart, who was the vicar of Maker, the parish in which Mount Edgecumbe is situated. Reynolds, then a schoolboy about twelve years of age, sketched the portrait of the vicar at church, and afterwards copied it on canvass. This picture is now in the possession of John Boger, Esq., of East Stonehouse near Plymouth. The taste of the young painter becoming every day more decided, his father, urged by the advice of some friends, placed him at the age of seventeen as a pupil with Hudson, who had at that time the chief business in portrait painting, although a very indifferent artist. In 1743 Reynolds returned to Devonshire, in consequence of a disagreement with his master, and set up as a portrait painter in the town of Plymouth Dock, since called Devonport. He here painted various portraits, chiefly of naval officers. One of these works, containing the portraits of Mr. and Mrs. Eliot and family, is in the possession of the Earl of St. Germains. The composition of this picture, the artist's first attempt at a group, approaches the pyramidal form, and Reynolds, after contemplating it when finished, observed, 'I see I must have read something about a pyramid, for there it is.' Six other pictures of the artist are preserved in the same collection, at Port Eliot in Cornwall. An admirable picture of a boy reading by a reflected light was also executed about this time. Many interesting works of Reynolds, some of them belonging to his earlier practice, are preserved in the immediate neighbourhood of Plymouth, in the collections of the Earl of Morley, Mr. Pole Carew of Antony, Mr. Rosdew of Beechwood, Mr. Lane of Coffleet, and others. The artist's early works, although sometimes carelessly drawn, are distinguished by breadth of colour, by freedom of handling, and not unfrequently by great truth of expression: in short, he seems to have contracted none of the defects of Hudson, except, according to some of his biographers, a certain stiffness and sameness in the attitudes of his portraits; defects which he afterwards exchanged for such grace, spirit, and, above all, endless variety, that it was said "his inventions will be the future grammar of portrait painters." The earliest portrait he painted of himself is in the collection of Mr. Gwatkin of Plymouth, who married a niece of Reynolds: the same gentleman also possesses the last portrait of the artist by himself, together with many other interesting specimens of his pencil. In 1747 Reynolds repaired again to London, and took lodgings in St. Martin's Lane, then and long afterwards the favourite residence of artists. In 1749 he sailed to the Mediterranean, by the invitation, and in the company of Captain Keppel. Reynolds spent two months in Minorca, where he painted several portraits of military and naval officers, and proceeded thence, by way of Leghorn, to Rome.

In 1768 the Royal Academy was instituted, and Mr. Reynolds, holding unquestionably the first rank in his profession, was elected President. On his elevation to this office he received the honour of knighthood. As President he delivered to the students and professors those celebrated discourses, which have reflected so much lustre on his name. Their excellence in a theoretical point of view, the elegance of their composition, and on the other hand the apparent contradictions they sometimes contain, have been the theme of frequent observation and discussion. The other writings of Sir Joshua are the 'Tour to Flanders and Holland,' consisting of notes on the paintings seen by him in those countries in the year 1781; 'Notes on Du Fresnoy's Poem;' and three papers in the Idler. Among the last, the Essay on Beauty was not so original as is generally supposed, the same theory having been previously promulgated by the P?re Buffier in his 'Cours des Sciences par des principes nouveaux. Paris, 1732.' Among the historical and mythological pictures produced by Sir Joshua, that of the Infant Hercules strangling the Serpents, executed in 1786 for the Empress of Russia, is one of the most considerable: it is pretty closely copied, as to invention and composition, from a description of an antique painting of the same subject in Philostratus. This work, so different from the taste of the Russian painters and connoisseurs, was long treated with neglect; but in consequence of the enquiries of English travellers it has lately been cleaned, and placed in the gallery of the Hermitage. It is said to be in a fine state of preservation, and one of the best works of Reynolds. The celebrated picture of Ugolino was produced by an accidental circumstance. The subject was suggested to Sir Joshua by Goldsmith, or, according to others, by Burke, who was struck with the expression of an old emaciated head, among the unfinished studies of the painter, and observed that it corresponded exactly with Dante's description of Count Ugolino. The head was inserted in a larger canvas, and the rest of the composition added. For the Shakspeare Gallery Sir Joshua painted three pictures,--the Death of Cardinal Beaufort, the Cauldron Scene in Macbeth, and Puck from Midsummer Night's Dream. The designs for the window of the New College Chapel in Oxford are among the finest of his sacred compositions.

