bell notificationshomepageloginedit profileclubsdmBox

Read Ebook: The Life of John Clare by Martin Frederick

More about this book

Font size:

Background color:

Text color:

Add to tbrJar First Page Next Page Prev Page

Ebook has 563 lines and 105645 words, and 12 pages

For two winters and part of a wet summer, John Clare went to Mr. Merrishaw's school at Glinton, during short intervals of hard labour in the fields. At the end of this period a curious accident seemed to give a sudden turn to his prospects in life. A maternal uncle, called Morris Stimson, one day made his appearance at Helpston, having been previously on a visit to his father and sisters at Castor. Uncle Morris was looked upon as a very grand personage, he holding the post of footman to a lawyer at Wisbeach, and as such clad in the finest plush and broadcloth. Being duly reverenced, the splendid uncle in his turn thought it his duty to patronize his humble friends, and accordingly was kind enough to offer little John a situation in his master's office. There was a vacancy for a clerk at Wisbeach, and Uncle Morris was sure his nephew was just the man to fill it. John himself thought otherwise; but was immediately overruled in his opinion by father, mother, and uncle. A boy who had been to Mr. Merrishaw's for ever so many evenings; who could read a chapter from the Bible as well as the parson, and who was drawing figures upon paper night after night: why, he was fit enough to be not only a lawyer's clerk, but, if need be, a minister of the church. So they argued, and it was settled that John should go to Wisbeach, and be duly installed as a clerk in the office just above the pantry in which dwelt Uncle Morris. Mr. Morris Stimson did not stop at Helpston longer than a day; but, before leaving, made careful arrangements that his nephew should follow him to Wisbeach precisely at the end of seven days.

Those were stirring seven days in the little hut of Parker Clare. The poor mother, anxious to assist to the best of her power in her son's rise in life, ransacked her scanty wardrobe to the utmost, to put John in what she deemed a proper dress. She mended all his clothes as neatly as possible; she made him a pair of breeches out of an old dress, and a waistcoat from a shawl; and then ran up and down the village to get a few more necessary things, including an old white necktie, and a pair of black woollen gloves. Thus equipped, John Clare started for Wisbeach one Friday morning in spring--date not discoverable, but supposed to be somewhere about the year 1807. The poor mother cried bitterly when John shook hands for the last time at the bottom of the village; the father tried hard to hide his tears, but did not succeed; and John himself, light-hearted at first, had a good cry when he turned his face at Elton, and got a final glimpse of the steeple of Helpston church. Beyond Elton John Clare had never been in his life, and it was with some sort of trembling, mixed with a strong feeling of homesickness, that he inquired his way to Peterborough. His confusion was great when he found that the people stared at him on the road; and stared the more the nearer he approached the episcopal city. No doubt, a thin, pale, little boy, stuck in a threadbare coat which he had long outgrown, and the sleeves of which were at his elbows; with a pair of breeches a world too large for his slender legs; with a many-coloured waistcoat, an immense pair of woollen gloves, a white necktie, and a hat half a century old, was a rare sight, even in the fen country. Poor John, therefore, had to march into Peterborough followed by the curious eyes of a hundred male and female idlers, who opened doors and windows to see him pass along. Happily the trial was not a long one, for, having discovered his way to the Wisbeach boat, he ran to it as fast as his legs would carry him, and, fairly on board, ensconced himself behind a bale of goods. Oh, how he repented having ever left Helpston, in the fatal ambition of becoming a lawyer's clerk!

JOHN CLARE CONTINUES TO STUDY ALGEBRA, AND FALLS IN LOVE.

Meanwhile, and before the algebraic studies came to an end, there occurred a somewhat favourable change in the circumstances of John Clare. Among the few well-to-do inhabitants of Helpston was a person named Francis Gregory, who owned a small public-house, under the sign of the 'Blue Bell,' and rented, besides, a few acres of land. Francis Gregory, a most kind and amiable man, was unmarried, and kept house with his old mother, a female servant, and a lad, the latter half groom and half gardener. This situation, a yearly 'hiring,' being vacant, it was offered to John, and eagerly accepted, on the understanding that he should have sufficient time of his own to continue his studies. It was a promise abundantly kept, for John Clare had never more leisure, and, perhaps, was never happier in his life than during the year that he stayed at the 'Blue Bell.' Mr. Francis Gregory, suffering under constant illness, treated the pale little boy, who was always hanging over his books, more like a son than a servant, and this feeling was fully shared by Mr. Gregory's mother. John's chief labours were to attend to a horse and a couple of cows, and occasionally to do some light work in the garden or the potato field; and as these occupations seldom filled more than part of the day or the week, he had all the rest of the time to himself. A characteristic part of Clare's nature began to reveal itself now. While he had little leisure to himself, and much hard work, he was not averse to the society of friends and companions, either, as in the case of Turnill, for study, or, as with others, for recreation; but as soon as he found himself, to a certain extent, his own master, he forsook the company of his former acquaintances, and began to lead a sort of hermit's life. He took long strolls into the woods, along the meres, and to other lonely places, and got into the habit of remaining whole hours at some favourite spot, lying flat on the ground, with his face toward the sky. The flickering shadows of the sun; the rustling of the leaves on the trees; the sailing of the fitful clouds over the horizon, and the golden blaze of the sky at morn and eventide, were to him spectacles of which his eye never tired, with which his heart never got satiated. And as he grew more and more the constant worshipper of nature, in any of her aspects, so his mind gradually became indifferent to almost all other objects. What men did, what they had done, or what they were going to do, he did not seem to care for, or had the least curiosity to know. In the midst of these solitary rambles from his 'Blue Bell' home, the news was brought of some extraordinary discoveries at Castor, his mother's native village. It was news which, one might have thought, would fire the imagination of any man gifted with the most ordinary understanding. In a part of the township of Castor called Dormanton Fields, the greater part of the vast ruins of Durobrivae were discovered: temples and arches crumbled into dust; many-coloured tiles and brickwork; urns and antique earthen vessels; and coins, with, the images of many emperors--so numerous that it looked as if they had been sown there. To reconstruct the ancient Roman city, to people it anew with the conquerors of the world, was a task at once undertaken by zealous antiquarians; yet Clare, though he heard the matter mentioned by numerous visitors to the 'Blue Bell,' and had plenty of time for investigation, took so little interest in it as not even to attempt a walk to the city of ruins, on the borders of which he was feeding his cattle. Now, as up to a late period of his life, a bunch of sweet violets was worth to John Clare more than all the ruins of antiquity.

Opportunity came before long. Among his regular duties at the 'Blue Bell' was that of fetching once a week flour from Maxey, a village some three miles north of Helpston, near the Welland river. The road to Maxey was a very lonely one, part of it a narrow footpath along the mere, and the superstition of the neighbourhood connected strange tales of horror and weird fancy with the locality. In the long days of summer, John Clare, who had to start on his errand to the mill late in the afternoon, managed to get home before dark, thus avoiding unpleasant meetings; but when the autumn came, the sun set before he left Maxey, and then the ghosts were upon him. They always attacked him half way between the two villages, in a low swampy spot, overhung by the heavy mist of the fens. Poor John battled hard, but the spirits nearly always got the upper hand. They pulled his hair, pinched his legs, twisted his nose, and played other tricks with him, until he sank to the ground in sheer exhaustion. Recovering himself after a while, the fairies then let him alone, and he staggered home to the 'Blue Bell,' pale and trembling, and like one in a dream. His good friend and master, Francis Gregory, wondering at the haggard look of the lad, thought he was going to have another attack of the tertiary ague, and spoke to his parents; but John, in his silent mood, said it was nothing, and begged to be left alone. So they let him have his way, and he continued his weekly errands to Maxey, with the same result as before. At last, when thoroughly wearied of this repetition of supernatural terrors, he hit upon an ingenious plan for breaking the chain connecting him with the invisible world. The plan consisted in concocting, on his own part, a story of wonders; a story, however, 'with no ghost in it.' Now a king, and now a prince--in turn a sailor, a soldier, and a traveller in unknown lands--John himself was always the hero of his own story, and, of course, always the lucky hero. With his vast power of imagination, this calling up of a new world of bright fancies to destroy the lawless apparitions of the air had the desired effect, and the ghosts troubled John Clare no more on his way to and from the mill.

Nevertheless, his constant reading of fairy tales, with incessant play on the imagination and surexcitation of the mind, was not without leaving its ill effect upon the bodily frame. John sickened and weakened visibly, and his general appearance became the talk of the village. His long solitary roamings through the woods and fields, his habits of reading even when tending the cattle, and his apparent dislike to hold converse with any one, were things which the poor labourers, young and old, could not understand; and when, as it happened, people met him on the road to Maxey in the dark, and heard that he was talking to himself in a loud excited manner, they set him down as a lunatic. Some few of the coarsest among the youngsters went so far as to greet him with volleys of abuse when he happened to come near them, while the old people drew back from him as in disgust. His sensitive feelings suffered deep under this treatment of his neighbours, which might have had the worst consequences but for one great event which suddenly broke in upon him. John Clare fell in love.

'Love took up the glass of Time, and turned it in his glowing hands; Every moment, lightly shaken, ran itself in golden sands. Love took up the harp of Life, and smote on all the chords with might; Smote the chord of Self, that, trembling, pass'd in music out of sight.'

