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GENERAL INTRODUCTION xi
GENERAL INTRODUCTION.
It must not be supposed that the author himself was inclined to lay such weight on these stray notes, as might be presumed from the form in which they are here presented. That might give the impression of a most methodic worker and thinker, who had before him a carefully-indexed commonplace book, into which he posted at the proper place his rough notes and suggestions. That was not De Quincey's way. If he was not one of the wealthy men who care not how they give, he was one who made the most careless record even of what was likely to be valuable--at all events to himself. His habit was to make notes just as they occurred to him, and on the sheet that he chanced to have at the moment before him. It might be the 'copy' for an article indeed, and in a little square patch at the corner--separated from the main text by an insulating line of ink drawn round the foreign matter--through this, not seldom, when finished he would lightly draw his pen; meaning probably to return to it when his MS. came back to him from the printer, which accounts, it may be, in some measure for his reluctance to get rid of, or to destroy, 'copy' already printed from. Sometimes we have found on a sheet a dozen or so of lines of a well-known article; and the rest filled up with notes, some written one way of the paper, some another, and now and then entangled in the most surprising fashion. In these cases, where the notes, of course, were meant for his own eye, he wrote in a small spidery handwriting with many contractions--a kind of shorthand of his own, and very different indeed from his ordinary clean, clear, neat penmanship. In many cases these notes demanded no little care and closeness in deciphering--the more that the MSS. had been tumbled about, and were often deeply stained by glasses other than inkstands having been placed upon them. 'Within that circle none dared walk but he,' said Tom Hood in his genially humorous way; and many of these thoughts were thus partially or wholly encircled. Pages of articles that had already been printed were intermixed with others that had not; and the first piece of work that I entered on was roughly to separate the printed from the unprinted--first having carefully copied out from the former any of the spidery-looking notes interjected there, to which I have already referred. The next process was to arrange the many separate pages and seeming fragments into heaps, by subjects; and finally to examine these carefully and, with a view to 'connections,' to place them together. In not a few cases where the theme was attractive and the prospect promising, utter failure to complete the article or sketch was the result, the opening or ending passages, or a page in the middle, having been unfortunately destroyed or lost.
So numerous were these notes, so varied their subjects, that one got quite a new idea of the extreme electrical quality of his mind, as he himself called it; and I shall have greatly failed in my endeavour in the case of these volumes, if I have not succeeded in imparting something of the same impression to the reader. Here we have proof that vast schemes, such as the great history of England, of which Mr. James Hogg, senr., humorously told us in his 'Recollections' , were not merely subjects of conversation and jest, but that he had actually proceeded to build up masses of notes and figures with a view to these; and various slips and pages remain to show that he had actually commenced to write the history of England. The short article, included in the present volume, on the 'Power of the House of Commons as Custodian of the Purse,' is marked for 'My History of England.' Other portions are marked as intended for 'My book on the Infinite,' and others still 'For my book on the Relations of Christianity to Man.' One can infer, indeed, that several of the articles well-known to us, notably 'Christianity as an Organ of Political Movement,' for one, were originally conceived as portions of a great work on 'Christianity in Relation to Human Development.'
It is thus necessary to be very explicit in stating that, though these notes are as faithfully reproduced as has been possible to me, the classification and arrangement of them, under which they assume the aspect of something of one connected essay on the main subject, I alone am responsible for; though I do not believe, so definite and clear were his ideas on certain subjects and in certain relations, that he himself would have regarded them as losing anything by such arrangement, but rather gaining very much, if they were to be given at all to the public.
Several of the articles in this volume suggest that he also contemplated a great work on 'Paganism and Christianity,' in which he would have demonstrated that Paganism had exhausted all the germs of progress that lay within it; and that all beyond the points reached by Paganism is due to Christianity, and alone to Christianity, which, in opening up a clear view of the infinite through purely experimental mediums in man's heart, touched to new life, science, philosophy, art, invention and every kind of culture.
