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ENGRAVINGS.
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BRIDAL TOUR 48
VERSAILLES--FRONT VIEW} } 65 VERSAILLES--COURT-YARD}
FOUNTAINS AT VERSAILLES} } 69 FOUNTAIN OF THE STAR }
LITTLE TRIANON 74
GARDENS OF MARLY 93
VIEW OF THE BASTILE 134
GARDENS AT VERSAILLES 144
MOB AT VERSAILLES 151
GRAND AVENUE OF THE TUILERIES 156
PALACE OF ST. CLOUD 184
CAPTURE AT VARENNES 208
THE TUILERIES 221
THE TOWER OF THE TEMPLE 257
THE ROYAL FAMILY IN THE TEMPLE 262
MARIA ANTOINETTE IN THE CONCIERGERIE 296
MARIA ANTOINETTE
PARENTAGE AND CHILDHOOD.
Maria Theresa.--She succeeds to the throne.--Success of Maria Theresa's enemies.--Her flight to Hungary.--The queen's firmness.--The Hungarian barons.--The queen's appeal.--Enthusiasm of her subjects.--The queen heads her army.--She overthrows her enemies.--Character of Maria Theresa.--Character of her husband.--Crowning of Francis.--Maria Theresa's renown.--Maria Theresa's sternness.--Anecdote.--Fatal result.--Death of Francis.--Plan of the counselors.--Birth of Maria Antoinette.--Maria Antoinette's character.--Affecting scene.--Maria Antoinette's grief.--Maria Theresa as a mother.--Mode of education.--Petty artifices.--Maria's proficiency in French.--She forgets her native tongue.--Maria's taste for music.--Her ignorance of general literature, etc.--The French teachers.--Their character.--The Abb? de Vermond.--He shamefully abuses his trust.--Etiquette of the French court.--Etiquette of the Austrian court.--Precepts of the teacher.--Character of Maria Antoinette.--Maria a noble girl.--Her virtues and her faults.--Palace of Schoenbrun.--The scenes of Maria's childhood.--Personal appearance of Maria.--Description of Lamartine.--Maria's betrothal.--Its motives.--Maria's feelings on leaving Schoenbrun.--Her love for her home.
The young queen, harassed by dissensions at home and by the combined armies of her powerful foes, beheld, with anguish which her proud and imperious spirit could hardly endure, her troops defeated and scattered in every direction, and the victorious armies of her enemies marching almost unimpeded toward her capital. The exulting invaders, intoxicated with unanticipated success, now contemplated the entire division of the spoil. They decided to blot Austria from the map of Europe, and to partition out the conglomerated nations composing the empire among the conquerors.
Maria Theresa retired from her capital as the bayonets of France and Bavaria gleamed from the hill-sides which environed the city. Her retreat with a few disheartened followers, in the gloom of night, was illumined by the flames of the bivouacs of hostile armies, with which the horizon seemed to be girdled. The invaders had possession of every strong post in the empire. The beleaguered city was summoned to surrender. Resistance was unavailing. All Europe felt that Austria was hopelessly undone. Maria fled from the dangers of captivity into the wilds of Hungary. But in this dark hour, when the clouds of adversity seemed to be settling in blackest masses over her whole realm, when hope had abandoned every bosom but her own, the spirit of Maria remained as firm and inflexible as if victory were perched upon her standards, and her enemies were flying in dismay before her. She would not listen to one word of compromise. She would not admit the thought of surrendering one acre of the dominions she had inherited from her fathers. Calm, unagitated, and determined, she summoned around her, from their feudal castles, the wild and warlike barons of Hungary. With neighing steeds, and flaunting banners, and steel-clad retainers, and all the paraphernalia of barbaric pomp, these chieftains, delighting in the excitements of war, gathered around the heroic queen. The spirit of ancient chivalry still glowed in these fierce hearts, and they gazed with a species of religious homage upon the young queen, who, in distress, had fled to their wilds to invoke the aid of their strong arms.
