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THE CLIFF-DWELLERS

A Novel

HENRY B. FULLER

ILLUSTRATED BY T. DE THULSTRUP

THE GREGG PRESS / RIDGEWOOD, N. J.

CECILIA INGLES.

"'WE ARE LIVING UP ON PINE STREET'"

"TWO YOUNG GIRLS ENTERED"

"'I SHALL MARRY RUSSELL,' SHE DECLARED"

"A DOOR OPENED SUDDENLY, AND HER BROTHER BURT CAME IN"

"HE FOUND A PLACE IN A QUIET CORNER"

"'WE HAVE COME TO TAKE OUR GIRL BACK HOME'"

"'ISN'T IT PRETTY LATE FOR DOLLY?'"

"'HOW'S THIS, JO?' ASKED OGDEN"

"SHE LAID HER HAND TREMBLINGLY UPON THE OLD MAN'S ARM"

"HE LOOKED STEADILY ON VIBERT FROM UNDER HIS HAND"

"THE GIRL GATE HIM A GLANCE WILD AND TIMID"

"THE MATTER WAS ADJUSTED IN A SMALL AND COMPACT COURT-ROOM"

"'HERE WE GO,' SHE CRIED, 'SUNDAY OR NO SUNDAY. I HATE TO POKE'"

"THEY SAT OUT NOW ONLY AFTER DARK"

"BURT LED CORNELIA DOWN THE AISLE"

"'HOW WELL IT'S DONE!' SHE SAID TO HIM"

"'GOODNESS, GEORGE, DON'T KNOCK THE FIRE ALL TO PIECES'"

"'IS HE DEAD?'"

"THEN SHE FELL BACK WEAKLY AND COUGHED LONG AND VIOLENTLY"

"'STOP!' CRIED OGDEN"

"'THREE TO ONE,' PANTED MARCUS"

"SHE PRESSED HIM BACK INTO THE DEPTHS OF HIS GREAT EASY-CHAIR"

THE CLIFF-DWELLERS

INTRODUCTION

Between the former site of old Fort Dearborn and the present site of our newest Board of Trade there lies a restricted yet tumultuous territory through which, during the course of the last fifty years, the rushing streams of commerce have worn many a deep and rugged chasm. These great canons--conduits, in fact, for the leaping volume of an ever-increasing prosperity--cross each other with a sort of systematic rectangularity, and in deference to the practical directness of local requirements they are in general called simply--streets. Each of these canons is closed in by a long frontage of towering cliffs, and these soaring walls of brick and limestone and granite rise higher and higher with each succeeding year, according as the work of erosion at their bases goes onward--the work of that seething flood of carts, carriages, omnibuses, cabs, cars, messengers, shoppers, clerks, and capitalists, which surges with increasing violence for every passing day. This erosion, proceeding with a sort of fateful regularity, has come to be a matter of constant and growing interest. Means have been found to measure its progress--just as a scale has been arranged to measure the rising of the Nile or to gauge the draught of an ocean liner. In this case the unit of measurement is called the "story." Ten years ago the most rushing and irrepressible of the torrents which devastate Chicago had not worn its bed to a greater depth than that indicated seven of these "stories." This depth has since increased to eight--to ten--to fourteen--to sixteen, until some of the leading avenues of activity promise soon to become little more than mere obscure trails half lost between the bases of perpendicular precipices.

High above this architectural upheaval rise yet other structures in crag-like isolation. El Capitan is duplicated time and again both in bulk and in stature, and around him the floating spray of the Bridal Veil is woven by the breezes of lake and prairie from the warp of soot-flakes and the woof of damp-drenched smoke.

