Read Ebook: The Court of the Empress Josephine by Imbert De Saint Amand Perry Thomas Sergeant Translator

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Napoleon and Josephine re-entered the Tuileries at half past six; the Pope at about seven. The Emperor, who was somewhat tired by all this ceremony, gladly resumed his modest uniform of Colonel of the Chasseurs of the Guard. He dined alone with Josephine, asking her to keep on her head the becoming diadem which she wore so gracefully. That evening he chatted pleasantly with the ladies-in-waiting, and praised the rich dresses they had worn in such splendor at Notre Dame; he said to them, laughing: "It's I who deserve the credit for your charming appearance." Then they looked out of the windows on the illuminated garden, the large flower-garden surrounded with porches covered with lights, the long alley adorned with shining colonnades, on the terraces of orange-trees all aglow, with a number of glasses of various colors on every tree, and finally on the Place de la Concorde, one blazing star. It was like a sea of flame.

THE DISTRIBUTION OF FLAGS.

The compliment of the marketmen and of their ladies ran thus: "I have reasoned it out with my wife that a house a thousand times as large as Notre Dame would not be able to hold all those who have reason to bless you." In the way of incense, nothing was too gross for the sovereign. One district said of Napoleon:--

"He received for us when God formed him, The arm of Romulus, the mind of Numa."

The Empress too was praised:--

"Spouse of the hero whom the universe regards, The Graces accompany you to the temple, Every one sees in your face the bounty Of which you distribute the gifts."

In allusion to her love of flowers this quatrain was composed:--

"Josephiniana! this is the new flower Whose beauty catches my eye. To join the laurels of Caesar Nothing less is needed than an immortal flower."

"Mounting one of the coursers of the proud Bellona, Mercury brings a crown from Olympus; The king of the gods sends it to the hero of the French As the reward of his success. Ye whom he guided a hundred times in the fields of glory, Phalanx of warriors, children of victory, Braving the impotent fury of the English, Sing Napoleon, sing your Emperor."

December 3 the public rejoicings organized by the government extended from the Place de la Concorde to the Arsenal. Heralds-at-arms walked through the city, distributing medals struck to commemorate the coronation. These medals bore on one side the head of the Emperor, his brow wearing the crown of the Caesars; on the other, the image of a magistrate, and of an ancient warrior, supporting on a buckler a crowned hero, wearing an Imperial mantle. Beneath was the inscription: "The Senate and the People."

At noon the Emperor and the Empress, followed by their suite, left the Tuileries in the order observed at the coronation, passed down the broad road, over the Pont Tournant, through the Place de la Concorde, to the Champ de Mars. Before their carriage rode the Chasseurs of the Guard and a squadron of Mamelukes; behind it came the mounted grenadiers and the chosen Legion. On reaching the Military School, Napoleon and Josephine received the compliments of the Diplomatic Body; then they put on their coronation robes, and took their place in the gallery in front of the building. As soon as the Emperor had seated himself on the throne, cannon were fired, drums beat, bands played. The deputations from the army, who were assembled in the Champ de Mars, formed in close columns and came forward. Then Napoleon arose and said in a loud voice: "Soldiers! These are your flags; these eagles will always be your rallying point; they will be wherever your Emperor may think necessary for the defence of his throne and of his people. You will swear to offer your life in their defence, and by your courage to keep them always on the path to victory. You swear it?" Officers and men replied: "We swear it!"

Alas! these flags were to be always on the path of honor, but not always on the path of victory, for victory is a female goddess and a fickle one. Against how many enemies these flags were to be defended, beneath scorching suns, under avalanches of ice and snow! What heroism, what miracles of bravery, were to be witnessed by these standards on many a battle-field! What fatigue, what suffering, what sacrifices, dangers, wounds, how many glorious deaths, what seas of blood, to come at last to the most lamentable disasters I Had the future been seen, those drums would have been draped in black. But the army imagined itself invincible. The thought of defeat would have called forth a smile of pity. Proud of itself, of its commander, it shouted with joy and pride as it passed before the throne.

A single incident disturbed this martial ceremony. Suddenly an unknown young man approached the Imperial gallery, and shouted: "Down with the Emperor! Liberty or death!" This ardent Republican was at once arrested. His voice had been lost in the music and clatter of arms.

