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PART I--THE EVOLUTION OF THE AEROPLANE

PART II--1903-1920: PROGRESS IN DESIGN

PART IV--ENGINE DEVELOPMENT

APPENDICES 469

A SHORT BIBLIOGRAPHY OF AERONAUTICS 504

PART I

THE EVOLUTION OF THE AEROPLANE

THE PERIOD OF LEGEND

The blending of fact and fancy which men call legend reached its fullest and richest expression in the golden age of Greece, and thus it is to Greek mythology that one must turn for the best form of any legend which foreshadows history. Yet the prevalence of legends regarding flight, existing in the records of practically every race, shows that this form of transit was a dream of many peoples--man always wanted to fly, and imagined means of flight.

In this age of steel, a very great part of the inventive genius of man has gone into devices intended to facilitate transport, both of men and goods, and the growth of civilisation is in reality the facilitation of transit, improvement of the means of communication. He was a genius who first hoisted a sail on a boat and saved the labour of rowing; equally, he who first harnessed ox or dog or horse to a wheeled vehicle was a genius--and these looked up, as men have looked up from the earliest days of all, seeing that the birds had solved the problem of transit far more completely than themselves. So it must have appeared, and there is no age in history in which some dreamers have not dreamed of the conquest of the air; if the caveman had left records, these would without doubt have showed that he, too, dreamed this dream. His main aim, probably, was self-preservation; when the dinosaur looked round the corner, the prehistoric bird got out of the way in his usual manner, and prehistoric man--such of him as succeeded in getting out of the way after his fashion--naturally envied the bird, and concluded that as lord of creation in a doubtful sort of way he ought to have equal facilities. He may have tried, like Simon the Magician, and other early experimenters, to improvise those facilities; assuming that he did, there is the groundwork of much of the older legend with regard to men who flew, since, when history began, legends would be fashioned out of attempts and even the desire to fly, these being compounded of some small ingredient of truth and much exaggeration and addition.

While the origin of many legends is questionable, that of others is easy enough to trace, though not to prove. Among the credulous the significance of the name of a people of Asia Minor, the Capnobates, 'those who travel by smoke,' gave rise to the assertion that Mongolfier was not first in the field--or rather in the air--since surely this people must have been responsible for the first hot-air balloons. Far less questionable is the legend of Icarus, for here it is possible to trace a foundation of fact in the story. Such a tribe as Daedalus governed could have had hardly any knowledge of the rudiments of science, and even their ruler, seeing how easy it is for birds to sustain themselves in the air, might be excused for believing that he, if he fashioned wings for himself, could use them. In that belief, let it be assumed, Daedalus made his wings; the boy, Icarus, learning that his father had determined on an attempt at flight, secured the wings and fastened them to his own shoulders. A cliff seemed the likeliest place for a 'take-off,' and Icarus leaped from the cliff edge only to find that the possession of wings was not enough to assure flight to a human being. The sea that to this day bears his name witnesses that he made the attempt and perished by it.

In this is assumed the bald story, from which might grow the legend of a wise king who ruled a peaceful people--'judged, sitting in the sun,' as Browning has it, and fashioned for himself wings with which he flew over the sea and where he would, until the prince, Icarus, desired to emulate him. Icarus, fastening the wings to his shoulders with wax, was so imprudent as to fly too near the sun, when the wax melted and he fell, to lie mourned of water-nymphs on the shores of waters thenceforth Icarian. Between what we have assumed to be the base of fact, and the legend which has been invested with such poetic grace in Greek story, there is no more than a century or so of re-telling might give to any event among a people so simple and yet so given to imagery.

We may set aside as pure fable the stories of the winged horse of Perseus, and the flights of Hermes as messenger of the gods. With them may be placed the story of Empedocles, who failed to take Etna seriously enough, and found himself caught by an eruption while within the crater, so that, flying to safety in some hurry, he left behind but one sandal to attest that he had sought refuge in space--in all probability, if he escaped at all, he flew, but not in the sense that the aeronaut understands it. But, bearing in mind the many men who tried to fly in historic times, the legend of Icarus and Daedalus, in spite of the impossible form in which it is presented, may rank with the story of the Saracen of Constantinople, or with that of Simon the Magician. A simple folk would naturally idealise the man and magnify his exploit, as they magnified the deeds of some strong man to make the legends of Hercules, and there, full-grown from a mere legend, is the first record of a pioneer of flying. Such a theory is not nearly so fantastic as that which makes the Capnobates, on the strength of their name, the inventors of hot-air balloons. However it may be, both in story and in picture, Icarus and his less conspicuous father have inspired the Caucasian mind, and the world is the richer for them.