John Clare's first love--the deepest, noblest, and purest love of his whole life--was for 'Mary,' the Mary of all his future songs, ballads, and sonnets. Petrarch himself did not worship his Laura with a more idealized spirit of affection than John Clare did his Mary. To him; she was nothing less than an angel, with no other name than that of Mary; though vulgar mortals called her Mary Joyce, holding her to be the daughter of a well-to-do farmer at Glinton. John Clare made her acquaintance--if so it can be called what was the merest dream-life intercourse--on one of his periodical journeyings to and from the Maxey mills. She sat on a style weaving herself a garland of flowers, and the sight so enchanted him that he crouched down at a distance, afraid to stir and to disturb the beautiful apparition. But she continuing to sit and to weave her flowers, he drew nearer, and at last found courage to speak to her. Mary did not reply; but her deep blue eyes smiled upon him, lifting the humble worshipper of beauty into the seventh heaven of bliss. And when he met her again, she again smiled; and he sat down at her feet once more, and opened the long pent-up rivers of his heart. Mute to all the world around him, he to her for the first time spoke of all he felt, and dreamt, and hoped. He told her how he loved the trees and flowers, and the singing nightingales, and the lark rising into the skies, and the humming insects, and the sailing clouds, and all the grand and beautiful works of nature. But he never told her that he thought her more beautiful than ought else in God's great world. This he never said in words, but his eyes expressed it; and Mary, perhaps, understood the language of his eyes. Mary always listened attentively, yet seldom said anything. Her eyes hung upon his lips, and his lips hung upon her eyes, and thus both worshipped the god of love.

The sweet dream lasted full six months--six glorious sunlit months of spring and summer. Then the father of Mary Joyce heard of the frequent meetings of his daughter with John Clare, and though looking upon both as mere children, he sternly forbid her to see 'the beggar-boy' again. His heart of well-to-do farmer revolted at the bare idea of his offspring talking with the son of one who was not even a farm-labourer, but had to be maintained as a pauper by the parish. Explaining this great fact to his blue-eyed daughter, he deeply impressed its terrible importance upon her soft little heart, making her think with a sort of shudder of the pale boy who told her such pretty stories. Perhaps Mary nevertheless preserved a lingering fondness for her little lover's memory, for though many wooed her in after life, she never wedded, and died a spinster. As for John Clare, he fretted long and deeply, and all his life thought of Mary Joyce as the symbol, ideal, and incarnation of love. With the exception of a few verses addressed to 'Patty,' his future wife, the whole of Clare's love poetry came to be a dedication and worship of Mary. As yet, in these youthful days of grief and affection, he wrote no verses, though he felt a burning desire to give vent to his feelings in some shape or other. Having lost his Mary, he carved her name into a hundred trees, and traced it, with trembling hand, on stones, and walls, and monuments. There still stands engraven on the porch of Glinton churchyard--or stood till within a recent time--a circular inscription, consisting of the letters, 'J. C. 1808,' cut in bold hand, and underneath, in fainter outline, the name 'Mary.'

TRAVELS IN SEARCH OF A BOOK.

Just before quitting the 'Blue Bell,' at the end of his twelve months' service, another important event took place in the life of John Clare. One morning, while tending his master's cattle in the field, a farmer's big boy, with whom he had but a slight acquaintance, showed him a copy of Thomson's 'Seasons.' Examining the book, he got excited beyond measure. It was the first real poem he had ever seen, and in harmony as it was with all his feelings, it made upon him the most powerful and lasting impression. Looking upon the book as a priceless treasure, he expressed his admiration in warm words, asking, nay, imploring the possessor to lend it him, if only for an hour. But the loutish boy, swollen with pride, absolutely refused to do so; it was but a trumpery book, he said, and could be bought for eighteen-pence, and he did not see why people who wanted it should not buy it. The words sunk deep into John Clare's heart; 'Only eighteen-pence?' he inquired again and again, doubting his own ears. The big boy was quite sure the book cost no more than eighteen-pence; he had himself bought it at Stamford for the money, and could give the name and address of the bookseller. It was information eagerly accepted by John, who determined on the spot to get the coveted poem at the earliest opportunity. His wages not being due at the moment, he hurried home to his father in the evening, entreating the loan of a shilling, as he himself possessed but sixpence. But Parker Clare, willing though he was to gratify his son, was unable to render help on this occasion. A spare shilling was not often seen in the hut of the poor old man, dependent chiefly upon alms, and in want, not unfrequently, of the bare necessaries of life. But the loving mother could not listen to her son's anxious entreaty without trying to assist him, and by dint of superhuman exertions she managed to get him sevenpence. The fraction still wanting to complete the purchase-money of the book was raised by sundry loans at the 'Blue Bell,' and John waited with eagerness for the coming Sunday, when he would have time to run to Stamford. The Sunday came--a Sunday in spring; and he was up soon after midnight, and stood before the bookseller's shop in Stamford when the eastern clouds assumed their first purple hue. John Clare patiently waited one hour, two hours, three hours, yet the treasure store which contained Thomson's 'Seasons' remained closed. Tremblingly he asked a boy who came along the street at what time the shop would be opened: 'It will not be open at all to-day, for it is Sunday, rejoined the other. Then John went home in bitter sorrow to Helpston, not knowing how to get the much-coveted book. On the way, a bright thought struck him. If he could but raise twopence, in addition to the capital already acquired, he thought he could manage the matter. So by making extraordinary efforts, he got his twopence, and then held a long conversation with the cowherd of a neighbouring farmer. Clare's occupation on the following morning was to take his master's horses to the pasture, and he offered the cowherd the sum of one penny to look after the horses for him, and one more penny for 'keeping the secret.' The bargain was struck, after an animated discussion, in which the conscientious cowherd strove hard to get a total reward of threepence, so as to be able to keep the secret for any length of time. But John was inflexible, for strong reasons of his own, and thus gained the victory.

During the night from Sunday to Monday, John Clare could not shut his eyes for sheer anxiety. The questions whether the bookseller would have any copies left of the wonderful poem; whether it could really be bought for eighteen-pence; and whether the big farmer's boy did not mean the whole story as a hoax, occupied his mind all night long. It seemed so improbable to him, on reflection, that a book containing the most exquisite verses could be bought for little more than the common fairy tales of the hawkers, and it seemed still more improbable that, being sold so cheap, there would be any books left for sale, that he at last inwardly despaired of getting the book. Thereupon he had a good long cry in the silence of the night, when all the village was asleep; and the crying closed his eyelids, too, for sheer weariness. And when he roused himself again there was a faint glow in the sky; so he rushed down to the stables, took out his horses, and led them to the pasture, awaiting the arrival of his confederate. The latter came at length, and, having given over his horses, John set off in a sharp trot, skipping over the seven or eight miles to Stamford in little more than an hour. The bookseller's shop, alas, was still closed; but the people in the streets told the eager inquirer that the shutters would be taken down in about an hour and a half. John, therefore, sat down in quiet resignation on the door-step, counting the quarters of the chiming clock. At last there was a noise inside the house, a rattling of keys and drawing of bolts. The bookseller slowly opened his door, and was immensely astonished to see a little country lad, thin and haggard, with wild gleaming eyes, rush at him with a demand for Thomson's 'Seasons.' Was there ever such a customer seen at Stamford? The good bookseller was not accustomed to excitement, for the old ladies who dealt at his shop bought their hymn-books and manuals of devotion without any manifestations of impatience, and even the young ones, though they asked for Aphra Behn's novels in a whisper, came in very quietly and demurely. Who, then, was this queer, haggard-looking country boy, who could not wait for Thomson's 'Seasons' till after breakfast, but was hovering about the shop like a thief? The good bookseller questioned him a little, but did not gain much satisfactory information. That his little customer was servant at the 'Blue Bell;' had hired himself to Master Gregory for a year; had a father and mother maintained by the parish; and had seen Thomson's 'Seasons' in the hands of a farmer's boy--that was all the inquisitive bookseller could get at; and, indeed, there was nothing more to tell. However, the Stamford shopkeeper was a man of compassion, and seeing the wan little figure before him, resolved upon a tremendous sacrifice. So he told Clare that he would let him have Thomson's 'Seasons' for one shilling: 'You may keep the sixpence, my boy,' he exclaimed, with a lofty wave of the hand. John Clare heard nothing, saw nothing; he snatched up his book, and ran away eastward as fast as his legs would carry him. 'A queer customer,' said the shopkeeper, finishing to take down his shutters.

The sun had risen in all his glory when John Clare was trotting back from Stamford to Helpston. Every now and then he paused to have a peep in his book. This went on for a mile or two, after which he could contain himself no longer. He was just passing along the wall of the splendid park surrounding Burghley Hall, the trees of which, filled with melodious singers, overhung the road. The village of Barnack in front looked dull and dreary; but the park at the side was sweet and inviting. With one jump, John was over the wall, nestling, like a bird, among some thick shrubs in the hedge. And then and there he read through Thomson's 'Seasons'--read the book through twice over, from beginning to end. And the larks and linnets kept singing more and more beautifully; and the golden sun rose higher and higher on the horizon, illuminating the landscape with a flood of light, a thousandfold reflected in the green trees and the blue waters of the lake. John Clare thought he had never before seen the world so exquisitely beautiful; he thought he had never before felt so thoroughly happy in all his life. He did not know how to give vent to his happiness; singing would not do it, nor even crying. But he had a pencil in his pocket and a bit of crumpled paper, and, unconscious almost of what he was doing, with a sort of instinctive movement, he began to write--began to write poetry. The verses thus composed were subsequently printed, but with great alterations, under the title, 'The Morning Walk.' What Clare actually wrote on his crumpled bit of paper was, probably, very imperfect in form, and not fit to be seen till thrice distilled in the crucible of his future 'able editor.'

John Clare felt intensely joyful when returning to Helpston from his long morning walk. He did not mind being taken to task by his indulgent employer for having, for the first time, neglected his duty; did not mind the reproaches of his fellow-servant as to his having broken his compact. The cowherd justly argued that, after the solemn agreement to look after the horses for three hours on payment of one penny, and to keep the secret for another penny, it was unfair to burthen him with the responsibility of the guardianship, as well as the secret, for more than half a day. Seeing the justice of the claim, John Clare, in the fulness of his heart, gave his brother cowherd the sixpence, which the kind bookseller at Stamford had presented him with. However, though generously paid, the cowherding youth was unable to keep the terrible secret for more than a day. The next morning he told his sweetheart, in strict confidence, that Clare had got into an immense fortune, and was running up and down to Stamford to buy books and 'all sorts of things.' Before it was evening, the whole village knew the story, and a hundred fingers were pointed at Clare while he walked down the street. He was greatly blamed on all sides: blamed, in the first instance, for allowing himself to be drawn away by the sprites and their nameless chief, and, as was supposed, accepting gold and silver from them; and blamed still more for not sharing his fortune with his poor parents. There were those who had seen him, on the brink of the mere, holding converse with the Evil One; they had actually witnessed the passing of the glittering coin, 'which fell into his hands like rain drops.' Clare's poor old father and mother did not believe these stories; yet even they shuddered when their son entered the little hut. It was clear John could not remain long at Helpston. There was danger in being a poet on the borders of the fen regions.