The explorer who has climbed to the shoulder of one of these great captains and has found one of the thinnest folds in the veil may readily make out the nature of the surrounding country. The rugged and erratic plateau of the Bad Lands lies before him in all its hideousness and impracticability. It is a wild tract full of sudden falls, unexpected rises, precipitous dislocations. The high and the low are met together. The big and the little alternate in a rapid and illogical succession. Its perilous trails are followed successfully by but few--by a lineman, perhaps, who is balanced on a cornice, by a roofer astride some dizzy gable, by a youth here and there whose early apprehension of the main chance and the multiplication table has stood him in good stead. This country is a treeless country--if we overlook the "forest of chimneys" comprised in a bird's-eye view of any great city, and if we are unable to detect any botanical analogies in the lofty articulated iron funnels whose ramifying cables reach out wherever they can, to fasten wherever they may. It is a shrubless country--if we give no heed to the gnarled carpentry of the awkward frame-works which carry the telegraph, and which are set askew on such dizzy corners as the course of the wires may compel. It is an arid country--if we overlook the numberless tanks that squat on the high angles of alley walls, or if we fail to see the little pools of tar and gravel that ooze and shimmer in the summer sun on the roofs of old-fashioned buildings of the humbler sort. It is an airless country--if by air we mean the mere combination of oxygen and nitrogen which is commonly indicated by that name. For here the medium of sight, sound, light, and life becomes largely carbonaceous, and the remoter peaks of this mighty yet unprepossessing landscape loom up grandly, but vaguely, through swathing mists of coal-smoke.

From such conditions as these--along with the Tacoma, the Monadnock, and a great host of other modern monsters--towers the Clifton. From the beer-hall in its basement to the barber-shop just under its roof the Clifton stands full eighteen stories tall. Its hundreds of windows glitter with multitudinous letterings in gold and in silver, and on summer afternoons its awnings flutter score on score in the tepid breezes that sometimes come up from Indiana. Four ladder-like constructions which rise skyward stage by stage promote the agility of the clambering hordes that swarm within it, and ten elevators--devices unknown to the real, aboriginal inhabitants--ameliorate the daily cliff-climbing for the frail of physique and the pressed for time.

The tribe inhabiting the Clifton is large and rather heterogeneous. All told, it numbers about four thousand souls. It includes bankers, capitalists, lawyers, "promoters"; brokers in bonds, stocks, pork, oil, mortgages; real-estate people and railroad people and insurance people--life, fire, marine, accident; a host of principals, agents, middlemen, clerks, cashiers, stenographers, and errand-boys; and the necessary force of engineers, janitors, scrub-women, and elevator-hands.

All these thousands gather daily around their own great camp-fire. This fire heats the four big boilers under the pavement of the court which lies just behind, and it sends aloft a vast plume of smoke to mingle with those of other like communities that are settled round about. These same thousands may also gather--in instalments--at their tribal feast, for the Clifton has its own lunch-counter just off one corner of the grand court, as well as a restaurant several floors higher up. The members of the tribe may also smoke the pipe of peace among themselves whenever so minded, for the Clifton has its own cigar-stand just within the principal entrance. Newspapers and periodicals, too, are sold at the same place. The warriors may also communicate their messages, hostile or friendly, to chiefs more or less remote; for there is a telegraph office in the corridor and a squad of messenger-boys in wait close by.

In a word, the Clifton aims to be complete within itself, and it will be unnecessary for us to go afield either far or frequently during the present simple succession of brief episodes in the lives of the Cliff-dwellers.

On the tenth floor of the Clifton is the office of the Massachusetts Brass Company.

Those whose minds are attuned to an appreciation of upholstery and kindred matters pronounce this little suite the gem of the whole establishment. Even many who are not adepts in the matter of house-furnishing, and who are much too rushed and preoccupied to become such, have been known to pause in their course through the Clifton's long corridors, on occasions when the ribbed glass door of the Brass Company happened to be standing ajar, and to say to themselves, with certain home offices in mind,

Indeed, there is cause enough for envy in that small square of velvety Axminster, in the harmonious tinting of the walls, in the padded leather backs of the swivel chairs, in the polished brightness of the cherry desk-tops, in the fresh blotting-pads and the immaculate inkstands. To sit in this pleasant little apartment for half an hour is to receive quite a new impression of the possible luxury of business, the ultimate elegance of trade. This may be managed as easily as not if you happen to have any dealings with "D. Walworth Floyd, Agt."--according to the legend on the translucent pane of the door--who is quite unlikely to hurry you out before you have finished.

