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THE MIRROR OF LITERATURE, AMUSEMENT, AND INSTRUCTION.

AUTOGRAPHS.

It is long since our pages were illustrated with such characteristic lineaments as those on the opposite page. The reader will, however, perceive that we have not entirely forgotten the quaint motto from Shenstone, in our earlier volumes--

"I want to see Mrs. Jago's handwriting, that I may judge of her temper."

D. STEWART:--"General Stewart of Garth, a free, bold, military hand; his signature is taken from a letter complimenting in high terms Mr. Chambers's History of the Rebellion of 1745."

ALLAN CUNNINGHAM:--an easy flow of tasteful handwriting. "Allan Cunningham," observes the reviewer, "has raised himself like Hogg; but, instead of the plough, he has handled the chisel; and there is in his constitution an inherent love of the fine arts, which brings his thoughts into more grateful channels. We are well aware that there is a warmth and breadth of character about Cunningham which mark 'the large-soul'd Scot;' but looking forward to his forthcoming Lives of the British Painters, Sculptors, and Architects, we do not conceive this to be in the least inconsistent with the easy flow of his tasteful handwriting."

F. HEMANS: "the very hand--fair, small, and beautifully feminine--in which should be embodied her gentle breathings of household love, her songs of the domestic affections, and all her lays of silvery sweetness and soft-breathing tenderness."

F. LEVESON GOWER, the distinguished translator of Go?the's Faust.

H. BROUGHAM: "a good deal like his own style of oratory--impressive and energetic, but not very polished." We question the last; but, be this as it may, polish is only desirable so long as it does not impair truth and utility. Plain-speaking has been the best rule of conduct for public men in all ages.

BASIL HALL: the observant traveller and very ingenious writer.

JOHN WILSON ; and beneath, F. JEFFREY , who took his seat in Parliament not many days since.--"These are two names which stand at the head of the periodical literature of Scotland. The periodical writer must have a ready command of his pen and a versatile genius; he must be able to pass quickly from one subject to another; and instead of devoting himself to one continuous train of thought, he must have a mind whose quick perception and comprehensive grasp enable him to grapple with a thousand. See how this applies to the handwriting of Jeffrey and of Wilson. The style of both signatures implies a quick and careless motion of the hand, as if the writer was working against time, and was much more anxious to get his ideas sent to the printer, than to cover his paper with elegant penmanship. There is an evident similarity in the fashion of the two hands--only Mr. Jeffrey, being much inferior to the Professor in point of physical size and strength, naturally enough delights in a pen with a finer point, and writes therefore a lighter and more scratchy hand than the author of 'Lights and Shadows.' It will add to the interest of Mr. Jeffrey's autograph to know that, as his hand is not at all altered, we have preferred, as a matter of curiosity, to engrave a signature of his which is twenty-three years old, being taken from a letter bearing date 1806."

W. WORDSWORTH: "a good hand, more worthy of the author of the best parts of 'The Excursion,' than of the puerilities of many of the Lyrical Ballads."


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