VARIOUS ADVENTURES, INCLUDING THE PURCHASE OF 'LOWE'S CRITICAL SPELLING-BOOK.'

When the yearly engagement at the 'Blue Bell' came to an end, there was serious consultation between John and his parents as to his future course of life. He was too weak to be a farm labourer; too proud to remain a potboy in a public-house; and too poor to get apprenticed to any trade or handicraft. John himself would have liked to be a mason and stone-cutter, which trade one Bill Manton, of Market Deeping, who had a reputation far and wide for setting up gravestones, was ready to teach him. Bill Manton was a big swaggering fellow, who, vibrating constantly to and fro between tavern and graveyard, hinted to John that in becoming his apprentice he would have to write the mortuary poetry as well as to engrave it upon stone; and the notion was so pleasing that he made a desperate effort to get initiated into the art and mysteries of stone-cutting. But the obstacles were insurmountable, for Bill Manton wanted a premium of four pounds, which Clare's parents had no more means of raising than so many millions. There was another chance for learning a trade in the offer of one Jim Farrow, a hunchback, who proposed to teach John the art of cobbling gratis, the sole condition being that the apprentice should provide his own tools. The few pence necessary for this purpose might have been obtained, and the poet might have taken to the calling of St. Crispin, but that he showed a great aversion to the trade. The prospect of passing his whole life in a narrow cabin, mending hobnailed boots, was one he could not face, and he strongly expressed his wish of rather remaining servant in a public-house than submitting to this necessity. One more resource remained, which was to become a gardener's apprentice at Burghley Park, the seat of the Marquis of Exeter, where such a place happened to be vacant. The mere mentioning of the name Burghley Park had charms of its own to John Clare; and although the situation was but a poor one as regarded pay, he eagerly expressed his willingness to apply for it. To make success more sure, old Parker Clare resolved to accompany John in making the application. Accordingly, one morning, father and son, dressed in their very best, made their appearance at the park gates, inquiring for the head gardener of the noble Marquis. After a long delay they were ushered into the presence of the great man. Parker Clare, in whose eyes a head-gardener was quite as important a personage as a prince, took off his hat and bowed to the ground, and the example was followed, in great trepidation of mind, by John. This evidently pleased the high functionary, and he condescended to engage John Clare on the spot. The terms were that John should serve an apprenticeship of three years, receiving wages at the rate of eight shillings per week for the first year, and a shilling more each successive year; out of which sum he would have to provide his board and all other necessaries except lodgings. The arrangement seemed a most advantageous one both to John and his father, and poor old Parker wept tears of joy when returning to Helpston, and informing his wife of the brilliant future in store for their offspring. He was now, they thought, on the high road to fortune.

However, it was an evil day for John when entering upon his service at Burghley Park. The visions of poetry which swept across his mind when first lying under the trees of the park, and, with Thomson's 'Seasons' in hand, surveying the beautiful scenery, soon took flight, to give way to a reality more dreary and more corrupt than any he had yet witnessed. John Clare had not been many weeks in his new place, before he found that his master, the head-gardener, was but a low, foul-mouthed drunkard, while his fellow-apprentices and the other workmen sought pride in rivalling their chief in intemperance and dissipation. It was the custom at Burghley Park to lock up all the workmen and apprentices employed under the head-gardener during the night, to prevent them robbing the orchards. The men did not much relish the confinement in a narrow house, and therefore got into the regular habit of making their escape, at certain days in the week, to a neighbouring public-house, which they reached by getting out of the window of their garden-house prison, and climbing over the park fence. The tavern at which the jolly gardeners held their carousals was kept by one 'Tant Baker,' formerly a servant at Burghley Park, and now retailing fermented liquors under the sign of 'The Hole-in-the-Wall.' To go to the 'Hole-in-the-Wall' was one of the first proposals made to John after he had entered upon his service, and though he at first showed some reluctance, his scruples were soon overcome by the persuasion of his companions, who made the greater effort for this purpose, as they were afraid that by leaving him behind he would become a tell-tale. The young apprentice, in consequence, paid his regular visits with the others to the public-house; and it was not long before he came to like Tant Baker's strong ale as well, if not better, than his companions. Thus John Clare became accustomed, in some measure, to intemperate habits. Not unfrequently he took such a quantity of drink at the 'Hole-in-the-Wall' as to be completely stupified, and disabled to reach his sleeping-place for the night. He would then lie down under any hedge or tree, sleeping off his intoxication, and creeping home, in the early morning, to Burghley Park. Debasing as were the moral effects of this course of life, the physical consequences were not less disastrous. Several times, after having made his bed on the cold ground, John Clare found on awaking his whole body, covered as with a white sheet, the result of the cold dews of the night. Rheumatic complaints followed, permanently enfeebling a body weak from infancy.

The unhappy course of Clare's life was aggravated by the conduct of those under whom he served. The head gardener, a confirmed drunkard, thought it nevertheless beneath his dignity to get intoxicated at the 'Hole-in-the-Wall,' but sought his alcoholic refreshments at a more aristocratic public-house in the neighbouring town. He often caroused at Stamford so long and so late, that his spouse got impatient at her lonely residence, and despatched one messenger after the other to bring her truant lord home. The policy of the wife, however, was defeated by her drunken husband. He made it a rule of keeping the envoys sent to him, and plying them with strong drink till they were more unable to report their own than his movements. Poor little John, unfortunately, was often sent on these errands, which led to his being made drunk one night at Stamford, by his master, and the next evening, by his fellow-workers, at the way-side 'Hole-in-the-Wall.' What would have become of him had this wretched career been pursued long, is easy to imagine; but, happily, the state of things was brought to an end shorter than at first calculated upon. The drunken master was likewise a brutal master, and, to escape his insults and occasional violence, one of the gardeners, bound by a long engagement, resolved to run away; and, having taken a certain liking to John, persuaded him to become a companion in the flight. This was when John Clare had been about eleven months at Burghley Park, and, by the terms of his agreement with the head gardener, would have had to remain an apprentice for above two years longer. However, he did not think himself bound by the contract, and early one morning in autumn--date again uncertain, but probably about the year 1809, Clare now full sixteen--he scrambled through the window with his companion, and furtively quitted Burghley Park and the service of the Marquis of Exeter. Already on the evening of the same day he repented his rash act. His companion in the flight took him on a long trot to Grantham, a distance of twenty-two miles, where the two lodged at a small beerhouse, and Clare fancied that he was fairly out of the world. Having not the slightest notions about geography, or topography either, he believed he had now arrived at the confines of the habitable earth, and with but little chance of ever seeing his parents again. The thought brought forth tears, and he wept the whole night. On the next morning, the two fugitives tried to find work at Grantham, but did not succeed, so that they were compelled to tramp still further, towards Newark-upon-Trent. Here they were fortunate enough to obtain employment with a nurseryman named Withers, who gave them kind treatment, but very small wages. John, meanwhile, had got thoroughly home-sick, and the idea of being an immense distance away from his father and mother did not let him rest day or night. Not daring to speak to his companion, for fear of being retained by force, he at last made up his mind again to run away from his employer, this time alone. It was beginning to get winter; the roads were partially covered with snow, and swollen streams and rivers interrupted on many points the communication. Nevertheless, John Clare started on his home journey full of courage, though absolutely destitute of money and clothing, leaving part of the latter, together with his tools, at his master's house. During the two or three days that it took him to reach Helpston, he subsisted upon a crust of bread and an occasional draught of water from the nearest stream, while his lodgings were in haystacks on the roadside. His heart beat with tumultuous joy when at last he beheld the loved fields again, and the village where he was born. And when the door swung back which led into the little thatched hut, and he saw his mother and father sitting by the fire, he rushed into their arms, and fairly frightened them with the outburst of his affection.

There now remained nothing for John Clare but to fall back upon his old way of living, and to seek a precarious existence as farm-labourer. This was what he resigned himself to accordingly, only changing his occupation now and then, as circumstances permitted, by doing odd jobs as a shepherd or gardener. It was a very humble mode of life, and its remuneration scarce sufficient to purchase the coarsest food and the scantiest clothing; but it was, after all, the kind of existence which seemed most suited to the habits and inclinations of the strange youth, now growing into manhood. His intense admiration and worship of nature could not brook confinement of any sort, even such as suffered within the vast domain of Burghley Park. While gardener at the latter place, his poetical vein lay entirely dormant; he was never for a moment in the mood of writing nor even of reading verses. Perhaps the habits of dissipation into which he had fallen had something to do with this; yet it was owing still more to the position in which he was placed; The same scenery which had inspired him to his first poetical composition, when viewed in the glowing light of a beautiful morning in spring, left him cold and uninspired ever after. He often complained to his fellow-labourers, that he could not 'see far enough:' it was as if he felt the rattling of the chain, which bound him to the spot. A yearning after absolute freedom, mental as well as physical, was one of his strongest instincts through life, and not possessing this, he appeared to value little else. It was a desire, or a passion, which nearly approached the morbid, and gave rise to much that was painful in the subsequent part of his existence.