The Inca civilisation of Peru yields up a myth akin to that of Icarus, which tells how the chieftain Ayar Utso grew wings and visited the sun--it was from the sun, too, that the founders of the Peruvian Inca dynasty, Manco Capac and his wife Mama Huella Capac, flew to earth near Lake Titicaca, to make the only successful experiment in pure tyranny that the world has ever witnessed. Teutonic legend gives forth Wieland the Smith, who made himself a dress with wings and, clad in it, rose and descended against the wind and in spite of it. Indian mythology, in addition to the story of the demons and their rigid dirigible, already quoted, gives the story of Hanouam, who fitted himself with wings by means of which he sailed in the air and, according to his desire, landed in the sacred Lauka. Bladud, the ninth king of Britain, is said to have crowned his feats of wizardry by making himself wings and attempting to fly--but the effort cost him a broken neck. Bladud may have been as mythic as Uther, and again he may have been a very early pioneer. The Finnish epic, 'Kalevala,' tells how Ilmarinen the Smith 'forged an eagle of fire,' with 'boat's walls between the wings,' after which he 'sat down on the bird's back and bones,' and flew.

Pure myths, these, telling how the desire to fly was characteristic of every age and every people, and how, from time to time, there arose an experimenter bolder than his fellows, who made some attempt to translate desire into achievement. And the spirit that animated these pioneers, in a time when things new were accounted things accursed, for the most part, has found expression in this present century in the utter daring and disregard of both danger and pain that stamps the flying man, a type of humanity differing in spirit from his earth-bound fellows as fully as the soldier differs from the priest.

Throughout mediaeval times, records attest that here and there some man believed in and attempted flight, and at the same time it is clear that such were regarded as in league with the powers of evil. There is the half-legend, half-history of Simon the Magician, who, in the third year of the reign of Nero announced that he would raise himself in the air, in order to assert his superiority over St Paul. The legend states that by the aid of certain demons whom he had prevailed on to assist him, he actually lifted himself in the air--but St Paul prayed him down again. He slipped through the claws of the demons and fell headlong on the Forum at Rome, breaking his neck. The 'demons' may have been some primitive form of hot-air balloon, or a glider with which the magician attempted to rise into the wind; more probably, however, Simon threatened to ascend and made the attempt with apparatus as unsuitable as Bladud's wings, paying the inevitable penalty. Another version of the story gives St Peter instead of St Paul as the one whose prayers foiled Simon--apart from the identity of the apostle, the two accounts are similar, and both define the attitude of the age toward investigation and experiment in things untried.

After these, a gap of centuries, filled in by impossible stories of magical flight by witches, wizards, and the like--imagination was fertile in the dark ages, but the ban of the church was on all attempt at scientific development, especially in such a matter as the conquest of the air. Yet there were observers of nature who argued that since birds could raise themselves by flapping their wings, man had only to make suitable wings, flap them, and he too would fly. As early as the thirteenth century Roger Bacon, the scientific friar of unbounded inquisitiveness and not a little real genius, announced that there could be made 'some flying instrument, so that a man sitting in the middle and turning some mechanism may put in motion some artificial wings which may beat the air like a bird flying.' But being a cautious man, with a natural dislike for being burnt at the stake as a necromancer through having put forward such a dangerous theory, Roger added, 'not that I ever knew a man who had such an instrument, but I am particularly acquainted with the man who contrived one.' This might have been a lame defence if Roger had been brought to trial as addicted to black arts; he seems to have trusted to the inadmissibility of hearsay evidence.

This reads circumstantially enough, but it may be borne in mind that the date of writing is more than half a century later than the time of the alleged achievement--the story had had time to round itself out. Danti, however, is mentioned by a number of writers, one of whom states that the failure of his experiment was due to the prayers of some individual of a conservative turn of mind, who prayed so vigorously that Danti fell appropriately enough on a church and injured himself to such an extent as to put an end to his flying career. That Danti experimented, there is little doubt, in view of the volume of evidence on the point, but the darkness of the Middle Ages hides the real truth as to the results of his experiments. If he had actually flown over Thrasimene, as alleged, then in all probability both Napoleon and Wellington would have had air scouts at Waterloo.

