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Ebook has 1564 lines and 117113 words, and 32 pages

"Polo at Ranelagh," he answered, in a voice thickened by dust and the laying of that dust by strong waters. "Club team plays 'Undred and First Lancers."

The words had been to the inquirer pretty much as phrases from the liturgy of an unknown cult. But it was Iglesias' praiseworthy disposition not to be angry with that which he did not happen to understand, so much as angry with himself for not understanding it.

"Only an additional proof, were it needed, of the prodigious extent of my ignorance!" he reflected in stoically humorous self-contempt. His eyes dwelt, somewhat wistfully, on the glittering stream of traffic, once again those two unbidden guests, Loneliness and Freedom--for whose entertainment he had made inadequate provision--sitting, as it seemed, very close on either side of him. Then that happened which altered all the values. Dominic Iglesias suddenly saw a person whom he knew.

He had seen that same person about three hours previously in the bank in Threadneedle Street, while waiting for admittance to Sir Abel's private room. Rumour accredited this handsome young gentleman--Sir Abel's youngest son--with tastes expensive rather than profitable, liberal socially, rather than estimable ethically, declaring him to be distinctly of the nature of the proverbial thorn in the banker's otherwise very prosperous side. He had, so said rumour, the fortune or misfortune, as you chose to take it, of being at once a considerably bad boy and a distinctly charming one. Be all that as it might, the young man had certainly presented a grimly anxious countenance when, without so much as a nod of recognition, he had stalked past Mr. Iglesias in the dim light of the glass and mahogany-walled corridor. But now, as the latter noted, his expression had changed, and that very much for the better. The young man's face was flushed and eager, and his teeth showed white and even under his reddish brown moustache. If anxieties still pursued him they were in subjection to one main anxiety, the anxiety to please, which of all anxieties is the most engaging and grace-begetting.

Just then the traffic was held up, thus enabling Iglesias from his perch on the 'bustop to receive a more than fleeting impression. Two ladies were seated opposite the young man in the carriage. In them Iglesias recognised persons of very secure social standing. The elder he supposed to be Lady Sokeington--Alaric Barking's half-sister--to whom, on the occasion of her marriage, twelve or thirteen years ago, he had had the expensive honour of presenting, in his own name and that of his colleagues, a costly gift of plate. The other lady, so it appeared to him, was eminently sweet to look upon. She was very young. She leaned a little forward, and in the pose of her delicate figure and the carriage of her pretty head--under its burden of pale pink and grey feathers, flowers, and lace--he detected further example of that engaging anxiety to please. They made a delightful young couple, the fair seeming of this life and riches of it very much on their side. Mr. Iglesias' chivalrous heart went out to them in silent sympathy and benediction; while, the block being over, his gaze continued to follow them as long as the young girl's slender white-clad back and the young man's flushed and eager face remained distinguishable. Then he started, for he was aware that his unbidden companions had received unexpected reinforcement. A third guest had arrived, and looked hard and critically at him. It's name was Old Age, and he found something sardonic in its glance. With all his gentleness of soul, all his innate self-restraint, there remained fighting blood in Dominic Iglesias. Therefore, for the moment, recognising with whom he had to deal, a light anything but mild visited his eyes, and a rigidity the straight lines of his chin and lips. Old Age is a sinister visitant even to those who are moderate in demand and clean of life. For it gives to drink of the cup not of pleasure, but merely of patience, of physical loss and intellectual humiliation; and, once it has laid its spell upon you, you are past all remedy save the supreme remedy of death. And so, at first sight, Iglesias rebelled--as do all men--turning defiant. Then, being very sane, he gave in to the relentless logic of fact. Silently, yet with all courtesy, he acknowledged the newcomer, and bade it be seated along with the rest. While, after brief pause to rally his pride, and that courage which is the noblest attribute of pride, he turned to things concrete and material once more, finally addressing himself to the omnibus driver:

"Pardon me; polo, as I understand, is a species of game?"

