Read Ebook: The Three Brothers; vol. 2/3 by Oliphant Mrs Margaret

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But he never knew how near his wife was to shaking him as she clung to his arm. And Mrs. Suffolk said no more on the subject,--reflecting, first, that when a man takes a ridiculous idea into his head, it is of no use reasoning with him; and, secondly, that Laurie should never know how little gratitude had attended his efforts. That at least she would take into her own hands. If Reginald did not know what his friend had done for him, she at least did. And so did the padrona; and the chances were that their thanks would be more congenial to Laurie than any gruff acknowledgments that might be made from another quarter. Thus the pair walked on, excited by the faint prospect of better days, through the glimmering, silent streets, when most people were in bed--the husband making his report in snatches, the wife drawing it forth bit after bit, and piecing the fragments together with an art familiar to women. She knew about as well what had passed as he did by the time they reached their own narrow, dingy door. And after one peep at the children, sleeping up on the fourth floor at the top of the house, Mrs. Suffolk joined her husband in his studio,--where he had gone to smoke his final pipe,--and drew forth further his bits from him, and added her words of assent or advice to the deliberations he fell into, standing with a candle in his hand before his half-finished picture. 'Please God, you shall have your comforts like the rest, if this comes to anything, my good little wife,' he said at last. 'Oh, Reginald, it is for you I wish it most,' she cried, with tears in her pretty eyes. That gleam of a possible brightening in their lot went to their hearts. Ah, hard, happy, chequered life!--so hard to bear while it is present, so sweet to look back upon when it is past!

His composition, however, did not look so hopeful when he got up a few hours later, and read it over in the calm of noon as he ate his breakfast. Miss Hadley over the way had seen that his room was vacant all this time, the windows open, and papers fluttering about in the chilly air. She could not understand why he lost so many hours on such a bright morning, or what had become of him. It was nearly one o'clock before he had done dawdling over his tea, reading and re-reading his criticism. After all, it was not quite so easy. He made a great many emendations, and then took to doubting whether they were emendations; and grew querulous over it, and sadly disturbed in his confidence. Then he folded it up and put it in his pocket, and, snatching up his hat, rushed down-stairs. 'He is going to the Square,' Miss Hadley said, as she saw him dart round the corner; and she stood for a long time at her window pondering whether Jane could be right about that matter. 'She will never be so silly, and he will never be such a fool,' said the old lady; and sat down again, with her mind quite excited, to watch when he should come back.

She was still working at the picture which Mr. Welby had commended. It was a commission from her patrons, the Riches of Richmont, and was to be hung in a spot chosen by herself in the bright country-house, full of light, and air, and flowers, and everything sweet, to which they sometimes invited her. Edith's little 'wooden sister' was standing to her at the moment, draped in great folds of white. She was working hard at the folds of the dress, and studying with puzzled anxiety the position of the limbs, which, Mr. Welby had declared, had no joints in them. And she was anything but grateful to Jane Hadley for throwing, just at this moment, an additional embarrassment into her mind. It was while she was thus occupied that Laurie rushed in breathless with his tale of last night's proceedings and his paper to read to her. Any prudential thoughts that might have entered her mind as to the propriety of keeping him at a distance vanished at the sight of him. It was all so perfectly natural. Whom else should he go to, poor fellow, to tell his doings, to communicate all his difficulties and his hopes? Mrs. Severn blushed to think that she could have allowed herself for one moment to be swayed from her natural course by such absurdity. Jane Hadley must have lost her senses. Should the boy go to old Welby and tell him? Should he confide in his landlady? Who was there that he could come to in his difficulties but herself?

'Is that all?' she said, when an awful pause of a minute in duration warned her that the moment to deliver her judgment had come.

'All!' said Laurie, flattered by the question, and beginning to take courage. 'I should have thought you had found it quite long enough.'

'Well, perhaps it is long enough,' said the trembling critic; 'but still I think there might be another paragraph. You have not said anything about the German sketches, for instance, which were so clever; and you know, if I am to be a critic, you must let me find fault. There are one or two turns of expression. What is that you say about Mr. Suffolk having lived out of the world?'

'"This young artist has little acquaintance with the ways of the world,"' read Laurie. '"He loves nature, which is open to high and low. Instead of conciliating the critics and picture-dealers, he has satisfied himself with the models on the steps at the Trinita di Monte. Perhaps we ought to warn him that this is not the best way to please the British public."'

'Why, it is a joke!' cried Laurie; 'every one must see that at a glance.'