Until now, the queen had preserved a demeanor perfectly tranquil and majestic. But this affectionate enthusiasm of her subjects entirely overcame her imperious spirit, and she burst into a flood of tears. But, apparently ashamed of this exhibition of womanly feeling she almost immediately regained her composure, and resumed the air of the indomitable sovereign. The war cry immediately resounded throughout Hungary. Chieftains and vassals rallied around the banner of Maria. In person she inspected and headed the gathering army, and her spirit inspired them. With the ferocity of despair, these new recruits hurled themselves upon the invaders. A few battles, desperate and sanguinary, were fought, and the army of Maria was victorious. England and Holland, apprehensive that the destruction of the Austrian empire would destroy the balance of power in Europe, and encouraged by the successful resistance which the Austrians were now making, came to the rescue of the heroic queen. The tide of battle was turned. The armies of France, Germany, and Spain were driven from the territory which they had overrun. Maria, with untiring energy, followed up her successes. She pursued her retreating foes into their own country, and finally granted peace to her enemies only by wresting from them large portions of their territory. The renown of these exploits resounded through Europe. The name of Maria Theresa was embalmed throughout the civilized world. Under her vigorous sway Austria, from the very brink of ruin, was elevated to a degree of splendor and power it had never attained before. These conflicts and victories inspired Maria with a haughty and imperious spirit, and the loveliness of the female character was lost amid the pomp of martial achievements. The proud sovereign eclipsed the woman.
From this exhibition of the character of Maria Theresa, the mother of Maria Antoinette, the reader will not be surprised that she should have inspired her children with awe rather than with affection. In truth, their imperial mother was so devoted to the cares of the empire, that she was almost a stranger to her children, and could have known herself but few of the emotions of maternal love. Her children were placed under the care of nurses and governesses from their birth. Once in every eight or ten days the queen appropriated an hour for the inspection of the nursery and the apartments appropriated to the children; and she performed this duty with the same fidelity with which she examined the wards of the state hospitals and the military schools.
The following anecdote strikingly illustrates the austere and inflexible character of the empress. The wife of her son Joseph died of the confluent small-pox, and her body had been consigned to the vaults of the royal tomb. Soon after this event, Josepha, one of the daughters of the empress, was to be married to the King of Naples. The arrangements had all been made for their approaching nuptials, and she was just on the point of leaving Vienna to ascend the Neapolitan throne, when she received an order from her mother that she must not depart from the empire until she had, in accordance with the established custom, descended into the tomb of her ancestors and offered her parting prayer. The young princess, in an agony of consternation, received the cruel requisition. Yet she dared not disobey her mother. She took her little sister, Maria Antoinette, whom she loved most tenderly, upon her knee, and, weeping bitterly, bade her farewell, saying that she was sure she should take the dreadful disease and die. Trembling in every fiber, the unhappy princess descended into the gloomy sepulcher, where the bodies of generations of kings were moldering. She hurried through her short prayer, and in the deepest agitation returned to the palace, and threw herself in despair upon her bed.
Her worst apprehensions were realized. The fatal disease had penetrated her veins. Soon it manifested itself in its utmost virulence. After lingering a few days and nights in dreadful suffering, she breathed her last, and her own loathsome remains were consigned to the same silent chambers of the dead. Maria Theresa commanded her child to do no more than she would have insisted upon doing herself under similar circumstances. And when she followed her daughter to the tomb, she probably allowed herself to indulge in no regrets in view of the course she had pursued, but consoled herself with the reflection that she had done her duty.