Danti's story may be taken as fact or left as fable, and with it the period of legend or vague statement may be said to end--the rest is history, both of genuine experimenters and of charlatans. Such instances of legend as are given here are not a tithe of the whole, but there is sufficient in the actual history of flight to bar out more than this brief mention of the legends, which, on the whole, go farther to prove man's desire to fly than his study and endeavour to solve the problems of the air.

EARLY EXPERIMENTS

So far, the stories of the development of flight are either legendary or of more or less doubtful authenticity, even including that of Danti, who, although a man of remarkable attainments in more directions than that of attempted flight, suffers--so far as reputation is concerned--from the inexactitudes of his chroniclers; he may have soared over Thrasimene, as stated, or a mere hop with an ineffectual glider may have grown with the years to a legend of gliding flight. So far, too, there is no evidence of the study that the conquest of the air demanded; such men as made experiments either launched themselves in the air from some height with made-up wings or other apparatus, and paid the penalty, or else constructed some form of machine which would not leave the earth, and then gave up. Each man followed his own way, and there was no attempt--without the printing press and the dissemination of knowledge there was little possibility of attempt--on the part of any one to benefit by the failures of others.

In this is the definite belief of da Vinci that man is capable of flight, together with a far more definite statement of the principles by which flight is to be achieved than any which had preceded it--and for that matter, than many that have succeeded it. Two further extracts from his work will show the exactness of his observations:--

'When a bird which is in equilibrium throws the centre of resistance of the wings behind the centre of gravity, then such a bird will descend with its head downward. This bird which finds itself in equilibrium shall have the centre of resistance of the wings more forward than the bird's centre of gravity; then such a bird will fall with its tail turned toward the earth.'

And again: 'A man, when flying, shall be free from the waist up, that he may be able to keep himself in equilibrium as he does in a boat, so that the centre of his gravity and of the instrument may set itself in equilibrium and change when necessity requires it to the changing of the centre of its resistance.'

Here, in this last quotation, are the first beginnings of the inherent stability which proved so great an advance in design, in this twentieth century. But the extracts given do not begin to exhaust the range of da Vinci's observations and deductions. With regard to bird flight, he observed that so long as a bird keeps its wings outspread it cannot fall directly to earth, but must glide down at an angle to alight--a small thing, now that the principle of the plane in opposition to the air is generally grasped, but da Vinci had to find it out. From observation he gathered how a bird checks its own speed by opposing tail and wing surface to the direction of flight, and thus alights at the proper 'landing speed.' He proved the existence of upward air currents by noting how a bird takes off from level earth with wings outstretched and motionless, and, in order to get an efficient substitute for the natural wing, he recommended that there be used something similar to the membrane of the wing of a bat--from this to the doped fabric of an aeroplane wing is but a small step, for both are equally impervious to air. Again, da Vinci recommended that experiments in flight be conducted at a good height from the ground, since, if equilibrium be lost through any cause, the height gives time to regain it. This recommendation, by the way, received ample support in the training areas of war pilots.

Man's muscles, said da Vinci, are fully sufficient to enable him to fly, for the larger birds, he noted, employ but a small part of their strength in keeping themselves afloat in the air--by this theory he attempted to encourage experiment, just as, when his time came, Borelli reached the opposite conclusion and discouraged it. That Borelli was right--so far--and da Vinci wrong, detracts not at all from the repute of the earlier investigator, who had but the resources of his age to support investigations conducted in the spirit of ages after.

His chief practical contributions to the science of flight--apart from numerous drawings which have still a value--are the helicopter or lifting screw, and the parachute. The former, as already noted, he made and proved effective in model form, and the principle which he demonstrated is that of the helicopter of to-day, on which sundry experimenters work spasmodically, in spite of the success of the plane with its driving propeller. As to the parachute, the idea was doubtless inspired by observation of the effect a bird produced by pressure of its wings against the direction of flight.