Respecting the recovered 'Suspiria,' all that it is needful to say will be found in an introduction special to that head, and it does not seem to me that I need to add here anything more. In every other respect the articles must speak for themselves.
DE QUINCEY'S POSTHUMOUS WORKS.
INTRODUCTION, WITH COMPLETE LIST OF THE 'SUSPIRIA.'
We find De Quincey writing in his prefatory notice to the enlarged edition of the 'Confessions' in November, 1856:
After this loss of the greater portion of the 'Suspiria' copy, De Quincey seems to have become indifferent in some degree to their continuity and relation to each other. He drew the 'Affliction of Childhood' and 'Dream Echoes,' which stood early in the order of the 'Suspiria,' into the 'Autobiographic Sketches,' and also the 'Spectre of the Brocken,' which was meant to come somewhat later in the series as originally planned; and, as we have seen, he appended 'The Daughter of Lebanon' to the 'Opium Confessions,' without any reference, save in the preface, to its really having formed part of a separate collection of dreams.
From a list found among his MSS. we are able to give the arrangement of the whole as it would have appeared had no accident occurred, and all the papers been at hand. Those followed by a cross are those which are now recovered, and those with a dagger what were reprinted either as 'Suspiria' or otherwise in Messrs. Black's editions.
SUSPIRIA DE PROFUNDIS.
Thus of the thirty-two 'Suspiria' intended by the author, we have only nine that received his final corrections, and even with those now recovered, we have only about one half of the whole, presuming that those which are lost or remained unwritten would have averaged about the same length as those we have. To those who have studied the 'Suspiria' as published, how suggestive many of these titles will be! 'Count the Leaves in Vallombrosa'--what phantasies would that have conjured up! The lost, the apparently wasted of the leaves from the tree of human life, and the possibilities of use and redemption! De Quincey would there doubtless have given us under a form more or less fanciful or symbolical his reading of the problem:
'Why Nature out of fifty seeds So often brings but one to bear.'
The case of the Cagots, the pariahs of the Pyrenees, as we know from references elsewhere, excited his curiosity, as did all of the pariah class, and much engaged his attention; and in the 'Cagot and Cressida' 'Suspiria' we should probably have had under symbols of mighty abstractions the vision of the pariah world, and the world of health and outward fortune which scorns and excludes the other, and partly, at all events, actively dooms it to a living death in England of to-day, as in India of the past, and in Jewry of old, where the leper was thrust outside the wall to wail 'Unclean! unclean!'
'Oh, eternity with outstretched wings, that broodest over the secret truths in whose roots lie the mysteries of man--his whence, his whither--have I searched thee, and struck a right key on thy dreadful organ!'
Suffering is a mightier agency in the hands of nature, as a Demiurgus creating the intellect, than most people are aware of.
'Tells also of bright calms that shall succeed.'
Pain driven to agony, or grief driven to frenzy, is essential to the ventilation of profound natures. A sea which is deeper than any that Count Massigli measured cannot be searched and torn up from its sleeping depths without a levanter or a monsoon. A nature which is profound in excess, but also introverted and abstracted in excess, so as to be in peril of wasting itself in interminable reverie, cannot be awakened sometimes without afflictions that go to the very foundations, heaving, stirring, yet finally harmonizing; and it is in such cases that the Dark Interpreter does his work, revealing the worlds of pain and agony and woe possible to man--possible even to the innocent spirit of a child.
There is a German superstition, which eight or ten years after I read, of the Erl-king and his daughter. The daughter had power to tempt infants away into the invisible world; but it is, as the reader understands, by collusion with some infirmity of sick desire for such worlds in the infant itself.
'Who is that rides through the forest so fast?'
It is a knight who carries his infant upon his saddle-bow. The Erl-king's daughter rides by his side; and, in words audible only when she means them to be heard, she says:
'If thou wilt, dear baby, with me go away, We will see a fine show, we will play a fine play.'