The Emperor Francis died, 1765, leaving Maria Theresa still in the vigor of life, and quite beautiful. Three of her counselors of state, ambitious of sharing the throne with the illustrious queen, entered into a compact, by which they were all to endeavor to obtain her hand in marriage, agreeing that the successful one should devote the power thus obtained to the aggrandizement of the other two. The empress was informed of this arrangement, and, at the close of a cabinet council, took occasion, with great dignity and composure, to inform them that she did not intend ever again to enter into the marriage state, but that, should she hereafter change her mind, it would only be in favor of one who had no ambitious desires, and who would have no inclination to intermeddle with the affairs of state; and that, should she ever marry one of her ministers, she should immediately remove him from all office. Her counselors, loving power more than all things else, immediately abandoned every thought of obtaining the hand of Maria at such a sacrifice.
Maria Antoinette, the subject of this biography, was born on the 2d of November, 1755. Few of the inhabitants of this world have commenced life under circumstances of greater splendor, or with more brilliant prospects of a life replete with happiness. She was a child of great vivacity and beauty, full of light-heartedness, and ever prone to look upon the sunny side of every prospect. Her disposition was frank, cordial, and affectionate. Her mental endowments were by nature of a very superior order. Laughing at the restraints of royal etiquette, she, by her generous and confiding spirit, won the love of all hearts. Maria Antoinette was but slightly acquainted with her imperial mother, and could regard her with no other emotions than those of respect and awe; but the mild and gentle spirit of her father took in her heart a mother's place, and she clung to him with the most ardent affection.
When she was but ten years of age, her father was one day going to Inspruck upon some business. The royal cavalcade was drawn up in the court-yard of the palace. The emperor had entered his carriage, surrounded by his retinue, and was just on the point of leaving, when he ordered the postillions to delay, and requested an attendant to bring to him his little daughter Maria Antoinette. The blooming child was brought from the nursery, with her flaxen hair in ringlets clustered around her shoulders, and presented to her father. As she entwined her arms around his neck and clung to his embrace, he pressed her most tenderly to his bosom, saying, "Adieu my dear little daughter. Father wished once more to press you to his heart." The emperor and his child never met again. At Inspruck Francis was taken suddenly ill, and, after a few days' sickness, died. The grief of Maria Antoinette knew no bounds. But the tears of childhood soon dried up. The parting scene, however, produced an impression upon Maria which was never effaced, and she ever spoke of her father in terms of the warmest affection.
The family physician every morning visited each one of the children, and then briefly reported to the empress the health of the archdukes and the archduchesses. This report fully satisfied all the yearnings of maternal love in the bosom of Maria Theresa; though she still, that she might not fail in the least degree in motherly affection, endeavored to see them with her own eyes, and to speak to them with her own lips, as often as once in a week or ten days. The preceptors and governesses of the royal household, being thus left very much to themselves, were far more anxious to gratify the immediate wishes of the children, and thus to secure their love, than to urge them to efforts for intellectual improvement. Maria Antoinette, in subsequent life, related many amusing anecdotes illustrative of the petty artifices by which the scrutiny of the empress was eluded. The copies which were presented to the queen in evidence of the progress the children were making in hand-writing were all traced first in pencil by the governess. The children then followed with the pen over the penciled lines. Drawings were exhibited, beautifully executed, to show the skill Maria Antoinette had attained in that delightful accomplishment, which drawings the pencil of Maria had not even touched. She was also taught to address strangers of distinction in short Latin phrases, when she did not understand the meaning of one single word of the language. Her teacher of Italian, the Abb? Metastasio, was the only one who was faithful in his duties, and Maria made very great proficiency in that language. French being the language of the nursery, Maria necessarily acquired the power of speaking it with great fluency, though she was quite unable to write it correctly. In the acquisition of French, her own mother tongue, the German, was so totally neglected, that, incredible as it may seem, she actually lost the power either of speaking or of understanding it. In after years, chagrined at such unutterable folly, she sat down with great resolution to the study of her own native tongue, and encountered all the difficulties which would tax the patience of any foreigner in the attempt. She persevered for about six weeks, and then relinquished the enterprise in despair. The young princess was extremely fond of music, and yet she was not taught to play well upon any instrument. This became subsequently a source of great mortification to her, for she was ashamed to confess her ignorance of an accomplishment deemed, in the courts of Europe, so essential to a polished education, and yet she dared not sit down to any instrument in the presence of others. When she first arrived at Versailles as the bride of the heir to the throne of France, she was so deeply mortified at this defect in her education, that she immediately employed a teacher to give her lessons secretly for three months. During this time she applied herself to her task with the utmost assiduity, and at the end of the time gave surprising proof of the skill she had so rapidly attained. Upon all the subjects of history, science, and general literature, the princess was left entirely uninformed. The activity and energy of her mind only led her the more poignantly to feel the mortification to which this ignorance often exposed her. When surrounded by the splendors of royalty, she frequently retired to weep over deficiencies which it was too late to repair. The wits of Paris seized upon these occasional developments of the want of mental culture as the indication of a weak mind, and the daughter of Maria Theresa, the descendant of the Caesars, was the butt, in saloon and caf?, of merriment and song. Maria was beautiful and graceful, and winning in all her ways. But this imperfect education, exposing her to contempt and ridicule in the society of intellectual men and women, was not among the unimportant elements which conducted to her own ruin, to the overthrow of the French throne, and to that deluge of blood which for many years rolled its billows incarnadine over Europe.