The broad moist countenance was again uplifted, a hint of patronage now tempering its good-natured apathy.

"Sort'er 'ockey on 'orseback."

"That must be sufficiently dangerous," Mr. Iglesias remarked.

"Bless you, yes. Players breaks their backs pretty frequent, and cuts the ponies about most cruel--"

He ceased speaking abruptly, jammed the brake down with his heel in response to the conductor's bell, and drew the sweating horses up short to permit the ingress of fresh passengers. This accomplished, the omnibus lumbered onwards while Dominic Iglesias fell into further meditation.

The explanation vouchsafed him was still far from explicit; yet this much of illumination he gained from it, namely, the assurance that all these goodly personages, Alaric Barking and his sweet companion among them, were on pleasure bent. One and all they fared forth, on this heavy summer afternoon, in search of amusement--in search of that intangible yet very powerful factor in human affairs to which it is given to lift the too great weight of seriousness from mortal life, cheating perception of relentless actualities, helping to restore the balance, helping men to hope, to laugh, and to forget. Perceiving all which, conscious moreover of the near neighbourhood of Loneliness on the right hand and Old Age on the left, Iglesias began to bestow on these votaries of pleasure a more earnest attention, recognising in them the possessors of a secret which it greatly behoved him to enter into possession of likewise. In what, he asked himself, did it actually consist, this to him practically unknown quantity, amusement? How was the spirit of it cultivated, the enjoyment of it consciously attained? How far did it reside in inward attitude, how far in outward circumstance? In a word, how did they all do it? It was very incumbent upon him to learn, and he admitted a ridiculous ignorance.

Thus had the chapter of labour ended, and that of leisure opened. And it was with the sadness of things terminated very strongly upon him that, as Frederick, the German-Swiss valet, finished clearing the dinner-table and departed, Mr. Iglesias looked forth over the neatly protected verdure of Trimmer's Green in the evening quiet. The smugly pacific aspect of the place irritated him. He was aware of a great emptiness. And very certainly the scene before him offered no solution of the problem of the filling of that emptiness. And somehow or other it had to be filled--Iglesias knew that, knew it through every fibre of him--or life would be simply insupportable. Meanwhile from the public drawing-room below came sounds of revelry, innocent enough yet hardly calculated to soothe over-strained nerves. Little Mr. Farge--whose thin and reedy tenor carried as does a penny whistle--gave forth the refrain of a song just then popular in metropolitan music-halls.

"They're keeping latish hours at the Convalescent Home," piped Mr. Farge; while his friend and devout admirer, Albert Edward Worthington, tore at the banjo strings and the ladies tittered.

Iglesias listened in a somewhat grim spirit of endurance. On the far side of the Green he could see the gaslights in the Lovegroves' dining-room. These appeared to watch him rather uncomfortably, as with three supplicating and reproachful eyes. He debated whether he would not take his hat, step across, and tell his old friend what had happened--it would at least relieve him of the sound of little Farge's serenading. But his pride recoiled somehow. Good souls, man and wife, they would be full of solicitude and kindness; but they would say the wrong thing. They would not understand. How, indeed, should they, being wholly at one with their surroundings--unimaginative, domestic, British middle-class, with its virtues and limitations aggressively in evidence? George Lovegrove would suggest some minor municipal office, or membership of the local borough council, as a crown of consolation. His wife would skirt round the subject of matrimony. She had done so before now; and Iglesias, while presenting a dignified front to the enemy, had inwardly shuddered. She was an excellent, estimable woman; but when ponderously arch, when extensively sly! Oh, dear no! It didn't do. Her gambols were too sadly suggestive of those of a skittish hippopotamus. Dominic Iglesias was conscious that he had a skin too little to-night; he could not witness them with philosophy. The kindliest intention, the best-meant words, might cause him extravagant annoyance.

