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Read Ebook: Prints: A Brief Review of Their Technique and History by Richter Emil H Emil Heinrich
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Ebook has 317 lines and 28832 words, and 7 pages
Introductory, 1. Bank note and magazine illustration, 3. Three main divisions of processes. Woodcut, 4. Wood-engraving, 5. Engraving, 6. Dry-point, mezzotint, 8. Etching, 9. Lithography, 10. The printing presses used, 11.
Not a sudden invention, 12. Utilitarian origin, 14. The past reviewed, 15. The panel picture and its cheap substitute, 18. Saints' pictures, 20. Playing cards, 21. Increasing demand for pictures, 24. Block-books, movable type, 26. Book illustration in Germany and Italy, 28. Examples of early woodcuts: German, 30, Italian, 32.
The professional engraver, 49. Marcantonio Raimondi, 50. The publisher, 51. Revival; Carracci, 52. Painter-etchers, 53. Later developments; Canaletto, 55. The classical engravers, 55. Chiaroscuro woodcut, 56.
Culmination, D?rer, 60. Lucas van Leyden, 65. Italian influence, 66. Little masters, 67. Woodcut: Cranach, Holbein, 69. The two masters, D?rer and Holbein, 70. Decline, 71.
History. Flemish and Dutch art, 73. Engraver families, commerce in Saints' pictures, 75. Virtuosi of the graver, Goltzius, 76. Rubens and his engravers, 77. Van Dyck, 78. Cornel Visscher, 79. Rembrandt, 80. Ostade, 84. Ruysdael. Landscape and animal etchers, 85. Italian influence, decline, 86.
Early days, Hollar. English engravers, 109. Hogarth, 110. Bartolozzi, 110. Mezzotint engravers, 111. Earlom, 113. Wood-engraving: Bewick, 114.
Colonial times; Pelham, Peale, 116. Stipple; book illustration, 117. Wood-engraving, the tone engravers, 118. Etching, 120.
Individual expression, 121. Blake, 122. Chodowiecki, 123. A new era, Constable, Delacroix and others, 124. Turner, 126. Wood-engraving and lithography, 127. Menzel; Gavarni, Daumier, 129. Raffet, 130. Revival of etching, 130. Jacque, Millet, and others, 131. Etching versus Engraving, 131. Haden, Whistler, 132. Meryon, 133. Gaillard, 134. Exacting demands on the graphic arts; Zorn, Klinger, 135. Conclusion, 136.
Books recommended for study of prints, 138.
MADONNA OF EINSIEDELN. Anon. Master E. S. 40
DEATH OF THE VIRGIN. Martin Schongauer 42
BATTLE OF NUDE MEN. Antonio Pollajuolo 46
CHRIST BETWEEN TWO SAINTS. Andrea Mantegna 46
ST. JOHN THE BAPTIST. Giulio Campagnola 46
DEATH OF DIDO. Marcantonio Raimondi 50
ADAM AND EVE. Marcantonio Raimondi 50
TITIAN. Agostino Carracci 52
MADONNA AND CHILD. Federigo Barocci 54
TORRE DI MALGHERA. Antonio Canale 56
DIOGENES. Ugo da Carpi 56
FOUR HORSEMEN, APOCALYPSE. Albrecht D?rer 60
ARMS WITH THE SKULL. Albrecht D?rer 62
REST IN EGYPT. Albrecht D?rer 62
ST. JEROME IN HIS STUDY. Albrecht D?rer 64
CARDINAL ALBRECHT. Albrecht D?rer 64
TOURNAMENT. Lucas Cranach 68
JOHANNES ZURENUS. Hendrik Goltzius 74
RUBENS. Paul Pontius 76
JAN BRUEGHEL. Anthony van Dyck 78
GELLIUS DE BOUMA. Cornel Visscher 78
ADORATION OF THE SHEPHERDS. Rembrandt 80
THE THREE TREES. Rembrandt 80
JANUS LUTMA. Rembrandt 82
TOBIT BLIND. Rembrandt 82
THE SPINNER. Adriaen van Ostade 84
THE TRAVELERS. Jacob Ruysdael 84
THE DIAMOND. Nicolaes Berghem 86
TOUR DE NESLE. Jacques Callot 90
LE BOUVIER. Claude Lorrain 92
DUC DE GUISE. Claude Mellan 94
ANTOINE VITR?. Jean Morin 94
POMPONE DE BELLI?VRE. Robert Nanteuil 96
PHILIPPE DE CHAMPAIGNE. G?rard Edelinck 96
BOSSUET. Pierre Imbert Drevet 98
CHAMPS ?LYS?ES. Nicolas Henri Tardieu 100
INSTRUCTION PATERNELLE. Georg Wille 104
PLATE FROM THE CAPRICHOS. Francisco Goya 106
CATHARINE OF BRAGANZA. William Faithorne 110
THE HON. MISS BINGHAM. Francesco Bartolozzi 110
MRS. CARNAC. John Raphael Smith 112
FLOWER AND FRUIT PIECE. Richard Earlom 114
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