"Don't be in such a drive," he will perhaps say to you; "stay and smoke a cigar."

For business is not too exacting a consideration with the western branch of the Massachusetts Brass Company. It is less a hive of industry than a social exchange. The hours are easy, and the habitues are as frequently callers as customers. They are often Jacks or Toms, whose fathers are social pillars in Boston and large land-owners in Wyoming and Dakota, and Jack and Tom--birds of passage in Scotch cheviots and billycock hats--are given to alighting for a brief breathing-spell on this lofty perch, where they reproach the slipshod dress and careless, speech of their friend's small office force by the trim neatness of their own clothes and conversation.

This is the silent acknowledgment that Walworth sometimes makes to himself--but grudgingly.

Walworth Floyd is a sleek, well-fed, prosperous-looking fellow of thirty. His figure is a trifle too short and dumpy to be pronounced absolutely good; but it is always strikingly well-dressed--for he has lived in the West hardly a year as yet. His face is not handsome, but it is gentlemanly quite. One might, indeed, complain of the retreating lines of his forehead, and regret, too, that his chin, once perfect, now shows leanings towards the duplex; but, on the other hand, his well-bridged nose, you are sure, has been figuring in family portraits for the last hundred years, and his plump hands, by reason of the fine texture of the skin and the shapeliness of the nails, form a point that is distinctly aristocratic. Yet penmanship, under his manipulations, becomes a very crabbed and laborious affair, and this light species of manual labor is usually performed, so far as he is concerned, by other hands. He has a sort of general clerk, and he shares the services of a stenographer with two or three of his neighbors. He employs, too, an office-boy, who would idle away a good deal of time if Walworth were not in the habit of sending frequent communications to the steward of his club. Walworth, garmented in his plump placidity, has been accustomed to fare sumptuously every day, and to worry his head about as few things as possible. His dining he does for himself; his thinking he has somebody else do for him: His book-keeping and auditing and so on are done in the East, and a friend of his--he has no enemies--once said that his stomach was in Chicago, while his brains were in Boston.

Walworth, considering his family training and traditions, is inexplicably expansive. Even more than his limited capabilities for business, even more than the exactions of a wife whose pinched girlhood has helped her to a full appreciation of her present membership in a wealthy family, has his own open-hearted bonhomie "kept him back." He is just the man to whom one writes a letter of introduction without any sense of imposing a burden, or to whom one may present it without experiencing any great sense of embarrassment. And it is a letter of introduction, in point of fact, which is now lying half folded on the extended elbow-rest of his desk, and has been lying there for a quarter of an hour.

Most of us know something about letters of introduction--promised so thoughtlessly, written so glibly, presented so reluctantly, received so grudgingly. But when the letter is merely a trifling and insignificant line--a line which has no great importance for the bearer and can cause no great annoyance to the recipient--and when its presentation here and its accounting for there may be considered as but a minute item in the general system of social book-keeping, then we have an episode that passes quickly and lightly for all concerned. Such appears to be the situation in the office of the Massachusetts Brass Company.

Walworth is tilted back comfortably in one of his handsome chairs and sends out a casual glance through the nearest window. The sun is struggling with a half-luminous haze, and through this haze a hundred streaks of smoke are driving headlong towards the lake. A tall clock-tower looms up three or four streets away, and one of its faces--on the looker's own level--gives the hour as half-past ten.

"Well, we are living up on Pine Street, Mr. Ogden," he is saying; "just this side of the Water Works--the place where the 'wheels go round,' you know. You beat me here by a few minutes this morning, but I think I can promise to be the first on the ground when you call on us there."

He is running his fingers over the edges of several little sheets of brass. A few bunches of these, together with a set or two of brass rings of varying diameters and thicknesses, are the only intimations of merchandise that the office yields. Sometimes even these are bundled away into a drawer, and then commerce is refined completely beyond the ken of the senses.

"However, don't go. I am a little late in getting around this morning, but the mail is light. Ferguson will look after it. Sit down again."

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