Veranzio made his experiments about 1617-1618, but, naturally, they carried him no farther than the mere descent to earth, and since a descent is merely a descent, it is to be conjectured that he soon got tired of dropping from high roofs, and took to designing architecture instead of putting it to such a use. With the end of his experiments the work of da Vinci in relation to flying became neglected for nearly four centuries.

The seventeenth century, however, gives us three names, those of Borelli, Lana, and Robert Hooke, all of which take definite place in the history of flight. Borelli ranks as one of the great figures in the study of aeronautical problems, in spite of erroneous deductions through which he arrived at a purely negative conclusion with regard to the possibility of human flight.

Borelli's study is divided into a series of propositions in which he traces the principles of flight, and the mechanical actions of the wings of birds. The most interesting of these are the propositions in which he sets forth the method in which birds move their wings during flight and the manner in which the air offers resistance to the stroke of the wing. With regard to the first of these two points he says: 'When birds in repose rest on the earth their wings are folded up close against their flanks, but when wishing to start on their flight they first bend their legs and leap into the air. Whereupon the joints of their wings are straightened out to form a straight line at right angles to the lateral surface of the breast, so that the two wings, outstretched, are placed, as it were, like the arms of a cross to the body of the bird. Next, since the wings with their feathers attached form almost a plane surface, they are raised slightly above the horizontal, and with a most quick impulse beat down in a direction almost perpendicular to the wing-plane, upon the underlying air; and to so intense a beat the air, notwithstanding it to be fluid, offers resistance, partly by reason of its natural inertia, which seeks to retain it at rest, and partly because the particles of the air, compressed by the swiftness of the stroke, resist this compression by their elasticity, just like the hard ground. Hence the whole mass of the bird rebounds, making a fresh leap through the air; whence it follows that flight is simply a motion composed of successive leaps accomplished through the air. And I remark that a wing can easily beat the air in a direction almost perpendicular to its plane surface, although only a single one of the corners of the humerus bone is attached to the scapula, the whole extent of its base remaining free and loose, while the greater transverse feathers are joined to the lateral skin of the thorax. Nevertheless the wing can easily revolve about its base like unto a fan. Nor are there lacking tendon ligaments which restrain the feathers and prevent them from opening farther, in the same fashion that sheets hold in the sails of ships. No less admirable is nature's cunning in unfolding and folding the wings upwards, for she folds them not laterally, but by moving upwards edgewise the osseous parts wherein the roots of the feathers are inserted; for thus, without encountering the air's resistance the upward motion of the wing surface is made as with a sword, hence they can be uplifted with but small force. But thereafter when the wings are twisted by being drawn transversely and by the resistance of the air, they are flattened as has been declared and will be made manifest hereafter.'

Then with reference to the resistance to the air of the wings he explains: 'The air when struck offers resistance by its elastic virtue through which the particles of the air compressed by the wing-beat strive to expand again. Through these two causes of resistance the downward beat of the wing is not only opposed, but even caused to recoil with a reflex movement; and these two causes of resistance ever increase the more the down stroke of the wing is maintained and accelerated. On the other hand, the impulse of the wing is continuously diminished and weakened by the growing resistance. Hereby the force of the wing and the resistance become balanced; so that, manifestly, the air is beaten by the wing with the same force as the resistance to the stroke.'

He concerns himself also with the most difficult problem that confronts the flying man of to-day, namely, landing effectively, and his remarks on this subject would be instructive even to an air pilot of these days: 'Now the ways and means by which the speed is slackened at the end of a flight are these. The bird spreads its wings and tail so that their concave surfaces are perpendicular to the direction of motion; in this way, the spreading feathers, like a ship's sail, strike against the still air, check the speed, and so that most of the impetus may be stopped, the wings are flapped quickly and strongly forward, inducing a contrary motion, so that the bird absolutely or very nearly stops.'

At the end of his study Borelli came to a conclusion which militated greatly against experiment with any heavier-than-air apparatus, until well on into the nineteenth century, for having gone thoroughly into the subject of bird flight he states distinctly in his last proposition on the subject that 'It is impossible that men should be able to fly craftily by their own strength.' This statement, of course, remains true up to the present day, for no man has yet devised the means by which he can raise himself in the air and maintain himself there by mere muscular effort.