Instead of endeavoring to prepare her for the situation she was destined to fill, it seemed to be his aim to train her to such habits of thought and feeling as would totally incapacitate her to be happy, or to acquire an influence over the gay but ceremony-loving assemblages of the Tuileries, Versailles, and St. Cloud. At this time, the fashion of the French court led to extreme attention to all the punctilios of etiquette. Every word, every gesture, was regulated by inflexible rule. Every garment worn, and every act of life, was regulated by the requisitions of the code ceremonial. Virtue was concealed and vice garnished by the inflexible observance of stately forms. An infringement of the laws of etiquette was deemed a far greater crime than the most serious violation of the laws of morality. In the court of Vienna, on the other hand, fashion ran to just the other extreme. It was fashionable to despise fashion. It was etiquette to pay no regard to etiquette. The haughty Austrian noble prided himself in dressing as he pleased, and looked with contempt upon the studied attitudes and foppish attire of the French. The Parisian courtier, on the other hand, rejoicing in his ruffles, and ribbons, and practiced movements, despised the boorish manners, as he deemed them, of the Austrian.
The Abb? de Vermond, to ingratiate himself with the Austrian court, did all in his power to inspire Maria Antoinette with contempt of Parisian manners. He zealously conformed to the customs prevailing in Vienna, and, like all new converts, to prove the sincerity of his conversion, went far in advance of his sect in intemperate zeal. Maria Antoinette was but a child, mirthful, beautiful, open hearted, and, like all other children, loving freedom from restraint. Her preceptor ridiculed incessantly, mercilessly, the manners of the French court, where she was soon to reign as queen, and influenced her to despise that salutary regard to appearances so essential in all refined life. Under this tutelage, Maria became as natural, unguarded, and free as a mountain maid. She smiled or wept, as the mood was upon her. She was cordial toward those she loved, and distant and reserved toward those she despised. She cared not to repress her emotions of sadness or mirthfulness as occasions arose to excite them. She was conscientious, and unwilling to do that which she thought to be wrong, and still she was imprudent, and troubled not herself with the interpretation which others might put upon her conduct. She prided herself a little upon her independence and recklessness of the opinions of others, and thus she was ever incurring undeserved censure, and becoming involved in unmerited difficulties. She was, in heart, truly a noble girl. Her faults were the excesses of a generous and magnanimous spirit. Though she inherited much of the imperial energy of her mother, it was tempered and adorned with the mildness and affectionateness of her father. Her education had necessarily tended to induce her to look down with aristocratic pride upon those beneath her in rank in life, and to dream that the world and all it inherits was intended for the exclusive benefit of kings and queens. Still, the natural goodness of her heart ever led her to acts of kindness and generosity. She thus won the love, almost without seeking it, of all who knew her well. Her faults were the unavoidable effect of her birth, her education, and all those nameless but untoward influences which surrounded her from the cradle to the grave. Her virtues were all her own, the instinctive emotions of a frank, confiding, and magnanimous spirit.
