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PREFATORY NOTE

PREFATORY NOTE

The following story, the first published by the author, was written nineteen years ago, at a time when he was feeling his way to a method. The principles observed in its composition are, no doubt, too exclusively those in which mystery, entanglement, surprise, and moral obliquity are depended on for exciting interest; but some of the scenes, and at least one of the characters, have been deemed not unworthy of a little longer preservation; and as they could hardly be reproduced in a fragmentary form the novel is reissued complete--the more readily that it has for some considerable time been reprinted and widely circulated in America. January 1889.

To the foregoing note I have only to add that, in the present edition of 'Desperate Remedies,' some Wessex towns and other places that are common to the scenes of several of these stories have been called for the first time by the names under which they appear elsewhere, for the satisfaction of any reader who may care for consistency in such matters.

This is the only material change; for, as it happened that certain characteristics which provoked most discussion in my latest story were present in this my first--published in 1871, when there was no French name for them it has seemed best to let them stand unaltered.

T.H. February 1896.

In the long and intricately inwrought chain of circumstance which renders worthy of record some experiences of Cytherea Graye, Edward Springrove, and others, the first event directly influencing the issue was a Christmas visit.

In the above-mentioned year, 1835, Ambrose Graye, a young architect who had just begun the practice of his profession in the midland town of Hocbridge, to the north of Christminster, went to London to spend the Christmas holidays with a friend who lived in Bloomsbury. They had gone up to Cambridge in the same year, and, after graduating together, Huntway, the friend, had taken orders.

Graye was handsome, frank, and gentle. He had a quality of thought which, exercised on homeliness, was humour; on nature, picturesqueness; on abstractions, poetry. Being, as a rule, broadcast, it was all three.

Of the wickedness of the world he was too forgetful. To discover evil in a new friend is to most people only an additional experience: to him it was ever a surprise.

While in London he became acquainted with a retired officer in the Navy named Bradleigh, who, with his wife and their daughter, lived in a street not far from Russell Square. Though they were in no more than comfortable circumstances, the captain's wife came of an ancient family whose genealogical tree was interlaced with some of the most illustrious and well-known in the kingdom.

The young lady, their daughter, seemed to Graye by far the most beautiful and queenly being he had ever beheld. She was about nineteen or twenty, and her name was Cytherea. In truth she was not so very unlike country girls of that type of beauty, except in one respect. She was perfect in her manner and bearing, and they were not. A mere distinguishing peculiarity, by catching the eye, is often read as the pervading characteristic, and she appeared to him no less than perfection throughout--transcending her rural rivals in very nature. Graye did a thing the blissfulness of which was only eclipsed by its hazardousness. He loved her at first sight.


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