In 1789, finding his eyesight begin to fail, Sir Joshua was compelled to give up the practice of his art. In December, 1790, he pronounced his farewell Address at the Royal Academy, and on that occasion repeated and confirmed, as with his dying voice, his admiration of Michael Angelo. His infirmities confined him much during the short remaining portion of his life, and he died at his house in Leicester Fields, February 23, 1792. He was buried in the crypt of the cathedral of St. Paul, near the tomb of Sir Christopher Wren. The honours of his funeral, as may be imagined, corresponded with his justly-earned fame; and the day after his death a well-known eulogium by Burke appeared in the public papers, so characteristic both of the writer and the great artist to whose memory it was dedicated, that it was called the panegyric of Apelles, pronounced by Pericles. It concludes thus:--"His talents of every kind, powerful from nature, and not meanly cultivated by letters, his social virtues in all the relations and all the habitudes of life, rendered him the centre of a very great and unparalleled variety of agreeable societies, which will be dissipated by his death. He had too much merit not to excite some jealousy, too much innocence to provoke any enmity. The loss of no man of his time can be felt with more sincere, general, and unmixed sorrow."

For a list of the pictures of Sir Joshua Reynolds, and ample details of his life, the memoir of him by Northcote, who had been his scholar, may be consulted; as well as the accounts prefixed to the various editions of his literary works; and that by Allan Cunningham, in his Lives of the most eminent British Painters, Sculptors, and Architects.

SWIFT.

During his incumbency at Laracor, he invited to Ireland a lady with whom he became acquainted while with Sir William Temple. She was the daughter of Temple's steward, whose name was Johnson. About the year 1701, at the age of eighteen, she went to Ireland, to reside near Swift, accompanied by Mrs. Dingley, a lady fifteen years older than herself. Miss Johnson was Swift's celebrated Stella. Whether Swift's first impulse in giving this invitation had a view to marriage, or the cultivation of friendship only, is uncertain. His whole conduct with respect to women was most mysterious: apparently highly capricious, and, whatever might be its secret motive, utterly unwarrantable. The reason assigned by the two ladies for transferring their residence to Ireland was, "that the interest of money was higher than in England, and provisions cheap." Every possible precaution was taken to prevent scandal: Swift and Miss Johnson did not live together, nor were they ever known to meet except in presence of a third person. Owing to this scrupulous prudence, the lady's fame, during fifteen years, was never questioned, nor was her society avoided by the most scrupulous. In 1716 they were privately married, but with no change in their mode of life: she never lodged in the Deanery, except during those fits of giddiness and approaching mental aberration, during which a woman, then of middle age, might venture without breach of decorum to nurse an elderly man.

In 1701 Swift had published his 'Dissensions in Athens and Rome;' his first political work, in behalf of King William and his ministers, against the violent proceedings of the House of Commons. According to Lord Orrery, from that year to 1708 he did not write any political pamphlet; but he made frequent journeys to England during the whole of Queen Anne's reign. Between 1708 and 1710 he changed his politics, worked hard against the Whigs among whom he had been educated, and plunged into political controversy, with a view to open the road to power for the Tories. The year 1710 produced the 'Examiner,' of which he wrote thirty-three papers. In that year commenced his acquaintance with Harley, who introduced him to St. John and the rest of the ministers. At this period he dined every Saturday at Harley's, with the Lord Keeper, Mr. Secretary St. John, and Lord Rivers, to the exclusion of all other persons. He may, therefore, be considered at this time as the confidential friend of the ministry, and almost a member of their cabinet. The company was afterwards enlarged to sixteen, including Swift; all men of the first class in society. He now put forth all his strength in support of the Tory party, in pamphlets, periodical papers, and political poems. Amidst all this political agitation, he wrote down the occurrences of every day, whether consisting of conferences with ministers, or quarrels with his own servant, in a regular journal to Stella.