The childhood of Maria Antoinette was probably, on the whole, as happy as often falls to the lot of humanity. As she had never known a mother's love, she never felt its loss. There are few more enchanting abodes upon the surface of the globe than the pleasure palaces of the Austrian kings. Forest and grove, garden and wild, rivulet and lake, combine all their charms to lend fascination to those haunts of regal festivity. In the palace of Schoenbrun, and in the imbowered gardens which surround that world-renowned habitation of princely grandeur, Maria passed many of the years of her childhood. Now she trod the graveled walk, pursuing the butterfly, and gathering the flowers, with brothers and sisters joining in the recreation. Now the feet of her pony scattered the pebbles of the path, as the little troop of equestrians cantered beneath the shade of majestic elms. Now the prancing steeds draw them in the chariot, through the infinitely diversified drives, and the golden leaves of autumn float gracefully through the still air upon their heads. The boat, with damask cushions and silken awning, invites them upon the lake. The strong arms of the rowers bear them with fairy motion to sandy beach and jutting headland, to island, and rivulet, and bay, while swans and water-fowl, of every variety of plumage, sport before them and around them. Such were the scenes in which Maria Antoinette passed the first fourteen years of her life. Every want which wealth could supply was gratified. "What a destiny!" exclaimed a Frenchman, as he looked upon one similarly situated, "what a destiny! young, rich, beautiful, and an archduchess! Ma foi! quel destin?!"
BRIDAL DAYS.
One day the king, when sitting with Madame du Barri, received a package of letters. The petted favorite, suspecting that one of them was from an enemy of hers, snatched the packet from the king's hand. As he endeavored to regain it, she resisted, and ran two or three times around the table, which was in the center of the room, eagerly pursued by the irritated monarch. At length, in the excitement of this most strange conflict, she threw the letters into the glowing fire of the grate, where they were all consumed. The king, enraged beyond endurance, seized her by the shoulders, and thrust her violently out of the room. After a few hours, however, the weak-minded monarch called upon her. The countess, trembling in view of her dismissal, with its dreadful consequences of disgrace and beggary, threw herself at his feet, bathed in tears, and they were reconciled.
And now no one knew of the buried treasure but Madame du Barri herself. She, anxious to regain them, ventured, in disguise, to return to France to disinter her diamonds, and take them with her to England. A young negro servant, whom she had pampered with every indulgence, and had caressed with the fondness with which a mother fondles her child, whom she had caused to be painted by her side in her portraits, saw his mistress and betrayed her. She was immediately seized by the mob, and dragged before the revolutionary tribunal of Luciennes. She was condemned as a Royalist, and was hurried along in the cart of the condemned, amid the execrations and jeers of the delirious mob, to the guillotine. Her long hair was shorn, that the action of the knife might be unimpeded; but the clustering ringlets, in beautiful profusion, fell over her brow and temples, and veiled her voluptuous features and bare bosom, from which the executioner had torn the veil. The yells of the infuriated and deriding populace filled the air, as they danced exultingly around the aristocratic courtesan. But the shrieks of the unhappy victim pierced shrilly through them all. She was frantic with terror. Her whole soul was unnerved, and not one emotion of fortitude remained to sustain the woman of pleasure through her dreadful doom. With floods of tears, and gestures of despair, and beseeching, heart-rending cries, she incessantly exclaimed, "Life--life--life! O save me! save me!" The mob jeered, and derided, and insulted her in every conceivable way. They made themselves merry with her anguish and terror. They shouted witticisms in her ear respecting the pillow of the guillotine upon which she was to repose her head. Struggling and shrieking, she was bound to the plank. Suddenly her voice was hushed. The dissevered head, dripping with blood, fell into the basket, and her soul was in eternity. Poor woman! It is easy to condemn. It is better for the heart to pity. Endowed with almost celestial beauty, living in a corrupt age, and lured, when a child, by a monarch's love, she fell. It is well to weep over her sad fate, and to remember the prayer, "Lead us not into temptation."