Once more a farm-labourer at Helpston, John Clare was all his own again. Thomson's 'Seasons' never left his pocket; he read the book when going to the fields in the morning, and read it again when eating his humble meal at noonday under a hedge. The evenings he invariably spent in writing verses, on any slips and bits of paper he could lay hold of. Soon he accumulated a considerable quantity of these fugitive pieces of poetry, and wishing to preserve them, yet ashamed to let it be known that he was writing verses, he hid the whole at the bottom of an old cupboard in his bedroom. What made him more timid than ever to confess his doings to either friends or acquaintances, was their entire want of sympathy, manifested to him on more than one occasion. It sometimes happened, on a Sunday, that he would take a walk through the fields, in company with his father and mother, or a neighbour; and seeing something particularly beautiful, an early rose, or a little insect, or the many-hued sky, John Clare would break forth into ecstasies, declaiming, in his own enthusiastic way, on what he deemed the marvellous things upon this marvellous earth. His voice rose; his eyes sparkled; his heart bounded within him in intense love and admiration of this grand, this incomprehensible, this ever-wonderful realm of the Creator which men call the world. But whenever his companions happened to listen to this involuntary outburst of enthusiasm, they broke out in mocking laughter. A rose was to them a rose, and nothing more; an apple they valued higher, as something eatable; and, perhaps, over plum-pudding they would have got enthusiastic, too. As it was, poor John was a constant butt for all the shafts of coarse ridicule; even his own parents, to whom he was attached with the tendered affection, and who fully returned his love, did not spare him. Old Parker Clare shook his head when he heard his son descanting upon the beauties of nature, and reproved him on many occasions for not using his spare time to better purpose than scribbling upon little bits of paper. Parker Clare's whole notion of poetry was confined to the halfpenny ballads which the hawkers sold at fairs, and it struck him, not unnaturally, that the things being so cheap, it could not be a paying business. This important fact he lost no occasion to impress upon his son, though with no result whatever.

While the father was not sparing in his attacks upon John's poetical manifestations, the mother, on her part, was active in the same direction. She had discovered her son's hiding-place of the curious slips of paper which engrossed his nightly attention, and, to make an end of the matter at once, the good woman swept up the whole lot one morning, and threw it in the chimney. Very likely there was in her mind some intuitive perception of the fact that her son's poems 'wanted fire.' John was greatly distressed when he found his verses gone; and more still when he discovered how the destruction happened. To prevent the recurrence of a similar event, he conceived the desperate plan of instilling into his parents a love of poetry. He boldly told them, what he had hitherto not so much as hinted at, that he was writing verses 'such as are found in books,', coupling it with the assertion that he could produce songs and ballads as good as those sold at fairs, so much admired by his father. Parker Clare again shook his head in a doubting mood, expressing a strong disbelief of his offspring's abilities in writing poetry. Thus put upon his mettle, John resolved to do his best to change the scepticism of his father, and having written some verses which he liked, and corrected them over and over again into desirable smoothness, he one evening read them to his astonished parents. But the result was thoroughly disappointing. So far from admiring his son's poetry, Parker Clare expressed his strong conviction that it was mere rubbish, not to be compared to the half-penny songs of the fairs. John was much humbled to hear this; however, he carried within himself a strong belief that his verses were not quite valueless, and therefore resolved upon one more test. Hearing the constant vaunting of the cheap ballads, he made up his mind to try whether his father was really able to distinguish between his own verses and those in print. Accordingly, when he had finished another composition, he committed it to memory, and rehearsed it to his parents in the evening, pretending to read it from the print. Then his father broke out in the delightful exclamation: 'Ah, John, my boy, if thou couldst make such-like verses, that would do.' This was an immense relief to the poor scribbler of poetry. He now saw clearly that his father's want of confidence was in him, the writer, and not in his writings. Henceforth, he made it his regular habit of reciting his own poetry to his parents as if reading it from a book, or printed sheet of paper. The habit, though it was strictly a dishonest proceeding, proved to him not only a real source of pleasure, in hearing his praises from the lips of those he loved most, but it also served him as a fair critical school. Whenever he found his parents laugh at a sentence which he deemed very pathetic, he set himself at once to correct it to a simpler style; whenever they asked him for an explanation of a word, or line, he noted it down as ill-expressed, or obscure; and whenever either his father or mother asked for a repetition of a song which they had heard before, he marked the slip of poetry so honoured as a success. And all these successful slips of paper John Clare placed in a crevice between his bed and the lath-and-plaster wall; a hole so dark and unfathomable as to be beyond the reach of even his sharp-eyed mother, always on the look-out for manuscript poetry to light the fire.

To ask Mr. Thomas Porter by what means he could get to know grammar, he had not the courage: the ground was burning under his feet in the little cottage at Ashton Green. John Clare, therefore, took his farewell without seeking further information, and hurried off to the house of a lad with whom he had been at Mr. Merrishaw's school. Did he know where or what grammar was? Yes, the lad knew; he had plunged into grammar at Mr. Merrishaw's, instead of into algebra and the pure sciences. But he could not tell how to learn grammar, except through one very difficult work, bound in leather, and called 'The Critical Spelling-book.' To get this wonderful book now became the all-absorbing thought of John Clare. Penny after penny was hoarded by immense exertions, and the greatest frugality, approaching to a want of the necessaries of life. The two shillings for the 'Critical Spelling-book' were saved at length, and John once more made his way to the Stamford bookseller, as eager as when in quest of Thomson's 'Seasons.' He was lucky enough to get 'Lowe's Critical Spelling-book' at once; but, having got it, underwent a fearful disappointment. Reading it under the hedge on the roadside, in his anxiety to possess the contents; reading it at his noonday meal; and reading it again at the evening fireside--the more he read it, the less could he understand it. Algebra and the pure sciences had puzzled him infinitely less than this awful grammar. Worthy Mr. Lowe's 'Critical Spelling-book,' happily forgotten by the present generation, instilled knowledge on the good old plan of making it as dark and mysterious as possible. There was, first, a long preface of twenty-two pages, in which Mr. Lowe deprecated all other spelling-books whatever, especially those of his very dear friends and fellow-teachers, Mr. Dixon, author of the 'English Instructor;' Mr. Kirkby, the learned writer of the 'Guide to the English Tongue;' Mr. Newberry, creator of the 'Circle of the Sciences;' Mr. Palairet, the famous compiler of the 'New English Spelling-book;' and Mr. Pardon, author of 'Spelling New-Modelled.' Having gone through the painful task of deprecating his friends, with the annexed modest statement that the 'Critical Spelling-book' would be found superior to any other work of the kind, past, present, or future, Mr. Lowe proceeded to give his own rules, distinguished 'by the greatest simplicity. Through the first chapter, treating of 'monosyllables,' John Clare made his way, with some trouble; but the second, entering the field of 'polysyllables,' brought him to a stop. Read as he might, poor John could not understand the ever-changing value of 'oxytones,' 'penacutes,' 'ternacutes,' 'quartacutes,' and 'quintacutes,' and was still more bewildered when he found that even after having got through all these hard words, there was a still harder tail at the end of them, in the shape of 'exceptions from the spelling-book--sounds of letters and syllables, some of which are more simple, and may conveniently be learnt by a single direction, others more complex, and may better be explained by being cast into phrases.' Finding it absolutely impossible to get over the oxytones, he shrunk back from the quartacutes and quintacutes as beyond the reach of an ordinary human being, and gave up the study in despair. He next put 'Lowe's Critical Spelling-book' into the old cupboard where his mother used to look after his poems--for culinary purposes. But the good housewife never burnt the 'Critical Spelling-book;' it being, probably, too tough for her, in all its hide-bound solidity. As for John Clare, he entirely failed in learning grammar and spelling, remaining ignorant of the sister arts to the end of his days.

FRESH ATTEMPTS TO RISE IN THE WORLD, INCLUDING A SHORT MILITARY CAREER.

To John Clare this first attempt to gain high patronage was profoundly discouraging; but not so to the worthy parish-clerk, whose experience of the world was somewhat larger. The latter induced his young friend to make another trial to meet Lord Milton, and, the thing being better planned, they were successful this time--as far, at least, as the mere meeting was concerned. Having discovered that the noble lord was in the habit of occasionally visiting some outlying farms, the shrewd clerk waylaid his lordship, and, together with his young friend, burst upon him like an apparition. Breaking out into glowing praise of John Clare, which made the latter blush like a maiden, the parish-clerk finished by pulling from his pocket a bit of antique pottery, unearthed somewhere in the grounds between Helpston Heath and Castor. Lord Milton smiled, and handing the bearer some loose cash, accepted the gift, not forgetting to state that he would remember the young man thus favourably introduced to his notice. John Clare instinctively comprehended the meaning of all this, and went home and made a silent vow never more to seek patronage in cotton gloves, with a white necktie, and never more to trust his grandiloquent friend and patron, the parish-clerk.