It is a sweet morning in June, and the fragrance of the roses is wafted towards me as I move--for I am walking in a lawny meadow, still wet with dew--and a wavering mist lies over the distance. Suddenly it seems to lift, and out of the dewy dimness emerges a cottage, embowered with roses and clustering clematis; and the hills, in which it is set like a gem, are tree-clad, and rise billowy behind it, and to the right and to the left are glistening expanses of water. Over the cottage there hangs a halo, as if clouds had but parted there. From the door of that cottage emerges a figure, the countenance full of the trepidation of some dread woe feared or remembered. With waving arm and tearful uplifted face the figure first beckons me onward, and then, when I have advanced some yards, frowning, warns me away. As I still continue to advance, despite the warning, darkness falls: figure, cottage, hills, trees, and halo fade and disappear; and all that remains to me is the look on the face of her that beckoned and warned me away. I read that glance as by the inspiration of a moment. We had been together; together we had entered some troubled gulf; struggled together, suffered together. Was it as lovers torn asunder by calamity? was it as combatants forced by bitter necessity into bitter feud, when we only, in all the world, yearned for peace together? Oh, what a searching glance was that which she cast on me! as if she, being now in the spiritual world, abstracted from flesh, remembered things that I could not remember. Oh, how I shuddered as the sweet sunny eyes in the sweet sunny morning of June--the month that was my 'angelical'; half spring, yet with summer dress, that to me was very 'angelical'--seemed reproachfully to challenge in me recollections of things passed thousands of years ago . Oh, heavens! it came over me as doth the raven over the infected house, as from a bed of violets sweeps the saintly odour of corruption. What a glimpse was thus revealed! glory in despair, as of that gorgeous vegetation that hid the sterilities of the grave in the tropics of that summer long ago; of that heavenly beauty which slept side by side within my sister's coffin in the month of June; of those saintly swells that rose from an infinite distance--I know not whether to or from my sister. Could this be a memorial of that nature? Are the nearer and more distant stages of life thus dimly connected, and the connection hidden, but suddenly revealed for a moment?
This lady for years appeared to me in dreams; in that, considering the electric character of my dreams, and that they were far less like a lake reflecting the heavens than like the pencil of some mighty artist--Da Vinci or Michael Angelo--that cannot copy in simplicity, but comments in freedom, while reflecting in fidelity, there was nothing to surprise. But a change in this appearance was remarkable. Oftentimes, after eight years had passed, she appeared in summer dawn at a window. It was a window that opened on a balcony. This feature only gave a distinction, a refinement, to the aspect of the cottage--else all was simplicity. Spirit of Peace, dove-like dawn that slept upon the cottage, ye were not broken by any participation in my grief and despair! For ever the vision of that cottage was renewed. Did I roam in the depths of sweet pastoral solitudes in the West, with the tinkling of sheep-bells in my ears, a rounded hillock, seen vaguely, would shape itself into a cottage; and at the door my monitory, regretful Hebe would appear. Did I wander by the seashore, one gently-swelling wave in the vast heaving plain of waters would suddenly transform itself into a cottage, and I, by some involuntary inward impulse, would in fancy advance toward it.
Ah, reader, you will think this which I am going to say too near, too holy, for recital. But not so. The deeper a woe touches me in heart, so much the more am I urged to recite it. The world disappears: I see only the grand reliques of a world--memorials of a love that has departed, has been--the record of a sorrow that is, and has its greyness converted into verdure--monuments of a wrath that has been reconciled, of a wrong that has been atoned for--convulsions of a storm that has gone by. What I am going to say is the most like a superstitious thing that I ever shall say. And I have reason to think that every man who is not a villain once in his life must be superstitious. It is a tribute which he pays to human frailty, which tribute if he will not pay, which frailty if he will not share, then also he shall not have any of its strength.
The face of this monitory Hebe haunted me for some years in a way that I must faintly attempt to explain. It is little to say that it was the sweetest face, with the most peculiar expression of sweetness, that I had ever seen: that was much, but that was earthly. There was something more terrific, believe me, than this; yet that was not the word: terror looks to the future; and this perhaps did, but not primarily. Chiefly it looked at some unknown past, and was for that reason awful; yes, awful--that was the word.
