Read Ebook: Common Cause: A Novel of the War in America by Adams Samuel Hopkins Brown Arthur William Illustrator

Font size: 10 px 15 px 20 px 25 px 30 px 35 px

Background color: BlackWhiteGrayLight GrayDark GrayDim Gray

Text color: BlackWhiteGrayLight GrayDark GrayDim Gray

Apply/Save settings

Ebook has 4068 lines and 110912 words, and 82 pages

Illustrator: Arthur William Brown

COMMON CAUSE

A Novel of the War in America

Boston and New York: Houghton Mifflin Company

COMMON CAUSE

PART I

DEUTSCHLAND, Deutschland ?ber alles!" Three thousand voices blended and swelled in the powerful harmony. The walls of the Fenchester Auditorium trembled to it. The banners, with their German mottoes of welcome, swayed to the rhythm.

"?ber alles in der Welt!"

The thundering descent of the line with its superb resonances was as martial as a cavalry charge. Three thousand flushed, perspiring, commonplace faces above respectable black coats in the one sex and mildly ornate blouses in the other, were caught by the fire and the ferment of it and grew suddenly rapt and ecstatic. Wave after wave of massed harmonies followed in the onset. One could feel, rather than hear, in the impassioned voices a spirit instantly more fanatic, more exotic, a strange and exultant note, as of challenge. It was inspiring. It was startling. It was formidable. It was anything for which young Mr. Jeremy Robson, down in the reporters' seats, might find an adjective, except, perhaps, American.

Yet this was the American city of Fenchester, capital of the sovereign State of Centralia, in the year of grace and peace, nineteen hundred and twelve, half a decade before the United States of America descended into the Valley of the Shadow of Death to face the German guns, thundering out that same chorus of "Germany over all in the world!"

All the Federated German Societies of the State of Centralia in annual convention assembled might sing their federated German heads off for all that Jeremy Robson cared. He mildly approved the music, not so much for the sense as for the sound, under cover of which he was enabled to question his neighbor, Galpin, of The Guardian, concerning the visiting notabilities upon the stage. For young Mr. Robson was still a bit new to his work on The Record, and rather flattered that an assignment of this importance should have fallen to him. The local and political celebrities he already knew--the Governor; the Mayor; Robert Wanser, President of the Fenchester Trust Company; State Senator Martin Embree; Carey Crobin, the "Boss of the Ward"; Emil Bausch, President of the local Deutscher Club; and a dozen of the other leading citizens, all ornamented with conspicuous badges. Galpin obligingly indicated the principal strangers. Gordon Fliess, of Bellair, head of the Fliess Brewing Company; the Reverend Theo Gunst, the militant ecclesiast of a near-by German Theological Seminary; Ernst Bauer, of the Marlittstown Herold und Zeitung; Pastor Klink, the recognized head of the German religious press of the region; Martin Dolge, accredited with being the dictator of the State's educational system; and the Herr Professor Koerner, of the University of Felsingen, special envoy from Germany to the United States for the propagation of that wide-spread and carefully fostered Teutonic plant, Deutschtum, the spirit of German Kultur in foreign lands.

At the close of the musical exaltation of Germany above all the world, including, of course, the hospitably adoptive nation under whose protection the singers sat, the exercises proceeded with a verbal glorification of the Fatherland. The Governor, in complimentary and carefully memorized German, lauded the Teutons as the prop of the State. The Mayor, in strongly Teutonized English, proclaimed them the hope of the city. Several other speakers, whose accents identified them as more American than their sentiments, acclaimed the upholders of Deutschtum as salt of the earth and pillars of Society. Then a chorus of public school children, in the colors of imperial Germany rose to sing "Die Wacht am Rhein," and everybody rose with them, or nearly everybody. They sang it directly in the face of his Imperial Majesty, Kaiser Wilhelm, gazing, bewreathed, down at them from over the stage, with stern and martial approval.

"They do it mighty well," commented young Jeremy Robson.

"Ay-ah. Why would n't they!" returned Galpin.

"You mean they've been specially drilled for it?"

"Specially nothing! That's part of their regular school exercises."

"In the German schools?"

"You seem to feel strongly about it."

"Not in working hours. Have n't got any feelings. I'm a reporter."

From this point the programme was exclusively in German. The next speaker, Pastor Klink, rose and glorified God, a typically if not exclusively German God. Emil Bausch, following, extolled the Kaiser rather more piously than his predecessor had glorified the Kaiser's Creator. Martin Dolge apostrophized the spirit of Deutschtum, which, if one might believe him, was invented by the Creator and improved by the Kaiser. Just here occurred an unfortunate break in the programme. The next speaker on the list had been called out, and an interim must be filled while he was retrieved. The chairman motioned to the band leader for music. Whether in a spirit of perversity or by sheer, unhappy chance, the director led his men in the strains of "The Star-Spangled Banner."