'But people are stupid,' said his critic, taking courage. 'I think you should change it. And then about Mr. Welby. Don't you say he has almost given up painting? There is nothing he hates to hear said like that.'

'"Our veteran master in the art,"' read Laurie, '"feeling his own strength decay, has called upon a younger brother to fill his place,--a substitution at which artists will rejoice." I mean, of course, that everybody will be pleased to find he is spared the trouble.'

'In short,' said Laurie, with a flush on his face, 'you don't like any part of it,--beginning, or middle, or end.'

'Yes, indeed I do,' said the treacherous woman. 'I think it is very nice; but I am sure you could improve it. Don't be offended. You could not expect to turn out a Thackeray all at once.'

'For Suffolk's sake you are bound to do it,--and do it well,' said Mrs. Severn; 'and for mine,--I mean for everybody's who cares for you. To begin at three o'clock in the morning, after a night of talk and smoke, and then to be melancholy because you are not pleased with your work! There are pens and paper on that table, Laurie, and I will not so much as look at you. Go and try again.'

'Do you mean to say you care?' said Laurie; and he went and stood by her, while she continued to work.

He thought it was a little hard that she never turned, never looked at him, but went on painting faster than usual, making false lines in her haste. He had no thought that she was afraid of him, and of any foolish word or look which might change their position to each other. He stood wistfully with his heart full of unspeakable things, yearning for he knew not what, longing for a little more of her, if it were but a glance from her eye, a touch of her hand. She had wounded and mortified him, and then she had bidden him try again; but would not spare him a glance to show that she cared,--would not stop painting, and going wrong. He stood and looked on, watching her in a kind of fascination. She had been hard upon him, and he had felt the sting, and forgiven her; and now he might make reprisals if he would. He put out his hand suddenly and took the brush from her hand. 'I am not going to be trodden on for ever,' he said; 'I am the worm that turns at last. I am going to put in that elbow; you are doing it all wrong.'

The padrona never said a word. She gave the brush up to him, and stood looking on while he carried out his threat,--looking at the canvas, not at him. He did it, and then his heart failed him. He had not an idea how much alarmed she was, and terrified for the next word. He had not made any investigations like Miss Hadley's into the state of his own feelings. He did not want anything,--except to be near her, to have her attention, her sympathy, and do whatever she wanted. Now he became alarmed, in his turn, at his own boldness, and humbly laid the brush out of his rash hand.

'Padrona mia, I am a wretch, and you are angry with me!' he said. Then Mrs. Severn laughed, and broke the spell.

'We are quits,' she cried, with a nervousness in her voice which Laurie could not account for. 'You have given me the upper hand of you, Laurie. Now go and sit down yonder, and write your paper all over again from the beginning. I accept your elbow. You are bound to do what I tell you now.'

'As if I did not always do what you tell me!' said Laurie, and he went and sat down at the writing-table, eager to please her. As for the padrona, she took up her brush with a little shudder, feeling she had escaped for this time, but that it might not be safe to trust to chance again. The foolish boy! And yet with all his folly there was so much to like in him! Perhaps even the folly itself was not so despicable in Mrs. Severn's eyes as it was in those of Jane Hadley, who had never been fluttered by alarms of this description, the good soul! But this sort of thing, it was clear, must not be allowed to happen again.

A PATRON OF ART.

'What can any one do put a stop to it?' said one of the young men. 'We have no private patrons now-a-days. We have only got the public and the press, to do our best with them. Laurie Renton draws very well for an amateur; I hope he will not end in the "Sword."'

'Laurie Renton was born an amateur,' said Spyer; 'he never was anything better, and couldn't be. Let him take to writing. That's what heaps of people do after coquetting with art. He may make something of that; but he never will paint a picture that has any chance to live.'

It was while he was full of these melancholy thoughts that the padrona's little note came to him. He had been there the night before, and Miss Hadley had been present,--even in the studio, to which, in former times, she never dreamt of penetrating. To be sure, there was a kind of a reason for that now in the renovation that everything was undergoing; but still it was rather hard never to be able to say a word to one's friend, never to receive an expression of her opinion or of her kindness, without Miss Hadley's keen eyes upon one's face. And Laurie had grown almost angry at this perpetual intrusion. He was idling over one of his school studies when Mrs. Severn's note was brought to him. It was the briefest little note,--but at least Miss Hadley had not interfered with that.