From the time of Borelli up to the development of the steam engine it may be said that flight by means of any heavier-than-air apparatus was generally regarded as impossible, and apart from certain deductions which a little experiment would have shown to be doomed to failure, this method of flight was not followed up. It is not to be wondered at, when Borelli's exaggerated estimate of the strength expended by birds in proportion to their weight is borne in mind; he alleged that the motive force in birds' wings is 10,000 times greater than the resistance of their weight, and with regard to human flight he remarks:--

'When, therefore, it is asked whether men may be able to fly by their own strength, it must be seen whether the motive power of the pectoral muscles is proportionately great, as it is evident that it must exceed the resistance of the weight of the whole human body 10,000 times, together with the weight of enormous wings which should be attached to the arms. And it is clear that the motive power of the pectoral muscles in men is much less than is necessary for flight, for in birds the bulk and weight of the muscles for flapping the wings are not less than a sixth part of the entire weight of the body. Therefore, it would be necessary that the pectoral muscles of a man should weigh more than a sixth part of the entire weight of his body; so also the arms, by flapping with the wings attached, should be able to exert a power 10,000 times greater than the weight of the human body itself. But they are far below such excess, for the aforesaid pectoral muscles do not equal a hundredth part of the entire weight of a man. Wherefore either the strength of the muscles ought to be increased or the weight of the human body must be decreased, so that the same proportion obtains in it as exists in birds. Hence it is deducted that the Icarian invention is entirely mythical because impossible, for it is not possible either to increase a man's pectoral muscles or to diminish the weight of the human body; and whatever apparatus is used, although it is possible to increase the momentum, the velocity or the power employed can never equal the resistance; and therefore wing flapping by the contraction of muscles cannot give out enough power to carry up the heavy body of a man.'

It may be said that practically all the conclusions which Borelli reached in his study were negative. Although contemporary with Lana, he perceived the one factor which rendered Lana's project for flight by means of vacuum globes an impossibility--he saw that no globe could be constructed sufficiently light for flight, and at the same time sufficiently strong to withstand the pressure of the outside atmosphere. He does not appear to have made any experiments in flying on his own account, having, as he asserts most definitely, no faith in any invention designed to lift man from the surface of the earth. But his work, from which only the foregoing short quotations can be given, is, nevertheless, of indisputable value, for he settled the mechanics of bird flight, and paved the way for those later investigators who had, first, the steam engine, and later the internal combustion engine--two factors in mechanical flight which would have seemed as impossible to Borelli as would wireless telegraphy to a student of Napoleonic times. On such foundations as his age afforded Borelli built solidly and well, so that he ranks as one of the greatest--if not actually the greatest--of the investigators into this subject before the age of steam.

'I will, first of all, presuppose that air has weight owing to the vapours and halations which ascend from the earth and seas to a height of many miles and surround the whole of our terraqueous globe; and this fact will not be denied by philosophers, even by those who may have but a superficial knowledge, because it can be proven by exhausting, if not all, at any rate the greater part of, the air contained in a glass vessel, which, if weighed before and after the air has been exhausted, will be found materially reduced in weight. Then I found out how much the air weighed in itself in the following manner. I procured a large vessel of glass, whose neck could be closed or opened by means of a tap, and holding it open I warmed it over a fire, so that the air inside it becoming rarified, the major part was forced out; then quickly shutting the tap to prevent the re-entry I weighed it; which done, I plunged its neck in water, resting the whole of the vessel on the surface of the water, then on opening the tap the water rose in the vessel and filled the greater part of it. I lifted the neck out of the water, released the water contained in the vessel, and measured and weighed its quantity and density, by which I inferred that a certain quantity of air had come out of the vessel equal in bulk to the quantity of water which had entered to refill the portion abandoned by the air. I again weighed the vessel, after I had first of all well dried it free of all moisture, and found it weighed one ounce more whilst it was full of air than when it was exhausted of the greater part, so that what it weighed more was a quantity of air equal in volume to the water which took its place. The water weighed 640 ounces, so I concluded that the weight of air compared with that of water was 1 to 640--that is to say, as the water which filled the vessel weighed 640 ounces, so the air which filled the same vessel weighed one ounce.'