Thus, on any of those heavenly sunny mornings, that now are buried in an endless grave, did I, transported by no human means, enter that cottage, and descend to that breakfast-room, my earliest salute was to her, that ever, as the look of pictures do, with her eyes pursued me round the room, and oftentimes with a subtle checking of grief, as if great sorrow had been or would be hers. And it was, too, in the sweet Maytime. Oh yes; she was but as if she had been--as if it were her original ... chosen to have been the aurora of a heavenly clime; and then suddenly she was as one of whom, for some thousand years, Paradise had received no report; then, again, as if she entered the gates of Paradise not less innocent; and, again, as if she could not enter; and some blame--but I knew not what blame--was mine; and now she looked as though broken with a woe that no man could read, as she sought to travel back to her early joy--yet no longer a joy that is sublime in innocency, but a joy from which sprung abysses of memories polluted into anguish, till her tears seemed to be suffused with drops of blood. All around was peace and the deep silence of untroubled solitude; only in the lovely lady was a sign of horror, that had slept, under deep ages of frost, in her heart, and now rose, as with the rushing of wings, to her face. Could it be supposed that one life--so pitiful a thing--was what moved her care? Oh no; it was, or it seemed, as if this poor wreck of a life happened to be that one which determined the fate of some thousand others. Nothing less; nothing so abject as one poor fifty years--nothing less than a century of centuries could have stirred the horror that rose to her lovely lips, as once more she waved me away from the cottage.
Oh, reader, five years after I saw that sweet face in reality--saw it in the flesh; saw that pomp of womanhood; saw that cottage; saw a thousand times that lovely domicile that heard the cooing of the solitary dove in the solitary morning; saw the grace of childhood and the shadows of graves that lay, like creatures asleep, in the sunshine; saw, also, the horror, somehow realized as a shadowy reflection from myself, which warned me off from that cottage, and which still rings through the dreams of five-and-twenty years.
'"In to-day already walked to-morrow."'
There is a story told in the 'Arabian Nights' of a princess who, by overlooking one seed of a pomegranate, precipitated the event which she had laboured to make impossible. She lies in wait for the event which she foresees. The pomegranate swells, opens, splits; the seeds, which she knows to be roots of evil, rapidly she swallows; but one--only one--before it could be arrested, rolls away into a river. It is lost! it is irrecoverable! She has triumphed, but she must perish. Already she feels the flames mounting up which are to consume her, and she calls for water hastily--not to deliver herself , but, nobly forgetting her own misery, that she may prevent that destruction of her brother mortal which had been the original object for hazarding her own. Yet why go to Arabian fictions? Even in our daily life is exhibited, in proportions far more gigantic, that tendency to swell and amplify itself into mountains of darkness, which exists oftentimes in germs that are imperceptible. An error in human choice, an infirmity in the human will, though it were at first less than a mote, though it should swerve from the right line by an interval less than any thread
'That ever spider twisted from her womb,'
sometimes begins to swell, to grow, to widen its distance rapidly, travels off into boundless spaces remote from the true centre, spaces incalculable and irretraceable, until hope seems extinguished and return impossible. Such was the course of my own opium career. Such is the history of human errors every day. Such was the original sin of the Greek theories on Deity, which could not have been healed but by putting off their own nature, and kindling into a new principle--absolutely undiscoverable, as I contend, for the Grecian intellect.
If an eternity is as vast as a star, yet the most miserable of earthly blocks not four feet square will eclipse, masque, hide it from centre to circumference. And so it really is. Incredible as it might seem apart from experience, the dreadful reality of death is utterly withdrawn from us because itself dwindles to an apparent mote, and the perishing non-reality thickens into a darkness as massy as a rock.