'Come,' it said, 'and lunch with us at two, and meet the Riches. They have just sent me word they are coming to see my pictures. They are my great patrons, and they may be of use to you. I will tell them who you are,--a Grand Seigneur turned painter,--and they will be immensely interested. Don't laugh at them; they are such good souls.

'You were a little cross, do you know, the other day? and I cannot have you cross. We are all so busy there is no time for talk.

'M. S.'

This was the note, and there was not much in it. It was the padrona's soft heart which had made her add that last little coaxing, half-apologetic sentence, and perhaps it was foolish of her. But then, though it was certainly necessary that Laurie should be cured,--and that without mercy,--of any foolish notions that might have stolen into his foolish young head, still for one moment, once in a way, it was a comfort to be free of Miss Hadley; and she had said nothing that his mother might not have said. But perhaps Mrs. Severn would not have been so sure of the perfect judiciousness of her words had she seen how Laurie lighted up under them, and expanded into content. It was eleven then, and his invitation was for two; but yet he decided it was best to send a note in return. It is a species of communication which is very attractive sometimes. Laurie jumped at it with an exhilaration for which he did not attempt to account. It was a different thing altogether from those other little notes conveying mamma's messages, which he still preserved somewhere; but not, it must be confessed, with such lively feeling as he once did. Quite a different matter! It was his friend who had written to him now,--only a dozen words, and yet herself was in them,--herself, always full of kind thought, of that gracious interest in him, wanting to help him on though he was so unsatisfactory, finding fault with him in that soft, caressing way, which was sweeter than praise. Laurie,--foolish fellow,--put away his work, and spent half-an-hour of the short time that was to elapse before he should see her in writing the following note. It could have been written in five minutes; but there was, it cannot be denied, a certain pleasure in lingering over it, and a certain skill was required to put a great deal of meaning into few words. He did not think he had succeeded, after all, when it was written. But here it is:--

'I will never be cross any more, padrona mia. I have been thinking you meant to cast me off. But you don't? I will go and meet the Riches or the Poors, or anybody else you like, and thank them for the chance. You I never could thank,--not half or quarter enough. So silence shall speak for me.

It is not to be supposed that Laurie wrote 'your' in plain letters. He made a hieroglyphic of it. It might have been only '&c.;' in short, it was as like that as anything else. He was beguiled into the use of the pronoun, he did not quite know how, as he hung over it with his pen in his hand like a pencil, anxious to add just a touch somewhere, as might have been done in the line of the lip or the droop of an eyelid, to express what he was feeling. It was of purpose and intention that he made it undecipherable. Perhaps she would find it out; and if not, still at least he had expressed himself, which was always something. He was not thinking of any result, or anything that might come of it, as Miss Hadley did. At the present stage such an idea would have been simple profanity. He did not think of it at all. He was her disciple, her servant, her subject. That she should reverse the position and be his, and subject to him, was an idea which had never entered Laurie's mind. It would indeed, as we have said, have appeared sheer profanity to him. Such delicacies of feeling do not come within the range of the Miss Hadleys of life. And so Laurie made his hieroglyphic, expressive of the deepest devotion, and felt his heart and his face expand with a delicious softness, and put on his hat, and himself gave the note to the maid-servant in the Square. It was but a few steps round the corner; and when he was out, he went a few steps farther and got himself a lily of the valley to put in his coat. It was still early, and the flower cost him as much as a meal; but when a young man's heart gives a sudden jump in his bosom, reasonably or unreasonably, it would be hard if he could not give utterance to his satisfaction with himself and the universe in general by so simple an expedient as a flower in his coat. And at the same time he ordered some pots of the same lilies to be sent to the Square, not for that day, but for to-morrow, on which Mrs. Severn was to exhibit her pictures to her friends before sending them to the Academy. This little matter occupied the morning until it was time to present himself at the Square. A very fine carriage stood before No. 375 when he reached the door, with a gorgeous coat-of-arms on the panel, and liveries and hammer-cloth, which looked like a duke's at least. The big footman stared superciliously at Laurie as he went up the steps. He was but 'a poor hartis' it was evident to that splendid apparition. The patron had arrived with all the pomp which ought to attend such a celestial visitor, and naturally the house from top to bottom bore evidence of a certain excitement. Forrester, in his best coat, opened the door to Laurie, his face beaming with cordiality and smiles. 'I can't say as he knows much, Mr. Renton,' said Forrester, 'but he's a stunning one to buy; and I wouldn't take no notice, sir, if I was you, of his little ways,--nor the lady's neither, sir,' said the old man. Laurie laughed and nodded in answer to this advice, without any distinct idea what Mr. Rich's little ways might be; and so walked into the great drawing-room, which it was strange to see by daylight, full of the grey spring atmosphere, out of which an east wind had taken all the colour. The white curtains hung over the long windows; the fire burned with a little cheerful noise; and the padrona, in her black dress, sat on a sofa beside a rich, rustling, luxurious woman, fifteen or twenty years older than herself. Mrs. Severn's figure had filled out into the gracious fulness of matronhood. She was not a sylph, like her child; but she looked something like a sylph beside the vast form on the sofa. And in front of her stood a little man, very plump and rosy, with a double-eyeglass in his hand. The padrona looked a little flushed and a little excited. Perhaps it is not in human nature to receive unmoved a visit from a patron.

