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PART ONE The Major Cord

PART TWO The Threatened Rift

PART THREE The Dwindling Melody

PART FOUR The End of the Song

PART ONE

THE MAJOR CHORD

Thomas Cranmer began a hesitating speech. In the pause after the words the King himself hesitated, as if he poised between a heavy rage and a sardonic humour. He deemed, however, that the humour could the more terrify the Archbishop--and, indeed, he was so much upon the joyous side in those summer days that he had forgotten how to browbeat.

Cranmer's eyes had always the expression of a man's who looked at approaching calamity, but at the King's words his whole face, his closed lips, his brows, the lines from his round nose, all drooped suddenly downwards.

The downward lines fixed themselves, and from amongst them the panic-stricken eyes made a dumb appeal to the griffins and crowns of his dark green hangings, for they were afraid to turn to the King. Henry retained his heavy look of jocularity: he jumped at a weighty gibe--

'My Grace will have thy Grace write a letter to his Holiness.'

He dropped into a heavy impassivity, rolled his eyes, fluttered his swollen fingers on the red and gilded table, and then said clearly, 'My. Thy. His.'

When he was in that mood he spoke with a singular distinctness that came up from his husky and ordinary joviality like something dire and terrible--like that something that upon a clear smooth day will suggest to you suddenly the cruelty that lies always hidden in the limpid sea.


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