The rain continued, and soon soaked through the canvas and stuffs sheltering the throne, The Empress was obliged to leave, with her daughter, who had recently given birth to a child. The other Princesses followed this example, with the exception of Madame Murat, who, although lightly clad, remained exposed to the showers. She said that she was learning how to endure the inevitable discomforts of the highest rank.

At five o'clock Napoleon and Josephine were once more at the Tuileries where a state dinner was given in the Gallery of Diana. In the middle of this gallery the table of the Emperor and the Empress was placed beneath a magnificent canopy, on a platform. The Empress sat there with the Emperor on the right and the Pope on her left. The high officers of the crown, as well as a colonel-general of the Guard and a prefect of the palace, remained standing near the Imperial table.

THE FESTIVITIES.

Napoleon set an example of luxury and elegance. Grand dinners, concerts, official entertainments succeeded one another with startling rapidity. Josephine, who was wildly fond of dress, was glad of an excuse to indulge her extravagant tastes. The Emperor's three sisters lived like real princesses, rivalling one another in magnificence. Princes Joseph and Louis displayed the pomp of future kings.

Almost all the women of the court were young and pretty. It would have been hard to confer on any one, to the exclusion of the rest, the palm of beauty. There were three who were especially distinguished: Madame Maret ; Madame Savary ; and Madame de Canisy . The last named had married M. de Canisy, the Emperor's equerry. Later, she got a divorce and married M. de Caulaincourt, Duke of Vicenza and Grand Equerry.

At Saint Helena Napoleon thus recounted the origin of this famous beauty: "Madame de Lom?ne, the Cardinal's niece, before being put to death in the Revolution, entrusted to Father Patrault her two young daughters. When the terror was over, Madame de Brienne, their aunt, who had weathered the storm and still possessed a large fortune, demanded them of Father Patrault, who refused to give them up for a long time, on the ground that their mother had urged him to bring them up as peasants." And Napoleon went on: "I was then General of the Army of the Interior; and was able to secure the return of the two children, though with some difficulty, for Patrault resisted in every way in his power. They were the women whom you afterwards knew as Madame de Marn?sia, and as the beautiful Madame de Canisy."

The Duchess of Abrant?s, in recalling the brilliant winter of 1804-5, says, in her Memoirs: "One especially impressive beauty, particularly in the ball-room, was Madame de Canisy, I have often compared her to a muse. It would be impossible for a single face to present a fuller combination of charms than hers: she possessed regular features, a delightful expression, an attractive smile; her hair was silky and glossy. Seldom have I seen anything more charming than Madames de Canisy, Maret, and Savary in entering a ball-room together,"

After the dinner there were magnificent fireworks. As the first rockets rose, a second cantata was sung. One of the pieces of fireworks represented a man-of-war with eighty guns: its decks, masts, sails, and rigging were represented by glowing lights. Another, which the Emperor himself set off, represented Mount Saint Bernard sending forth a volcanic eruption from snow-covered rocks. In the centre appeared the image of Napoleon at the head of his army, riding up the steep slope of the mountain.

"What charms! What majesty!"

Unanimous applause emphasized the allusions. Then on the President's invitation, Marshals Murat and Mass?na raised the veils that covered the statue, and all eyes beheld the figure of Napoleon, wearing on his brow a laurel wreath, in which were mingled oak and olive leaves. Later, at the time of his abdication at Fontainebleau, Napoleon expressed a regret that he had permitted his statue to be made during his lifetime.

Then M. de Vaublanc ascended the tribune, and made a speech full of extravagant praise; it ended thus: "You live, all of you, threatened by the perils of the times; you live, and you owe your life to him whose statue you behold. You return unfortunate exiles; you breathe once more the delicious air of your own country; you embrace your fathers, your children, your wives, your friends; all this you owe to him whose statue you behold. There is no longer any question of his glory; I say nothing about it; I invoke humanity on one side, gratitude on the other; I ask you to whom you are indebted for this great, extraordinary, unexpected good fortune. You all answer with me, It is to the great man whose statue you behold." Throughout the whole speech, a perfect masterpiece of official composition, adulation came in like a chorus. The President in his turn uttered a similar eulogy: "Very few at the time," says Constant, who describes this occasion, "found this praise extravagant; possibly their opinions have changed since then."