Such were the characters and such the state of morals of the court into which this beautiful and artless princess, Maria Antoinette, but fifteen years of age, was to be introduced. As she left the palaces of Vienna to encounter the temptations of the Tuileries and Versailles, Maria Theresa wrote the following characteristic letter to the future husband of her daughter.
"Your bride, dear dauphin, is separated from me. As she has ever been my delight, so will she be your happiness. For this purpose have I educated her; for I have long been aware that she was to be the companion of your life. I have enjoined upon her, as among her highest duties, the most tender attachment to your person, the greatest attention to every thing that can please or make you happy. Above all, I have recommended to her humility toward God, because I am convinced that it is impossible for us to contribute to the happiness of the subjects confided to us without love to Him who breaks the scepters and crushes the thrones of kings according to his will."
The great mass of the Austrian population, hating the French, with whom they had long been at war, were exceedingly averse to this marriage. As the train of royal carriages was drawn up, on the morning of her departure, to convey the bride to Paris, an immense assemblage of the populace of Vienna, men, women, and children, surrounded the cort?ge with weeping and lamentation. Loyalty was then an emotion existing in the popular mind with an intensity which now can hardly be conceived. At length, in the excitement of their feelings, to save the beloved princess from a doom which they deemed dreadful, they made a rush toward the carriages to cut the traces and thus to prevent the departure. The guard was compelled to interfere, and repel, with violence, the affectionate mob. As the long and splendid train, preceded and followed by squadrons of horse, disappeared through the gate of the city, a universal feeling of sadness oppressed the capital. The people returned to their homes silent and dejected, as if they had been witnessing the obsequies rather than the nuptials of the beloved princess.
The gorgeous cavalcade proceeded to Kell, on the frontiers of Austria and France. There a magnificent pavilion had been erected, consisting of a vast saloon, with an apartment at either end. One of these apartments was assigned to the lords and ladies of the court of Vienna; the other was appropriated to the brilliant train which had come from Paris to receive the bride. The two courts vied with each other in the exhibition of wealth and magnificence. It was an established law of French etiquette, always observed on such occasions, that the royal bride should receive her wedding dress from France, and should retain absolutely nothing belonging to a foreign court. The princess was, consequently, in the pavilion appropriated to the Austrian suite, unrobed of all her garments, excepting her body linen and stockings. The door was then thrown open, and in this plight the beautiful and blushing child advanced into the saloon. The French ladies rushed to meet her. Maria threw herself into the arms of the Countess de Noailles, and wept convulsively. The French were perfectly enchanted with her beauty; and the proud position of her head and shoulders betrayed to their eyes the daughter of the Caesars. She was immediately conducted to the apartment appropriated to the French court. Here the few remaining articles of clothing were removed from her person, and she was re-dressed in the most brilliant attire which the wealth of the French monarchy could furnish.
And now, charioted in splendor, surrounded by the homage of lords and ladies, accompanied by all the pomp of civic and military parade, and enlivened by the most exultant strains of martial bands, Maria was conducted toward Paris, while her Austrian friends bade her adieu and returned to Vienna. The horizon, by night, was illumined by bonfires, flaming upon every hill; the church bells rang their merriest peals; cities blazed with illuminations and fire-works; and files of maidens lined her way, singing their songs of welcome, and carpeting her path with roses. It was a scene to dazzle the most firm and contemplative. No dream of romance could have been more bewildering to the ardent and romantic princess, just emerging from the cloistered seclusion of the palace nursery.