He turned away from the window and took a turn the length of the room--a tall, distinct, and even stately figure in the thickening dusk. He felt rather horribly desolate. He was fairly frightened by the greatness of the emptiness, within and about him, engendered by absence of employment. He had little to reproach himself with. His record was cleaner than most men's--he could not but know that. He had sacrificed personal ambition, personal happiness, to the service of one supremely dear to him. Not for a moment did he regret it. Had it to be done all over again, without hesitation he would do it. Still there was no blinking facts. Here was the nemesis, not of ill living, but of good--namely, emptiness, loneliness, homelessness, Old Age here at his elbow, Death waiting there ahead.

"The routine has gone on too long," he said to himself bitterly. "I have lost my pliability, lost my humanity. I am a machine now, not a man. To the machine, work is life. Work over, life is over; and the machine is just so much lumber--better broken up and sent to the rag and bottle shop, where it may fetch the worth of its weight as scrap-iron."

He turned, came back to the open window again and stood there, rather carefully avoiding the three reproachful eyes of the Lovegroves' dining-room gaselier, and fixing his gaze on that sullen fierceness of sunset still hanging in the extreme northwest.

"Unluckily there is no rag and bottle shop where superannuated bank clerks of five-and-fifty have even the very modest market value of scrap-iron!" he went on. "Of all kinds of uselessness, that of we godlike human beings is the most utterly obvious when our working day is past. Mental decay and bodily corruption as the ultimate. And, this side of it, a few years of increasing degradation, a mere senseless killing of time until the very unpleasing goal is reached--along with a growing selfishness, and narrowness of outlook; along, possibly, with some development of senile sensuality, the more detestable because it lacks the provocations of hot blood. Oh! Dominic Iglesias, Dominic Iglesias, is that the ugly road you are doomed to travel--a toothless greed for filling your belly with fly-blown dainties off the refuse-heap?"

And through the open window, in sinister accompaniment to little Mr. Farge's sophisticated and unpastoral pipings, came the voice of the great city herself in answer--low, multitudinous, raucous, without emphasis but without briefest relief of interval or of pause. And this laid hold strongly of Iglesias' imagination, reminding him of all the intimate wretchedness of that first stranding of the ship of his fate. Reminding him of his long and fruitless trampings in search of employment--good looks, energy, youth itself, seeming but an added handicap--when London revealed herself to him in her solidarity, revealed herself as a prodigious living creature, awful in her mysterious vigour, ever big with impending birth, merciless with impending death. As she showed herself to him then, with life all untried before him, so she showed herself still when, in the blackness of his present humour, all life worth the name appeared over and passed. He had changed, so he believed, to the point of nullity and final ineptitude. She remained strong, active, relentless as ever. As long ago, so now, she struck him as monstrous. Yet now, though all the conditions were changed, he had, as long ago, an instinct that from her there was no escape.

"I have served you honestly enough all these years," he said--since she had voice to speak, she had also ears to hear, mayhap--"and you have taken much and given little. To-day you have turned me off, told me to quit. But where, I ask you, can I go? I am too stiffened by work, unskilled in travel, too unadaptable to begin again elsewhere. Moreover, you hold the record of my experience, all my glad and sorrowful memories. I might try to leave you, but it's no use. I am planted and rooted in you, monstrous mother that you are. If I know myself, I should go only to come back."

For the moment the calm of long self-control was broken up within him. Dominic Iglesias dwelt, consciously and sensibly, in the horror of the Outer Darkness--which horror is known only to that small and somewhat suspect minority of human beings who are also capable, by the operation of the divine mercy, of dwelling in the glory of the Uncreated Light. The swing of the pendulum is equal to right as to left. He was staggered by the misery of his own isolation--a stranger, as he suddenly realised, by temperament and ideals, as well as by race! Then resolutely he turned his back on this, with an instinct of self-preservation directing his thought to things practical and average.

