: The Betrothed From the Italian of Alessandro Manzoni by Manzoni Alessandro - Historical fiction; Plague Fiction; Italian fiction Translations into English; Milan (Italy) Fiction; Italy History 1559-1789 Fiction

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rs them, as by so doing he saves the honour of his authority. Indeed, he does not drop a word nor risk a gesture, of which he has not previously weighed the consequences. So that by calculation and foresight, he is prepared for all, except the performance of duty under circumstances of peril and difficulty; to this he closes his ears and his eyes, and thus compromises with the world and his conscience.

And here, let us add, that if any of our readers discover, in this character, the intention, or even the possibility, of an application injurious to religion, they understand but little the mind of the author, which is constantly animated by the most ardent faith, and imbued, we may say, with its highest inspirations. The curate Abbondio appears before us chiefly to give greater relief to the sublime figures of the friar Christopher, and the holy archbishop of Milan, and to furnish materials for scenes between these three characters, where the weakness, the cowardice, and the selfishness of the one serves to brighten, by contrast, the courage, devotion, and heroism of the others. It is an eminently philosophical conception to portray three men entering the priesthood from such different motives, in the course of their long lives, disclosing faithfully in their actions, the sources of their primitive choice. A lesson indeed! from which we may learn what religion can do with men, when they obey its laws and devote themselves to its service, and what men can do with religion, when they subject it to their caprices, or prostitute it to their interests.

But it is in the conversion of the formidable Unknown, that religion appears in all its power, and its pontiff in all the majesty of his benevolence. The interview between these two persons, the one the terror, the other the beloved of his country; the proud criminal humbling himself before the most humble of the just; the former preserving in his profound humiliation the traces of his habitual wickedness and pride, and the latter, with humility equally profound, the majestic authority of unsullied virtue. This scene, conceived and executed with equal genius, combines within itself the deepest interest, and the highest beauty.

As an illustration of the ingenuity and discernment of the author, we will offer one remark further; he has placed before us two wicked men; the one a subaltern robber, a libertine of the second rank, a swaggerer in debauch, vainer of his vices than jealous of his pleasures. The other a superior genius, who has measured how far man could descend in crime, and himself reached its depths, where he governs human corruption as its sovereign, committing no act of violence without leaving the impression of his unlimited power and inexorable will. One of these is to be converted; which will it be? The least guilty? No; coward in vice, where would he find courage to repent? He will die hardened and impenitent. It is the grand criminal who will be drawn from the abyss, for he has descended into it with all his power, and it will need a repentance proportioned to the measure of his iniquities to restore him to the favour of his God. There is evinced in this developement, great knowledge of the human heart, and a very striking revelation of the mysterious dealings of a just and compassionate God.

We find the same sagacity of observation in other parts of the work; it appears under an altogether original form in the episode of Gertrude; irresistibly conducted to the cloister, notwithstanding her insurmountable repugnance, when she could by a single word free herself from such a condemnation, dooming her own self to a sacrifice she detests; yielding without having been conquered; the slave of her very liberty, and the victim to a voluntary fatality! It is not in a rapid sketch that we can give an idea of this singular and altogether novel character. To appreciate its excellence, we must give an attentive perusal.

But Alessandro Manzoni is not only a skilful painter of individual portraits, he excels also in grand historical representations. In that of the plague at Milan, and the famine preceding it, his manner becomes bolder, his touch more free and majestic, without, however, losing any of its exquisite delicacy. When he represents an entire people rebelling against hunger, or vanquished by disease and death, we deeply feel the horror of the picture, at the same time that an occasional smile is elicited by the comic genius of the artist, which exercises itself even amidst the agonies of famine and pestilence, so that, through the grand design of the exhibition, the delicate touches of the pencil are still visible, and individual character perceptible through the very depths of bold and general description; it is Van Dyck painting on the reverse of one of Michael Angelo's pictures.

THE BETROTHED.