The bride and her passive and unimpassioned bridegroom were conducted to Versailles. It was the 16th of May, 1770, when the marriage ceremony was performed, with all the splendor with which it could be invested. The gorgeous palaces of Versailles were thronged with the nobility of Europe, and filled with rejoicing. The old king was charmed with the beauty and affability of the young bride. All hearts were filled with happiness, except those of the newly-married couple. Louis was tranquil and contented. He was neither allured nor repelled by his bride He never sought her society alone, and ever approached her with the same distance and reserve with which he would approach any other young lady who was a visitor at the palace. He never intruded upon the privacy of her apartments, and she was his wife but in name. While all France was filled with the praises of her beauty, and all eyes were enchanted by her graceful demeanor, her husband alone was insensible to her charms. After a few days spent with the rejoicing court, amid the bowers and fountains of Versailles, the nuptial party departed for Paris, and entered the palace of the Tuileries, the scene of future sorrows such as few on earth have ever experienced.
The old king was exceedingly pleased with the beauty and fascinating frankness and cordiality of Maria. He made her many magnificent presents, and, among others, with a magnificent collar of pearls, the smallest of which was nearly as large as a walnut, which had been brought into France by Anne of Austria. These praises and attentions on the part of the king excited the jealousy of the petted favorite, Madame du Barri. She consequently became, with the party under her influence, the relentless and unprincipled enemy of Maria. She lost no opportunity to traduce her character. She spread reports every where that Maria hated the French; that she was an Austrian in heart; that her frankness and freedom from the restraints of etiquette were the result of an immoral and depraved mind. She exaggerated her extravagance, and accused her, by whispers and insinuations spread far and near, of the most ignoble crimes of which woman can be guilty. The young and inexperienced dauphiness soon found herself involved in most embarrassing difficulties. She had no kind friend to council her. Louis still remained cold, distant, and reserved. Thus, week after week, month after month, year after year passed on, and for eight years Louis never approached his youthful spouse with any manifestation of confidence and affection but those with which he would regard a mother or a sister. Maria was a wife but in name. She did not share his apartment or his couch. Though deeply wounded by this inexplicable neglect, she seldom spoke of it even to her most intimate friends. The involuntary sigh, and the tear which often moistened her cheek, proclaimed her inward sufferings.
When Maria first arrived in France, the Countess de Noailles was assigned to her as her lady of honor. She was somewhat advanced in life, haughty and ceremonious, a perfect mistress of that art of etiquette so rigidly observed in the French court. Upon her devolved the duty of instructing the dauphiness in all the punctilios of form, then deemed far more important than the requisitions of morality. The following anecdote, related by Madame Campan, illustrates the ridiculous excess to which these points of etiquette were carried. One winter's day, it happened that Maria Antoinette, who was entirely disrobed in her dressing-room, was just going to put on her body linen. Madame, the lady in attendance, held it ready unfolded for her. The dame d'honneur came in. As she was of superior rank, etiquette required that she should enjoy the privilege of presenting the robe. She hastily slipped off her gloves, took the garment, and at that moment a rustling was heard at the door. It was opened, and in came the Duchess d'Orleans. She now must be the bearer of the garment. But the laws of etiquette would not allow the dame d'honneur to hand the linen directly to the Duchess d'Orleans. It must pass down the various grades of rank to the lowest, and be presented by her to the highest. The linen was consequently passed back again from one to another, till it was placed in the hands of the duchess. She was just on the point of conveying it to its proper destination, when suddenly the door opened, and the Countess of Provence entered. Again the linen passed from hand to hand, till it reached the hands of the countess. She, perceiving the uncomfortable position of Maria, who sat shivering with cold, with her hands crossed upon her bosom, without stopping to remove her gloves, placed the linen upon the shoulders of the dauphiness. She, however, was quite unable to restrain her impatience, and exclaimed, "How disagreeable, how tiresome!"
One can easily imagine the contempt with which Maria, reared in the freedom of the Austrian court, would regard these punctilios. She did not refrain from treating them with good-natured but unsparing ridicule, and thus she often deeply offended those stiff elderly ladies, who regarded these trifles, which they had been studying all their lives, with almost religious awe. She gave Madame de Noailles the nickname of Madame Etiquette, to the great merriment of some of the courtiers and the great indignation of others. The more grave and stately matrons were greatly shocked by these indiscretions on the part of the mirth-loving queen.