For example, that question of the pension--concerning which he now found, to his slight surprise, he was no longer the least in doubt. This money was his by right. The hard strain in his nature was dominant--to the full he would claim his rights. And since in moments of despair the human mind invariably requires a human victim, be it merely a simulacrum, a waxen image of a man to melt in the fires of its humiliation and revolt, Iglesias remembered, with much contemptuous satisfaction, the ironical portrait of Sir Abel Barking adorning the wall of the latter's private room at the bank. He hailed the diabolic talent of the artist who had laid bare with such subtle skill the flatulence of his sitter. It was a pretty revenge, very assuaging just now to Iglesias. For the real man, as he reflected, was not the man who sat heavily self-complacent in a library chair, exuding platitudes and pride of patronage; but the man who hung upon the wall forever ridiculous while paint and canvas should last. Thus would he go down to posterity! And to Dominic Iglesias, just now, it seemed very excellent that posterity should know him for the wind-bag hypocrite he essentially was. Securely entrenched behind his own large prosperity, uxoriousness, paternity, had he not counted his, Iglesias', blessings to him; counselling amusement, rest, congratulating him on just all that which made for his present distress--namely, his obscure position, his enforced idleness, his absence of human ties, the general meagreness of his state in life? The more he thought of the incident, the more it filled him with indignation and disgust. Therefore, very certainly he would claim his pension; claim an infinitesimal but actual fraction of this man's great wealth; would live long so as to claim it as long as possible, till the paying of it, indeed, should become a weariness to the payer. And he would spend it, too, unquestionably he would. Mr. Iglesias' rare and gracious smile had an almost cruel edge to it.

"The machine shall become a man again," he said. "And the man shall amuse himself. How, I don't yet know, but I will find out. Work has made me dull and inept."

He straightened himself up, tired, yet unbroken, defiant, aware--though the horror of the Outer Darkness was yet upon him--of purpose still militant and unspent.

"Play may make me the reverse of dull and inept. I have always been diligent and methodical. I will continue to be so. This enterprise admits of no delay. I will begin at once, begin to-morrow, to amuse myself."

It is characteristic of the Latin to see things written in fire and blood, which the slower-brained Anglo-Saxon only sees written in red paint--if, indeed, he ever arrives at seeing them written at all. To-night the Latin held absolute sway in Dominic Iglesias. With freedom had come a curious reversion to type. His humour, like his smile, was a trifle cruel. He observed, criticised, judged, condemned unsparingly, all mental courtesies in abeyance. When, therefore, at this juncture the three eyes of the Lovegroves' dining-room gaselier winked slowly, and closed their lids--so to speak--ceasing to watch and to supplicate, he suffered no self-reproach. The good, simple couple were shutting up house and going to bed, he supposed. They sought repose betimes; and, unless supper had been more aggressively cold and heavy than usual, slept, till broad day, a dreamless sleep. Decidedly it was well he had not taken his hat and stepped across to visit them, for, beyond all question, they would not have understood! The voice of London, for instance, meant nothing to them. They had no notion London had a voice. Still less had they any notion she was a prodigious living creature. London was the place where they resided--that was all, and, since the streets are admittedly noisy and dusty, they had taken a house in this genteel and convenient suburb. Of the tremendous life and force of things, miscalled man-made and inanimate, they had no faintest conception. Small wonder they went to bed betimes and slept a dreamless sleep! Thinking of which--notwithstanding their kindness and affection--they became, just now, to Iglesias as truly astonishing phenomena in their line as Sir Abel Barking in his. He saw in them merely specimens, though good ones, of the great majority of the British public, a public so overlaid and permeated by convention, so parochial in outlook, so hidebound by social tradition and insular prejudice, that it is really less in touch with everlasting fact than the animals it pets, demoralises, and eats. These at least have instinct, and so are at one with universal nature. In perception, in spontaneity of action, good Mrs. Lovegrove was as an infant compared to her parrot or her pug. So was little Mr. Farge with his sophisticated warblings--so, for that matter, were all the other persons among whom his, Iglesias', lot was cast. His sense of isolation deepened. If amusement was his object, most certainly the society of Trimmer's Green would not supply it. He must look further afield for all that.