The failure of all his attempts to raise himself from his low condition, drove John Clare into a desponding mood. Weak in body, and suffering under continuous ill-health, his work as a farm-labourer brought him scarce sufficient remuneration to procure the coarsest food and the scantiest clothing, while it left him without any means whatever to assist his parents in their great distress, so that they had to continue recipients of meagre parish relief. Throughout, Clare had an innate consciousness of being born to a freer and loftier existence, and thus deeply felt the burthen of being condemned to the fiercest struggle with poverty and misery. The bitter feeling engendered by this thought he surmounted, most frequently, by flying into his favourite realm of poetry; but often enough the moral strength failed him for the task, and he sank back in utter hopelessness. More and more was this the case at this period. He was now verging upon manhood, and with it came, as nobler aspirations, so baser passions and desires. To these he fell a prey as soon as he threw aside his slips of paper and pencil, in consequence of Thomas Porter's sharp rebuke, and the utter failure to master 'Lowe's Critical Spelling-book.' For many months after, he neither read, nor made the slightest attempt to write verses, and the idle hours threw him again into evil company, similar to that from which he had escaped at Burghley Park. There were, among the labourers of Helpston, two brothers of the name of John and James Billings, who lived, unmarried, at a ruinous old cottage, nicknamed Bachelors' Hall. Both were given to poaching, hard drinking, and general rowdyism, and fond, besides, of meeting kindred spirits, of the same turn of mind, at the riotous evening assemblies in their little cottage. Hitherto, John Clare's passion for poetry had kept him constantly at home, the nightly companion of his poor parents; but no sooner had he weaned himself from his verses, when he fled to the Hall. To his ardent temper, there was a great charm in the wild, uproarious meetings which took place every evening, accompanied by as much consumption of ale as the purses of the lawless fraternity would allow. Poaching, to most of them, proved a source of considerable gain, not less than a pleasant excitement, and the money thus freely acquired was as freely spent in drink and debauchery. Though pressingly invited, Clare could not be made to join in the stealing of game; he was too deep a lover of all creatures that God had made, to be able to hurt or destroy even the least of them wilfully. But although unwilling to commit slaughter himself, he was not at all disinclined to share in its fruits, and it was not long before he became the leader at the frequent drinking bouts at Bachelors' Hall. Shy and reserved on ordinary occasions, he was at these meetings the loudest of loud talkers and singers, the fumes of vanity, together with those of alcohol, exerting their combined influence. Reciting his verses to merry companions, he earned warm and enthusiastic applause, and for the first time in his life deemed himself fully and justly appreciated. That this fancied road to fame was, after all, the dreariest road to ruin, poor John Clare did not see, and, perhaps, could scarcely he expected to see.

Fortunately, at this critical period of Clare's life an event occurred which, though it drove him for the moment into company almost worse than that of Bachelors' Hall, at the same time afforded the means for his rescue. It was in the spring of 1812, Clare now in his nineteenth year, that great efforts were made throughout the kingdom to raise the local militia of the various counties, in view of getting, through this source, recruits for the regular army. Veterans, with red noses and flying ribbons on their hats, kept tramping from one end of the country to the other, making every pothouse resound with tales of martial glory, and fearful accounts of 'Bony.' Even into remote Helpston the recruiting sergeant penetrated, taking up his quarters at the 'Blue Bell,' and with much political wisdom honouring the convivial meetings at Bachelors' Hall with occasional visits. John Clare's heart was stirred within him when, for the first time, he heard of golden deeds of valour in the field, and how men became great and famous by killing other men. The eloquent recruiting sergeant rose to his full height when drawing the accustomed figure of 'Bony,' with horns and tail, swallowing a dozen babies at breakfast. John Clare, with other of his fellows at the Bachelors' Hall, got into a holy rage at the crimes of 'Bony,' vowing to enter the list of avenging angels. The veteran with the red nose took his audience at the word, tendering to each of them a neat silver coin, and enlisting them in the regular militia. John was the foremost to take his shilling, and though his heart misgave him a little when thinking the matter over in the cool of the next morning, he had no choice but to take the red-blue-and-white cockade and follow the sergeant. The latter managed to enlist a score of young fellows from Helpston, and the whole village turned out when he marched them off to Peterborough. Old Parker Clare and his wife shed tears on bidding their son farewell, fearing it might be a farewell for ever. As to John, his pride only prevented him from joining in their lamentation, for his mind was by no means easy regarding the consequences of his rash endeavour to become a hero. He deeply felt his own irresolution to commit acts of heroism, even such inferior ones as the killing of small game; and he asked himself with terror how he would fare when put face to face with such great tigers as 'Bony' and his men. The thought was anything but pleasant, and he was relieved from it only by joining the horse-play of his riotous companions, and ransacking the stores of the roadside taverns. Having reached Peterborough, the whole troop of aspirant warriors was taken before a magistrate to swear fidelity to King George the Third, after which Clare and his fellow-men had quarters assigned to them at the various beer-houses of the episcopal city. For a week or longer, their daily business, in the service of King George the Third, was to get drunk, to parade the streets singing and shouting, and to fight with the watchmen of the town. John Clare, thinking the matter over in his daily musings, wondered at the curious road laid down for people who wished to become heroes.

The Helpston group of warriors having been joined by other clusters from various parts of the county of Northampton, the whole regiment of raw recruits was marched along, one fine morning, to Oundle. Here they were drawn up in a body, some thirteen hundred strong, and divided into companies, according to size. John Clare, being among the smallest of the young heroes, scarce five feet high, was put into the last company, the fifth in number. These preliminaries being duly arranged, the thirteen hundred had to exchange their smock-frocks, jackets, and blouses, for the regulated red coat and trousers. Unfortunately, the official distributor of these articles paid no attention whatever to the stature and physical conformation of the recipients, nor even to their division into different-sized companies, but threw out his uniforms like barley among the chickens. The consequences were of the most ludicrous kind. Nearly all the big men got coats which fitted them like strait-laced jackets, while the little ones had garments which hung upon their shoulders in balloon fashion. John Clare was more unlucky than any of his warrior brethren. His trousers, apparently made for a giant, were nearly as long as his whole body, and though he drew them up to close under his arms, they still fell down, by many inches, over his shoes. To prevent his tumbling over them, like a clown in the pantomime, he held up his pantaloons with one hand, while with the other he kept his helmet from falling in the mud. This wonderful headpiece was as much too small for the big-brained recruit as the other parts of the uniform were too large, and it required the most careful balancing to keep it in a steady position on the top of the crown in a quiet atmosphere while, in any little gust of wind, it was indispensable to ensure the equilibrium with outstretched arm. All this was easy enough while John Clare went through his first martial exercises: nothing more simple, while learning the goose-step, than to hold his big trousers with one hand and his tight helmet with the other. But at the end of four weeks, his superiors gave John Clare a gun, and with it came blank despair. He did not know in the world how to hold his trousers, his gun, and his headpiece at one and the same time. Puzzling over the matter till his brain got dizzy, he at length resolved upon a notable expedient. He tucked his nether garments into his shoes, thereby giving the upper portion of them a bag-like appearance, while he exchanged his helmet for another of larger dimensions, in the possession of a thin-headed brother recruit. The new headpiece was a good deal too large, which, however, was easily remedied by a stuffing of paper and wood shavings, so that henceforth, unless the wind blew too strong, the ingenious young soldier had, at least, one of his two hands to himself. This would have been an immense benefit under ordinary circumstances; but unfortunately, in the case of John Clare, and as if to damp his military ardour, it also turned out a source of unqualified regret. The corporal under whose immediate orders he was placed, a prim and lady-like youngster, took an aversion to John, partly on account of the bag-trousers, and partly because of the stuffings of his helmet, a fraction of which not unfrequently escaped its confinement, and hung down, in stiff wooden ringlets, over his pale cheeks. At this the dandy-corporal sneered, and his sneers growing louder on every occasion, John Clare, at the first favourable opportunity, knocked him down with his unoccupied right hand. The offence, amounting to a crime, was at once reported to the captain, and Clare expected momentarily to be thrust into the black-hole, to be tried by court-martial, and perhaps to be shot. But, singularly enough, nothing, after all, came of the whole affair. The serious breach of military discipline was entirely overlooked by the authorities of the Northamptonshire militia, who probably thought the whole body of men not worth looking after, the greater number of them consisting of a mere collection of the lowest rabble. In consequence of strong remonstrances made by the good people of Oundle about the insecurity of their property, and even their lives, the thirteen hundred warriors were disbanded soon afterwards, and never called together again. John Clare thereupon left his quarters at the 'Rose and Crown,' where he had been tolerably well treated by the owners, a widow and her two daughters, and, with a joyful heart, returned to Helpston. He came home somewhat richer than he left, for he brought back with him a second-hand copy of Milton's 'Paradise Lost,' an odd volume, with some leaves torn out, of Shakespeare's 'Tempest,' both works purchased at a broker's shop at Oundle, and, over and above these acquisitions, a knowledge of the goose step.

TROUBLES OF LOVE, AND A TRIAL OF GYPSY LIFE.

The few weeks' martial glory which John Clare enjoyed had the one good effect of weaning him from the roisterous company at the Bachelors' Hall, and bringing him once more to his former peaceful studies. While a recruit in the militia, he had seen so much of rioting and debauchery, on the part of the vilest of his companions, as to be cured from all desire to follow in their footsteps, and he now made the firm vow to lead a more respectable life for the future. A change of scenery, too, had cured him of the all-absorbing fear that he should never be able to write poetry, for want of grammar, and the proper understanding of 'Lowe's Critical Spelling-book.' It seemed to him, on reflection, that, as he could make himself understood in speaking to his fellow men without knowing grammar, he would be able to do so likewise in writing. He therefore began, more eagerly than ever, to collect small strips of paper, and to fill them with verses on rural scenery, fields, brooks, birds, and flowers. His daily occupation, as before, consisted in working as an out-door farm labourer, and doing occasional odd jobs in gardening and the like, which, though it was barely sufficient to maintain him, had the to him inestimable advantage of leaving him completely his own master. This was the more valuable to John Clare at the present moment, in consequence of an affair which occurred soon after his return from Oundle, and which was nothing less than his falling in love, for the second time in his life. He met, saw, and was conquered by Elizabeth Newton, the daughter of a wheelwright, at Ashton, a small hamlet close to Helpston. She was but a plain girl, but possessed of all the arts of coquetry; and though John Clare did not care much for her at first, she gradually entangled him into fervent affection, or what he held to be such. It was not Platonic love, by any means, like that for sweet Mary Joyce; and less so on the part of the lass than on that of her lover. John, as always, so at his meetings with Elizabeth Newton, was shy, reserved, and bashful, while she was frank and forward, professing to be deeply in love with him. This had the desired effect upon John Clare, whose easily-touched heart could not withstand the charms and wiles of female enchantment. Having got her lover thus far, Elizabeth began to talk of marriage, at the mentioning of which word John felt somewhat startled. His old studies in arithmetic brought to his mind the difficulties there must be in keeping a matrimonial establishment upon ten shillings a week, the average amount of his income, not only for the time, but in all probability for years to come, if not for his whole life. Elizabeth, on her part, did not share these arithmetical apprehensions, in consequence of which there were quarrels, bickerings, and misunderstandings without end. To please his Elizabeth, John Clare was made to go frequently to the house of father Newton, the wheelwright, a curious old man, who was constantly reading in the Bible and trying to find out the meaning of the Apocalypse. He had quotations upon every subject, none of which, however, showed John clearly how to get over the great difficulty of keeping a wife upon nine, or at the best ten, shillings a week. Seeing that her lover was unwilling to do the one thing she wanted, Elizabeth Newton at last jilted him openly, telling him, before a number of other girls, that he was but a faint-hearted fool. After this, she refused to see him again, although John Clare would have been willing to renew the acquaintance, and even, if necessary, to marry her. He felt, now she had parted from him, and, probably, because she had parted from him, a strong affection for the girl, not to be overcome by many inward struggles. For a short time he sank into melancholy, from which he roused himself, however, by a new resolution.