On one occasion, when a number of noble ladies were presented to Maria, the ludicrous appearance of the venerable dowagers, with their little black bonnets with great wings, and the entire of their grotesque dress and evolutions, appealed so impressively to Maria's sense of the ridiculous, that she, with the utmost difficulty, refrained from open laughter. But when a young marchioness, full of fun and frolic, whose office required that she should continue standing behind the queen, being tired of the ceremony, seated herself upon the floor, and, concealed behind the fence of the enormous hoops of the attendant ladies, began to play off all imaginable pranks with the ladies' hoops, and with the muscles of her own face, the contrast between these childish frolics and the stately dignity of the old dowagers so disconcerted the fun-loving Maria, that, notwithstanding all her efforts at self-control, she could not conceal an occasional smile. The old ladies were shocked and enraged. They declared that she had treated them with derision, that she had no sense of decorum, and that not one of them would ever attend her court again. The next morning a song appeared, full of bitterness which was spread through Paris. The following was the chorus:
"Little queen! you must not be So saucy with your twenty years Your ill-used courtiers soon will see You pass once more the barriers."
While Madame de Noailles was thus torturing Maria Antoinette with her exactions, the Abb? de Vermond, on the contrary, was exerting all the strong influence he had acquired over her mind to induce her to despise these requirements of etiquette, and to treat them with open contempt. Maria Theresa, in the spirit of independence which ever characterizes a strong mind, ordinarily lived like any other lady, attending energetically to her duties without any ostentation. She would ride through the streets of Vienna unaccompanied by any retinue; and the other members of the royal family, on all ordinary occasions, dispensed with the pomp and splendors of royalty. Maria Antoinette's education and natural disposition led her to adhere to the customs of the court of her ancestors. Thus was she incessantly annoyed by the diverse influences crowding upon her. Following, however, the bent of her own inclinations, she daily made herself more and more unpopular with the haughty dames who surrounded her.
This gorgeous mansion of the monarchs of France presents a front eight hundred feet in length, and has connected with it fifteen projecting buildings of spacious dimensions, decorated with Ionic columns and pilasters, constituting almost a city in itself. One great gallery, adorned with statuary, paintings, and architectural embellishments, is two hundred and thirty-two feet long, thirty broad, and thirty-seven high, and lighted by seventeen large windows. Many gorgeous saloons, furnished with the most costly splendor, a banqueting-room of the most spacious dimensions, where luxurious kings have long rioted in midnight revels, an opera house and a chapel, whose beautifully fluted pillars support a dome which is the admiration of all who look up upon its graceful beauty, combine to lend attractions to these royal abodes such as few other earthly mansions can rival, and none, perhaps, eclipse. The gardens, in the midst of which this voluptuous residence reposes, are equal in splendor to the palace they are intended to adorn. Here the kings of France had rioted in boundless profusion, and every conceivable appliance of pleasure was collected in these abodes, from which all thoughts of retribution were studiously excluded. The expense incurred in rearing and embellishing this princely structure has amounted to uncounted millions. But we must not forget that these millions were wrested from the toiling multitude, who dwelt in mud hovels, and ate the coarsest food, that their proud and licentious rulers might be "clothed in purple and fine linen, and fare sumptuously every day." Such was the home to which the beautiful Maria Antoinette, the bride of fifteen, was introduced; and in the midst of temptations to which such voluptuousness exposed her, she entered upon her dark and gloomy career. This, however, was but one of her abodes. It was but one even of her country seats. At Versailles there were other palaces, in the construction and the embellishment of which the revenues of the kingdom had been lavished and in whose luxurious chambers all the laws of God had been openly set at defiance by those earthly kings who ever forgot that there was one enthroned above them as the King of kings.
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