In the far northwest the last of the sunset had faded; only the cloud remained. Yet the horizon, above the broken line of the house-roofs and chimney-pots, pulsed with light--the very earthly light which, in great cities, flares out when the light of heaven dies, to walk the streets, with much else of doubtful loveliness, till it is shamed by the cold chastity of dawn. And along with that outflaring, a certain meretricious element introduced itself into the aspect of Trimmer's Green. Across the roadway, the gaslamps showed cones of vivid yet sickly brightness, bringing at regular intervals the sharply indented leaves of the plane trees and the shivering silver of the balsam-poplars into an arresting and artificial distinctness. Between were spaces of vacancy and gloom. And from out such a space, immediately opposite, slowly emerged a shambling and ungainly figure, in which Dominic Iglesias recognised the third of his fellow-lodgers, Mr. de Courcy Smyth. His acquaintance with the said lodger was of the slightest, since the latter had but recently entered into residence and rarely appeared at meals. Mrs. Porcher habitually referred to him with a pitying respect as "a gentleman very influential in literary and professional circles, but unfortunate in his married life"; ending with a sigh and upward glance of her still fine eyes, as one who could sympathise, having herself been through that gate. Influential or not, it occurred to Iglesias that the man presented a sorry spectacle enough. For a minute or so he stood aimlessly in the full glare of a gaslamp. His thin, creasy Inverness cape was thrown back, displaying evening dress. He carried a soft grey felt hat in one hand. His whole aspect was seedy, disappointed, dejected; his face pale and puffy, his sparse reddish hair and beard but indifferently trimmed. It was borne in upon Iglesias, moreover, that the man was hungry, that he had not--and that for some time--had enough to eat. Voluntary poverty is among the most beautiful, involuntary poverty among the ugliest, sights upon earth; and to which order of poverty that of de Courcy Smyth belonged, Mr. Iglesias was in no doubt. This was a sordid sight, a sight of discouragement, adding the last touch to the melancholy which oppressed him. The seedy figure crossed the road, fumbled for a minute with a latchkey. Then nerveless footsteps ascended the stairs, passed the door, and took their joyless way up and onward to the bed-sitting-room immediately above.

Down below the music had ceased, while sounds arose suggestive of a little playfulness on the part of the two young men in bidding their hostess and Miss Eliza Hart good-night. Very soon the house became silent. But Dominic Iglesias, though tired, was in no humour for sleep. He drew forward a leather-covered armchair and sat near the open window, in at which came a breathing of night wind. This was soothing, touching his forehead as with delicate pressure of a cool and sympathetic hand; so that, without any sense of surprising transition, he found himself in the garden of the little house in Holland Street, Kensington, once again. The laburnum was in full blossom, and the breeze uplifted the light drooping branches of it, making all their golden glory dance in the sunshine. There must have been rain in the night, too, for the stone basin was full of water, in which the sparrows were busy washing, sending up tiny iridescent jets and fountains from their swiftly fluttering wings. It was delicious to Dominic. He felt very safe, very gay. Only a heavy ill-favoured tabby cat came from nowhere. It had designs upon the sparrows. Twice it climbed stealthily up the broken bricks and gas clinkers. Twice the little boy drove it away. It was not a nice cat. It had a broad white face, deceitful little eyes, and grey whiskers. It declared it only caught sparrows for their good and for the good of the community. It assured Dominic he was guilty of a grave error of judgment in attempting to interfere. It said a great deal about moral responsibility and the heavy obligations persons of wealth and position owe to themselves.