In justice to our citizens of German descent and allegiance, it must be admitted that they are of equable spirit. Nobody openly resented the playing of the national anthem. A glance of disapproval passed between the professorial envoy from Germany and Pastor Klink, and some of the others on the stage frowned momentarily. But their habitual tolerant good nature at once reasserted itself. Of course, no one rose; that gesture was reserved for the German national music. No one, that is who counted, in that assemblage. But from the reporters' seats Jeremy Robson and Galpin dimly made out a figure, long-coated, straw-hatted and slim, in the first row of the balcony's farthest corner, standing stiffly erect.

Around it buzzed a small disturbance. There were sounds of laughter, which spread and mingled with a few calls of disapprobation. A woman beside the erect figure seemed to be making an effort at dissuasion. It was unavailing. On the stage there were curious looks and queries. Presently the whole house was gazing at the slender, lone figure.

"Who's the kid?" asked Jeremy Robson, interested.

"Don't know him," answered Galpin, staring.

"I like his nerve, anyway."

"It's better than his style," commented the other, grinning. "If he's going to stand to attention, why does n't he take off his hat?"

"Here's another one," said The Guardian reporter, turning toward the lower tier box on their right.

An iron-gray, square-jawed man with shrewd and pleasant eyes, who, in his obviously expensive but easy-fitting suit of homespun, gave the impression of physical power, was shouldering his way to the rail. A small American flag occupied a humble position in a group of insignia ornamenting the next box. The man plucked it out and made as if he would raise it above his head, then changed his mind. Holding it stiffly in front of him he turned to face the distant figure, and so stood, grim, awkward, solid, while the chosen voice of the Nation's patriotism sang to unheeding ears below.

"Movie stuff," observed Jeremy Robson with that cynicism which every young reporter considers proper to his profession.

"That's Magnus Laurens," said his mentor. "Nothing theatrical about Magnus. He's a reg'lar feller."

The novice was impressed. For Laurens was a name of prestige throughout Centralia. Its owner controlled the water-power of the State and was a growing political figure.

"What's he doing it for?" he inquired.

"Because he's an American, I suppose. Queer reason, ain't it!"

"There's another, then," returned Robson, as there arose, from a front row seat on the stage, the strong and graceful figure of Martin Embree, State Senator from the Northern Tier where the Germans make up three fourths of the population.

"Trust Smiling Mart to do the tactful thing," observed Galpin. "He's the guy that invented popularity, and he's held the patent ever since."

The Senator was wearing his famous smile which was both a natural ornament and a political asset. He directed it upon Magnus Laurens who did not see it, turned it toward the slim patriot in the gallery who may or may not have observed it, and then carried it close to the ear of the chairman. Snatches of his eager and low-toned persuasion floated down to the listening Robson.

"... all up. Can't... harm. National... after all. If don't want... leave... me."

The chairman shook his head glumly, broke loose from the smile, spoke a word to the erring orchestra leader. The music stopped. The figure in the balcony sank into the dimness of its background. Magnus Laurens sat down. Senator Embree, smiling and gracious still, returned to his chair.

"There's my story," said young Jeremy Robson, ever on the lookout for the picturesque. "If I can find that kid," he added.

"Try Magnus Laurens," suggested his elder. "Maybe he knows him."

Throughout the address of the Herr Professor Koerner, young Mr. Robson sat absently making notes. The notes were wholly irrelevant to the learned envoy's speech. Yet it was an interesting, even a significant speech, had there been any in those easy days, to appreciate its significance. The learned representative of German propaganda impressed upon his hearers the holy purpose of Deutschtum. German ties must be maintained; German habits and customs of life and above all the German speech must be piously fostered at whatever distance from the Fatherland, to the end that, in the inevitable day when Germany's oppressors, jealous of her power and greatness, should force her to draw the sword in self-defense, every scion of German blood might rally to her, against the world, if need be. Amidst the "Hochs!" and "Sehr guts!" which punctuated the oratory, the negligent reporter for The Record sat sketching the outlines of his word-picture of the stripling in the gallery and the magnate in the box, standing to honor their country's anthem, amidst the amused and patronizing wonderment of the Federated German Societies of Centralia. As the session drew to a close, he left.

"I beg your pardon, Mr. Laurens. My name is Robson. I'm a reporter for The Record. Could I have a word with you?"

The water-power magnate turned upon him a face of mingled annoyance and amusement.

"This is what I get for making a spectacle of myself, I take it," he grumbled. "What do you want to know? Why I did it?"

"No. That's plain enough. Who was the boy in the balcony?"

"Boy?" repeated Mr. Laurens in surprise.

"Yes. The kid that stood up when they began 'The Star-Spangled Banner.' Do you know him?"

"Let me refer that question to Miss Marcia Ames. She was right at the spot, in the balcony. Miss Ames, Mr. Robson."

Jeremy bowed and found himself looking into two large, young, and extremely self-possessed grayish eyes, frank and happy eyes on the surface, but with inscrutable lights and depths beneath. For the rest, his hasty impression recorded an alert, intelligent, and delicately slanted face, and an almost disconcertingly direct regard. The skin was of that translucent brown-over-pink which the sun god bestows only upon his tried and true acolytes.

"Do you know the boy, Miss Ames?"

"What boy?" Her voice was cool and liquid and endearing, and just a bit lazily indifferent, with a strange hint--never anything more--of accent.

Share on: WhatsApp @Hash Facebook Tweet