On Helpston Heath and the neighbouring commons there were always some gypsy tribes in encampment, the two largest of them being known by the names of 'Boswell's crew,' and 'Smith's crew.' While out on his solitary rambles, John Clare made the accidental acquaintance of 'King Boswell,' which acquaintance, after being kept up by the interchange of many little courtesies and acts of kindness, gradually ripened into a sort of friendship. John Clare thought the dark-eyed gypsies far more intelligent than his own working companions in the fields, and he was attracted to them, besides, by their fondness for and knowledge of plants and herbs, as well as their love of music. Expressing a wish to learn to play the fiddle, the most expert musicians of King Boswell's crew at once began to teach him the art, in their own wild way, without notes or other scientific aid, but with the net result that he was able to perform to his own satisfaction in the course of a few months. He now became a constant visitor at King Boswell's tent, which he only neglected during his courtship with Elizabeth Newton. This being broken off, in his grief of unrequited affection John Clare was seized with a real passion for the wild life of his gypsy friends, and resolved to join them in their wanderings. He actually carried out this resolve, and enrolled himself as a member of Boswell's crew for a few days; but at the end of this period left them with much internal disgust. The poetry of gypsy life utterly vanished on close examination, giving way to the most disagreeable prose. Accustomed as John Clare was to humble fare under a poor roof, his nerves could not stand the cookery at King Boswell's court. To fish odds and ends of bones, bits of cabbage, and stray potatoes from a large iron pot, in partnership with a number of grimy hands, and without so much as a wooden, spoon, seemed unpleasant work to him, not to be sweetened by all the charms of black eyes and a tune on the fiddle. He therefore told his new friends that he could not stop with them; at which they were not very sorry, seeing in him but a poor hand for making fancy baskets and stealing young geese. Thus King Boswell and his secular friend parted to their mutual satisfaction, John Clare returning once more to his accustomed field and gardening operations. However, the poet, all his life long, did not forget the gypsies; nor did they forget him. Whenever any of 'Boswell's crew,' or, in their absence, their first cousins of 'Smith's crew' happened to be near John Clare, on a Saturday evening, after he had drawn his weekly wages, they did not fail to pay him a friendly visit, singing some new song to the ancient text of 'Auld lang syne.'

LIME BURNING AND LOVE MAKING.

The first investment of the small sum thus acquired led to rather important results. Having collected a considerable quantity of verses, and safely carried them off from the old hiding-place at Helpston, John Clare resolved to copy a selection, comprising the best of them, into a book, so as to preserve his poetry the more easily. With this purpose in view he went to the next fair at Market Deeping, and after having gone, with some friends, through the usual round of merry-makings, called upon a bookseller and stationer, Mr. Henson, to get the required volume of blank paper. Mr. Henson had no such article in stock, but offered to supply it in a given time, which being agreed on, particulars were asked as to the quantity of paper required, and the way in which it should be ruled and bound. In reply to these questions, John Clare, made talkative by a somewhat large consumption of strong ale, for the first time revealed his secret to a stranger. He told the inquirer that he had been writing poetry for years, and having accumulated a great many verses, intended to copy them into a book for better preservation. The bookseller opened his eyes at the widest. He had never seen a live poet at Market Deeping, yet fancied, somehow or other, that the species was of an outward aspect different from that of the tattered, half-tipsy, undersized farm labourer who was standing before him. Though an active tradesman, willing to oblige people at his shop, Mr. Henson could not help hinting some of these sceptic thoughts to his customer, and feelingly inquired of him whether it was 'real poetry' that he was writing. John Clare affirmed that it was real poetry; further explaining that he wrote most of his verses in the fields, on slips of paper, using the crown of his hat as a desk. This was convincing; for the hat, on being inspected, certainly showed abundant marks of having been employed as a writing-desk, and even bore traces of its occasional use as a camp-stool. Doubts as to John Clare being a poet were now impossible; and Mr. Henson willingly agreed to furnish a book of white paper, strongly bound, fit for the insertion of a vast quantity of original poetry, at the price of eight shillings. When parting, the obliging bookseller begged as a favour to be allowed to inspect one of his customer's poems, promising to keep the matter as secret as possible. The flattering request was promptly acceded to, and in a few days after, there arrived by post at Market Deeping two sonnets by John Clare, which he had recently composed. One of these was called 'The Setting Sun;' and the other 'The Primrose.' Mr. Henson, who was no particular judge of sonnets, thought them very poor specimens of poetical skill, the more so as they were ill-spelt, and without any attempts at punctuation. He threw the poems aside at once, and wrote to the poet that he might have his blank paper book on paying the stipulated eight shillings. So the matter rested for the present.

John Clare's labours as a lime-burner at Bridge Casterton were of the most severe kind. He was in the employ of a Mr. Wilders, who exacted great toil from all his men, setting them to work fourteen hours a day, and sometimes all the night long in addition. Nevertheless, Clare felt thoroughly contented in his new position, being delighted with the beautiful scenery in the neighbourhood, and happy, besides, in being able to earn sufficient money to send occasional assistance to his parents. When not engaged at work, he went roaming through the fields far and wide, always with paper and pencil in his pocket, noting down his feelings in verse inspired by the moment. It was the time when his poetical genius began to awaken to full life and consciousness. He began writing verses with great ease and rapidity, often composing half-a-dozen songs in a day; and though much of the poetry thus brought forth was but of an ephemeral kind, and of no great intrinsic value, the exercise, combined with extensive reading of nearly all the old poets, contributed considerably to his development of taste. Sometimes he himself was surprised at the facility with which he committed verses to paper, on the mere spur of the moment. It was on one of these occasions that the thought flashed through his mind of his being endowed with poetical gifts denied to the majority of men. This was a perfectly new view which he took of himself and his powers, and it helped to give him immense confidence. Timid hitherto and entirely distrustful of his own abilities, he now felt himself imbued with strength never known, and under the impulse of this feeling determined to make another attempt to rise from his low condition. The idea occurred to him of printing his verses, and of coming openly before the world as a poet. Each time he had written a new verse with which he was pleased, his confidence grew; though his hopes fell again when he set himself thinking the matter over, and dwelling upon the difficulties in his way. This inward struggle lasted nearly a year, in the course of which there occurred another notable event, which in its consequences grew to be one of the most important of his whole life.

Every Sunday afternoon, the labourers at Mr. Wilder's lime-kiln were in the habit of visiting a small public-house, at the hamlet of Tickencote, called 'the Flower Pot.' Thirsty, like all of their tribe, they spent hours in carousing; while John Clare, after having had his glass or two, went into the fields, and, sitting by a hedge, or lying down under a tree, surveyed the glories of nature, feasting his eyes upon the thousandfold beauties of earth and sky. It was on one of these Sunday afternoons, in the autumn of 1817--Clare now past twenty-four--that he saw for the first time 'Patty,' his future wife. She was walking on a footpath across the fields, while he was lying in the grass not far off, dreaming worlds of beauty and ethereal bliss. Patty stepped right into his ideal realm, and thus, unknown to herself, became part and parcel of it. She was a fair girl of eighteen, slender, with regular features, and pretty blue eyes; but to Clare, at the moment, she seemed far more than fair, slender, and pretty. He watched her across the field, and when she disappeared from sight, John Clare, almost instinctively, climbed to the top of a tree, to discover the direction in which she was going. His courage failed him to follow and address her, though he would have given all he possessed to have one more glance at the sweet face which so suddenly changed his poetical visions into a still more poetical reality. However, the shades of evening were sinking fast; John Clare could not see far even from the top of his tree, to which he clung with a lover's despair, so that the beautiful apparition was soon lost to him. Sleep did not come to his eyes in the following night; and the slow hours of lime-burning the next day only passed on in making projects how he would go to the field near the 'Flower Pot,' and try to meet his sweet love again. He went to the field, but she came not; not the following day, nor the second, nor the whole week. John Clare began to think the fair face which he had seen, and with which he had fallen in love at first sight, was after all, but the vision of a dream.

More than two weeks passed, and John Clare, with his fiddle under his arm, one evening made his way to Stamford, to play at a merry meeting of lime-burners the tunes which the gypsies had taught him. While walking along the road, the vision burst upon him a second time in not to be mistaken reality. There again was the fair damsel he had seen walking, or floating, across the greensward on the Sunday eve; as fair and trim as ever, though this time not in her Sunday dress. John Clare, with much good sense, thought it useless to climb again upon a tree; but summing up courage, followed his vision, and, after a while, addressed her in timid, soft words. What gave him some courage for the moment was, that being on a festive excursion, he had donned his very best garments, including a flowery waistcoat and a hat as yet free from the desk service of poetry. The fair damsel, when thus addressed in the road, smiled upon her interlocutor; there could be no doubt, his words, and, perhaps, his waistcoat and new hat, found favour in her eyes. And not only did she allow him to address her, but permitted him even to accompany her to her father's cottage, some four miles off. Thither accordingly went John Clare, in an ecstacy of delight; feeling as if in heaven and playing merry gypsy-tunes to the winged angels. He wished the four miles were four hundred; and when arrived at the paternal door with his fair companion, and she told him that he must leave her now, it seemed to him as if it had been but a minute since he met her. He looked utterly dejected; but brightened up when she told him that her name was Martha Turner, that her father was a cottage farmer, and that the place where they were standing was called Walkherd Lodge--which perhaps, she whispered, he would find again. It sounded as if the fiddle under his arm was again making music to the bright angels. John Clare was in heaven; but the poor lime-burners at Stamford did not think so, that evening, when they had to dance without a fiddle.