In 1712, ten days before the meeting of parliament, he published a pamphlet, entitled 'The Conduct of the Allies,' to facilitate peace, on which the stability, almost the personal safety of the ministers, seemed to depend. He professes that this piece cost him much pains, and no writer was ever more successful. A sale of eleven thousand copies in two months was in those days unprecedented: the Tory members in both houses drew their arguments from it, and the resolutions of parliament were little more than a string of quotations. During that year and the next he continued to exert himself with unwearied diligence. In 1713 he carried to the then latest date the first sketch of the 'History of the last four Years of Queen Anne.' Lord Bolingbroke, when called on for his opinion, was sincere enough to speak of it as "a seasonable pamphlet for the administration, but a dishonour to just history." Swift himself was proud of it, but professed his willingness to sacrifice it to his friend's opinion. It was, however, published, but with no addition to the author's fame.

The Queen is said to have intended to promote him to a bishopric; but the story is involved in obscurity. That Archbishop Sharpe had dissuaded her from so doing by representing his belief in Christianity as questionable, is not ascertained by any satisfactory evidence; but whether that were so or not, Johnson's suggestion seems probable, that the difficulty arose from those clerical supporters of the ministry, "who were not yet reconciled to the author of the 'Tale of a Tub,' and would not, without much discontent and indignation, have borne to see him installed in an English cathedral." The deanery of St. Patrick, in Dublin, was therefore offered to him, and he accepted it. With high pretensions to independent equality with the ministers, and a disinterested support of their measures, it cannot be doubted that he viewed this Irish preferment as a sentence of exile, and was bitterly disappointed. But his temper was too intractable to submit to play the part of a courtier; and it is probable that his English friends were not ill pleased to promote him to competence and dignity at a distance. His feelings are characteristically expressed in one of his letters: "I use the ministry like dogs, because I expect they will use me so. I never knew a ministry do anything for those whom they made companions of their pleasures; but I care not."

He had indeed little reason to rejoice at first in the land where his lot had fallen: on his arrival in Ireland to take possession of his deanery, he found the country under the strongest excitement of party violence. The populace looked on him as a Jacobite, and threw stones at him as he walked the streets. His chapter received him with reluctance, and thwarted him in whatever he proposed. Ordinary talents and firmness must have sunk under such general hostility. But the revolutions of the Dean's life were strange; and he, who began with the hatred of the Irish mob, lived to govern them with the authority of a despot.

He had not been in Ireland more than a fortnight when he returned to England for the purpose of attempting, but in vain, a reconciliation between the Lords Oxford and Bolingbroke. While in England, he wrote his 'Free Thoughts on the Present State of Affairs.' He was probably still watching the issues of time or chance; but the Queen's death sealed his political and clerical doom, and he returned to Ireland. To the interval between 1714 and 1720 Lord Orrery ascribes 'Gulliver's Travels.' His mind was at this time much engrossed by a remarkable circumstance. He had formed an intimacy in England with the family of a Dutch merchant, named Vanhomrigh. The eldest daughter, strangely enough, became enamoured of Swift's mind, for it could not be of a most homely person, nearly fifty years of age. She proposed marriage: this he declined, and wrote his poem of 'Cadenus and Vanessa' on the occasion. On her mother's death, the young lady and her sister followed him to Ireland; the intercourse was continued, and the proposal renewed on her part. This it was absolutely necessary to decline, as the Dean was already married; but he lived with Stella on the same distant footing as before, and was reluctant either to inflict pain, or to forego his own pleasure, by an avowal of the insuperable obstacle. Vanessa continued to receive his visits, but so guardedly as not absolutely to forfeit her good name. She became however more and more urgent; and peremptorily pressed him to accept or reject her as his wife. Failing to obtain a direct answer, she addressed a note to Miss Johnson, desiring to know whether she were married to him, or not. Stella sent this note to Swift, who in a paroxysm of anger rode to Vanessa's house, threw a paper containing her own note on the table, and quitted her without a word. This blow she did not survive many weeks. She died in 1723, having first cancelled a will in the Dean's favour.