Just then Pascal Pelletier, carrying a square Huntley Palmer's biscuit tin, containing an infernal machine, under his arm, his angelic countenance radiant in the sunshine, came down the steps from the dining-room window. And, while Dominic ran to greet him, the cat crept back again--its face was the face of Sir Abel Barking, and it made a spring at the sparrows. But the pillar broke and the basin toppled over, pinning it, across the loins, down on to the clinkers under the edge of the stone lip.

"Oh! you've spoilt my garden, you've spoilt my garden!" Dominic cried. "The basin has fallen. The sparrows will never wash in it any more."

But Pascal Pelletier patted him on the head tenderly.

"Do not weep over the fallen basin, very dear one," he said. "Rather sing aloud Te Deum in praise of the glorious goddess of Social Revolution who has delivered the enemy of the people into our hands. This is no affair of cat and bird, but of the capitalist and the proletariat on which he battens. So for a little space let the unholy creature lie there writhing. Let it understand what it is to have a back broken by the weight of an impossible burden. Let it try vainly to drag its limbs from beneath an immovable load. Observe it, let it suffer. Very soon we will finish with it, and explode the iniquitous system it represents. See, in the name of humanity, of labour, of the unknown and unnumbered millions of the martyred poor, I set a match to this good little fuse, and, with the rapidity of thought, blow blasphemous tyrant Capital into a thousand fragments of reeking flesh and splintered bone!"

But to the little boy, words and spectacle alike had become unendurably painful.

"No, no, Pascal, you cannot cure everything that way. It is not just," he cried. And running forward with all his strength he lifted the stone basin off the wounded creature--cat, man, beast of prey, modern financier, be it what it might. He stopped to gather it up in his arms, and, repulsive though it was, to comfort and protect it. But just then came a thunderous rattle and crash knocking him senseless.

Mr. Iglesias sat bolt upright in his chair, uncertain of his identity and surroundings, shaken and bewildered.

Upstairs, de Courcy Smyth--spent and stupefied by the writing of a would-be smart critique on the first-night performance of a screaming farce, for one of to-morrow's evening papers--had stumbled, upsetting the fire-irons, as he slouched across his room to bed. Iglesias heard the creak of the wire-wove mattress as the man flung himself down; and that familiar sound restored his sense of actualities. Yet all his mood was changed and softened. The return to childhood had made a strange impression upon him, filling him with a great nostalgia for things apparently lost, but exquisite; and which, having once been, might, though he knew not by what conceivable alchemy of time or chance, once again be. Meanwhile, he must have slept long, for the wind had grown chill. The voice of London, the monstrous mother, had grown weak and intermittent. And the earthly light, pulsing along the horizon, had grown faint, humbled and chastened by the whiteness of approaching dawn.

A quarter-mile range of high unpainted oak paling, well seasoned, well carpentered, innocent of chink or shrinkage, impervious to the human eye. Visible above it the domed heads of enormous elm trees steeped in sunshine, rising towards the ample curve of the summer sky. At intervals, with tumultuous rush and scurry, the thud of the hoofs of unseen horses, galloping for all they are worth over grass. The suck and rub of breeches against saddle-flaps, the rattle of a curb chain or the rings of a bit. A call, a challenge, smothered exclamations. The long-drawn swish of the polo stick through the air, and the whack of the wooden head of it against ball, or ground, or something unluckily softer and more sentient. A pause, broken only by distant voices, and the sound, or rather sense, of men and horses in quiet and friendly movement; followed by the tumultuous rush and scurry, and all the moving incidents of the heard, yet unwitnessed, drama over again.