After the speeches, dinner was served to three hundred guests, followed by a magnificent ball. Though, in the middle of the winter, there was a great show of shrubs and flowers. The Halls of Lucretia and of the Reunion, in which there was dancing, were like one large bed of roses, laurels, lilacs, jonquils, lilies, and jasmine.

Besides all these entertainments there were the grand levees and concerts at the Tuileries. The Hall of the Marshals was an impressive sight on those evenings, filled, as it was, with young and pretty women, in gorgeous dresses, and with men resplendent with stars, epaulettes, feathered hats, and sword-belts set with diamonds. After the concert the company would go to the Gallery of Diana, where the supper-tables were set: that of the Empress, those of the Princesses, of the Lady of Honor, of the Lady of the Bedchamber, of the Ladles of the Palace. "All these tables," says the Duchess of Abrant?s, "were occupied by women with roses on their heads, and smiles on their lips, and often with tears in their eyes; for vanity, everywhere triumphant, holds its court especially at court. There, favor is everything, disgrace is everything. A chance word or glance of the Emperor or Empress is a blow and a serious one. What, then, must be the result of an invitation sent or withheld?"

THE ETIQUETTE OF THE IMPERIAL PALACE.

The court moved as smoothly as a well-drilled regiment. Napoleon would have shown no mercy to the slightest disregard of the rules he had himself drawn up after long meditation. The courtiers were expected to be as familiar with the code of etiquette as were the officers with the manual of arms. The Emperor noticed the minutest details, busied himself with everything, saw everything. There had been much more latitude at court under the old monarchy, and those of the old r?gime who entered the Emperor's court were soon wearied by the inflexible severity of its discipline. The court, moreover, was very splendid. The Faubourg Saint Germain brought to it its politeness and conversational charm. For his part, Napoleon speedily assumed the manners of a European sovereign, while preserving his martial character. He was at the same time Emperor and commander-in-chief. Yet the military element did not control his court; the civil element was more powerful there than in other European courts, the Russian, for example. Napoleon would never have suffered in his presence the faintest sign of the familiarity of the camp; every one who crossed the threshold of the Tuileries was compelled to preserve the manners, the bearing, the language of a courtier.

The levees and couchees of the sovereign were restored as in the time of the Bourbons; though under the monarchy they were real things, and a mere imitation under the Empire. These moments were not devoted to the petty details of toilette, but rather to receiving, morning and evening, those members of the civil and military household who had to receive his direct orders or enjoyed the right of "paying their court at these privileged hours." At Saint Helena, Napoleon boasted that at the Tuileries he had suppressed in the matter of etiquette "all that was real and commonplace, and had substituted what was merely nominal and decorative." "A king," he said, "is not a natural product; he is a result of civilization. He does not exist nakedly, but only when dressed."

Let us try to retrace the lines of etiquette as they existed in 1805, at the same time indicating the principal members of the Emperor's household and the nature of their duties. There were many separate duties, each under the control of a high officer of the Crown, with their provinces carefully defined and sedulously distinguished from one another. There were six high officers of the Crown; the Grand Almoner ; the Grand Marshal of the Palace ; the Grand Equerry ; the Grand Chamberlain ; the Grand Master of Ceremonies .

The colonels-general were: Marshal Davout, commanding the foot grenadiers; Marshal Soult, commanding the chasseurs-?-pieds; Marshal Bessi?res, commanding the cavalry; Marshal Mortier, commanding the artillery and sailors. These colonels-general of the Imperial Guard formed part of the Emperor's household, and enjoyed the prerogatives as the high officers of the Crown.

The Grand Almoner was the bishop of the court, wherever that might be. He gave the Emperor and his court a dispensation from fasting. He accompanied him to church ceremonies and gave him his prayer-book. At grand dinners he said grace. He set free the prisoners whom the Emperor pardoned on certain holy days.

The Grand Marshal of the palace had charge of the military command in the Imperial residences; of their maintenance, decoration, and furnishing; of the assignment of rooms, the supply of food, the heating, lights, silver, and livery. He commanded the detachments of the Imperial Guard on duty in the Imperial palaces. He gave orders to beat the reveill? and the tattoo, to open and shut the palace gates. When the Emperor was with the army, or travelling, he had to find him quarters. In 1805 the Grand Marshal's budget amounted to 2,338,167 francs. In 1806 it reached the sum of 2,770,841 francs. There were four tables in the palace,--that of the officers and ladies-in-waiting, that of the officers of the guard and the pages, that of the ladies who read to the Empress and introduced visitors.