Vanessa by will ordered her correspondence with Swift to be published, as well as 'Cadenus and Vanessa,' in which he had proclaimed her excellence and confessed his love. The letters were suppressed; the poem was published. This, whether meant as an apology for herself, or as a posthumous triumph over her more successful rival, occasioned a great shock and distress both to Stella and the Dean. It is said that at length, probably as a softening to the mortification incident to the public discovery of his passion for Vanessa, he desired that Stella might be publicly owned as his wife; but her health was rapidly declining. She said, perhaps petulantly, "It is too late," and insisted that they should continue to live as before. To this the Dean consented, and allowed her to dispose of her fortune, by her own name, in public charity. She died in 1727.

The extent and variety of Swift's writings render it necessary to confine our notice to two or three of his most curious productions. Of the 'Tale of a Tub,' which, being regarded as an attack upon all religion, brought down a weight of censure on the author, against which he protested in the preface to a later edition, Dr. Johnson says that "it has little resemblance to his other pieces. It exhibits a vehemence and rapidity of mind, a copiousness of images, and vivacity of diction, such as he afterwards never possessed or never exerted. It is a mode so distinct and peculiar, that it must be considered by itself; what is true of that is not true of anything else which he has written. In his other works is found an equable tenor of easy language, which rather trickles than flows."

'Gulliver's Travels' are now probably better known to the public than any other of his productions. That work is a moral and political romance, exhibiting a wonderful specimen of irregular genius. Not only are human actions placed in the most unfavourable light, but human nature itself is libelled. His wayward temper and his ill-concealed disappointment had put him out of conceit with the world; misanthropy had made some inroad into his heart, and, with his pen in his hand, he indulged in the expression of it with affected exaggeration. But however offensive to good feeling the satire might be, the imagination and wit which pervade this extraordinary work will always attract some readers, while the simple, circumstantial air of truth with which such extravagant fictions are related is a source of amusement to less refined tastes.

Neither are the 'Drapier's Letters,' written in 1724, less remarkable, although the temporary nature of the subject has divested them of all interest, except as samples of the powers of his mind and the character of his style. Lord Orrery calls them "those brazen monuments of his fame." A patent had been taken out by one Wood for a copper coinage for Ireland, to the amount of one hundred and eighty thousand pounds in halfpence and farthings, by which the projector, at least as was alleged by the opponents of the ministry, would have gained exorbitant profit, and the nation would of course have incurred proportionate loss. The Dean, in the character of a Drapier, wrote a series of letters, exposing the folly and mischief of giving gold and silver for a debased coin probably not worth a third of its nominal value. He urged the people to refuse this copper money; and the nation acted on the Drapier's advice. The government took the alarm at this seditious resistance to the King's patent, and offered three hundred pounds reward for the discovery of the author of the fourth letter; but his precautions were so well taken, and his popularity so universal, that, though known to be the author, the proclamation failed to touch him. The popular indignation rose to such a height that Wood was compelled to withdraw his patent, and the base money was totally suppressed. From this time forward the Dean, who at his first arrival in Ireland had been most unpopular, possessed unlimited influence; he was consulted on all measures of domestic policy; persons of all ranks either courted or feared him; national gratitude was expressed by all ranks in their various ways; the Drapier was a toast at every convivial meeting, and the sign of his head insured custom to an ale-house.