After seeing his sweet companion disappear behind the garden-gate; after hearing the door of the house open and shut, and watching the movement of the lights within the house for an hour or two, John Clare at last turned his back upon Walkherd Lodge, and went the way he came. The road he trotted along, with his feet on good Rutlandshire soil, but his head still somewhat in the clouds, got gradually more and more narrow, till it ended at a broad ditch, with, a dungheap on the one side and a haystack on the other. It was now that John perceived for the first time that he had lost his way. While walking along with Martha Turner, he no more thought of marking the road than of solving riddles in algebra, and, besides a faint consciousness that he was coming somewhere from the east and going to the west, he was utterly lost in his topography. However, under the circumstances, it seemed no great matter to John to lose his way, and rather pleasant than otherwise to sleep in a haystack within a mile of the dwelling of Martha Turner. On the haystack, accordingly, he sat down with great inward satisfaction, and, the moon having just risen, pencil and paper were got out of the pocket, by the help of which, in less than half an hour, another love-song was finished. But though the day was warm and comfortable, John felt too restless to sleep. So he cleared the ditch before him with one jump, and pursued the journey further inland, where lights appeared to be glimmering in the distance. Onward he trotted and leaped, over hedges and drains, across ploughed fields, through underwood and meadows, around stone-quarries and chalk-pits. At last, after a wild race of four or five hours, he sank down from sheer exhaustion. There was soft, mossy grass under his feet, and a sheltering tree above, and he thought it best to stop where he was and to compose himself to sleep. The heavy eyelids sank without further bidding, and for several hours his soul took flight into the land of dreams. When he awoke, the moon was still shining, but not far above the western horizon. Looking around, he perceived something bright and glittering near him, similar to the bare track beaten by the sheep in hot weather. To follow this path was his immediate resolve, as sure to lead to some human habitation, if only a shepherd's hut. He was just going to rise, but still on the ground, when one of his feet slipped a short distance, in the direction of the silvery line, and he heard the clear splash of water under him. At the same moment, the last rays of the moon disappeared from above the horizon. John Clare shuddered as if the hand of death was upon him. Creeping cautiously towards the neighbouring tree, and clasping both his arms around it, he awaited daybreak in this position. At length, after hours which seemed endless, the burning clouds appeared in the east. He once more looked around him, and found that he was lying on the brink of a deep canal, close to the River Gwash. One turn of the body in its restless dreams; one step towards the tempting silvery road of night, would have made an end for ever of all the troubles, the love and life and poetry, of poor John Clare.

ATTEMPTS TO GET UP A PROSPECTUS.

Soon after his first meeting with Martha Turner, at the beginning of October, 1817, John Clare left Bridge Casterton, hand went to Pickworth, a village four miles off, in a northerly direction, where he found employment in another lime-kiln, belonging to a Mr. Clerk. The reason he quitted his old master was that the latter lowered his wages from nine to seven shillings per week, which reduction John Clare would not submit to. Though content, throughout his life, to live in the humblest way, he had two strong reasons, at this moment, for wishing to earn moderately good wages, so as to be able to save some money. The first was that he had set his heart on having a new suit of clothes, including an olive-green coat. As young maidens sigh for a lover, and as children long for sweetmeats, so John Clare had set his heart for years on having an olive-green coat. For this wonderful garment he was 'measured' soon after returning from Oundle and martial glory, under the agreement, carefully stipulated with the master tailor, that it was to be delivered only on cash payment. But he had never yet been able to raise the necessary fifty shillings, although the olive-green coat was dearer to his heart than ever before. However, there was one still dearer object, for the carrying out of which he wanted to save money, namely, the attempt to get some of his verses printed. His chief impulse, in this respect, was not-so much literary vanity, but a strong desire to get the judgment of the world on his own secret labours. As yet, though with an intuitive perception of the intrinsic worth of his poetry, he had no real faith in himself. The intimation of Thomas Porter, respecting the necessity of grammar, still weighed heavily upon his mind, and the cold reception which his verses met with at the hands of the bookseller of Market Deeping greatly contributed to weaken the belief in the value of his writings. Nevertheless, the old spirit of faith urging him again and again, he had more than once renewed his communications with Mr. Henson, and repeated visits to Market Deeping at last produced a sort of treaty between bookseller and poet. Mr. Henson agreed to print, for the sum of one pound, three hundred prospectuses, inviting subscribers for a small collection of 'Original Trifles by John Clare.' The price of the volume was to be three shillings and sixpence, 'in boards;' and Mr. Henson promised that, as soon as one hundred subscribers had given in their names, he would begin to print the book, at his own risk. This treaty, the result of several interviews, and much anxiety on the part of John Clare, was settled between the interested parties in the month of December, 1817.

A more excited time than that which now followed, Clare had never seen in his life. He was in love over head and ears, and had to pay frequent visits to his mistress at Walkherd Lodge; he had to think of saving money for his long-desired olive-green coat--more than ever desired now for presentation at the Lodge; and, last not least, he had to work overtime to get the one pound sterling required for the printing of the three hundred prospectuses. In short, he had to labour harder than ever, in order to gain more money; and, yet, at the same time, required more leisure than ever, both for writing verses and love-making. To reconcile these opposite wants, he took to night-work, in addition to daily labour, risking his health and almost his life to gain a few shillings and to have an occasional glimpse at his sweet mistress. His love prospects did not appear to be very promising, at first. As for Martha Turner herself, she rather encouraged than otherwise the attentions of the young lime-burner; her parents, however, were strongly and energetically opposed to the courtship. Dignified cottage-farmers, renting their half-a-dozen acres of land, with a cow on the common, and a pig or two, they thought their pretty daughter might look higher in the world than to a mere lime-burner with nine shillings a week. Besides, there was another lover in the wind, of decidedly better prospects, who had already gained the ear of the parents, and was backed by all their influence. It was a young shoemaker from Stamford, with a shop of his own; a townsman dressed in spotless broadcloth on all his visits to Walkherd Lodge, and of manners considered aristocratic. Martha herself wavered slightly between the shoemaker and the lime-burner; the former was not only well-dressed but good-looking, to neither of which externals John Clare could lay any pretensions. The only advantage possessed by him over his rival was that he pleaded his cause with all the zeal and ardour of a man deeply enamoured, and this, as always, so here, carried the day finally. There was some languid indifference in the addresses of the loving shoemaker, to punish which Martha Turner threw herself into the arms of John Clare. So far, things were looking prosperous at the Pickworth lime-kiln, during the first months of 1818.

Meanwhile, the poetical aspirations of John Clare had made little progress. Mr. Henson, of Market Deeping, insisted that the poet should write his own prospectus, or 'Invitation to Subscribers,' and Clare trembled at the bare idea of undertaking such a formidable work. Easy as it was to him to compose scores of verses every day, in the intervals of the hardest manual labour, he had never attempted, in his whole life, to write a single line in prose, and therefore could not bring himself, by any exertion, to go through the new task. Day after day he tormented his head to find words how to begin the required prospectus, but invariably with the same negative result. Often it happened that, when trying to write down the first line of the 'Invitation,' his thoughts involuntarily lost themselves in rhyme, till finally, instead of the desired 'Address to the Public,' there stood on paper, much to his own surprise, an address to the primrose or the nightingale. Thus, one morning, when going to his work, in deep thoughts of poetry, prospectuses, love, and lime-burning, the reflection escaped his lips, 'What is life?' and, as if driven by inspiration, he instantly sat down in a field, and, on a scrap of coarse paper, wrote the first two verses of the poem, subsequently published under the same title. Clare's poetical genius threatened to master even his own will.

At length, however, after infinite trouble and exertion, he managed to get the dreaded prospectus ready. Having saved the pound with which to pay the printer, he firmly determined to make a final attempt to write prose, in some form or other, and to send it off to Market Deeping, in whatever shape it might turn. At this time he was in the habit of working, sometimes at Mr. Clerk's lime-kiln at Pickworth, and sometimes at a branch establishment of the same owner, situated at Ryhall, three miles nearer towards Stamford. Firm in his determination to produce a prospectus, he started one morning for Ryhall, and, arrived at his place of labour, sat down on a lime-scuttle, pencil in hand, with the hat as ever-ready writing-desk. For once, the prose thoughts flowed a little more freely, and after a strong inward effort, the following came to stand upon paper:--

'Proposals for publishing by Subscription a Collection of Original Trifles on miscellaneous subjects, religious and moral, in Verse, by John Clare of Helpston. The Public are requested to observe that the Trifles humbly offered for their candid perusal can lay no claim to eloquence of poetical composition; whoever thinks so will be deceived, the greater part of them being Juvenile productions, and those of later date offsprings of those leisure intervals which the short remittance from hard and manual labour sparingly afforded to compose them. It is hoped that the humble situation which distinguishes their author will be some excuse in their favour, and serve to make an atonement for the many inaccuracies and imperfections that will be found in them. The least touch from the iron hand of Criticism is able to crush them to nothing, and sink them at once to utter oblivion. May they be allowed to live their little day and give satisfaction to those who may choose to honour them with a perusal, they will gain the end for which they were designed and their author's wishes will be gratified. Meeting with this encouragement it will induce him to publish a similar collection of which this is offered as a specimen.'