'This is Mr. Renton,' she said, as Laurie came in. 'Mr. Laurence Renton, Mrs. Rich;' and, to Laurie's great surprise, the large lady got up from the sofa to shake hands with him, which was a great deal more than the padrona did. Mrs. Rich was very large and very wealthy, and looked as if she might be rather oppressive; but, nevertheless, she had been smiling very benignly on the padrona, and Laurie consequently saw some good in her face.

'Mr. Renton, I ought to know you, for we are almost neighbours in the country,' said Mrs. Rich. 'Don't you know Richmont? Ah, I daresay you have been a great deal from home, like so many young men. Mr. Rich, Mr. Renton has not seen Richmont. It is only six months since we took possession. Mr. Rich bought it for the situation, and gave I am ashamed to say how much money for it; and then the house wanted everything done to it,--new rooms built, and I can't tell you all what. I believe your mamma does not visit anywhere, Mr. Renton. She is a great invalid, I hear; and of course, unless she was so kind as to signify a wish, I could not call first. But I am sure if you are at Renton when we are there, it will give us the greatest pleasure to see you at Richmont.'

'Thanks,' said Laurie, feeling rather aghast. He did not know what more to say till a half-comic, appealing glance reached him from the padrona's eyes. Then he bestirred himself. 'I have been a long time from home,' he said, 'and at present my mother goes nowhere; but I don't know,--pardon me,--where Richmont is. I am so stupid about localities,--I never know anything that is not close to my eye.'

'It was called Beecham once,' said the rich woman; 'but we are not the old family;--we are the new family, Mr. Renton; and Mr. Rich thinks it only right, when he has bought it, to give it his own name. We are not ashamed of being new people. I have just been talking to our friend here about painting one of the rooms for us,--in panels, you know. She is so clever. I never knew a woman so clever; but that is between you and me,' said the patroness, patting the painter patronisingly on the arm. 'She does not hear a word we are saying. I never would tell her she was anything out of the ordinary to her face.' Such were the astounding manners and customs of the new species of humanity to which Laurie had been unexpectedly presented. It took him half-an-hour at least to realise the unfamiliar being. No doubt there are patrons in England of the type known in old days, when one monarch leaned on his painter's shoulder, and another picked up his painting-brush. But these are chiefly patrons of the old masters, not of the new; and Mr. Rich and his wife were the specimens best known in Fitzroy Square. When they went in to luncheon the padrona looked more and more flushed, though Forrester was present to wait, looking as solemn as any family butler, and listening with a sore heart,--but no outward token,--to Mr. Rich's views about art. He had his views, too, as well as his wife, though he was not so immediately audible. It was when he had swallowed some wine that he found his tongue, and then Mrs. Rich was silenced by the more influential stream.

'Glad to make your acquaintance, Mr. Renton,' he said. 'We'd have been very glad if your mother had come to see us. It would have done her no harm, and it might have done Mrs. Rich a little good. We don't pretend to be above that sort of thing. But of course all this fuss about the will must have been hard upon you. I'm told you're one of the rising young men of the time. Stick to that. You may buy houses and lands, but you can't buy talent. I'll be very glad to go and see anything you may have to show. If our friend Mrs. Severn is to be trusted,--and I've always found her to be trusted, sir,--her eye is so true,--you've got something that will suit me very well; and I hope we shall know each other better before we part.'

'Mr. Renton must come and see us at Richmont?' said Mrs. Rich. 'He must come with you, some day, Mrs. Severn. I have got some of her sweet pictures hung in my morning room; and she has been so kind in her suggestions about the furniture. It is such a thing to have an artist's eye; and such pretty eyes too,' added the stout lady, in an audible aside to Laurie, who was seated next to her. 'Don't you think so? To me she is prettier than ever she was. She is like Alice's sister. She looks young,--and she is young,--and to think of all she has done!'