For here it was that gallant and costly game beloved of Oriental princes--rather baldly described to Mr. Iglesias yesterday by the driver of the Hammersmith 'bus as a "kind of hockey on horseback"--in very full swing no doubt. Only unfortunately Iglesias found himself on the wrong side of the palings. And, since he had learned, indirectly, from the observations of the monumental police-sergeant--directing the stream of carriages at the entrance gates--to other would-be spectators, that to the polo ground, as to so much else obviously desirable in this world, there is "no admission except by ticket," on the wrong side of these same palings he recognised he was fated to stay. It was a disappointment, not to say an annoyance. For he had come forth, in accordance with his determination, to make observations and inquiries regarding that same matter of amusement. And, since the influence of that which is to be acts upon us almost, if not quite, as strongly as the influence of that which has been, the handsome, eager countenance of young Alaric Barking and the graceful figure of his fair companion, as seen from the 'bustop, occurred very forcibly in this connection to Dominic Iglesias' mind. He would go forth and behold that which they had gone forth to behold. He would witness the sports of the well-born and rich. From these he elected, somewhat proudly, to take his first lessons in the fine art of amusement. So here he was; and here, too--very much here--were the palings, spelling failure and frustration of purpose.

Fortunately unwonted exercise and the pure invigorating atmosphere tended to generate placidity, and agreeable harmony of the mental and physical being. It followed that active annoyance was short-lived. For a minute or two Mr. Iglesias loitered, listening to the moving music of the unseen game. Then, walking onward to the end of the enclosure, where the palings turn away sharply at the left, he crossed the road and made for a wooden bench just there amiably presenting itself. It was pleasant to rest. The walk had been a long one; but it now appeared to him that the labour of it had not been wholly in vain. For around him stretched a breezy common, broken by straggling bramble and furze brakes, and dotted with hawthorn bushes, upon the topmost branches of which the crowded pinkish-white blossoms still lingered. From one to another small birds flitted with a pretty dipping flight, uttering quick detached notes as in merry question and answer. Through the rough turf the bracken pushed upward, uncurling sturdy croziers of brownish green. Away to the right, beyond the railway line, rose the densely wooded slopes of Roehampton and Sheen; while, against the purple-green gloom of them, the home signals of Barnes Station--hard white lines and angles tipped with scarlet and black--stood out in high relief like the gigantic characters of some strange alphabet. Down the wide road motors ground and snorted; and carriages moved slowly, two abreast, the menservants sitting at ease, talking and smoking while waiting to take up at the police-guarded gate, back there towards the heat and smoke of London, when the polo match should be played out.

But immediately London, the heat, and smoke, and raucous voice of it, seemed far enough away, the wholesome charm of the country very present. For a while Dominic Iglesias yielded himself up to it. Receptive, quiescent, contented, he basked in the sunshine, his mind vacant of definite thought. But for a while only. For as physical fatigue wore off, definite thought returned; and with it the sense of his own loneliness, the oppression of a future empty of work, the bitterness of this enhanced by the little disappointment he had lately suffered. He leaned forward, his hands clasped between his knees, looking at the bracken croziers pushing bravely upward through the rough turf to air and light. Even these blind and speechless things worked, in a sense, fulfilling the law of their existence. He went back on the dream of last night, on his own childhood, the happiness, yet haunting unspoken anxiety of it, his father's fanaticism, fierce revolutionary propaganda, and mysteriously uncertain fate.

But here his uncheerful meditations were broken in on by a voice, imperative in tone, yet perceptibly shaken by laughter.

"Cappadocia!" it called. "Cappadocia! Do you hear? Come here, you little reprobate."

Then Dominic Iglesias perceived that he had ceased to be sole occupant of the bench. A dog, a tiny toy spaniel, sat beside him. It sidled very close, gazing at him with foolishly prominent eyes. Its ears, black edged with tan, soft and lustrous as floss silk, hung down in long lappets on either side its minute and melancholy face. The tip of its red tongue just showed. It was abnormally self-conscious and solemn. It planted one fringed paw upon Iglesias' arm and it snored.