The writing of this paper--presented here as originally written, with the correction only of the spelling, and the insertion of a few stops and commas--took Clare above three hours, and having finished it, and read it over several times, he thought he had reason to be pleased with his performance. A third reading increased this satisfaction, in the fulness of which he determined to send the prospectus at once to the printer. Accordingly, he sat down upon his lime-scuttle, fastened the paper together with a piece of pitch, scraped from an old barrel, and directed it, in pencil, to 'Mr. Henson, bookseller, Market Deeping.' This accomplished, he started off in a trot to the post-office at Stamford. On the road, new doubts and scruples came fluttering through his mind. Was it not a foolish act, after all, that he, a poor labourer, the son of a pauper, should risk a pound of his hard earnings in the attempt to publish a book? Would not the people laugh at him? Would they not blame him for spending the money on such an object, instead of giving it to his half-starving parents? Such were the doubts that crossed his mind. But, on the other hand, he considered that success might possibly attend his efforts; that, if so, it would be the means of raising his parents, as well as himself, from their low situation; and that, whatever the result, it would show the world's estimate of his own doings--either encourage him in writing more verses, or cure him of a silly propensity. This last reflection, and a thought of the fair girl he loved, decided the matter in his own mind. He sprang up from the stone heap, where he had sat buried in reflections, and pursued his way to Stamford. His face was burning with excitement, and, entering the town, he fancied everybody was looking at him, with a full knowledge of his vainglorious errand. The post-office was closed, and the clerk at the wicket demanded one penny as a fee for taking in the late letter. John Clare fumbled in his pockets, and found that he had not so much as a farthing in his possession. In a rueful voice he asked the man at the wicket to take the letter without the penny. The clerk glanced at the singular piece of paper handed to him, the pencilled, ill-spelt address, the coarse pitch, instead of sealing-wax, at the back, and with a contemptuous smile, threw the letter into a box at his side. Without uttering another word, he then shut the door in Clare's face. And the poor poet hurried home, burying his face in his hands.

THE TURN OF FORTUNE.

In about a week after the despatch of the pitch-sealed letter, there came a reply from Mr. Henson, of Market Deeping. It intimated that the prospectuses, with appended specimen poem, were nearly ready, and would be handed over to John Clare, on a given day, at the Dolphin inn, Stamford. Accordingly, on the day named, Clare went over to Stamford, his heart fluttering high with expectations. When Mr. Henson handed him the 'Address to the Public,' with the 'Sonnet to the Setting Sun' on the other side, both neatly corrected and printed in large type, he was beside himself for joy. In its new dress, his poetry looked so charmingly beautiful, that he scarcely knew it again. His hopes rose to the highest pitch when he found that the admiration of his printed verses was shared by others. While they were sitting in the parlour of the Dolphin inn, drinking and talking, there came in a clerical-looking gentleman, who, after having listened a while to the conversation about the forthcoming volume of poetry, politely inquired for the title of the book. Mr. Henson, with business-like anxiety, at once came forward, explaining all the circumstances of the case, not forgetting to praise the verses and the writer to the skies. The gentleman, evidently touched by the recital, at once told Mr. Henson to put his name down as a subscriber, giving his address as the Rev. Mr. Mounsey, Master of the Stamford Grammar-school. John Clare was ready to fall on the neck of the kind subscriber, first admirer of his poetry; but prudently restraining himself, he only mumbled his thanks, with an ill-suppressed tear in his eye. After having made arrangements for the circulation of the prospectuses, boldly undertaking to distribute a hundred himself, John Clare then went back to his lodgings at Pickworth, dancing more than walking.

The first bright vision of fame and happiness thus engendered was as short as it was intense. It was followed, for a time, by a long array of troubles and misfortune, making the poor poet more wretched than he had ever been before. Soon after his meeting with Mr. Henson at the Dolphin inn, he had a quarrel with his mistress, and a more serious disagreement with her parents, followed by a harsh interdict to set his foot again within the confines of Walkherd Lodge. A few weeks subsequently, his master discharged him, under the probably well-justified accusation that he was neglecting his work, scribbling verses all day long, and running about to distribute his prospectuses. This discharge came in the autumn of 1818, and put Clare to the severest distress. The expenses connected with his poetical speculation had swallowed up all his hoardings, and left him absolutely without a penny in the world. After several ineffectual efforts to find work as a lime-burner either at Pickworth or Casterton, he bethought himself to seek again employment as a farm-labourer, and for this purpose went back to Helpston. His parents, now quite reduced to the mercies of the workhouse, and subsisting entirely upon parish relief, received him with joy; but nearly all other doors were shut against him. The wide-spread rumour that he was going to publish a book, had created a great sensation in the village, but, so far from gaining him any friends, had raised up a host of jealous detractors and enemies. Among the most ignorant of the villagers, the cry prevailed that he was a schemer and impostor; while the better-informed people, including the small farmers of the neighbourhood, set him down as a man who had taken up pursuits incompatible with his position. Perhaps the latter view was not an altogether unjust one; at any rate, the farmers, all of them people of small means, acted upon good precedent in refusing John Clare work, after he had been discharged, by his last employer, for gross neglect of duty. It was in vain that Clare offered to do 'jobs,' or work by contract; his very anxiety to get into employment, of whatever kind it might be, was held to be presumptuous, and all his offers and promises met with nothing but distrust. In this frightful state of things, there was only one resource remaining to John Clare, to escape starvation--to do as his parents, and beg a dry loaf of bread from the tender mercies of the parish. His name, accordingly, was enrolled in the list of paupers.

But as if the cup of his distress was not yet full enough, John Clare, while reduced to this lowest state of misery, got a note from Mr. Henson, of Market-Deeping, informing him that the distributed prospectuses had only brought seven subscribers, and that the scheme of printing the poems would have to be dropped entirely, unless he could advance fifteen pounds to meet the necessary expenses. To Clare, this information sounded like mockery. To ask him, while in absolute want of food, to raise fifteen pounds, appeared to him an insult--which probably it was not meant to be. Mr. Henson, the printer and bookseller, had very little knowledge of the actual state of his correspondent, and looking upon the whole scheme of publishing poetry as the driest matter of business, addressed Clare as he would have any other customer. This, however, was not the way in which the deeply-distressed poet viewed the proceedings. He gave way to his feelings in a very angry letter, after despatching which he sank into deep despondency. It seemed to him as if he had now made shipwreck of his life and all his hopes.

Recovering from this sudden access of grief, he made a fresh resolve. At twenty-five, men seldom die of despondency--not even poets. John Clare, too, decided not to give up the battle of life at once, but prolong it a short while by becoming a soldier. However, he was afraid to add to the distress of his father and mother by informing them of this plan, and, therefore, left home under the pretence that he was going to seek work. It was a fine spring morning--year 1819--when he took once more the road to Stamford. Passing by Burghley Park, he was strongly reminded of that other sunny day in spring when he came the same way with Thomson's 'Seasons' in hand; when he was seized with the sudden passion for poetry, and when he wrote his first verses under the hedge of the gardens, fall of joy and happiness. And he pondered upon the sad change which had taken place in these ten years. He had written many more verses--far better verses, he fully believed; and yet was poorer than ever, and more wretched and miserable than he had imagined he could possibly be. Thus ran the flow of his thoughts: sad and gloomy, though not without an undercurrent of more hopeful nature. There was a deep-rooted belief in his heart that the poems he had written were not entirely worthless, and that notwithstanding the coldness and antipathy of the world, notwithstanding his own poverty and wretchedness, the day would come when their value would be appreciated. The new sanguine spirit took more and more hold of him while looking over the hedge into the park, and around on the fields, smiling in their first green of new-born loveliness, and enlivened with the melodious song of birds. Once more, his heart was warmed as of old, and he sat down under a tree, to compose another song. It was a poem in praise of nature, gradually changing into a love-song; and while writing down the lines, his heart grew melancholy in thoughts of his absent mistress, his sweet 'Patty of the Vale,' separated from him, perhaps, for ever. To see her once more, before enlisting as a soldier, now came to be the most ardent desire of his heart.

The shades of evening were sinking fast, when John Clare reached Bridge Casterton, on his way to Walkherd Cottage. He was just in view of the smiling little garden in front of the house, when a figure, but too well known, crossed has path. It was Patty. She wanted to speak, and she wanted to fly; her lips moved, but she did not utter a word. Clare, too, was lost, for a minute, in mute embarrassment; but, recovering himself, he rushed towards her, and with fervent passion pressed her to his heart. Patty was too much a child of nature not to respond to this burst of affection, and for some minutes the lovers held each other in sweet embrace. They might have prolonged their embrace for hours, but were disturbed by calls from the neighbouring lodge. The anxious parent within heard words, and sounds, and stifled kisses, and doubting whether they came from the shoemaker, sent forth shrill cries for Martha to come in without delay. But darkness made Patty bold; she assured her mother that there was 'nobody,' accompanying the word by another kiss. Then, with loving caress, she tore herself from Clare's arms, flying up the narrow path to the cottage. John Clare was transfixed to the spot for a few minutes, and, having gazed again and again at the rose-embowered dwelling, made his way back to Stamford, joyful, yet sad at heart. On the road, close to Casterton, he met some old acquaintances of the lime-kiln, going to the same destination, intent on an evening's drinking bout. John was asked to join, and after some reluctance, consented. The lime-burners had their pockets well-filled for the night, and the jug of ale went round with much rapidity. When gaiety was at the culminating point, a tall gentleman, in the uniform of the Royal Artillery, joined the merry company. The jug passed to him, and he returned the compliment by ordering a fresh supply of good old ale. Now the talk grew fast and loud, opening the sluices of mutual confidence. John Clare loudly proclaimed his intention of becoming a soldier, ready to fight his way up to generalship.

'Do you mean it?' inquired the tall gentleman in uniform.

'Of course I do,' retorted John, somewhat nettled at the incredulity of his neighbour.

Add to tbrJar First Page Next Page Prev Page

 

Back to top