Read Ebook: Mississipin metsästäjäpojat by Reid Mayne Hedman Valfrid Translator
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Ebook has 1047 lines and 52926 words, and 21 pages
Origin and Function of Outline--Silhouette--Definition of Boundaries by--Power of Characterization by--Formation of Letters--Methods of Drawing in Line--The Progressive Method--The Calligraphic Method--The Tentative Method--The Japanese Direct Brush Method--The Oval Method-- The Rectangular Method--Quality of Line--Linear Expression of Movement--Textures--Emotion--Scale of Linear Expression 1
The Language of Line--Dialects--Comparison of the Style of Various Artists in Line--Scale of Degrees in Line--Picture Writing--Relation of Line to Form--Two Paths--The Graphic Purpose--Aspect--The Ornamental Purpose--Typical Treatment or Convention--Rhythm--Linear Plans in Pattern Designing--Wall-paper Design--Controlling Forms--Memory--Evolution in Design--Variety in Unity-- Counterbalance--Linear Logic--Recurring Line and Form--Principle of Radiation--Range and Use of Line 23
Of the Choice and Use of Line--Degree and Emphasis--Influence of the Photograph--The Value of Emphasis--The Technical Influence--The Artistic Purpose--Influence of Material and Tools--Brushwork-- Charcoal--Pencil--Pen 51
Of the Choice of Form--Elementary Forms--Space-filling--Grouping-- Analogies of Form--Typical Forms of Ornament--Ornamental Units-- Equivalents in Form--Quantities in Design--Contrast--Value of Variations of Similar or Allied Forms--Use of the Human Figure and Animal Forms in Ornamental Design 73
Of the Influence of Controlling Lines, Boundaries Spaces, and Plans in Designing--Origin of Geometric Decorative Spaces and Panels in Architecture--Value of Recurring Line--Tradition--Extension-- Adaptability--Geometric Structural Plans--Frieze and Field-- Ceiling Decoration--Co-operative Relation 108
Of the Fundamental Essentials of Design: Line, Form, Space--Principles of Structural and Ornamental Line in Organic Forms--Form and Mass in Foliage--Roofs--The Mediaeval City--Organic and Accidental Beauty--Composition: Formal and Informal--Power of Linear Expression--Relation of Masses and Lines--Principles of Harmonious Composition 138
Of the Relief of Form--Three Methods--Contrast--Light and Shade, and Modelling--The Use of Contrast and Planes in Pattern Designing--Decorative Relief--Simple Linear Contrast--Relief by Linear Shading--Different Emphasis in relieving Form by Shading Lines--Relief by means of Light and Shade alone without Outline--Photographic Projection--Relief by different Planes and Contrasts of Concave and Convex Surfaces in Architectural Mouldings--Modelled Relief-- Decorative Use of Light and Shade, and different Planes in Modelling and Carving--Egyptian System of Relief Sculpture--Greek and Gothic Architectural Sculpture, influenced by Structural and Ornamental Feeling--Sculptural Tombs, Medals, Coins, Gems--Florentine Fifteenth-century Reliefs--Desiderio di Settignano 165
Of the Expression of Relief in Line-drawing--Graphic Aim and Ornamental Aim--Superficial Appearance and Constructive Reality--Accidents and Essentials--Representation and Suggestion of Natural Form in Design--The Outward Vision and the Inner Vision 204
Of the Adaptation of Line and Form in Design, in various materials and methods--Mural Decoration--Fresco-work of the Italian Painters-- Modern Mural Work--Mural Spacing and Pattern Plans--Scale--The Skirting--The Dado--Field of the Wall--The Frieze--Panelling-- Tapestry--Textile Design--Persian Carpets--Effect of Texture on Colour--Prints--Wall-paper--Stained Glass 224
INDEX 283
The Origin of Outline f002
Silhouettes f003
Coast and Mountain Lines--Gulf of Nauplia f004
Proportions of Roman Capital Letters and of lower-case f005a German text. From D?rer's "Geometrica"
The Progressive Method of Drawing in Line f006a
The Calligraphic Method f007a
The Tentative Method f007b
The Oval and Rectangular Methods f008
Lines of Characterization in the Form and Feature of f009 Flowers: Lily and Poppy
Silhouette of Beech Leaves and Line Rendering of the same f010a
Lines of Movement f010b
Effect of Wind upon Trees f011
Line Arrangement in ribbed Sea-sand f012
Lines of different Textures, Structures, and Services f013
Lines of Exaltation and Rejoicing in Unison. The Morning f014 Stars, after William Blake
Lines of Grief and Dejection: Designs from Flaxman's Homer f015
Landscape f016
Scale of various Degrees of Linear Weight and Emphasis f017
Curvilinear Scale of Direction f018
Rectangular Scale of Direction f018
Picture Writing f019
Olive Branch, from Nature f020
Olive Branch, simplified in Decorative Treatment f021
Study of Horned Poppy f022
Adaptation of Horned Poppy in Design: Vertical Panel for f023 Needlework
Question and Answer in Line f024, f025
Diagram showing the Use of a Geometric Basis in Designing a f026 Repeating Pattern
Use of Controlling Boundaries in Designing Sprays f027
Method of Testing a Repeating Pattern f028
Sketch to show how a Pattern of Diverse Elements may be f029 harmonized by Unity of Inclosing and Intermediary Lines
The Principle of Counterbalance in different Systems of f030 Design
Border Units and Border Motive f031
Recurring Line and Form in Border Motives f032
Radiating Principle of Line in Natural Form f033
Radiating Lines of the Pectoral Muscles and Ribs f034
Lines of Characterization of Feathers and Shells f036
Pen Drawing of Fruit f037
Effect of different Emphasis in Treatment of the same f038, f039 Designs
Effect of different Emphasis in the Drawing of Landscape f040
Example of Page Treatment to show Ornamental Relation f041a between Text and Pictures
Suggestion for a Carpet Pattern and Abstract Treatment of f041b the same on Point Paper as detail of Brussels Carpet
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