Great changes summon to great meditations. Daily we see the most joyous of events take a colouring of solemnity from the mere relation in which they stand to an uncertain future: the birth of a child, heir to the greatest expectations, and welcomed clamorously by the sympathy of myriads, speaks to the more reflecting in an undertone of monitory sadness, were it only as a tribute to the frailty of human expectations: and a marriage-day, of all human events the most lawfully festal, yet needs something of effort to chase away the boding sadness which settles unavoidably upon any new career; the promise is vague, but new hopes have created new dangers, and responsibilities contracted perhaps with rapture are charged with menace.
Turn a screw, tighten a linch-pin--which is not to disease, but perhaps to exalt, the mighty machinery of the brain--and the Infinities appear, before which the tranquillity of man unsettles, the gracious forms of life depart, and the ghostly enters. So profoundly is this true, that oftentimes I have said of my own tremendous experience in this region--destined too certainly, I fear, finally to swallow up intellect and the life of life in the heart, unless God of His mercy fetches me away by some sudden death--that death, considered as an entrance to this ghostly world, is but a postern-gate by comparison with the heaven-aspiring vestibule through which this world of the Infinite introduces the ghostly world.
The joy of an infant, or joy-generation, without significance to an unprofound and common mind--how strange to see the excess of pathos in that; yet men of any sensibility see in this a transpicuous masque for another form, viz., the eternal ground of sorrow in all human hearts. This, by the way, in an essay on William Wordsworth, should be noticed as the charm of his poetry; and the note differential, in fact. At least, I know not of any former poet who has so systematically sought his sadness in the very luxury of joy. Thus, in the 'Two April Mornings,' 'what a mortal freshness of dewy radiance! what an attraction of early summer! what a vision of roses in June! Yet it is all transmuted to a purpose of sadness.'
Ah, reader, scorn not that which--whether you refuse it or not as the reality of realities--is assuredly the reality of dreams, linking us to a far vaster cycle, in which the love and the languishing, the ruin and the horror, of this world are but moments--but elements in an eternal circle. The cycle stretches from an East that is forgotten to a West that is but conjectured. The mere fact of your own individual calamity is a life; the tragedy is a nature; the hope is but as a dim augury written on a flower.
If the things that have fretted us had not some art for retiring into secret oblivion, what a hell would life become! Now, understand how in some nervous derangements this horror really takes place. Some things that had sunk into utter forgetfulness, others that had faded into visionary power, all rise as gray phantoms from the dust; the field of our earthly combats that should by rights have settled into peace, is all alive with hosts of resurrections--cavalries that sweep in gusty charges--columns that thunder from afar--arms gleaming through clouds of sulphur.
God takes care for the religion of little children wheresoever His Christianity exists. Wheresoever there is a national Church established, to which a child sees all his protectors resort; wheresoever he beholds amongst earthly creatures whom most he honours prostrate in devotion before these illimitable heavens, which fill to overflowing the total capacities of his young adoring heart; wheresoever at intervals he beholds the sleep of death, falling upon the men or women whom he has seen--a depth stretching as far below his power to fathom as those persons ascend beyond his powers to pursue--God speaks to their hearts by dreams and their tumultuous grandeurs. Even by solitude does God speak to little children, when made vocal by the services of Christianity, as also he does by darkness wheresoever it is peopled with visions of His almighty power. For a pagan child, for a Greek child, solitude was nothing; for a Christian child it is made the power of God, and the hieroglyphic of His most distant truth. The solitude in life is deep for the millions who have none to love them, and deep for those who suffer by secret and incommunicable woe and have none to pity them. Thus, be you assured that though infancy talks least of that which slumbers deepest, it yet rests in its own transcendent solitude. But infancy, you say, talks surely most of that which is uppermost in its heart. Yes, doubtless of that which is uppermost, but not at all of that which slumbers below the foundations of its heart.
I except one case, the case of any child who is marked for death by organic disease, and knows it. In such cases the creature is changed--that which would have been unchildlike ceases to offend, for a new character is forming.
FOOTNOTES:
See the story of the young soldier who told his officer, on having been struck by him, that 'he would make him repent it.'