This time the voice broke in unmistakable merriment, wholly spontaneous, as of relief, even of mischievous triumph; and Mr. Iglesias, looking up, found himself confronted by a young woman. She advanced slowly, her trailing string-coloured lace skirts gathered up lazily in one hand. About her shoulders she wore a long blue-purple silk scarf, embroidered with dragons of peacock, and scarlet, and gold. These rather violent colours found repetition in the nasturtium leaves and flowers that crowned her lace hat, the wide brim of which was tied down with narrow strings of purple velvet, gipsy fashion, beneath her chin. Under her arm she carried another tiny spaniel, the creature's black morsel of a head peeping out quaintly from among the forms of the embroidered dragons, which last appeared to writhe, as in the heat of deadly conflict, as their wearer moved. Her face was in shadow owing to the breadth of the brim of her hat. Otherwise the sunshine embraced her whole figure, conferring on it a glittering yet singularly unsubstantial effect, as though a column of pale windswept dust were overlaid, here and there, with splendour of rich enamel.

And it was just this effect of something unsubstantial, in a way fictitious and out of relation to sober fact, which struck Dominic Iglesias, robbing him for the moment of his dignified courtesy. Frankly he stared at this appearance, so strangely at variance with the realities of his own melancholy thought. Meanwhile the little dog snuggled up yet closer against him.

"Yes--pray don't disturb yourself," the young lady went on volubly "It's too bad, I know, to intrude on you like this. But as Cappadocia refuses to come to me, it is clear I have to come after Cappadocia. It's simply disgraceful the way she carries on when one takes her out, making acquaintances like this, casually, all over the place. The maids flatly refuse to air her, even on a string. They say it becomes a little too compromising. But, as I explain to them, she's not a bit the modern woman. She belongs to a stage of social development when pretty people infinitely preferred being compromised to being squelched." The speaker laughed again quietly. "I'm not altogether sure they weren't right. When you are squelched, finished, done for, it matters precious little whether you've been compromised first or not. Don't you agree? Any way, Cappadocia's not going to be squelched if she can help it. She's horribly scared, or pretends to be, at motors. Let one toot and she forgets all her fine-lady manners, and just skips to anybody for protection. She'll take refuge in the most unconventional places to escape."

The part of wisdom, in face of this very forthcoming young person, would have been no doubt to arise and withdraw. But to Dominic Iglesias, just then, dogs, woman, conversation, were alike so remote and unreal, part merely of the scene which he had been contemplating, that he failed to take them seriously. Divorced from routine, he was divorced, in a way, from habitual modes of mind and conduct. He neither consented nor refused, but just let things happen, attaching little or no meaning to them. If this feminine being chose to prattle--well, let her do so. Really he did not care.

"I am not very modern myself," he said, with a shade of weariness. "So perhaps your small dog had some intuition of a kindred spirit when taking refuge with me."

As she spoke she raised her chin with a slightly impudent movement, thus bringing her countenance into the sunlight. For the first time Iglesias clearly saw her face. It was small, the features insignificant, the skin smooth and fine in texture, but sallow. Her hair, black and very massive, was puffed out and dressed low, hiding her ears. Her lips were rather positively red, and the tinge of colour on either cheek, though slight, was not wholly convincing in tone. Even to a person of Mr. Iglesias' praiseworthy limitation of experience in such matters, her face was vaguely suggestive of the footlights--would have been distinctly so but for her eyes. These were curiously at variance with the rest of her appearance. They belonged to a quite other order of woman, so to speak--a woman of finer physique, of higher intelligence, possibly of nobler purposes. They were arrestingly large in size, thereby helping to dwarf the proportions of her face. In colour they were a rather light warm hazel, with a slight film over both iris and pupil, and a noticeably bluish shade in the whites of them. In these last particulars they were like a baby's eyes; but very unlike in the reflective intensity of their observation as she fixed them upon Dominic Iglesias.

"Cappadocia may be a fool about motors," she remarked, "but she's uncommonly shrewd in reading character. She seems to like you, to have taken you on, don't you know; and she's generally right. So I'll sit down, please. Oh! no, no, come along now"--this as Mr. Iglesias rose and made a movement to depart--"why, dear man, the very point of the whole show is that you should sit down, too."

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