Laurie sat by her, and never said a word. He could not pay compliments to the padrona as a mere indifferent spectator might have done, entering into the fun of the situation. And Mrs. Severn sat at the head of the table, with a flush of embarrassment on her cheek. But perhaps even she was not so sensitive as Laurie; and they were patrons, and brought her commissions,--and they were bread! These are mean recommendations, no doubt, but they have a wonderful effect.

'What I like is a picture I can understand,' said Mr. Rich. 'What I say to a painter is;--"Tell your story. Choose what subject you like, old, or new, or middle-aged; but, whatever your incident is, stick to it, and tell it, without need of any description in a book." That's my principle, sir. And I like a good, warm wholesome colour; none of your cadaverous-looking things. There are plenty of sad things and nasty things in life without putting them in pictures. Like as I prefer a good ending in a story. I have some pretty pictures to show you, sir, when you come to see me. Crowquill painted that last series out of the "Vicar of Wakefield" for me. I could have got twice the price I gave for them from a gentleman I know in Manchester; but nothing but necessity would make me part with these pictures. When a thing's painted for you, it has a value it would not have had otherwise. And I have as fine a little Millais as you ever saw. I hope to have a picture from you in my collection before all is done.'

'You have not a Welby, I think,' said the padrona, who worked rather hard at her part of the conversation. 'You should make haste to secure that; for he paints very little now.'

'I don't care very much for Welby,' said Mr. Rich, indifferent to the awful countenance of Forrester behind his chair. 'He's a deal too classical for me. I had not a classical education myself; and I am not ashamed to say I don't appreciate that sort of thing. Nature is what I like. I don't pretend to go in for the old masters. They're very fine, I daresay; but give me a nice modern picture with colours, sir, like what you see in life. I hope you are of the real school, Mr. Renton,--not to carry it to excess, you know. The thing for modern collections,--and I know a great many collectors of my way of thinking,--is modern life; the sort of thing one understands. How am I to know about your Greeks and your Romans? I like pretty English girls, and nice young fellows making love to them. Why shouldn't they make love to 'em, Mrs. Severn? I did it in my day. And as for your pictures, could anything be sweeter? It's the next step in life. We've all gone through that phase,' said Mr. Rich, waving his hands; 'and that's the sort of thing we want in our collections. I say this to you, Mr. Renton, as a young man beginning life.'

'Mr. Renton will prefer the pretty girls, of course,' said the patron's wife, with a good-humoured laugh. And Laurie sat by, not knowing what reply to make, while the padrona, with that flush on her face, sat at the head of the table, and let them talk. What was the use of arguing the question? The finest reasoning in the world does not convince people whose minds are incapable of receiving it. And they bought the pictures they commended, which is what better critics seldom do.

'There must be a variety of tastes,' Mrs. Severn said, with a meekness that was not natural to her. 'I am not so pleased with my tame little groups that you are so good-natured about. There are many things I would rather do if I could.'

'There is Suffolk,' said Laurie, looking at the head of the table; and then he paused surprised. The padrona was but human. To let her own live patron go out of her hands to the studios of celebrated painters whom everybody knew was a thing inevitable, against which she could never dream of struggling; but to send him, in cold blood,--her own precious property,--to Suffolk,--a new name, a rising painter,--one of the men whom it would be a credit to patronise! Mrs. Severn had a struggle with herself. Generosity was easy where Laurie Renton was concerned; and she would have shared her purse with the Suffolks, with all the unthinking open-heartedness of her kind. But send him her patron! That was a trial. Laurie looked at her surprised. He knew her face so well that he saw the struggle in it, though without knowing what it meant; and he was startled by the pause she made before she answered him. A flood of thoughts rushed through the padrona's mind at that moment. She thought of herself and the children, and the need she had of patronage; and then, on the other hand, she thought of Suffolk's wife, with an unmanageable man, who would not paint popular subjects, with no power to help herself, with children too,--babies always coming,--and all sorts of troubles. It was not of the artist she thought, and his long unrewarded labours. She was only a woman, after all; and it was the woman who came to her mind, anxious and powerless, and overwhelmed with anxiety. All at once the face, obscured by some cloud which Laurie could not penetrate,--to his supreme annoyance,--cleared up with a sudden light, which he did not understand. 'Yes,' she said, 'I should like Mr. Rich to see that picture. It is not quite the kind of subject he likes; but we all think it one of the finest things; Mr. Renton will tell you about it. It was spoken very highly of the other day in the "Sword."'