Three thousand children are annually burnt to death in the nations of England and Scotland, chiefly through the carelessness of parents. I shudder to add another and darker cause, which is a deep disgrace to the present age.
Count Massigli about sixty years ago fathomed and attempted to fathom many parts of the Mediterranean and the Atlantic. If I remember rightly, he found the bottom within less than an English mile.
The loveliest sight that a woman's eye opens upon in this world is her first-born child; and the holiest sight upon which the eyes of God settle in Almighty sanction and perfect blessing is the love which soon kindles between the mother and her infant: mute and speechless on the one side, with no language but tears and kisses and looks. Beautiful is the philosophy ... which arises out of that reflection or passion connected with the transition that has produced it. First comes the whole mighty drama of love, purified ever more and more, how often from grosser feelings, yet of necessity through its very elements, oscillating between the finite and the infinite: the haughtiness of womanly pride, so dignified, yet not always free from the near contagion of error; the romance so ennobling, yet not always entirely reasonable; the tender dawn of opening sentiments, pointing to an idea in all this which it neither can reach nor could long sustain. Think of the great storm of agitation, and fear and hope, through which, in her earliest days of womanhood, every woman must naturally pass, fulfilling a law of her Creator, yet a law which rests upon her mixed constitution; animal, though indefinitely ascending to what is non-animal--as a daughter of man, frail ... and imperfect, yet also as a daughter of God, standing erect, with eyes to the heavens. Next, when the great vernal passover of sexual tenderness and romance has fulfilled its purpose, we see, rising as a Phoenix from this great mystery of ennobled instincts, another mystery, much more profound, more affecting, more divine--not so much a rapture as a blissful repose of a Sabbath, which swallows up the more perishing story of the first; forcing the vast heart of female nature through stages of ascent, forcing it to pursue the transmigrations of the Psyche from the aurelic condition, so glowing in its colour, into the winged creature which mixes with the mystery of the dawn, and ascends to the altar of the infinite heavens, rising by a ladder of light from that sympathy which God surveys with approbation; and even more so as He beholds it self-purifying under His Christianity to that sympathy which needs no purification, but is the holiest of things on this earth, and that in which God most reveals Himself through the nature of humanity.
Well is it for the glorification of human nature that through these the vast majority of women must for ever pass; well also that, by placing its sublime germs near to female youth, God thus turns away by anticipation the divinest of disciplines from the rapacious absorption of the grave. Time is found--how often--for those who are early summoned into rendering back their glorious privilege, who yet have tasted in its first-fruits the paradise of maternal love.
And pertaining also to this part of the subject, I will tell you a result of my own observations of no light importance to women.
It is this: Nineteen times out of twenty I have remarked that the true paradise of a female life in all ranks, not too elevated for constant intercourse with the children, is by no means the years of courtship, nor the earliest period of marriage, but that sequestered chamber of her experience, in which a mother is left alone through the day, with servants perhaps in a distant part of the house, and chiefly where there are no servants at all, she is attended by one sole companion, her little first-born angel, as yet clinging to her robe, imperfectly able to walk, still more imperfect in its prattling and innocent thoughts, clinging to her, haunting her wherever she goes as her shadow, catching from her eye the total inspiration of its little palpitating heart, and sending to hers a thrill of secret pleasure so often as its little fingers fasten on her own. Left alone from morning to night with this one companion, or even with three, still wearing the graces of infancy; buds of various stages upon the self-same tree, a woman, if she has the great blessing of approaching such a luxury of paradise, is moving--too often not aware that she is moving--through the divinest section of her life. As evening sets in, the husband, through all walks of life, from the highest professional down to that of common labour, returns home to vary her modes of conversation by such thoughts and interests as are more consonant with his more extensive capacities of intellect. But by that time her child will be reposing on the little couch, and in the morning, duly as the sun ascends in power, she sees before her a long, long day of perfect pleasure in this society which evening will bring to her, but which is interwoven with every fibre of her sensibilities. This condition of noiseless, quiet love is that, above all, which God blesses and smiles upon.
FOOTNOTES:
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