His letters are remarkable for the pure English of their style: there is little of solid information to be derived from them; but the most trifling anecdotes of distinguished men find ready acceptation with a large class of readers.

As a poet, in the higher sense of the word, we rank Swift's claims to honour very humbly. But he possessed uncommon power of correct, easy, and familiar versification; which, with his racy vein of humour, will secure him admirers among those who can pardon his offensive grossness.

Delany, an Irishman to the backbone, gives the following character of him: "No man ever deserved better of any country, than Swift did of his; a steady, persevering, inflexible friend; a wise, a watchful, and a faithful counsellor, under many severe trials and bitter persecutions, to the manifest hazard both of his liberty and fortune." With respect to his conversation and private economy some particulars may be worth mentioning. His rule never to speak more than a minute at a time, and to wait for others to take up the conversation, it were well if professed talkers would adopt. He excelled in telling a story, but told the same too often; an infirmity which grew on him, as it does on others, in advancing life. He was churlish to his servants, but in the main a kind and generous master. He was unceremonious and overbearing, sometimes brutal; but in company which he respected, not coarse, although his politeness was in a form peculiar to himself. He considered wealth as the pledge of independence; but his frugality towards the close of his life amounted to avarice. As we have represented some features of his character in no very amiable light, we will conclude with an anecdote which shows the kindly portion of his nature to advantage. In the high tide of his influence, he was often rallied by the ministers for never coming to them without a Whig in his sleeve: whatever might have been his expectations from the unsolicited gratitude of his party, he never pressed his own claims personally; but he often solicited favours from Lord Oxford in behalf of Addison, Congreve, Rowe, and Steele. Personal merit rather than political principles directed his choice of friends. His intimacy with Addison was formed when they used to meet at the parties of Lord Halifax or Lord Somers, who were leaders of the Whigs; but it continued unabated when the Tories had gained the ascendency.

Swift's works have gone through many editions in various forms. The latest and best is that of Sir Walter Scott. That man must be considered fortunate in his biographers, of whom memoirs have been handed down, with more or less detail, by Lord Orrery, Dr. Delany, Dr. Hawkesworth, Dr. Sheridan, Dr. Johnson, and Sir W. Scott.

LOCKE.

John Locke was born August 29, 1632, at Wrington, a village of Somersetshire, about eight miles from Bristol. He was the eldest of two sons of John Locke, a man of some property, who had been bred to the law, but became afterwards a captain under Cromwell. In those turbulent times he met with losses which diminished his fortune, and he left an inconsiderable inheritance to his son. Locke received his education at Westminster School, and Christ Church, Oxford. While an undergraduate he was chosen to write a welcome on the occasion of a visit which Cromwell paid to that University, just after the conclusion of his peace with the Dutch. This he did in a laudatory copy of verses in English and Latin, comparing the great Protector to Julius for warlike, and to Augustus for peaceful, accomplishments. This and some Latin verses, prefixed to a work of Sydenham's, are Locke's only poetical attempts. There is little merit in either. He was a great admirer of the meagre verse of Sir Richard Blackmore, which is no great evidence of his poetical taste. Between the degrees of Bachelor and Master of Arts he was elected Student of his college. From that time he applied himself diligently, for many years, to the study of medicine, without, however, practising it as a matter of gain. The weakness of his health probably gave this turn to his thoughts: his brother died of consumption; and he himself was apprehensive through life of falling a victim to the same disease. In 1664 he went abroad as secretary to Sir W. Swan, envoy to the court of Brandenburg; and on his return to Oxford the year following, he applied himself to the discovery of the effects of the air on the human frame. His first work, published in 1667, was a register of the variations in the atmosphere, determined between certain periods by the common instruments, as a supplement to a work by Boyle.

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