'Ah; then it must be fine,' said Mrs. Rich. 'Perhaps Mr. Renton will take a seat in the carriage with us, and introduce us. I like to see everything I can see; and we have not much time for the light. And you will not forget, dear, that you are engaged to us for Easter week. It will be so nice to have you; and you shall plan out your pictures for the east room. She is going to do the fairy tales for us, Mr. Renton,--it will be charming. If the carriage is up, Mr. Rich, I am afraid we ought to go.'

The padrona called Laurie to her as he was about to follow them down-stairs. 'They have given me a beautiful commission,' she said, with a little excitement,--'a year's work! And I was so mean that I hesitated to send them to Suffolk after that. Try and make them buy the picture, Laurie. They will, if you are clever, and talk to them a little of Renton, and draw them on. I trust you to do it.' It was only for a moment at the drawing-room door. Was it the year's work, and the contest with herself about Suffolk's picture, which gave her that look of agitation and excitement? Or was it the time of year, the eve of the Academy, and all the crowd that would come to-morrow? Laurie could not give himself any answer as he rushed down-stairs to guide the Riches on their beneficent course; but his eyes shone, too, and his heart beat loud. As if he could have had anything to do with it,--a mere boy!

SUCCESS.

When Laurie Renton drove from the padrona's door in Mr. Rich's carriage, opposite to that patron of art, it was his sense of the comicality of the situation which came uppermost. Art student, art critic, artist, he had been with a certain satisfaction in each office. But to be showman and salesman too was a new branch. These are the vicissitudes to which a man is subject who puts himself under the dominion of a woman, in the absolute and unconditional way which Laurie had done. But that was not how he regarded the matter. He was pleased to do it even for Suffolk's sake; though he could not but laugh within himself when he took his seat on the luxurious cushions, with the couple opposite to him who breathed wealth, and filled the very atmosphere with its exhalations. One of the exhalations was not so pleasant as could be wished; for Mrs. Rich's favourite perfume was of a character too distinct and decided for the narrow enclosure of a carriage; but the rustle of her silk, and the soft warmth of her velvet and her furs, and the wealthy look about her altogether,--wealthy and liberal and self-important and kindly,--was not without a certain human interest. She had been a pretty woman. Laurie, whose eyes were open to such particulars, was at once aware of that; and she was a good-looking woman of her age still. Her husband had less apparent character about him; but there was in both a consciousness of being able to give pleasure and scatter benefit around them, which was not unprepossessing. No doubt they were vulgar, perhaps purse-proud,--horribly ostentatiously rich. But they meant to benefit other people with their wealth, which was always something in their favour. Laurie glided with natural skill into the part allotted to him. He talked of Renton; of his mother's invalid condition, which made it impossible for her to call; and of his young brother Frank the Guardsman,--for he had not yet negotiated his exchange,--whose battalion was stationed at Royalborough, and who, he was sure, would be glad to make their acquaintance. And then he went on to Suffolk's story with the most natural sequence;--a man so full of talent, so laborious, so devoted to art, with such a pretty little wife!

'Ah, there we have you, Mr. Renton!' said jolly Mrs. Rich; 'but it is naughty to talk so of a married lady. You ought to have eyes only for the pretty girls.'

'A pretty young woman is a pretty young woman, whether she's married or single,' said her husband; 'but I don't like a man who goes on painting pictures that don't sell. What is the good of it? No man in business would think of such a thing. It's a sinful waste of capital as well as a waste of time. He ought to have changed his style. I'll tell him so. You do a many foolish things, Mr. Renton, you artists, for want of a plain common-sense man of business to give you a little advice.'

'That is very possible,' said Laurie, with candour; 'but even in business a man may go on with a speculation for a long time, though it is not immediately successful, if he is sure it will succeed in the end;--so long as he can afford to wait.'

'Ah, yes, that is the whole question,' said Mr. Rich,--'as long as he can afford to wait; but a man should think of his wife and children. If I had a little family dependent on me, and had to paint for a living, I'd make them comfortable, Mr. Renton, if I had to change my style every other day.'

'But that is not so easy as you think,' said Laurie; 'and the wife and children do not complain. Mrs. Suffolk is as proud of those boys in the Forum as she is of her own babies.'

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