Having thus detailed the method of exhausting air from a vessel, Lana goes on to assume that any large vessel can be entirely exhausted of nearly all the air contained therein. Then he takes Euclid's proposition to the effect that the superficial area of globes increases in the proportion of the square of the diameter, whilst the volume increases in the proportion of the cube of the same diameter, and he considers that if one only constructs the globe of thin metal, of sufficient size, and exhausts the air in the manner that he suggests, such a globe will be so far lighter than the surrounding atmosphere that it will not only rise, but will be capable of lifting weights. Here is Lana's own way of putting it:--

'But so that it may be enabled to raise heavier weights and to lift men in the air, let us take double the quantity of copper, 1,232 square feet, equal to 308 lbs. of copper; with this double quantity of copper we could construct a vessel of not only double the capacity, but of four times the capacity of the first, for the reason shown by my fourth supposition. Consequently the air contained in such a vessel will be 718 lbs. 4 2/3 ounces, so that if the air be drawn out of the vessel it will be 410 lbs. 4 2/3 ounces lighter than the same volume of air, and, consequently, will be enabled to lift three men, or at least two, should they weigh more than eight pesi each. It is thus manifest that the larger the ball or vessel is made, the thicker and more solid can the sheets of copper be made, because, although the weight will increase, the capacity of the vessel will increase to a greater extent and with it the weight of the air therein, so that it will always be capable to lift a heavier weight. From this it can be easily seen how it is possible to construct a machine which, fashioned like unto a ship, will float on the air.'

With four globes of these dimensions Lana proposed to make an aerial ship of the fashion shown in his quaint illustration. He is careful to point out a method by which the supporting globes for the aerial ship may be entirely emptied of air; this is to be done by connecting to each globe a tube of copper which is 'at least a length of 47 modern Roman palmi.' A small tap is to close this tube at the end nearest the globe, and then vessel and tube are to be filled with water, after which the tube is to be immersed in water and the tap opened, allowing the water to run out of the vessel, while no air enters. The tap is then closed before the lower end of the tube is removed from the water, leaving no air at all in the globe or sphere. Propulsion of this airship was to be accomplished by means of sails, and also by oars.

Lana antedated the modern propeller, and realised that the air would offer enough resistance to oars or paddle to impart motion to any vessel floating in it and propelled by these means, although he did not realise the amount of pressure on the air which would be necessary to accomplish propulsion. As a matter of fact, he foresaw and provided against practically all the difficulties that would be encountered in the working, as well as the making, of the aerial ship, finally coming up against what his religious training made an insuperable objection. This, again, is best told in his own words:--

'Other difficulties I do not foresee that could prevail against this invention, save one only, which to me seems the greatest of them all, and that is that God would surely never allow such a machine to be successful, since it would create many disturbances in the civil and political governments of mankind.'

As already noted, Lana himself, owing to his vows of poverty, was unable to do more than put his suggestions on paper, which he did with a thoroughness that has procured him a place among the really great pioneers of flying.

It was nearly 200 years before any attempt was made to realise his project; then, in 1843, M. Marey Monge set out to make the globes and the ship as Lana detailed them. Monge's experiments cost him the sum of 25,000 francs 75 centimes, which he expended purely from love of scientific investigation. He chose to make his globes of brass, about .004 in thickness, and weighing 1.465 lbs. to the square yard. Having made his sphere of this metal, he lined it with two thicknesses of tissue paper, varnished it with oil, and set to work to empty it of air. This, however, he never achieved, for such metal is incapable of sustaining the pressure of the outside air, as Lana, had he had the means to carry out experiments, would have ascertained. M. Monge's sphere could never be emptied of air sufficiently to rise from the earth; it ended in the melting-pot, ignominiously enough, and all that Monge got from his experiment was the value of the scrap metal and the satisfaction of knowing that Lana's theory could never be translated into practice.

Robert Hooke is less conspicuous than either Borelli or Lana; his work, which came into the middle of the seventeenth century, consisted of various experiments with regard to flight, from which emerged 'a Module, which by the help of Springs and Wings, raised and sustained itself in the air.' This must be reckoned as the first model flying machine which actually flew, except for da Vinci's helicopters; Hooke's model appears to have been of the flapping-wing type--he attempted to copy the motion of birds, but found from study and experiment that human muscles were not sufficient to the task of lifting the human body. For that reason, he says, 'I applied my mind to contrive a way to make artificial muscles,' but in this he was, as he expresses it, 'frustrated of my expectations.' Hooke's claim to fame rests mainly on his successful model; the rest of his work is of too scrappy a nature to rank as a serious contribution to the study of flight.