The Grand Marshal had under his orders the prefects of the palace: M. de Lu?ay, M. de Bausset, and M. de Saint Didier. They had charge of the provisions, lighting, heating, the silver, and the liveries. They inspected the kitchens, pantries, cellars, and linen-closet to see that everything was in order. There was always one prefect of the palace on duty for a week at a time. He also carried word to the Emperor and the Empress when a meal was ready, conducted them to the table, and back to their rooms afterwards.

The Grand Marshal had also under his orders the governor of the palaces and the marshals; these last were charged with choosing apartments for the Emperor and the Empress, and quarters for their suite in the Imperial residences and on journeys. They had for assistants the quartermasters of the palace.

The Master of the Hounds had charge of all the coursing and hunting in the woods and forests belonging to the Crown.

The Grand Equerry looked after the stables, the pages, the couriers, and the Emperor's arms; he also had the supervision of the horses at Saint Cloud. He walked just before the Emperor when he came forth from his rooms to ride, gave him his whip, held his reins and the left stirrup. He was responsible for the good condition of the carriages, the intelligence and skill of the huntsmen, coachman, and the postilions, the safety and the training of the horses. In a procession, or on a journey, he was in the carriage just before the Emperor's. He accompanied the Emperor to the army, if the sovereign's horse was killed or disabled, it was his duty to pick the Emperor up and to offer him his own horse.

The Grand Equerry had four equerries under his orders: Colonels Durosnel, Defrance, Lefebvre, Vatier, and two equerries in ordinary, M. de Canisy and M. de Villoutrey. An equerry on duty always accompanied the Emperor, whether he was driving or riding. If the Emperor drove, the equerry on duty rode by the right-hand door of the carriage, unless the colonel- general on duty happened to be on horseback, in which case the equerry rode on the other side. The equerry on duty walked before the Emperor when he left or returned to his apartment; he never left the waiting-room during the day, and slept in the palace.

The pages, whose governor was General Gardane, were also under the orders of the Grand Equerry. They were appointed when between fourteen and sixteen, and held the position until they were eighteen. At grand dinners and in the apartments of honor, they waited on the Emperor and Empress, and on the Princes and Princesses. When the Emperor rode out, one followed on horseback; if he drove, the page got up behind the carriage. When the sovereign went forth in his state-coach, as many pages as possible clambered up behind it and upon the box by the side of the coachman. At receptions, and on days when mass was said, there were eight pages on duty. They stood in a row when the Emperor returned to his apartment, and walked before him when he left it. If the Emperor had not returned to the palace by nightfall, the pages would wait at the entrance-door to walk before him, carrying lights. The pages, too, served as messengers, and when they carried letters of the Emperor, the doors were thrown wide open before them.

The impression produced by the pages, when they were first on duty at the Tuileries in 1804, is thus described by a contemporary: "They have been much noticed, especially in the evening, by the ladies. The fact is, they are all good-looking boys, particularly the oldest; they have good figures and wear a new and becoming uniform, and since they are in the service of a severe master, and of a most kind and indulgent mistress, they have to be very attentive and considerate. Their full dress differs from livery only by the lace of their coat which imitates embroidery, by the knot on their left shoulder, and by the lace frill above their waistcoat, Besides, in full dress they wear, like footmen, a green coat with all the seams laced with gold, gold shoe-buckles, a hat with a white feather, but they have no sword. Perhaps this is well, for they would be playing with it. They have all been chosen among the sons of generals of divisions and of high dignitaries of the Empire."

At Saint Helena Napoleon said, speaking of the pages and the Imperial stables: "The Emperor's stables cost him three million francs; the horses cost three thousand francs apiece per year. A page, from six to eight thousand francs; this last was perhaps the heaviest expense of the palace; but there was every reason to be satisfied with the education they received, and with the care taken with them. All the first families of the Empire sought to get the places for their sons; and they were right."