Towards evening, on the 7th day of November, 1628, Don Abbondio, curate of one of the villages before alluded to , was returning slowly towards his home, by one of these pathways. He was repeating quietly his office; in the pauses of which he held his closed breviary in his hand behind his back; and as he went, with his foot he cast listlessly against the wall the stones that happened to impede his path; at the same time giving admittance to the idle thoughts that tempted the spirit, while the lips of the worthy man were mechanically performing their function; then raising his head and gazing idly around him, he fixed his eyes upon a mountain summit, where the rays of the setting sun, breaking through the openings of an opposite ridge, illumined its projecting masses, which appeared like large and variously shaped spots of purple light. He then opened anew his breviary, and recited another portion at an angle of the lane, after which angle the road continued straight for perhaps seventy paces, and then branched like the letter Y into two narrow paths; the right-hand one ascended towards the mountain, and led to the parsonage ; that on the left descended the valley towards a torrent, and on this side the wall rose out to the height of about two feet. The inner walls of the two narrow paths, instead of meeting at the angle, ended in a little chapel, upon which were depicted certain long, sinuous, pointed shapes, which, in the intention of the artist, and to the eyes of the neighbouring inhabitants, represented flames, and amidst these flames certain other forms, not to be described, that were meant for souls in purgatory; souls and flames of a brick colour, upon a ground of blackish grey, with here and there a bare spot of plaster. The curate, having turned the corner, directed, as was his wont, a look toward the little chapel, and there beheld what he little expected, and would not have desired to see. At the confluence, if we may so call it, of the two narrow lanes, there were two men: one of them sitting astride the low wall; his companion leaning against it, with his arms folded on his breast. The dress, the bearing, and what the curate could distinguish of the countenance of these men, left no doubt as to their profession. They wore upon their heads a green network, which, falling on the left shoulder, ended in a large tassel, from under which appeared upon the forehead an enormous lock of hair. Their mustachios were long, and curled at the extremities; the margin of their doublets confined by a belt of polished leather, from which were suspended, by hooks, two pistols; a little powder-horn hung like a locket on the breast; on the right-hand side of the wide and ample breeches was a pocket, out of which projected the handle of a knife, and on the other side they bore a long sword, of which the great hollow hilt was formed of bright plates of brass, combined into a cypher: by these characteristics they were, at a glance, recognised as individuals of the class of bravoes.

This species, now entirely extinct, flourished greatly at that time in Lombardy. For those who have no knowledge of it, the following are a few authentic records, that may suffice to impart an idea of its principal characteristics, of the vigorous efforts made to extirpate it, and of its obstinate and rank vitality.

One would suppose that at the sound of such denunciations from so powerful a source, all the bravoes must have disappeared for ever. But testimony, of no less authority, obliges us to believe directly the reverse. This testimony is the most illustrious and most excellent lord Juan Fernandez de Velasco, Constable of Castile, High Chamberlain of His Majesty, Duke of the city of Freas, Count of Haro and Castelnuovo, Lord of the house of Velasco, and of that of the Seven Infanti of Lara, Governor of the State of Milan, &c. On the 5th of June, 1593, he also, fully informed "how great an injury to the common weal, and how insulting to justice, is the existence of such a class of men," requires them anew to quit the country within six days, repeating very nearly the same threats and injunctions as his predecessor. On the 23d of May, then, 1598, "having learnt, with no little displeasure, that the number of bravoes and vagabonds is increasing daily in this state and city, and that nothing is heard of them but wounds, murders, robberies, and every other crime, to the commission of which these bravoes are encouraged by the confidence that they will be sustained by their chiefs and abettors," he prescribes again the same remedies, increasing the dose, as is usual in obstinate disorders. "Let every one, then," he concludes, "carefully beware that he do not, in any wise, contravene this edict; since, in place of experiencing the mercy of His Excellency, he shall prove his rigour and his wrath--he being resolved and determined that this shall be a final and peremptory warning."

But this again did not suffice; and the illustrious and most excellent lord, the Signor Don Pietro Enriquez de Acevedo, Count of Fuentes, Captain and Governor of the State of Milan, "fully informed of the wretched condition of this city and state, in consequence of the great number of bravoes that abound therein, and resolved wholly to extirpate them," publishes, on the 5th of December, 1600, a new decree, full of the most rigorous provisions, and "with firm purpose that in all rigour, and without hope of remission, they shall be wholly carried into execution."

Nor was this the last publication; but of those that follow, as of matters not falling within the period of our history, we do not think it proper to make mention. The only one of them to which we shall refer, is that of the 13th day of February, 1632, in which the most illustrious and most excellent lord, the Duke of Feria, for the second time governor, informs us, "that the greatest and most heinous crimes are perpetrated by those styled bravoes." This will suffice to prove that, at the time of which we treat, the bravoes still existed.

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