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THE OLD HELMET.

IN TWO VOLUMES

LEIPZIG

BERNHARD TAUCHNITZ

NOTE TO THE READER.

The incidents and testimonies given in this work as matters of fact, are not drawn from imagination, but reported from excellent authority--though I have used my own words. And in the cases of reported words of third parties, the words stand unchanged, without any meddling.

THE OLD HELMET.

THE RUINS.

"She look'd and saw that all was ruinous, Here stood a shattered archway plumed with fern; And here had fall'n a great part of a tower, Whole, like a crag that tumbles from the cliff, And like a crag was gay with wilding flowers, And high above a piece of turret stair, Worn by the feet that now were silent, Bare to the sun."

The first thing noticeable is a gleam of white teeth. Now that is a pleasant thing generally; yet its pleasantness depends, after all, upon the way the lips part over the ivory. There is a world of character discoverable in the curve of those soft lines. In the present case, that of a lady, as it is undoubtedly the very first thing you notice, the matter must be investigated. The mouth is rather large, with well cut lips however; and in the smile which comes not infrequently, the lips part freely and frankly, though not too far, over a wealth of white, beautiful teeth. So free is the curve of the upper lip, and so ready its revelation of the treasures beneath, that there is an instant suspicion of a certain frankness and daring, and perhaps of a little mischief, on the part of their possessor; so free, at the same time, as to forbid the least notion of consciousness or design in that beautiful revelation. But how fine and full and regular are those white treasures of hers! seeming to speak for a strong and perfect physical organisation; and if your eye goes further, for her flat hat is on the ground, you will see in the bountiful rich head of hair another token of the same thing. Her figure is finely developed; her colour clear and healthy; not blonde; the full-brown hair and eyes agree with the notion of a nature more lively than we assign to the other extreme of complexion. The features are not those of a beauty, though better than that, perhaps; there is a world of life and sense and spirit in them.

A word must be given to the place where they are. It is a little paradise. If the view is not very extended, it is rich in its parts; and the eye and the mind are filled. The grass is shaven smooth on the bank where the two are sitting; so it is all around, under trees which stand with wilful wildness of luxuriance, grouped and scattered apparently as they would. They are very old, in several varieties of kind, and in the perfect development and thrift of each kind. Among them are the ruins of an old priory. They peep forth here and there from the trees. One broken tower stands free, with ivy masking its sides and crumbling top, and stains of weather and the hues of lichen and moss enriching what was once its plain grey colour. Other portions of the ruins are seen by glimpses further on among the trees. Standing somewhat off by itself, yet encompassed by the congeners of those same trees, almost swallowed up among them, is a comfortable, picturesque little building, not in ruins; though it has been built up from the ruins. It is the parsonage, where the rector of the parish lives. Beyond this wood and these buildings, old and new, the eye can catch only bits of hills and woods that promise beauty further on; but nearer than they, and making a boundary line between the present and the distant, the flash of a little river is seen, which curves about the old priory lands. A somewhat doubtful sunlight is struggling over it all; casting a stray beam on the grass, and a light on the ivy of the old tower.

"What a queer old place it must have been," said Eleanor.


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