Contemporary with Hooke was one Allard, who, in France, undertook to emulate the Saracen of Constantinople to a certain extent. Allard was a tight-rope dancer who either did or was said to have done short gliding flights--the matter is open to question--and finally stated that he would, at St Germains, fly from the terrace in the king's presence. He made the attempt, but merely fell, as did the Saracen some centuries before, causing himself serious injury. Allard cannot be regarded as a contributor to the development of aeronautics in any way, and is only mentioned as typical of the way in which, up to the time of the Wright brothers, flying was regarded. Even unto this day there are many who still believe that, with a pair of wings, man ought to be able to fly, and that the mathematical data necessary to effective construction simply do not exist. This attitude was reasonable enough in an unlearned age, and Allard was one--a little more conspicuous than the majority--among many who made experiment in ignorance, with more or less danger to themselves and without practical result of any kind.

The seventeenth century was not to end, however, without practical experiment of a noteworthy kind in gliding flight. Among the recruits to the ranks of pioneers was a certain Besnier, a locksmith of Sabl?, who somewhere between 1675 and 1680 constructed a glider of which a crude picture has come down to modern times. The apparatus, as will be seen, consisted of two rods with hinged flaps, and the original designer of the picture seems to have had but a small space in which to draw, since obviously the flaps must have been much larger than those shown. Besnier placed the rods on his shoulders, and worked the flaps by cords attached to his hands and feet--the flaps opened as they fell, and closed as they rose, so the device as a whole must be regarded as a sort of flapping glider. Having by experiment proved his apparatus successful, Besnier promptly sold it to a travelling showman of the period, and forthwith set about constructing a second set, with which he made gliding flights of considerable height and distance. Like Lilienthal, Besnier projected himself into space from some height, and then, according to the contemporary records, he was able to cross a river of considerable size before coming to earth. It does not appear that he had any imitators, or that any advantage whatever was taken of his experiments; the age was one in which he would be regarded rather as a freak exhibitor than as a serious student, and possibly, considering his origin and the sale of his first apparatus to such a client, he regarded the matter himself as more in the nature of an amusement than as a discovery.

Borelli, coming at the end of the century, proved to his own satisfaction and that of his fellows that flapping wing flight was an impossibility; the capabilities of the plane were as yet undreamed, and the prime mover that should make the plane available for flight was deep in the womb of time. Da Vinci's work was forgotten--flight was an impossibility, or at best such a useless show as Besnier was able to give.

The eighteenth century was almost barren of experiment. Emanuel Swedenborg, having invented a new religion, set about inventing a flying machine, and succeeded theoretically, publishing the result of his investigations as follows:--

'Let a car or boat or some like object be made of light material such as cork or bark, with a room within it for the operator. Secondly, in front as well as behind, or all round, set a widely-stretched sail parallel to the machine, forming within a hollow or bend, which could be reefed like the sails of a ship. Thirdly, place wings on the sides, to be worked up and down by a spiral spring, these wings also to be hollow below in order to increase the force and velocity, take in the air, and make the resistance as great as may be required. These, too, should be of light material and of sufficient size; they should be in the shape of birds' wings, or the sails of a windmill, or some such shape, and should be tilted obliquely upwards, and made so as to collapse on the upward stroke and expand on the downward. Fourth, place a balance or beam below, hanging down perpendicularly for some distance with a small weight attached to its end, pendent exactly in line with the centre of gravity; the longer this beam is, the lighter must it be, for it must have the same proportion as the well-known vectis or steel-yard. This would serve to restore the balance of the machine if it should lean over to any of the four sides. Fifthly, the wings would perhaps have greater force, so as to increase the resistance and make the flight easier, if a hood or shield were placed over them, as is the case with certain insects. Sixthly, when the sails are expanded so as to occupy a great surface and much air, with a balance keeping them horizontal, only a small force would be needed to move the machine back and forth in a circle, and up and down. And, after it has gained momentum to move slowly upwards, a slight movement and an even bearing would keep it balanced in the air and would determine its direction at will.'

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