The Grand Chamberlain had charge of all the honors of the palace, the regular audiences, the oaths taken in the Emperor's study, the admissions, the levees and couchees, the festivities, receptions, theatrical performances, the music, the boxes of the Emperor and Empress at the different theatres, the Emperor's wardrobe, his library; he also looked after the ushers and valets de chambre.

The chamberlain on duty was called the chamberlain of the day. At the palace there were always two chamberlains of the day, one for the grand apartment, the other for the Emperor's apartment of honor. They were relieved every week. The principal duties of the chamberlains were to have charge of introductions to the Emperor, to give orders to the ushers and valets de chambre, to see that the orders about the receptions were carried out, and to attend upon the sovereign's levees and couchees.

Either a chamberlain or one of the Emperor's aides-de-camp served as Master of the Wardrobe. He had charge of the clothes, the linen, the lace, the boots and shoes, and of the ribbons of the Legion of Honor. If he assisted at the Emperor's toilet, he had to hand him his coat, fasten his ribbon or collar, give him his sword, hat, and gloves, in the Grand Chamberlain's absence.

The Grand Master of Ceremonies determined questions of rank and precedence, drew up and enforced the rules for public, formal ceremonies, for the reception of sovereigns and hereditary princes, and, foreign ambassadors and ministers.

The colonels-general of the Imperial Guard and the Emperor's aides also made part of the household.

At ceremonies when the Emperor was in his state-coach, there were two colonels-general of the Guard at the left door. When he rode, all four followed close behind. The Grand Equerry, or his substitute, had a place among them.

The colonel-general on duty received directly the Emperor's orders relative to the different requirements of the Imperial Guard, and transmitted them directly to the other colonels-general. He was quartered in the palace, in preference to any other officer of the Crown, and as near as possible to the Emperor's apartment, whether at the residence or when travelling. In the field he slept in the Emperor's tent.

Napoleon had twelve aides-de-camp. The one on duty was called the aide-de- camp of the day, He always had a horse saddled or a carriage harnessed ready in the stable, to carry any messages the Emperor might give. As soon as the Emperor had gone to bed, the aide-de-camp on duty was especially entrusted with guarding him, and he slept in an adjoining room. In the field the Emperor's aides served as chamberlains.

The old Republicans of 1796, who used to denounce kings, "drunk with blood and pride," would not have readily recognized their old general under the golden canopies of the Tuileries, where he dined in state. His table stood on a platform, beneath a canopy, and there were two chairs, one for himself, the other for the Empress. As he entered the banquet-hall, he was preceded by a swarm of pages, masters-of-ceremonies, and prefects of the palace; he was followed by the colonel-general on duty, the Grand Chamberlain, the Grand Equerry, and the Grand Almoner. The Grand Almoner advanced to the table and blessed the dinner. A general of division, the Grand Equerry Caulaincourt, offered a chair to Bonaparte. Another general of division, Duroc, the Grand Marshal of the Palace, handed him his napkin and poured out his wine. Not merely high dignitaries, but the Princes of the Empire themselves, deemed it an honor to wait upon him as servants. If a Prince of the Imperial family happened to be in the Emperor's room, any article of dress that he asked for was given by the chamberlain-in-waiting to the Prince, and by the Prince to the Emperor. The time of the Sun King seemed to have returned.

The Imperial apartment at the Tuileries consisted of two distinct parts, the grand state apartments and the Emperor's private apartment. The state apartment contained the following rooms: 1, a concert hall ; 2, a first drawing-room ; 3, a second drawing-room ; 4, a throne room; 5, a drawing-room of the Emperor ; 6, a gallery . The private apartment was itself composed of the apartment of honor, containing a hall of the guards and a first and second drawing-room, and an interior apartment containing a bedroom, a study, an office, and topographic bureau. The ushers had charge of the apartment of honor; the valets de chambre of the other. A rigid etiquette determined the right of entrance into the different rooms composing the state apartment, according to a carefully studied system. The pages were authorized to enter the Hall of the Marshals; members of the household of the Emperor and Empress could enter the first and second drawing-rooms; the Princes and Princesses of the Imperial family, the high officers of the Crown, the presidents of the great bodies of the state, had admission to the throne room. Men and women had to bow to the throne whenever they passed it. The Emperor and the Empress alone had the right of entering the Emperor's drawing-room. No one else could go in except by the Emperor's summons.

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